Five Thousand Dollars Reward
By MELVILLE DAVISSON POST
From Saturday Evening Post
I was before one of those difficult positions unavoidable to a man of letters. My visitor must have some answer. He had come back for the manuscript of his memoir and for my opinion. It was the twilight of an early Washington winter. The lights in the great library, softened with delicate shades, had been turned on. Outside, Sheridan Circle was almost a thing of beauty in its vague outline; even the squat ridiculous bronze horse had a certain dignity in the blue shadow.
If one had been speculating on the man, from his physical aspect one would have taken Walker for an engineer of some sort, rather than the head of the United States Secret Service. His lean face and his angular manner gave that impression. Even now, motionless in the big chair beyond the table, he seemed--how shall I say it?--mechanical.
And that was the very defect in his memoir. He had cut the great cases into a dry recital. There was no longer in them any pressure of a human impulse. The glow of inspired detail had been dissected out. Everything startling and wonderful had been devitalized.
The memoir was a report.
The bulky typewritten manuscript lay on the table beside the electric lamp, and I stood about uncertain how to tell him.
"Walker," I said, "did nothing wonderful ever happen to you in the adventure of these cases?"
"What precisely do you mean?" he replied.
The practical nature of the man tempted me to extravagance.
"Well," I said, "for example, were you never kissed in a lonely street by a mysterious woman and the flash of your dark lantern reveal a face of startling beauty?"
"No," he said, as though he were answering a sensible question, "that never happened to me."
"Then," I continued, "perhaps you have found a prince of the church, pale as alabaster, sitting in his red robe, who put together the indicatory evidence of the crime that baffled you with such uncanny acumen that you stood aghast at his perspicacity?"
"No," he said; and then his face lighted. "But I'll tell you what I did find. I found a drunken hobo at Atlantic City who was the best detective I ever saw."
I sat down and tapped the manuscript with my fingers.
"It's not here," I said. "Why did you leave it out?"
He took a big gold watch out of his pocket and turned it about in his hand. The case was covered with an inscription.
"Well," he said, "the boys in the department think a good deal of me. I shouldn't like them to know how a dirty tramp faked me at Atlantic City. I don't mind telling you, but I couldn't print it in a memoir."
He went directly ahead with the story and I was careful not to interrupt him:
"I was sitting in a rolling chair out there on the Boardwalk before the Traymore. I was nearly all in, and I had taken a run to Atlantic for a day or two of the sea air. The fact is the whole department was down and out. You may remember what we were up against; it finally got into the newspapers.
"The government plates of the Third Liberty Bond issue had disappeared. We knew how they had gotten out and we thought we knew the man at the head of the thing. It was a Mulehaus job, as we figured it.
"It was too big a thing for a little crook. With the government plates they could print Liberty Bonds just as the Treasury would. And they could sow the world with them."
He paused and moved his gold-rimmed spectacles a little closer in on his nose.
"You see these war bonds are scattered all over the country. They are held by everybody. It's not what it used to be, a banker's business that we could round up. Nobody could round up the holders of these bonds.
"A big crook like Mulehaus could slip a hundred million of them into the country and never raise a ripple."
He paused and drew his fingers across his bony protruding chin.
"I'll say this for Mulehaus: He's the hardest man to identify in the whole kingdom of crooks. Scotland Yard, the Service de la Sûreté, everybody, says that. I don't mean dime- novel disguises--false whiskers and a limp. I mean the ability to be the character he pretends--the thing that used to make Joe Jefferson Rip Van Winkle--and not an actor made up to look like it. That's the reason nobody could keep track of Mulehaus, especially in South American cities. He was a French banker in the Egypt business and a Swiss banker in the Argentine."
He turned back from the digression:
"And it was a clean job. They had got away with the plates. We didn't have a clue. We thought, naturally, that they'd make for Mexico or some South American country to start their printing press. And we had the ports and the border netted up. Nothing could have gone out across the border or through any port. All the customs officers were working with us, and every agent of the Department of Justice."
He looked at me steadily across the table.
"You see the government had to get those plates back before the crook started to print, or else take up every bond of that issue over the whole country. It was a hell of a thing!
"Of course we had gone right after the record of all the big crooks to see whose line this sort of job was. And the thing narrowed down to Mulehaus or old Vronsky. We soon found out it wasn't Vronsky. He was in Joliet. It was Mulehaus. But we couldn't find him.
"We didn't even know that Mulehaus was in America. He's a big crook with a genius for selecting men. He might be directing the job from Rio or a Mexican port. But we were