The young man, who was dining alone with his mother and sister, glanced up in surprise and saw Mrs. Archer's gaze demurely bent on her plate. Mrs. Archer did not regard her seclusion from the world as a reason for being forgotten by it; and Newland guessed that she was slightly annoyed that he should be surprised by Madame Olenska's visit.
"She had on a black velvet polonaise with jet buttons, and a tiny green monkey muff; I never saw her so stylishly dressed," Janey continued. "She came alone, early on Sunday afternoon; luckily the fire was lit in the drawing-room. She had one of those new card- cases. She said she wanted to know us because you'd been so good to her."
Newland laughed. "Madame Olenska always takes that tone about her friends. She's very happy at being among her own people again.""Yes, so she told us," said Mrs. Archer. "I must say she seems thankful to be here."
"I hope you liked her, mother."
Mrs. Archer drew her lips together. "She certainly lays herself out to please, even when she is calling on an old lady."
"Mother doesn't think her simple," Janey interjected, her eyes screwed upon her brother's face.
"It's just my old-fashioned feeling; dear May is my ideal," said Mrs. Archer.
"Ah," said her son, "they're not alike."
Archer had left St. Augustine charged with many messages for old Mrs. Mingott; and a day or two after his return to town he called on her.
The old lady received him with unusual warmth; she was grateful to him for persuading the Countess Olenska to give up the idea of a divorce; and when he told her that he had deserted the office without leave, and rushed down to St. Augustine simply because he wanted to see May, she gave an adipose chuckle and patted his knee with her puff-ball hand.
"Ah, ah--so you kicked over the traces, did you? And I suppose Augusta and Welland pulled long faces, and behaved as if the end of the world had come? But little May--she knew better, I'll be bound?"
"Wouldn't she indeed? And what was that?"
"I wanted to get her to promise that we should be married in April. What's the use of our wasting another year?"
Mrs. Manson Mingott screwed up her little mouth into a grimace of mimic prudery and twinkled at him through malicious lids. "`Ask Mamma,' I suppose-- the usual story. Ah, these Mingotts--all alike! Born in a rut, and you can't root 'em out of it. When I built this house you'd have thought I was moving to California! Nobody ever HAD built above Fortieth Street--no, says I, nor above the Battery either, before Christopher Columbus discovered America. No, no; not one of them wants to be different; they're as scared of it as the small-pox. Ah, my dear Mr. Archer, I thank my stars I'm nothing but a vulgar Spicer; but there's not one of my own children that takes after me but my little Ellen." She broke off, still twinkling at him, and asked, with the casual irrelevance of old age: "Now, why in the world didn't you marry my little Ellen?"
Archer laughed. "For one thing, she wasn't there to be married.""No--to be sure; more's the pity. And now it's too late; her life is finished." She spoke with the cold- blooded complacency of the aged throwing earth into the grave of young hopes. The young man's heart grew chill, and he said hurriedly: "Can't I persuade you to use your influence with the Wellands, Mrs. Mingott? I wasn't made for long engagements."
Old Catherine beamed on him approvingly. "No; I can see that. You've got a quick eye. When you were a little boy I've no doubt you liked to be helped first." She threw back her head with a laugh that made her chins ripple like little waves. "Ah, here's my Ellen now!" she exclaimed, as the portieres parted behind her.
Madame Olenska came forward with a smile. Her face looked vivid and happy, and she held out her hand gaily to Archer while she stooped to her grandmother's kiss.
"I was just saying to him, my dear: `Now, why didn't you marry my little Ellen?'"Madame Olenska looked at Archer, still smiling. "And what did he answer?" "Oh, my darling, I leave you to find that out! He's been down to Florida to see his sweetheart."
"Yes, I know." She still looked at him. "I went to see your mother, to ask where you'd gone. I sent a note that you never answered, and I was afraid you were ill."He muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine.
"And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.
"If she still needs me, she's determined not to let me see it," he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue- tied and constrained.
"Look at him--in such hot haste to get married that he took French leave and rushed down to implore the silly girl on his knees! That's something like a lover-that's the way handsome Bob Spicer carried off my poor mother; and then got tired of her before I was weaned--though they only had to wait eight months for me! But there--you're not a Spicer, young man; luckily for you and for May. It's only my poor Ellen that has kept any of their wicked blood; the rest of them are all model Mingotts," cried the old lady scornfully.
Archer was aware that Madame Olenska, who had seated herself at her grandmother's side, was still thoughtfully scrutinising him. The gaiety had faded from her eyes, and she said with great gentleness: "Surely, Granny, we can persuade them between us to do as he wishes."
Archer rose to go, and as his hand met Madame Olenska's he felt that she was waiting for him to make some allusion to her unanswered letter."When can I see you?" he asked, as she walked with him to the door of the room.
"Whenever you like; but it must be soon if you want to see the little house again. I am moving next week."
A pang shot through him at the memory of his lamplit hours in the low-studded drawing-room. Few as they had been, they were thick with memories.
"Tomorrow evening?"
She nodded. "Tomorrow; yes; but early. I'm going out." The next day was a Sunday, and if she were "going out" on a Sunday evening it could, of course, be only to Mrs. Lemuel Struthers's. He felt a slight movement of annoyance, not so much at her going there (for he rather liked her going where she pleased in spite of the van der Luydens), but because it was the kind of house at which she was sure to meet Beaufort, where she must have known beforehand that she would meet him--and where she was probably going for that purpose.
"Very well; tomorrow evening," he repeated, inwardly resolved that he would not go early, and that by reaching her door late he would either prevent her from going to Mrs. Struthers's, or else arrive after she had started--which, all things considered, would no doubt be the simplest solution.
It was only half-past eight, after all, when he rang the bell under the wisteria; not as late as he had intended by half an hour--but a singular restlessness had driven him to her door. He reflected, however, that Mrs. Struthers's Sunday evenings were not like a ball, and that her guests, as if to minimise their delinquency, usually went early.
The one thing he had not counted on, in entering Madame Olenska's hall, was to find hats and overcoats there. Why had she bidden him to come early if she was having people to dine? On a closer inspection of the garments besides which Nastasia was laying his own, his resentment gave way to curiosity. The overcoats were in fact the very strangest he had ever seen under a polite roof; and it took but a glance to assure himself that neither of them belonged to Julius Beaufort. One was a shaggy yellow ulster of "reach-me- down" cut, the other a very old and rusty cloak with a cape--something like what the French called a "Macfarlane." This garment, which appeared to be made for a person of prodigious size, had evidently seen long and hard wear, and its greenish-black folds gave out a moist sawdusty smell suggestive of prolonged sessions against bar-room walls. On it lay a ragged grey scarf and an odd felt hat of semiclerical shape.
Archer raised his eyebrows enquiringly at Nastasia, who raised hers in return with a fatalistic "Gia!" as she threw open the drawing-room door.The young man saw at once that his hostess was not in the room; then, with surprise, he discovered another lady standing by the fire. This lady, who was long, lean and loosely put together, was clad in raiment intricately looped and fringed, with plaids and stripes and bands of plain colour disposed in a design to which the clue seemed missing. Her hair, which had tried to turn white and only succeeded in fading, was surmounted by a Spanish comb and black lace scarf, and silk mittens, visibly darned, covered her rheumatic hands.
Beside her, in a cloud of cigar-smoke, stood the owners of the two overcoats, both in morning clothes that they had evidently not taken off since morning. In one of the two, Archer, to his surprise, recognised Ned Winsett; the other and older, who was unknown to him, and whose gigantic frame declared him to be the wearer of the "Macfarlane," had a feebly leonine head with crumpled grey hair, and moved his arms with large pawing gestures, as though he were distributing lay blessings to a kneeling multitude.
These three persons stood together on the hearth- rug, their eyes fixed on an extraordinarily large bouquet of crimson roses, with a knot of purple pansies at their base, that lay on the sofa where Madame Olenska usually sat.
"What they must have cost at this season--though of course it's the sentiment one cares about!" the lady was saying in a sighing staccato as Archer came in.The three turned with surprise at his appearance, and the lady, advancing, held out her hand.
"Dear Mr. Archer--almost my cousin Newland!" she said. "I am the Marchioness Manson."
Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends-- such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?"
Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! But I see you do know Mr. Winsett."
"Oh, yes--I reached him some time ago; but not by that route," Winsett said with his dry smile.The Marchioness shook her head reprovingly. "How do you know, Mr. Winsett? The spirit bloweth where it listeth."
"List--oh, list!" interjected Dr. Carver in a stentorian murmur.
"But do sit down, Mr. Archer. We four have been having a delightful little dinner together, and my child has gone up to dress. She expects you; she will be down in a moment. We were just admiring these marvellous flowers, which will surprise her when she reappears."
Winsett remained on his feet. "I'm afraid I must be off. Please tell Madame Olenska that we shall all feel lost when she abandons our street. This house has been an oasis."
"Ah, but she won't abandon YOU. Poetry and art are the breath of life to her. It IS poetry you write, Mr. Winsett?"
"A caustic spirit--un peu sauvage. But so witty; Dr. Carver, you DO think him witty?"
"I never think of wit," said Dr. Carver severely.
"Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."
Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time- piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.
"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun."
Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?"
"Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself.""That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer, who read on it, in Gothic characters:
|---------------------------| | Agathon Carter | | The Valley of Love | | Kittasquattamy, N. Y. |
|---------------------------|Dr. Carver bowed himself out, and Mrs. Manson, with a sigh that might have been either of regret or relief, again waved Archer to a seat.
"Ellen will be down in a moment; and before she comes, I am so glad of this quiet moment with you."
Archer murmured his pleasure at their meeting, and the Marchioness continued, in her low sighing accents: "I know everything, dear Mr. Archer--my child has told me all you have done for her. Your wise advice: your courageous firmness--thank heaven it was not too late!"
The young man listened with considerable embarrassment. Was there any one, he wondered, to whom Madame Olenska had not proclaimed his intervention in her private affairs?
"Madame Olenska exaggerates; I simply gave her a legal opinion, as she asked me to.""Ah, but in doing it--in doing it you were the unconscious instrument of--of--what word have we moderns for Providence, Mr. Archer?" cried the lady, tilting her head on one side and drooping her lids mysteriously. "Little did you know that at that very moment I was being appealed to: being approached, in fact--from the other side of the Atlantic!"
She glanced over her shoulder, as though fearful of being overheard, and then, drawing her chair nearer, and raising a tiny ivory fan to her lips, breathed behind it: "By the Count himself--my poor, mad, foolish Olenski; who asks only to take her back on her own terms."
"Good God!" Archer exclaimed, springing up."You are horrified? Yes, of course; I understand. I don't defend poor Stanislas, though he has always called me his best friend. He does not defend himself--he casts himself at her feet: in my person." She tapped her emaciated bosom. "I have his letter here."
"A letter?--Has Madame Olenska seen it?" Archer stammered, his brain whirling with the shock of the announcement.The Marchioness Manson shook her head softly. "Time--time; I must have time. I know my Ellen-- haughty, intractable; shall I say, just a shade unforgiving?"
"But, good heavens, to forgive is one thing; to go back into that hell--"
"Ah, yes," the Marchioness acquiesced. "So she describes it--my sensitive child! But on the material side, Mr. Archer, if one may stoop to consider such things; do you know what she is giving up? Those roses there on the sofa--acres like them, under glass and in the open, in his matchless terraced gardens at Nice! Jewels-historic pearls: the Sobieski emeralds--sables,--but she cares nothing for all these! Art and beauty, those she does care for, she lives for, as I always have; and those also surrounded her. Pictures, priceless furniture, music, brilliant conversation--ah, that, my dear young man, if you'll excuse me, is what you've no conception of here! And she had it all; and the homage of the greatest. She tells me she is not thought handsome in New York--good heavens! Her portrait has been painted nine times; the greatest artists in Europe have begged for the privilege. Are these things nothing? And the remorse of an adoring husband?"
As the Marchioness Manson rose to her climax her face assumed an expression of ecstatic retrospection which would have moved Archer's mirth had he not been numb with amazement.
He would have laughed if any one had foretold to him that his first sight of poor Medora Manson would have been in the guise of a messenger of Satan; but he was in no mood for laughing now, and she seemed to him to come straight out of the hell from which Ellen Olenska had just escaped.
"She knows nothing yet--of all this?" he asked abruptly.Mrs. Manson laid a purple finger on her lips. "Nothing directly--but does she suspect? Who can tell? The truth is, Mr. Archer, I have been waiting to see you. From the moment I heard of the firm stand you had taken, and of your influence over her, I hoped it might be possible to count on your support--to convince you . . ."
"That she ought to go back? I would rather see her dead!" cried the young man violently."Ah," the Marchioness murmured, without visible resentment. For a while she sat in her arm-chair, opening and shutting the absurd ivory fan between her mittened fingers; but suddenly she lifted her head and listened.
"Here she comes," she said in a rapid whisper; and then, pointing to the bouquet on the sofa: "Am I to understand that you prefer THAT, Mr. Archer? After all, marriage is marriage . . . and my niece is still a wife. . .
She was dressed as if for a ball. Everything about her shimmered and glimmered softly, as if her dress had been woven out of candle-beams; and she carried her head high, like a pretty woman challenging a roomful of rivals.
"We were saying, my dear, that here was something beautiful to surprise you with," Mrs. Manson rejoined, rising to her feet and pointing archly to the flowers.Madame Olenska stopped short and looked at the bouquet. Her colour did not change, but a sort of white radiance of anger ran over her like summer lightning. "Ah," she exclaimed, in a shrill voice that the young man had never heard, "who is ridiculous enough to send me a bouquet? Why a bouquet? And why tonight of all nights? I am not going to a ball; I am not a girl engaged to be married. But some people are always ridiculous."
She turned back to the door, opened it, and called out: "Nastasia!"The ubiquitous handmaiden promptly appeared, and Archer heard Madame Olenska say, in an Italian that she seemed to pronounce with intentional deliberateness in order that he might follow it: "Here--throw this into the dustbin!" and then, as Nastasia stared protestingly: "But no--it's not the fault of the poor flowers. Tell the boy to carry them to the house three doors away, the house of Mr. Winsett, the dark gentleman who dined here. His wife is ill--they may give her pleasure . . . The boy is out, you say? Then, my dear one, run yourself; here, put my cloak over you and fly. I want the thing out of the house immediately! And, as you live, don't say they come from me!"
She flung her velvet opera cloak over the maid's shoulders and turned back into the drawing-room, shutting the door sharply. Her bosom was rising high under its lace, and for a moment Archer thought she was about to cry; but she burst into a laugh instead, and looking from the Marchioness to Archer, asked abruptly: "And you two--have you made friends!"
"It's for Mr. Archer to say, darling; he has waited patiently while you were dressing.""Yes--I gave you time enough: my hair wouldn't go," Madame Olenska said, raising her hand to the heaped-up curls of her chignon. "But that reminds me: I see Dr. Carver is gone, and you'll be late at the Blenkers'. Mr. Archer, will you put my aunt in the carriage?"
She followed the Marchioness into the hall, saw her fitted into a miscellaneous heap of overshoes, shawls and tippets, and called from the doorstep: "Mind, the carriage is to be back for me at ten!" Then she returned to the drawing-room, where Archer, on re-entering it, found her standing by the mantelpiece, examining herself in the mirror. It was not usual, in New York society, for a lady to address her parlour-maid as "my dear one," and send her out on an errand wrapped in her own opera-cloak; and Archer, through all his deeper feelings, tasted the pleasurable excitement of being in a world where action followed on emotion with such Olympian speed.
Madame Olenska did not move when he came up behind her, and for a second their eyes met in the mirror; then she turned, threw herself into her sofa- corner, and sighed out: "There's time for a cigarette."
He handed her the box and lit a spill for her; and as the flame flashed up into her face she glanced at him with laughing eyes and said: "What do you think of me in a temper?"
Archer paused a moment; then he answered with sudden resolution: "It makes me understand what your aunt has been saying about you.""I knew she'd been talking about me. Well?"
"She said you were used to all kinds of things-- splendours and amusements and excitements--that we could never hope to give you here."
Madame Olenska smiled faintly into the circle of smoke about her lips.
"Medora is incorrigibly romantic. It has made up to her for so many things!"
Archer hesitated again, and again took his risk. "Is your aunt's romanticism always consistent with accuracy?"
"You mean: does she speak the truth?" Her niece considered. "Well, I'll tell you: in almost everything she says, there's something true and something untrue. But why do you ask? What has she been telling you?"
He looked away into the fire, and then back at her shining presence. His heart tightened with the thought that this was their last evening by that fireside, and that in a moment the carriage would come to carry her away.
"She says--she pretends that Count Olenski has asked her to persuade you to go back to him."
Madame Olenska made no answer. She sat motionless, holding her cigarette in her half-lifted hand. The expression of her face had not changed; and Archer remembered that he had before noticed her apparent incapacity for surprise.
She was silent for so long that the ash dropped from her cigarette. She brushed it to the floor. "She has hinted about a letter: poor darling! Medora's hints--"
"Is it at your husband's request that she has arrived here suddenly?"
Madame Olenska seemed to consider this question also. "There again: one can't tell. She told me she had had a `spiritual summons,' whatever that is, from Dr. Carver. I'm afraid she's going to marry Dr. Carver . . . poor Medora, there's always some one she wants to marry. But perhaps the people in Cuba just got tired of her! I think she was with them as a sort of paid companion. Really, I don't know why she came."
"But you do believe she has a letter from your husband?"Again Madame Olenska brooded silently; then she said: "After all, it was to be expected."
The young man rose and went to lean against the fireplace. A sudden restlessness possessed him, and he was tongue-tied by the sense that their minutes were numbered, and that at any moment he might hear the wheels of the returning carriage.
"You know that your aunt believes you will go back?"Madame Olenska raised her head quickly. A deep blush rose to her face and spread over her neck and shoulders. She blushed seldom and painfully, as if it hurt her like a burn.
"Many cruel things have been believed of me," she said."Oh, Ellen--forgive me; I'm a fool and a brute!"
She smiled a little. "You are horribly nervous; you have your own troubles. I know you think the Wellands are unreasonable about your marriage, and of course I agree with you. In Europe people don't understand our long American engagements; I suppose they are not as calm as we are." She pronounced the "we" with a faint emphasis that gave it an ironic sound.
Archer felt the irony but did not dare to take it up. After all, she had perhaps purposely deflected the conversation from her own affairs, and after the pain his last words had evidently caused her he felt that all he could do was to follow her lead. But the sense of the waning hour made him desperate: he could not bear the thought that a barrier of words should drop between them again.
"Yes," he said abruptly; "I went south to ask May to marry me after Easter. There's no reason why we shouldn't be married then.""And May adores you--and yet you couldn't convince her? I thought her too intelligent to be the slave of such absurd superstitions."
"She IS too intelligent--she's not their slave."
Madame Olenska looked at him. "Well, then--I don't understand."
Archer reddened, and hurried on with a rush. "We had a frank talk--almost the first. She thinks my impatience a bad sign."
"Merciful heavens--a bad sign?"
"She thinks it means that I can't trust myself to go on caring for her. She thinks, in short, I want to marry her at once to get away from some one that I--care for more."
Madame Olenska examined this curiously. "But if she thinks that--why isn't she in a hurry too?""Because she's not like that: she's so much nobler. She insists all the more on the long engagement, to give me time--"
"Time to give her up for the other woman?"
"If I want to."
Madame Olenska leaned toward the fire and gazed into it with fixed eyes. Down the quiet street Archer heard the approaching trot of her horses.
"That IS noble," she said, with a slight break in her voice.
"Yes. But it's ridiculous."
"Ridiculous? Because you don't care for any one else?"
"Because I don't mean to marry any one else."
"Ah." There was another long interval. At length she looked up at him and asked: "This other woman-- does she love you?"
"Oh, there's no other woman; I mean, the person that May was thinking of is-was never--"
"There's your carriage," said Archer.
She half-rose and looked about her with absent eyes. Her fan and gloves lay on the sofa beside her and she picked them up mechanically.
"Yes; I suppose I must be going."
"You're going to Mrs. Struthers's?"
"Yes." She smiled and added: "I must go where I am invited, or I should be too lonely. Why not come with me?"
Archer felt that at any cost he must keep her beside him, must make her give him the rest of her evening. Ignoring her question, he continued to lean against the chimney-piece, his eyes fixed on the hand in which she held her gloves and fan, as if watching to see if he had the power to make her drop them.
"May guessed the truth," he said. "There is another woman--but not the one she thinks."Ellen Olenska made no answer, and did not move. After a moment he sat down beside her, and, taking her hand, softly unclasped it, so that the gloves and fan fell on the sofa between them.
She started up, and freeing herself from him moved away to the other side of the hearth. "Ah, don't make love to me! Too many people have done that," she said, frowning.
Archer, changing colour, stood up also: it was the bitterest rebuke she could have given him. "I have never made love to you," he said, "and I never shall. But you are the woman I would have married if it had been possible for either of us."
"Possible for either of us?" She looked at