THE LAST VOYAGE OF THE “MAID OF
ATHENS”
OLD Thomas Featherstone was dead: he was also buried.
The knot of frowsy females—that strange and ghoulish sisterhood which frequents such dismal spots as faithfully as dramatic critics the first nights of theatres—who stood monotonously rocking perambulators on their back wheels outside the cemetery gates, were unanimously of opinion that it had been a skinny show. Indeed, Mrs. Wilkins, who was by way of considering herself what reporters like to call the “doyenne” of the gathering, said as much by way of consolation to her special crony Mrs. Pettefer, coming up hot and breathless, five minutes too late for the afternoon’s entertainment.
“No flars” (thus Mrs. Wilkins), “not one! Not so much as a w’ite chrysant’! You ’aven’t missed much, me dear, I tell you.”
Mrs. Pettefer, her hand to her heaving bosom, said there was some called it waste, to be sure, but she did like to see flars ’erself.
“You’d otter’ave seen ’em when they buried the lickle girl yesterday,” pursued Mrs. Wilkins.
“I was put out, missin’ that, but there, I ’ad to take ar Florence to the ’orspittle for ’er aneroids,” sighed Mrs. Pettefer, glancing malevolently at “ar Florence” as if she would gladly have buried her, without flars, too, by way of paying her out. “I do love a lickle child’s fruneral.”
“Mask o’ flars, the corfin was,” went on Mrs. Wilkins. “The harum lilies was lovely. And one big reaf like an ’arp. W’ite ribbinks on the ’orses, an’ all....”
The connoisseurs in grief dispersed. The driver of the hearse replaced the black gloves of ceremony by the woollen ones of comfort, for the day was raw and promised fog later: pulled out a short clay and lit it, climbed to his box and, whipping up his horses (bays with black points—“none of your damned prancing Belgians for me,” had been one of Old Featherstone’s last injunctions), set off at a brisk trot, he to tea and onions over the stables, they to the pleasant warmth of their stalls and their waiting oats and hay. Four of old Thomas’s nearest relatives piled into the first carriage, four more of his remoter kindred into the second, and the lawyer—Hobbs, Senior, of Hobbs, Keating & Hobbs, of Chancery Lane—who had lingered behind to settle accounts with the officiating clergyman, came hurrying down the path between ranks of tombstones, glimmering pale and ghostly in the greying November afternoon, to make up a mixed bag in the third and last with Captain David Broughton, master of the deceased’s ship “Maid of Athens,” and Mr. Jenkinson, the managing clerk from the office in Billiter Square.
The lawyer was a small, spare man, halting a little from sciatica. Given a pepper-and-salt coat with wide tails, and a straw in his mouth, he would have filled the part of a racing tipster to perfection; but in his sombre funeral array, with his knowing, birdlike way of holding his head, and his sharp, darting, observant glance, he resembled nothing so much as a lame starling; and he chattered like a starling, too, as the carriage rattled away in the wake of the others through the darkening streets towards the respectable northern suburb where old Featherstone had lived and died.
“Sorry to keep you waiting, gentlemen,” he said, settling himself in his place as the coachman slammed the door on the party. “Well, well ... everything’s passed off very nicely, don’t you think?”
Both Captain Broughton and Mr. Jenkinson, after due consideration, agreed that “it” had passed off very nicely indeed; though, to be sure, it would be hard to say precisely what conceivable circumstance might have occurred to make it do otherwise.
Little Jenkinson sat with his back to the horses. He was the kind of person who sits with his back to the horses all through life: the kind of neat, punctual little man to be found in its thousands in the business offices of the City. He carried, as it were, a perpetual pen behind his ear. A clerk to his finger-tips—say that of him, and you have said all; unless perhaps that in private life he was very likely a bit of a domestic tyrant in some brick box of a semi-detached villa Tooting or Balham way, who ran his finger along the sideboard every morning to see if his wife had dusted it properly.
Captain Broughton sat stiffly erect in the opposite corner of the carriage, with its musty aroma of essence-of-funerals—that indescribable blend of new black clothes and moth-balls and damp horsehair and smelling salts and faded flowers. His square hands, cramped into unaccustomed black kid gloves which already showed a white split across the knuckles, lay awkwardly, palms uppermost, on his knees. “Damn the things,” he said to himself for the fiftieth time, contemplating their empty finger-tips, sticking out flat as the ends of half-filled pea-pods, “why don’t they make ’em so that a man can get his hands into ’em?”
A square-set man, a shade under medium height, with a neat beard, once fair, now faded to a sandy grey, and eyes of the clear ice-blue which suggested a Scandinavian ancestry, he carried his sixty-odd years well. A typical shipmaster, one would say at a first glance: a steady man, a safe man, from whom nothing unexpected need be looked for, one way or the other. And then, perhaps, those ice-blue eyes would give you pause, and the thought would cross your mind that there might be certain circumstances in which the owner of those eyes might conceivably become no longer a safe and steady quantity, but an unknown and even an uncomfortable one.
“Don’t mind admitting I’m glad it’s over,” rattled on the little lawyer; “depressing affairs, these funerals, to my thinking. Horrible. Good for business, though—our business and doctors’ business, what! More people get their death through attendin’ other people’s funerals than one likes to think of. It’s the standing, you know. That’s what does it. Standing on damp ground. Nothing worse—nothing! And then no hats. That’s where our friends the Jews have the pull of us Gentiles—eh, Mr. Jenkinson? If a Jew wants to show respect, he keeps his hat on. Curious, ain’t it? Ever hear the story about the feller—Spurgeon, was it—or Dr. Parker—Spurgeon, I think—one or t’other of ’em, anyway, don’t much matter, really—and the two fellers that kept their hats on while he was preachin’? ‘If I were to go to a synagogue,’ says Spurgeon—yes, I’m pretty sure it was Spurgeon—‘if I went to a synagogue,’ says he, ‘I should keep my hat on; and therefore I should be glad if those two young Jews in the back of the church would take theirs off in my synagogue’—ha ha ha—good, wasn’t it?...
“And talking about getting cold at funerals, I’ll let you into a little secret. I always wear an extra singlet, myself, for funerals. Yes; and a body belt. Got ’em on now. Fact. My wife laughs at me. But I say, ‘Oh, you may laugh, my dear, but you’d laugh the other side of your face if I came home with lumbago and you had to sit up half the night ironing my back.’ Ever try that for lumbago? A common flat iron—you know. Hot as you can bear it. Best thing going—ab-so-lutely....”
He paused while he rubbed a clear place in the windows which their breath had misted and peered out like a child going to a party.
“Nearly there, I think,” he went on. “Between ourselves, I think the old gentleman’s going to cut up remarkably well. Six figures, I shouldn’t wonder. Not a bit, I shouldn’t.... A shrewd man, Captain Broughton, don’t you agree?”
Captain Broughton in his dark corner made a vague noise which might be taken to indicate that he did agree. Not that it mattered, really, whether he agreed or not. The little lawyer was one of those people who was so fond of hearing his own voice that he never even noticed if anyone was listening to him; which was all to the good when you were feverishly busy with your own thoughts.
“Ah, yes,” he resumed, “a very shrewd, capable man of business! Saw the way things were going in the shipping world and got out in time. ‘The sailing ship is done’ (those were his very words to me). ‘If I’d been thirty years younger I’d have started a fleet of steam kettles with the best of ’em. But not now—not at my time of life. You can’t teach an old dog new tricks.’ Those were his very words....
“Ah, ha, here we are at last! Between ourselves, a glass o’ the old gentleman’s port won’t come amiss. Fine cellar he kept—fine cellar! ‘I don’t go in for a lot of show, Hobbs,’ I remember him saying once, ‘but I like what I have good....’”
Old Featherstone’s home was a dull, ugly, solid, inconvenient Victorian house in a dull crescent of similar houses. It stands there still—it has been more fortunate than Featherstone’s Wharf in Limehouse and the little dark office in Billiter Square with “T. Featherstone” on its dusty wire blinds and the half model of the “Parisina” facing you as you went in. They are gone; but the house I saw only the other day—its rhododendrons perhaps a shade dingier, a trifle more straggly, and “bright young society” (for the place is a select boarding establishment for City gents nowadays) gyrating to the blare of a loudspeaker in what was aforetime old Thomas Featherstone’s dining-room. And the legend “Pulo Way,” in tarnished gilt on black, still gleams in the light of the street lamp opposite on the two square stone gateposts—bringing a sudden momentary vision of dark seas and strange stars, of ships becalmed under the lee of the land, of light puffs of warm, spicy air stealing out from unseen shores as if they breathed fragrance in their sleep; so that the vague shapes of “Lyndhurst” and “Chatsworth” and “Bellavista” seem the humped outlines of islands sheltering one knows not what of wonder and peril and romance....
A maidservant had come in and lighted the gas in the dining-room, lowered the drab venetian blinds in the bay window, and drawn the heavy stamped plush curtains which hung stiffly under the gilt cornice. Broughton sipped his glass of wine and ate a sandwich, surveying the familiar room with that curious illogical sense of surprised resentment which humanity always feels in the presence of the calm indifference of inanimate things to its own transiency and mortality.
He knew it well, that rather gloomy apartment with its solid Victorian air of ugly, substantial comfort. He had been there before many times. It had been one of Thomas Featherstone’s unvarying customs to invite his skippers to a ceremonial dinner whenever their ships were in London River. An awful sort of business, Broughton had always secretly thought these functions; and, like the lawyer on the present occasion, had been heartily glad when they were over. The bill of fare never varied—roast beef, baked potatoes, some kind of a boiled pudding, almonds and raisins, and a bottle of port to follow. “Special Captain’s port,” that turbulent Irishman, Pat Shaughnessy, of the “Mazeppa,” irreverently termed it: adding, with his great laugh, “You bet the old divvle don’t fetch out his best vintage for hairy shellbacks like us!”
Thirteen—no, it must be fourteen—of those dinners Broughton could remember. They had been annual affairs so long as the “Maid of Athens” could hold her own against the steamers in the Australian wool trade. Latterly, since she had been driven to tramping the world for charters, they had become movable feasts, and between the last two there had been a gap of nearly three years.
Broughton’s eyes travelled slowly from one detail to another—the mahogany chairs ranged at precise intervals against the dull red of the flock-papered walls; the round table whose gleaming brass toes peeped modestly from beneath the voluminous tapestry table cover; the “lady’s and gent’s easies” sitting primly on opposite sides of the vast yawning cavern of the fire-place; the mantelpiece where the black marble clock ticked leisurely between its flanking Marly horses and the pair of pagoda vases, with their smirking ladies and fierce bewhiskered warriors, that one of the old man’s captains had brought years ago from Foochow; the mahogany sideboard whose plate-glass mirror gave back every minutest detail of the room in reverse; the inlaid glass-fronted bookcase with its smug rows of gilt-tooled, leather-bound books—the Waverley Novels, Falconer’s “Shipwreck,” Byron’s poems.
Thomas Featherstone seldom used any other room but this. He possessed a drawing-room: a bleak chill shrine of the middle-class elegancies where the twittering Victorian niece who kept house for him—a characterless worthy woman with the red nose which bespeaks a defective digestion—was wont to dispense tepid tea and flabby muffins on her periodical “At Home” days. He had no study: he had his office for his work, he said, and that was enough for him. He had been brought up to sit in the dining-room at home in his father’s, the ship-chandler’s, house in Stepney, and he had carried the custom with him into the days of his prosperity.
So there he had sat, evening after evening, with his gold spectacles perched on his high nose, reading “Lloyd’s List” and the commercial columns of “The Times,” the current issues of which were even now in the brass newspaper rack by his empty chair: occasionally playing a hand of picquet with the twittering niece. He was a man of an almost inhuman punctuality of habit. People had been known to set their watches by Old Featherstone. At nine o’clock every morning of the week round came the brougham to drive him into the City. At twelve o’clock he sallied forth from Billiter Square to the “London Tavern,” and the table that he always occupied there. At half-past one, back to the office; or, if one of his ships were due, to the West India Docks, where they generally berthed. At five the brougham appeared in Billiter Square to transport him to “Pulo Way” again.
A strange, colourless, monotonous sort of life, one would think; and one which had singularly little in common with the wider aspects of the business in which his money had been made. Of the romantic side of shipping, or indeed of its human side, he seemed to have no conception at all. A consignment of balas rubies, of white elephants, of Manchester goods, of pig iron, they were all one to him—so many items in a bill of lading, no more, no less. Ships carried his house-flag to the four corners of the earth: no one of them had ever carried him farther than the outward-bound pilot. No matter what outlandish ports they visited, it stirred his blood not a whit. Perhaps it was one of the secrets of his success: for imagination, nine times out of ten, is a dangerous sort of commodity, commercially considered; and if Old Featherstone had gone a-gallivanting off to Tuticorin or Amoy or Punta Arenas or Penang or Port au Prince or any other alluringly-named place with which his ships trafficked, instead of sitting in Billiter Square and looking after his business—why, no doubt his business would have been vastly the sufferer! And, indeed, since he found such adventure as his soul needed no farther afield than between the marbled covers of his own ledgers, there would have been no sense in looking for it elsewhere.
You saw the old man’s portrait yonder over the mantelpiece, behind the marble clock and the Marly horses—keen eyes under bushy eyebrows, side whiskers, Gladstone collar, slightly sardonic smile. Broughton indulged in a passing speculation as to what they did with his glass eye when they buried him. The picture was the work of an unknown artist. “If I’d been fool enough to pay for a big name,” old Thomas had been wont to say, “I’d have got a worse picture for three times the money”; and the old man had not forgotten to drive a hard bargain, the recollection of which had perhaps a little coloured the artist’s mood. The unknown had caught his sitter in a characteristic attitude: sitting erect and rigid, his hands clasped one above the other on the silver knob of his favourite Malacca walking-stick. A shrewd old man, you would say, a shrewd, hard, narrow old man, and not have been far wrong in your estimate; though, as even his enemies were bound to admit, he was not without his moments of vision, his odd surprising streaks of generosity.
A man of but little education—he had run as a child daily to a little school in Stepney, kept by the widow and daughters of a shipmaster, and later had gone for a year or two to an Academy for the Sons of Gentlemen somewhere off the East India Dock Road—he was wont to say, and to say as if it were something to boast of, that he had never read but two books in his life—Falconer’s “Shipwreck” and Byron’s poems, both of which he knew from cover to cover. For the latter he had a profound and astonishing admiration, so much so that all his ships were named after Byronic heroes and heroines.
The “junk store” some wag once called the Featherstone fleet: and the gibe was not far wide of the mark. Anyone who has the patience and the curiosity to search the pages of a fifty-or sixty-year-old “Lloyd’s Register” will find in that melancholy record of human achievement and human effort blown like dead leaves on the winds of time and change sufficient reason for the nickname. Everywhere it is the same tale—“Mazeppa” ex “Electric Telegraph,” “Bride of Abydos” ex “Navarino,” “Zuleika” ex “Roderick Random,” “Thyrza” ex “Rebel Maid.” Old Featherstone had at one time more than fifty ships under his house-flag, not one of which had been built to his order. “The man who succeeds,” was one of his sayings, “is the man who knows best how to profit by other men’s mistakes.”
The doctrine was one which he put very effectively into practice. He had an almost uncanny nose for bargains; but, what was more than that, he was gifted in a most amazing degree with that peculiar and indefinable quality best described as “ship sense”—an ability amounting well-nigh to a genius for knowing a good ship from a bad one which is seldom found but in seamen, and is rare even among them.
Someone once asked him the secret of his gift, but I doubt if he got much satisfaction out of the answer.
“Ask me another,” snapped out the old man in his dry, staccato fashion. “I’ve got a brother can waggle his ears like a jackass. How does he do that? I don’t know. He don’t know. Same thing in my case, exactly.”
And certainly where he got it is something of a mystery. But since there had been Featherstones buried for generations where time and grime combine to make a hallowed shade in the old parish church of Stepney, there may well have been seafaring blood in the family, and likely enough the founder of the little bow-windowed shop in Wapping Wall was himself a retired ship’s carpenter.
Whatever the explanation, there was undeniably the fact. He bought steamers that didn’t pay and had never paid and that experts said never would pay: ripped the guts out of them, and in a couple of years they had paid for themselves. He bought unlucky ships, difficult ships, ships with a bad name of every sort and kind. Ships that broke their captains’ hearts and their owners’ fortunes, ships that wouldn’t steer, that wouldn’t wear, that wouldn’t stay. And never once did his bargain turn out a bad one.
From Old Featherstone’s portrait, and that painted ironical smile which still had the power to call up in him a feeling of vague discomfort, Broughton’s eyes travelled on to the portraits of ships which—Old Featherstone excepted—were the room’s sole artistic adornment.
Over there in the corners—one each side of the portrait—were the old “Childe Harold” and “Don Juan.” They were the first ships Old Featherstone bought, in the distant days when he was still young Featherstone, a smart young clerk in Daly’s office, whose astonishing rise to fortune was yet on the knees of the gods.
They were old frigate-built East Indiamen, both of them, the “General Bunbury” and “Earl Clapham,” from some Bombay or Moulmein dockyard: teak through and through, but as leaky as sieves with sheer age and years of labouring in seaways. Young Featherstone bought them for a song: gutted them, packed their roomy ’tween-decks with emigrants like herrings in a barrel, and hurried them backwards and forwards as fast as he dared between London and Australia while the gold rush of the ’sixties was at its hottest. He was in too big a hurry even to give them new figureheads to match their new names, with the result that a portly British general and a highly respectable peer of Evangelistic tendencies had to endure the indignity of an enforced masquerade, the one as the wandering “Childe,” the other as the disreputable “Don” of many amours.
Goodness knows how these two old ships’ venerable ribs managed to stick together running down the Easting: nor indeed how it was that they didn’t carry their freight of hopeful fortune seekers to the bottom before they were well clear of the Channel. However, by hook or by crook, stick together they did, long enough at any rate to lay the foundation of Featherstone’s success. The “Childe Harold”—she who was the “General Bunbury”—created a bit of a sensation in the last lap of her third voyage by sinking, poor old soul, in the West India Dock entrance at the head of a whole fleet of shipping crowding in on the tide. The “Don Juan”—the backsliding “Earl Clapham”—came to grief, by a stroke of luck, just off the Mauritius, and her old bones (it must have taken a small forest of teak to build her) fetched double what Featherstone had paid for her for building material. But they had served their purpose. Thereafter, Featherstone never looked behind him.
The old “Giaour”—she started life as a steamer, in the days when steam was suffering from over-inflation, and a good many speculators were scalding their fingers badly with it. The “Cottonopolis,” of the defunct “Spreadeagle” Line—that was how she began. Her accommodation was the talk of the town, said to be the most lavish ever seen—a wash basin to every six cabins—but she devoured such quantities of fuel, as well as turning out such a brute in a seaway that her passenger list was never more than half full, that the shareholders were glad to get rid of her at a loss. There she was—an ugly great lump of a ship, with masts that had a peculiar rake to them, something after the style of a Chinese junk. Sail, too ... like a witch, she did!... Then the little “Thyrza”—she was a pretty little butterfly of a thing; but she was as near being a mistake as any purchase Featherstone ever made. He had bought her, so it was believed, with the intention at the back of his mind of winning the China tea race; but the tea trade petering out, he put her into the wool fleet instead. Broughton had seen the dainty little ship many a time: a regular picture she used to look, beating up to the Heads just as old Captain Winter had painted her. Rare hand with a paint-brush that old chap was, and no mistake! Give him one good look at a ship, and he’d get her likeness to a gantline ... notice things about her, too, sometimes, that even her own skipper hadn’t found out....
There was the “Manfred”—the unluckiest ship, surely, that ever left the ways! The “Young Tamlin” was the name she used to go by, in the days when she used to kill two or three men every trip. That was before Old Featherstone got hold of her, of course: and her owners—she belonged to a little one-ship company—got the jumps about it and sold her. Sold her cheap, too ... but, bless you, that stopped her gallop all right! She drowned no more men afterwards.
And—last of all—the “Maid of Athens.” ...
Broughton’s own ship—the pride of his heart, the apple of his eye, the guiding motive, the absorbing interest of his life for more than twenty-five years.
Broughton didn’t care much about that picture—never had done, though he didn’t trouble to tell the old man so. No use asking for trouble: and he was a contrary old devil if you crossed him! A Chinese ship-chandler’s affair, it was, and moreover it showed the “Maid” with a spencer at the main which she never carried: at least, not in Broughton’s time. A good long time that meant, too ... ah well! They had grown old together, his ship and he!
He remembered the day he got command of her as clearly as if it were yesterday. He was chief officer of the “Haidée” at the time—getting along in years, too, and beginning to wonder if he would ever have the luck to get a ship of his own. She was a nice little ship, the “Haidée,” the last of Daly’s fleet, and Featherstone bought her after old Daly, who had given him a stool in his office years before, shot himself in that very office in Fenchurch Street when the news came of the wreck of the “Allan-a-Dale,” his favourite ship, on the Calf of Man. Quite a nice little ship, but nothing out of the common about her: nothing a man could take to particularly, somehow. And yet at the time he had wanted nothing better than to be her skipper.
Old Captain Philpot had been queerish all that voyage; he used to nip brandy on the quiet a lot, and take drugs when he could get them as well. Soon after they left the Coromandel coast he went out of his mind altogether, and Broughton found him one day, when he went down to dinner, crawling round the cabin on all fours and complaining that he was King Nebuchadnezzar and couldn’t find any grass to eat.
Good Lord! that was a time, too ... made a man sweat to think of it, even after all these years! Hurricane after hurricane right through the Indian Ocean: on deck most of the time, and sitting on the Old Man’s head when he got rumbustious during the watch below. However, the poor old chap died as quiet as a child, when he smelt the Western Islands, and Broughton as chief officer took the vessel into port.
Old Featherstone came on board, as his custom was, as soon as she was fairly berthed, and Broughton—tongue-tied and stammering as he always was on important occasions of the kind—gave an account of his stewardship. The old man listened with never a word, only just a grunt or a brusque nod now and again; and when the tale was told made no comment whatever beyond a curt “Humph! Well, you can’t have command of this ship. She’s promised to Allinson. Can’t go back on him. Besides, he’s senior to you.”
Then, with one foot on the gangway, he turned back and barked out:
“I’ve bought a new ship. ‘Philopena’ or some such outlandish name. She’s at Griffin’s Wharf, Millwall. Better go and look at her. You can have her if you fancy her.”
Half-way down the gangway he turned again.
“Come and dine with me at Blackheath on Thursday. Seven o’clock. And don’t keep me waiting, mind! I’m a punctual man, or I shouldn’t be where I am.”
That invitation—invitation? it was more like a Royal command—as Broughton well knew, set the seal on his promotion.
The ship was the “Maid of Athens.”
Broughton went in search of her as soon as he had finished up on board the “Haidée” and turned her over to the care of the old lame shipkeeper.
He didn’t feel particularly excited; his feeling, naturally enough, was one of pleasurable anticipation of an improvement in his material circumstances—no more than that, as he realized with that wistful sense of flatness and disappointment which inevitably accompanies the discovery that some long-desired consummation has lost through the lapse of time its power to excite and to intoxicate the mind. “If this had happened ten years ago,” he thought rather sadly, “Lord, how full of myself I should have been!” forgetting that middle age, when it does make acquaintance with passion, seldom does it by halves.
He found the “Philopena” in a derelict, melancholy wet dock somewhere among vacant lots and chemical works down in the Isle of Dogs, along with a couple of dilapidated coasting colliers and a broken-down tug—a smoky Thames-side sunset burning like a banked fire behind the cynical-looking sheds of a shadowy and problematical Griffin—and he fell in love with her on the instant.
There is—or perhaps one should rather say was, since it is doubtful if the Age of Steam has cognizance of such sentimental weaknesses—a certain kind of thrill, not to be satisfactorily defined in words, which runs through a man’s whole being when first his eyes fall upon the one ship which, out of all the thousands which sail the seas, seems especially made to be the complement of his own being, as surely as a woman is made for her mate. It is a feeling to which first love is perhaps the thing most nearly comparable—it can make the most commonplace of men into a poet; and even that lacks one of its qualities—its pure and sexless virginity. Other ships there may be more beautiful; but they leave him cold. They are not for him as she is for him....
That thrill it was—that awakening of two of the root instincts of mankind, the instinct to cherish, and the instinct to possess—which ran (surprising even himself) through that most matter-of-fact and unimaginative of men, David Broughton, when he first set eyes on the ship that for twenty-odd years to come was destined to provide the main interest and object of his existence.
There seemed to be nobody about the wharf, but Broughton untied a leaky dinghy that he found moored under the piles and pulled out to her. The nearer he got to her the better he liked her. Stern a bit on the heavy side, he fancied—with too much weight aft she’d be inclined to run up into the wind if you didn’t watch her. She’d want some handling, all right, but it wouldn’t do to be afraid of her, either. Her lines were a dream! He pulled all round her, viewing her from every angle; and as he rowed under her keen bow he caught himself fancying that her little dainty figurehead looked down upon him with a kind of wistful appeal—a sort of “You won’t go away and leave me, will you?” look that won his heart on the spot.
He made the boat fast to the crazy Jacob’s ladder and swung himself on board. She was filthily dirty, appallingly neglected, with that unspeakably forlorn and abandoned look which ship