Man, Women and Ghosts by Elizabeth Stuart Phelps Ward - HTML preview

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conductor's face, as the sickly yellow flare struck on it, with a

curious sensation. He wondered if he had a wife and five children; if he

ever thought of running away from them; what he would think of a man who

did; what most people would think; what she would think.

She!--ah, she

had it all to find out yet.

"There's no place like home,"

said Tommy's little fiddle,

"O, no place like home."

Now this fiddle of Tommy's may have had a crack or so in it, and I

cannot assert that Tommy never struck a false note; but the man in the

corner was not fastidious as a musical critic; the sickly light was

flickering through the car, the quiver on the red flats was quite out of

sight, the train was shrieking away into the west,--the baleful, lonely

west,--which was dying fast now out there upon the sea, and it is a fact

that his hat went slowly down over his face again, and that his face

went slowly down upon his arm.

There, in the lighted home out upon the flats, that had drifted by

forever, she sat waiting now. It was about time for him to be in to

supper; she was beginning to wonder a little where he was; she was

keeping the coffee hot, and telling the children not to touch their

father's pickles; she had set the table and drawn the chairs; his pipe

lay filled for him upon the shelf over the stove. Her face in the light

was worn and white,--the dark rings very dark; she was trying to hush

the boys, teasing for their supper; begging them to wait a few minutes,

only a few minutes, he would surely be here then. She would put the baby

down presently, and stand at the window with her hands--

Annie's hands

once were not so thin--raised to shut out the light,--

watching,

watching.

The children would eat their supper; the table would stand untouched,

with his chair in its place; still she would go to the window, and stand

watching, watching. O, the long night that she must stand watching, and

the days, and the years!

"Sweet, sweet home,"

played Tommy.

By and by there was no more of "Sweet Home."

"How about that cove with his head lopped down on his arms?" speculated

Tommy, with a businesslike air.

He had only stirred once, then put his face down again.

But he was

awake, awake in every nerve; and listening, to the very curve of his

fingers. Tommy knew that; it being part of his trade to learn how to use

his eyes.

The sweet, loyal passion of the music--it would take worse playing than

Tommy's to drive the sweet, loyal passion out of Annie Laurie--grew

above the din of the train:--

"'T was there that Annie Laurie

Gave me her promise true."

She used to sing that, the man was thinking,--this other Annie of his

own. Why, she had been his own, and he had loved her once. How he had

loved her! Yes, she used to sing that when he went to see her on Sunday

nights, before they were married,--in her pink, plump, pretty days.

Annie used to be very pretty.

"Gave me her promise true,"

hummed the little fiddle.

"That's a fact," said poor Annie's husband, jerking the words out under

his hat, "and kept it too, she did."

Ah, how Annie had kept it! The whole dark picture of her married

years,--the days of work and pain, the nights of watching, the patient

voice, the quivering mouth, the tact and the planning and the trust for

to-morrow, the love that had borne all things, believed all things,

hoped all things, uncomplaining,--rose into outline to tell him how she

had kept it.

"Her face is as the fairest

That e'er the sun shone on,"

suggested the little fiddle.

That it should be darkened forever, the sweet face! and that he should

do it,--he, sitting here, with his ticket bought, bound for Colorado.

"And ne'er forget will I,"

murmured the little fiddle.

He would have knocked the man down who had told him twenty years ago

that he ever should forget; that he should be here to-night, with his

ticket bought, bound for Colorado.

But it was better for her to be free from him. He and his cursed

ill-luck were a drag on her and the children, and would always be. What

was that she had said once?

"Never mind, Jack, I can bear anything as long as I have you."

And here he was, with his ticket bought, bound for Colorado.

He wondered if it were ever too late in the day for a fellow to make a

man of himself. He wondered--

"And she's a' the world to me,

And for bonnie Annie Laurie

I'd lay me down and dee,"

sang the little fiddle, triumphantly.

Harmon shook himself, and stood up. The train was slackening; the

lights of a way-station bright ahead. It was about time for supper and

his mother, so Tommy put down his fiddle and handed around his faded

cap.

The merchant threw him a penny, and returned to his tax list. The old

lady was fast asleep with her mouth open.

"Come here," growled Harmon, with his eyes very bright.

Tommy shrank

back, almost afraid of him.

"Come here," softening, "I won't hurt you. I tell you, boy, you don't

know what you've done to-night."

"Done, sir?" Tommy couldn't help laughing, though there was a twinge of

pain at his stout little heart, as he fingered the solitary penny in the

faded cap. "Done? Well, I guess I've waked you up, sir, which was about

what I meant to do."

"Yes, that is it," said Harmon, very distinctly, pushing up his hat,

"you've waked me up. Here, hold your cap."

They had puffed into the station now, and stopped. He emptied his purse

into the little cap, shook it clean of paper and copper alike, was out

of the car and off the train before Tommy could have said Jack Robinson.

"My eyes!" gasped Tommy, "that chap had a ticket for New York, sure!

Methuselah! Look a here! One, two, three,--must have been crazy; that's

it, crazy."

"He'll never find out," muttered Harmon, turning away from the station

lights, and striking back through the night for the red flats and home.

"He'll never find out what he has done, nor, please God, shall she."

It was late when he came in sight of the house; it had been a long tramp

across the tracks, and hard; he being stung by a bitter wind from the

east all the way, tired with the monotonous treading of the sleepers,

and with crouching in perilous niches to let the trains go by.

She stood watching at the window, as he had known that she would stand,

her hands raised to her face, her figure cut out against the warm light

of the room.

He stood still a moment and looked at her, hidden in the shadow of the

street, thinking his own thoughts. The publican, in the old story,

hardly entered the beautiful temple with more humble step than he his

home that night.

She sprang to meet him, pale with her watching and fear.

"Worried, Annie, were you? I haven't been drinking; don't be

frightened,--no, not the theatre, either, this time.

Some business,

dear; business that delayed me. I'm sorry you were worried, I am, Annie.

I've had a long walk. It is pleasant here. I believe I'm tired, Annie."

He faltered, and turned away his face.

"Dear me," said Annie, "why, you poor fellow, you are all tired out.

Sit right up here by the fire, and I will bring the coffee. I've tried

so hard not to let it boil away, you don't know, Jack, and I was so

afraid something had happened to you."

Her face, her voice, her touch, seemed more than he could bear for a

minute, perhaps. He gulped down his coffee, choking.

"Annie, look here." He put down his cup, trying to smile and make a jest

of the words. "Suppose a fellow had it in him to be a rascal, and nobody

ever knew it, eh?"

"I should rather not know it, if I were his wife," said Annie, simply.

"But you couldn't care anything more for him, you know, Annie?"

"I don't know," said Annie, shaking her head with a little perplexed

smile, "you would be just Jack, _any how_."

Jack coughed, took up his coffee-cup, set it down hard, strode once or

twice across the room, kissed the baby in the crib, kissed his wife, and

sat down again, winking at the fire.

"I wonder if He had anything to do with sending him," he said,

presently, under his breath.

"Sending whom?" asked puzzled Annie.

"Business, dear, just business. I was thinking of a boy who did a little

job for me to-night, that's all."

And that is all that she knows to this day about the man sitting in the

corner, with his hat over his eyes, bound for Colorado.

One of the Elect.

"Down, Muff! down!"

Muff obeyed; he took his paws off from his master's shoulders with an

injured look in his great mute eyes, and consoled himself by growling at

the cow. Mr. Ryck put a sudden stop to a series of gymnastic exercises

commenced between them, by throwing the creature's hay down upon her

horns; then he watered his horse, fed the sheep, took a look at the

hens, and closed all the doors tightly; for the night was cold, so cold

that he shivered, even under that great bottle-green coat of his: he was

not a young man.

"Pretty cold night, Muff!" Muff was not blest with a forgiving

disposition; he maintained a dignified silence. But his master did not

feel the slight. Something, perhaps the cold, made him careless of the

dog to-night.

The house was warm, at least; the light streamed far out of the kitchen

window, down almost to the orchard. He passed across it, showing his

figure a little stooping, and the flutter of gray hair from under his

hat; then into the house. His wife was busied about the room, a pleasant

room for a kitchen, with the cleanest of polished floors and whitened

tables; the cheeriest of fires, the home-like faces of blue and white

china peeping through the closet door; a few books upon a little shelf,

with an old Bible among them; the cosey rocking-chair that always stood

by the fire, and a plant or two in the south window. He came in,

stamping off the snow; Muff crawled behind the stove, and gave himself

up to a fit of metaphysics.

"Cold, Amos?"

"Of course. What else should I be, woman?"

His wife made no reply. His unusual impatience only saddened her eyes a

little. She was one of those women who would have borne a life-long

oppression with dumb lips. Amos Ryck was not an unkind husband, but it

was not his way to be tender; the years which had whitened his hair had

brought him stern experiences: life was to him a battle, his horizon

always that about a combatant. But he loved her.

"Most ready to sit down, Martha?" he said at last, more gently.

"In a minute, Amos."

She finished some bit of evening work, her step soft about the room.

Then she drew up the low rocking-chair with its covering of faded

crimson chintz, and sat down by her husband.

She did this without noise; she did not sit too near to him; she took

pains not to annoy him by any feminine bustle over her work; she chose

her knitting, as being always most to his fancy; then she looked up

timidly into his face. But there was a frown, slight to be sure, but

still a frown, upon it, neither did he speak. Some gloomy, perhaps some

bitter thought held the man. A reflection of it might have struck across

her, as she turned her head, fixing her eyes upon the coals.

The light on her face showed it pale; the lines on her mouth were deeper

than any time had worn for her husband; her hair as gray as his, though

he was already a man of grave, middle age, when the little wife--hardly

past her sixteenth birthday--came to the farm with him.

Perhaps it is these silent women--spiritless, timid souls, like this

one,--who have, after all, the greatest capacity for suffering. You

might have thought so, if you had watched her. Some infinite mourning

looked out of her mute brown eyes. In the very folding of her hands

there was a sort of stifled cry, as one whose abiding place is in the

Valley of the Shadow.

A monotonous sob of the wind broke at the corners of the house; in the

silence between the two, it was distinctly heard. Martha Ryck's face

paled a little.

"I wish--" She tried to laugh. "Amos, it cries just like a baby."

"Nonsense!"

Her husband rose impatiently, and walked to the window.

He was not given

to fancies; all his life was ruled and squared up to a creed. Yet I

doubt if he liked the sound of that wind much better than the woman. He

thrummed upon the window-sill, then turned sharply away.

"There's a storm up, a cold one too."

"It stormed when--"

But Mrs. Ryck did not finish her sentence. Her husband, coming back to

his seat, tripped over a stool,--a little thing it was, fit only for a

child; a bit of dingy carpet covered it: once it had been bright.

"Martha, what _do_ you keep this about for? It's always in the way!"

setting it up angrily against the wall.

"I won't, if you'd rather not, Amos."

The farmer took up an almanac, and counted out the time when the

minister's salary and the butcher's bill were due; it gave occasion for

making no reply.

"Amos!" she said at last. He put down his book.

"Amos, do you remember what day it is?"

"I'm not likely to forget." His face darkened.

"Amos," again, more timidly, "do you suppose we shall ever find out?"

"How can I tell?"

"Ever know anything,--just a little?"

"We know enough, Martha."

"Amos! Amos!" her voice rising to a bitter cry, "we don't know enough!

God's the only one that knows enough. He knows whether she's alive, and

if she's dead he knows, and where she is; if there was ever any hope,

and if her mother--"

"Hope, Martha, for _her_!"

She had been looking into the fire, her attitude unchanged, her hands

wrung one into the other. She roused at that, something in her face as

if one flared a sudden light upon the dead.

"What ails you, Amos? You're her father; you loved her when she was a

little, innocent child."

When she was a child, and innocent,--yes. _That_ was long ago. He

stopped his walk across the room, and sat down, his face twitching

nervously. But he had nothing to say,--not one word to the patient woman

watching him there in the firelight, not one for love of the child who

had climbed upon his knee and kissed him in that very room, who had

played upon that little faded cricket, and wound her arms about the

mother's neck, sitting just so, as she sat now. Yet he _had_ loved her,

the pure baby. That stung him. He could not forget it, though he might

own no fathership to the wanderer.

Amos Ryck was a respectable man; he had the reputation of an honest,

pious farmer to maintain. Moreover, he was a deacon in the church. His

own life, stern in its purity, could brook no tenderness toward

offenders. His own child was as shut out from his forgiveness as he

deemed her to be from the forgiveness of his God. Yet you would have

seen, in one look at the man, that this blow with which he was smitten

had cleft his heart to its core.

This was her birthday,--hers whose name had not passed his lips for

years. Do you think he had once forgotten it since its morning? Did not

the memories it brought crowd into every moment? Did they not fill the

very prayers in which he besought a sin-hating God to avenge him of all

his enemies?

So many times the child had sat there at his feet on this day, playing

with some birthday toy,--he always managed to find her something, a doll

or a picture-book; she used to come up to thank him, pushing back her

curls, her little red lips put up for a kiss. He was very proud of

her,--he and the mother. She was all they had,--the only one. He used to

call her "God's dear blessing," softly, while his eyes grew dim; she

hardly heard him for his breaking voice.

She might have stood there and brought back all those dead birthday

nights, so did he live them over. But none could know it; for he did not

speak, and the frown knotted darkly on his forehead.

Martha Ryck looked

up at last into her husband's face.

"Amos, if she _should_ ever come back!" He started, his eyes freezing.

"She won't! She--"

Would he have said "she _shall_ not?" God only knew.

"Martha, you talk nonsense! It's just like a woman.

We've said enough

about this. I suppose He who's cursed us has got his own reasons for it.

We must bear it, and so must she."

He stood up, stroking his beard nervously, his eyes wandering about the

room; he did not, or he could not, look at his wife.

Muff, rousing from

his slumbers, came up sleepily to be taken some notice of. She used to

love the dog,--the child; she gave him his name in a frolic one day; he

was always her playfellow; many a time they had come in and found her

asleep with Muff's black, shaggy sides for a pillow, and her little pink

arms around his neck, her face warm and bright with some happy dream.

Mr. Ryck had often thought he would sell the creature; but he never had.

If he had been a woman, he would have said he could not.

Being a man, he

argued that Muff was a good watch-dog, and worth keeping.

"Always in the way, Muff!" he muttered, looking at the patient black

head rubbed against his knee. He was angry with the dog at that moment;

the next he had repented; the brute had done no wrong.

He stooped and

patted him. Muff returned to his dreams content.

"Well, Martha," he said, coming up to her uneasily, "you look tired."

"Tired? No, I was only thinking, Amos."

The pallor of her face, its timid eyes and patient mouth, the whole

crushed look of the woman, struck him freshly. He stooped and kissed her

forehead, the sharp lines of his face relaxing a little.

"I didn't mean to be hard on you, Martha; we both have enough to bear

without that, but it's best not to talk of what can't be helped,--you

see."

"Yes."

"Don't think anything more about the day; it's not--it's not really good

for you; you must cheer up, little woman."

"Yes, Amos."

Perhaps his unusual tenderness gave her courage; she stood up, putting

both arms around his neck.

"If you'd only try to love her a little, after all, my husband! He would

know it; He might save her for it."

Amos Ryck choked, coughed, and said it was time for prayers. He took

down the old Bible in which his child's baby-fingers used to trace their

first lessons after his own, and read, not of her who loved much and was

forgiven, but one of the imprecatory Psalms.

When Mrs. Ryck was sure that her husband was asleep that night, she rose

softly from her bed, unlocked, with noiseless key, one of her bureau

drawers, took something from it, and then felt her way down the dark

stairs into the kitchen.

She drew a chair up to the fire, wrapped her shawl closely about her,

and untied, with trembling fingers, the knots of a soft silken

handkerchief in which her treasures were folded.

Some baby dresses of purest white; a child's little pink apron; a pair

of tiny shoes, worn through by pattering feet; and a toy or two all

broken, as some impatient little fingers had left them; she was such a

careless baby! Yet they never could scold her, she always affected such

pretty surprises, and wide blue-eyed penitence: a bit of a queen she was

at the farm.

Was it not most kindly ordered by the Infinite Tenderness which pitieth

its sorrowing ones, that into her still hours her child should come so

often only as a child, speaking pure things only, touching her mother so

like a restful hand, and stealing into a prayer?

For where was ever grief like this one? Beside this sorrow, death was

but a joy. If she might have closed her child's baby-eyes, and seen the

lips which had not uttered their first "Mother!"

stilled, and laid her

away under the daisies, she would have sat there alone that night, and

thanked Him who had given and taken away.

But _this_,--a wanderer upon the face of the earth,--a mark, deeper

seared than the mark of Cain, upon the face which she had fondled and

kissed within her arms; the soul to which she had given life, accursed

of God and man,--to measure this, there is no speech nor language.

Martha Ryck rose at last, took off the covers of the stove, and made a

fresh blaze which brightened all the room, and shot its glow far into

the street. She went to the window to push the curtain carefully aside,

stood a moment looking out into the night, stole softly to the door,

unlocked it, then went upstairs to bed.

The wind, rising suddenly that night, struck sharply through the city.

It had been cold enough before, but the threatened storm foreboded that

it would be worse yet before morning. The people crowded in a warm and

brilliant church cast wandering glances from the preacher to the painted

windows, beyond which the night lay darkly, thought of the ride home in

close, cushioned carriages, and shivered.

So did a woman outside, stopping just by the door, and looking in at the

hushed and sacred shelter. Such a tempe