Dreams of a Kitten by Edward Drobinski - HTML preview
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Dreams of a Kitten
Page 208
management and recording contracts on the grounds that she had
entered into them while still a minor. Geffen became her
manager, and the two established a publishing company, “Tuna
Fish Music,” under which the proceeds from her future
compositions would be divided equally between them. Geffen also
arranged Nyro's new recording contract with Clive Davis at
“Columbia Records,” and purchased the publishing rights to her
early compositions. In his memoir “Clive: Inside the Record
Business,” Davis recalled Nyro's audition for him: She had
invited him to her New York apartment, turned off every light
except that of a television set next to her piano, and played
him the material that would become “Eli and the Thirteenth
Confession.” Around this time, she considered becoming lead
singer for Blood, Sweat and Tears after the departure of founder
Al Kooper, but was dissuaded by Geffen. Blood, Sweat and Tears
went on to have a hit with a cover of Nyro's "And When I Die.”
The new contract allowed Nyro more artistic freedom and control.
In 1968, Columbia released “Eli and the Thirteenth Confession,”
her second album, which received high critical praise for the
depth and sophistication of its performance and arrangements,
which merged pop structure with inspired imagery, rich vocals,
and avant-garde jazz. It is widely considered one of her best
works. It was followed in 1969 by “New York Tendaberry,” another
