Johnny-In-The-Woods
JOHNNY TRUMBULL, he who had demonstrated his claim to be Cock of the Walk by a most impious hand-to-hand fight with his own aunt, Miss Janet Trumbull, in which he had been decisively victorious, and won his spurs, consisting of his late grandfather's immense, solemnly ticking watch, was to take a new path of action. Johnny suddenly developed the prominent Trumbull trait, but in his case it was inverted. Johnny, as became a boy of his race, took an excursion into the past, but instead of applying the present to the past, as was the tendency of the other Trumbulls, he forcibly applied the past to the present. He fairly plastered the past over the exigencies of his day and generation like a penetrating poultice of mustard, and the results were peculiar.
Johnny, being bidden of a rainy day during the midsummer vacation to remain in the house, to keep quiet, read a book, and be a good boy, obeyed, but his obedience was of a doubtful measure of wisdom.
Johnny got a book out of his uncle Jonathan Trumbull's dark little library while Jonathan was walking sedately to the post-office, holding his dripping umbrella at a wonderful slant of exactness, without regard to the wind, thereby getting the soft drive of the rain full in his face, which became, as it were, bedewed with tears, entirely outside any cause of his own emotions.
Johnny probably got the only book of an antiorthodox trend in his uncle's library. He found tucked away in a snug corner an ancient collection of Border Ballads, and he read therein of many unmoral romances and pretty fancies, which, since he was a small boy, held little meaning for him, or charm, beyond a delight in the swing of the rhythm, for Johnny had a feeling for music. It was when he read of Robin Hood, the bold Robin Hood, with his dubious ethics but his certain and unquenchable interest, that Johnny Trumbull became intent. He had the volume in his own room, being somewhat doubtful as to whether it might be of the sort included in the good-boy role. He sat beside a rainwashed window, which commanded a view of the wide field between the Trumbull mansion and Jim Simmons's house, and he read about Robin Hood and his Greenwood adventures, his forcible setting the wrong right; and for the first time his imagination awoke, and his ambition. Johnny Trumbull, hitherto hero of nothing except little material fistfights, wished now to become a hero of true romance.
In fact, Johnny considered seriously the possibility of reincarnating, in his own person, Robin Hood. He eyed the wide green field dreamily through his rain-blurred window. It was a pretty field, waving with feathery grasses and starred with daisies and buttercups, and it was very fortunate that it happened to be so wide. Jim Simmons's house was not a desirable feature of the landscape, and looked much better several acres away. It was a neglected, squalid structure, and considered a disgrace to the whole village. Jim was also a disgrace, and an unsolved problem. He owned that house, and somehow contrived to pay the taxes thereon. He also lived and throve in bodily health in spite of evil ways, and his children were many. There seemed no way to dispose finally of Jim Simmons and his house except by murder and arson, and the village was a peaceful one, and such measures were entirely too strenuous.
Presently Johnny, staring dreamily out of his window, saw approaching a rusty-black umbrella held at precisely the wrong angle in respect of the storm, but held with the unvarying stiffness with which a soldier might hold a bayonet, and knew it for his uncle Jonathan's umbrella. Soon he beheld also his uncle's serious, rain-drenched face and his long ambling body and legs. Jonathan was coming home from the post-office, whither he repaired every morning. He never got a letter, never anything except religious newspapers, but the visit to the post-office was part of his daily routine. Rain or shine, Jonathan Trumbull went for the morning mail, and gained thereby a queer negative enjoyment of a perfectly useless duty performed. Johnny watched his uncle draw near to the house, and cruelly reflected how unlike Robin Hood he must be. He even wondered if his uncle could possibly have read Robin Hood and still show absolutely no result in his own personal appearance. He knew that he, Johnny, could not walk to the post-office and back, even with the drawback of a dripping old umbrella instead of a bow and arrow, without looking a bit like Robin Hood, especially when fresh from reading about him.
Then suddenly something distracted his thoughts from Uncle Jonathan. The long, feathery grass in the field moved with a motion distinct from that caused by the wind and rain. Johnny saw a tigerstriped back emerge, covering long leaps of terror. Johnny knew the creature for a cat afraid of Uncle Jonathan. Then he saw the grass move behind the first leaping, striped back, and he knew there were more cats afraid of Uncle Jonathan. There were even motions caused by unseen things, and he reasoned, "Kittens afraid of Uncle Jonathan." Then Johnny reflected with a great glow of indignation that the Simmonses kept an outrageous number of half-starved cats and kittens, besides a quota of children popularly supposed to be none too well nourished, let alone properly clothed. Then it was that Johnny Trumbull's active, firm imagination slapped the past of old romance like a most thorough mustard poultice over the present. There could be no Lincoln Green, no following of brave outlaws (that is, in the strictest sense), no bows and arrows, no sojourning under greenwood trees and the rest, but something he could, and would, do and be. That rainy day when Johnny Trumbull was a good boy, and stayed in the house, and read a book, marked an epoch.
That night when Johnny went into his aunt Janet's room she looked curiously at his face, which seemed a little strange to her. Johnny, since he had come into possession of his grandfather's watch, went every night, on his way to bed, to his aunt's room for the purpose of winding up that ancient timepiece, Janet having a firm impression that it might not be done properly unless under her supervision. Johnny stood before his aunt and wound up the watch with its ponderous key, and she watched him.
"What have you been doing all day, John?" said she. "Stayed in the house and -- read."
"What did you read, John?"
"A book."
"Do you mean to be impertinent, John?"
"No, ma'am," replied Johnny, and with perfect truth. He had not the slightest idea of the title of the book.
"What was the book?" "A poetry book."
"Where did you find it?"
"In Uncle Jonathan's library."
"Poetry In Uncle Jonathan's library?" said Janet, in a mystified way. She had a general impression of Jonathan's library as of century-old preserves, altogether dried up and quite indistinguishable one from the other except by labels. Poetry she could not imagine as being there at all. Finally she thought of the early Victorians, and Spenser and Chaucer. The library might include them, but she had an idea that Spenser and Chaucer were not fit reading for a little boy. However, as she remembered Spenser and Chaucer, she doubted if Johnny could understand much of them. Probably he had gotten hold of an early Victorian, and she looked rather contemptuous.
"I don't think much of a boy like you reading poetry," said Janet. "Couldn't you find anything else to read?"
"No, ma'am." That also was truth. Johnny, before exploring his uncle's theological library, had peered at his father's old medical books and his mother's bookcases, which contained quite terrifying uniform editions of standard things written by women.
"I don't suppose there ARE many books written for boys," said Aunt Janet, reflectively. "No, ma'am," said Johnny. He finished winding the watch, and gave, as was the custom, the key to Aunt Janet, lest he lose it.
"I will see if I cannot find some books of travels for you, John," said Janet. "I think travels would be good reading for a boy. Good night, John."
"Good night. Aunt Janet," replied Johnny. His aunt never kissed him good night, which was one reason why he liked her.
On his way to bed he had to pass his mother's room, whose door stood open. She was busy writing at her desk. She glanced at Johnny.
"Are you going to bed?" said she.
"Yes, ma'am."
Johnny entered the room and let his mother kiss his forehead, parting his curly hair to do so. He loved his mother, but did not care at all to have her kiss him. He did not object, because he thought she liked to do it, and she was a woman, and it was a very little thing in which he could oblige her.
"Were you a good boy, and did you find a good book to read?" asked she. "Yes, ma'am."
"What was the book?" Cora Trumbull inquired, absently, writing as she spoke.
"Poetry."
Cora laughed. " Poetry is odd for a boy," said she. "You should have read a book of travels or history. Good night, Johnny."
"Good night, mother."
Then Johnny met his father, smelling strongly of medicines, coming up from his study. But his father did not see him. And Johnny went to bed, having imbibed from that old tale of Robin Hood more of history and more knowledge of excursions into realms of old romance than his elders had ever known during much longer lives than his.
Johnny confided in nobody at first. His feeling nearly led him astray in the matter of Lily Jennings; he thought of her, for one sentimental minute, as Robin Hood's Maid Marion. Then he dismissed the idea peremptorily. Lily Jennings would simply laugh. He knew her. Moreover, she was a girl, and not to be trusted. Johnny felt the need of another boy who would be a kindred spirit; he wished for more than one boy. He wished for a following of heroic and lawless souls, even as Robin Hood's. But he could think of nobody, after considerable study, except one boy, younger than himself. He was a beautiful little boy, whose mother had never allowed him to have his golden curls cut, although he had been in trousers for quite a while. However, the trousers were foolish, being knickerbockers, and accompanied by low socks, which revealed pretty, dimpled, babyish legs. The boy's name was Arnold Carruth, and that was against him, as being long, and his mother firm about allowing no nickname. Nicknames in any case were not allowed in the very exclusive private school which Johnny attended.
Arnold Carruth, in spite of his being such a beautiful little boy, would have had no standing at all in the school as far as popularity was concerned had it not been for a strain of mischief which triumphed over curls, socks, and pink cheeks and a much-kissed rosebud of a mouth. Arnold Carruth, as one of the teachers permitted herself to state when relaxed in the bosom of her own family, was "as choke-full of mischief as a pod of peas. And the worst of it all is," quoth the teacher, Miss Agnes Rector, who was a pretty young girl, with a hidden sympathy for mischief herself -- "the worst of it is, that child looks so like a cherub on a rosy cloud that even if he should be caught nobody would believe it. They would be much more likely to accuse poor little Andrew Jackson Green, because he has a snub nose and is a bit cross-eyed, and I never knew that poor child to do anything except obey rules and learn his lessons. He is almost too good. And another worst of it is, nobody can help loving that little imp of a Carruth boy, mischief and all. I believe the scamp knows it and takes advantage of it."
It is quite possible that Arnold Carruth did profit unworthily by his beauty and engagingness, albeit without calculation. He was so young, it was monstrous to believe him capable of calculation, of deliberate trading upon his assets of birth and beauty and fascination. However, Johnny Trumbull, who was wide awake and a year older, was alive to the situation. He told Arnold Carruth, and Arnold Carruth only, about Robin Hood and his great scheme.
"You can help," said this wise Johnny; "you can be in it, because nobody thinks you can be in anything, on account of your wearing curls."
Arnold Carruth flushed and gave an angry tug at one golden curl which the wind blew over a shoulder. The two boys were in a secluded corner of Madame's lawn, behind a clump of Japanese cedars, during an intermission.
"I can't help it because I wear curls," declared Arnold with angry shame. "Who said you could? No need of getting mad."
"Mamma and Aunt Flora and grandmamma won't let me have these old curls cut off," said Arnold. "You needn't think I want to have curls like a girl, Johnny Trumbull."
"Who said you did? And I know you don't like to wear those short stockings, either." "Like to!" Arnold gave a spiteful kick, first of one half-bared, dimpled leg, then of the other.
"First thing you know I'll steal mamma's or Aunt Flora's stockings and throw these in the furnace -I will. Do you s'pose a feller wants to wear these baby things? I guess not. Women are awful queer, Johnny Trumbull. My mamma and my aunt Flora are awful nice, but they are queer about some things."
"Most women are queer," agreed Johnny, "but my aunt Janet isn't as queer as some. Rather guess if she saw me with curls like a little girl she'd cut 'em off herself."
"Wish she was my aunt," said Arnold Carruth with a sigh. "A feller needs a woman like that till he's grown up. Do you s'pose she'd cut off my curls if I was to go to your house, Johnny?"
"I'm afraid she wouldn't think it was right unless your mother said she might. She has to be real careful about doing right, because my uncle Jonathan used to preach, you know."
Arnold Carruth grinned savagely, as if he endured pain. "Well, I s'pose I'll have to stand the curls and little baby stockings awhile longer," said he. "What was it you were going to tell me, Johnny?"
"I am going to tell you because I know you aren't too good, if you do wear curls and little stockings."
"No, I ain't too good," declared Arnold Carruth, proudly; "I ain't -- HONEST, Johnny." "That's why I'm going to tell you. But if you tell any of the other boys -- or girls --" "Tell girls!" sniffed Arnold.
"If you tell anybody, I'll lick you." "Guess I ain't afraid."
"Guess you'd be afraid to go home after you'd been licked." "Guess my mamma would give it to you."
"Run home and tell mamma you'd been whopped, would you, then?"
Little Arnold, beautiful baby boy, straightened himself with a quick remembrance that he was born a man. "You know I wouldn't tell, Johnny Trumbull."
"Guess you wouldn't. Well, here it is --" Johnny spoke in emphatic whispers, Arnold's curly head close to his mouth: "There are a good many things in this town have got to be set right," said Johnny.
Little Arnold stared at him. Then fire shone in his lovely blue eyes under the golden shadow of his curls, a fire which had shone in the eyes of some ancestors of his, for there was good fighting blood in the Carruth family, as well as in the Trumbull, although this small descendant did go about curled and kissed and barelegged.
"How'll we begin?" said Arnold, in a strenuous whisper.
"We've got to begin right away with Jim Simmons's cats and kittens." "With Jim Simmons's cats and kittens?" repeated Arnold.
"That was what I said, exactly. We've got to begin right there. It is an awful little beginning, but I can't think of anything else. If you can, I'm willing to listen."
"I guess I can't," admitted Arnold, helplessly.
"Of course we can't go around taking away money from rich people and giving it to poor folks. One reason is, most of the poor folks in this town are lazy, and don't get money because they don't want to work for it. And when they are not lazy, they drink. If we gave rich people's money to poor folks like that, we shouldn't do a mite of good. The rich folks would be poor, and the poor folks wouldn't stay rich; they would be lazier, and get more drink. I don't see any sense in doing things like that in this town. There are a few poor folks I have been thinking we might take some money for and do good, but not many."
"Who?" inquired Arnold Carruth, in awed tones.
"Well, there is poor old Mrs. Sam Little. She's awful poor. Folks help her, I know, but she can't be real pleased being helped. She'd rather have the money herself. I have been wondering if we couldn't get some of your father's money away and give it to her, for one."
"Get away papa's money!"
"You don't mean to tell me you are as stingy as that, Arnold Carruth?" "I guess papa wouldn't like it."
"Of course he wouldn't. But that is not the point. It is not what your father would like; it is what that poor old lady would like."
It was too much for Arnold. He gaped at Johnny.
"If you are going to be mean and stingy, we may as well stop before we begin," said Johnny.
Then Arnold Carruth recovered himself. "Old Mr. Webster Payne is awful poor," said he. "We might take some of your father's money and give it to him."
Johnny snorted, fairly snorted. "If," said he, "you think my father keeps his money where we can get it, you are mistaken, Arnold Carruth. My father's money is all in papers that are not worth much now and that he has to keep in the bank till they are."
Arnold smiled hopefully. "Guess that's the way my papa keeps HIS money."
"It's the way most rich people are mean enough to," said Johnny, severely. "I don't care if it's your father or mine, it's mean. And that's why we've got to begin with Jim Simmons's cats and kittens."
"Are you going to give old Mrs. Sam Little cats?" inquired Arnold.
Johnny sniffed. "Don't be silly," said he. "Though I do think a nice cat with a few kittens might cheer her up a little, and we could steal enough milk, by getting up early and tagging after the milkman, to feed them. But I wasn't thinking of giving her or old Mr. Payne cats and kittens. I wasn't thinking of folks; I was thinking of all those poor cats and kittens that Mr. Jim Simmons has and doesn't half feed, and that have to go hunting around folks' back doors in the rain, when cats hate water, too, and pick things up that must be bad for their stomachs, when they ought to have their milk regularly in nice, clean saucers. No, Arnold Carruth, what we have got to do is to steal Mr. Jim Simmons's cats and get them in nice homes where they can earn their living catching mice and be well cared for."
"Steal cats?" said Arnold.
"Yes, steal cats, in order to do right," said Johnny Trumbull, and his expression was heroic, even exalted.
It was then that a sweet treble, faltering yet exultant, rang in their ears.
"If," said the treble voice, "you are going to steal dear little kitty cats and get nice homes for them, I'm going to help."
The voice belonged to Lily Jennings, who had stood on the other side of the Japanese cedars and heard every word.
Both boys started in righteous wrath, but Arnold Carruth was the angrier of the two. "Mean little cat yourself, listening," said he. His curls seemed to rise like a crest of rage.
Johnny, remembering some things, was not so outspoken. "You hadn't any right to listen, Lily Jennings," he said, with masculine severity.
"I didn't start to listen," said Lily. "I was looking for cones on these trees. Miss Parmalee wanted us to bring some object of nature into the class, and I wondered whether I could find a queer Japanese cone on one of these trees, and then I heard you boys talking, and I couldn't help listening. You spoke very loud, and I couldn't give up looking for that cone. I couldn't find any, and I heard all about the Simmonses' cats, and I know lots of other cats that haven't got good homes, and -- I am going to be in it."
"You AIN'T," declared Arnold Carruth.
"We can't have girls in it," said Johnny the mindful, more politely.
"You've got to have me. You had better have me, Johnny Trumbull," she added with meaning.
Johnny flinched. It was a species of blackmail, but what could he do? Suppose Lily told how she had hidden him -- him, Johnny Trumbull, the champion of the school -- in that empty baby-carriage! He would have more to contend against than Arnold Carruth with socks and curls. He did not think Lily would tell. Somehow Lily, although a little, befrilled girl, gave an impression of having a knowledge of a square deal almost as much as a boy would; but what boy could tell with a certainty what such an uncertain creature as a girl might or might not do? Moreover, Johnny had a weakness, a hidden, Spartanly hidden, weakness for Lily. He rather wished to have her act as partner in his great enterprise. He therefore gruffly assented.
"All right," he said, "you can be in it. But just you look out. You'll see what happens if you tell."
"She can't be in it; she's nothing but a girl," said Arnold Carruth, fiercely.
Lily Jennings lifted her chin and surveyed him with queenly scorn. "And what are you?" said she. "A little boy with curls and baby socks."
Arnold colored with shame and fury, and subsided. "Mind you don't tell," he said, taking Johnny's cue.
"I sha'n't tell," replied Lily, with majesty. "But you'll tell yourselves if you talk one side of trees without looking on the other."
There was then only a few moments before Madame's musical Japanese gong which announced the close of intermission should sound, but three determined souls in conspiracy can accomplish much in a few moments. The first move was planned in detail before that gong sounded, and the two boys raced to the house, and Lily followed, carrying a toadstool, which she had hurriedly caught up from the lawn for her object of nature to be taken into class.
It was a poisonous toadstool, and Lily was quite a heroine in the class. That fact doubtless gave her a more dauntless air when, after school, the two boys caught up with her walking gracefully down the road, flirting her skirts and now and then giving her head a toss, which made her fluff of hair fly into a golden foam under her daisy-trimmed straw hat.
"To-night," Johnny whispered, as he sped past.
"At half past nine, between your house and the Simmonses'," replied Lily, without even looking at him. She was a past-mistress of dissimulation.
Lily's mother had guests at dinner that night, and the guests remarked sometimes, within the little girl's hearing, what a darling she was.
"She never gives me a second's anxiety," Lily's mother whispered to a lady beside her. "You cannot imagine what a perfectly good, dependable child she is."
"Now my Christina is a good child in the grain," said the lady, "but she is full of mischief. I never can tell what Christina will do next."
"I can always tell," said Lily's mother, in a voice of maternal triumph.
"Now only the other night, when I thought Christina was in bed, that absurd child got up and dressed and ran over to see her aunt Bella. Tom came home with her, and of course there was nothing very bad about it. Christina was very bright; she said, 'Mother, you never told me I must not get up and go to see Aunt Bella,' which was, of course, true. I could not gainsay that."
"I cannot," said Lily's mother, "imagine my Lily's doing such a thing."