Choral Techniques by Gordon Lamb - HTML preview
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Choral Techniques
Table of Contents
- Chapter 1. Introduction
- Chapter 2. Conducting Techniques
- 2.1. Conducting Posture and Use of a Baton
- 2.2. Use of a Baton
- 2.3. Holding the Baton
- 2.4. The Preparatory Beat
- 2.5. Starting on the First Beat
- 2.6. Starting on the Last Beat
- 2.7. Starting on Other Beats
- 2.8. Starting on Fractions of Beats
- 2.9. The Release
- 2.10. The Conducting Beat Patterns
- 2.11. Conducting Asymmetrical Beat Patterns
- 2.12. Practicing the Patterns
- 2.13. Conducting Fast Tempos
- 2.14. Conducting Divided Beat Patterns
- 2.15. Unmetered or Free Rhythms
- 2.16. Mixed Meters and Other Conducting Problems
- 2.17. The Fermata
- 2.18. Use Of The Left Hand In Conducting
- 2.19. Tempo Determination
- 2.20. Change of Tempo
- 2.21. Establishing the Mood
- 2.22. Expressive Conducting
- 2.23. Performance Conducting
- Chapter 3. Score Study
- Chapter 4. Interpreting Choral Music
- Chapter 5. Choral Diction: English and Latin
- 5.1. Choral Diction-English and Latin
- 5.2. English
- 5.3. Formation of Vowels
- 5.4. A Relaxed Jaw
- 5.5. A Relaxed Tongue
- 5.6. Proper Space in the Mouth
- 5.7. Vowel Modification and Range Considerations
- 5.8. Darkening Vowels
- 5.9. Consonants
- 5.10. Marcato and Legato Diction
- 5.11. Special Diction Problems
- 5.12. Prefixes
- 5.13. Word Seperation and Text Flow
- 5.14.
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