SoulSpeak: The Outward Journey of the Soul by justin spring - HTML preview

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Table of Contents

Snow Angels 8

Acknowledgments 10

Foreword Dr. Stephen Larsen 12

Introduction 19

Envoi 21

 

Part I Background and History 22

1. Speaking to the Gods 22

2. Accepting Tribal Art 25

3. The Vocabulary of Tribal Art 27

4.  The Soul’s Stories 30

5. The Effect of Writing on Consciousness 36

6. Preliterate Poetry. A Primer 38

7. SOULSPEAK as a Participatory Art 44

 

Part II Preparing to Speak 50

8. The Communal Nature of SOULSPEAK 50

9. SOULSPEAK as a Journey 51

10. My Own Journey Continues 61

 

Part III Creating a Speaking 65

11. Creating a Speaking 65

12. Some Additional Tips on Speaking 69

13. Speaking and Responding 72

14. Expanding SOULSPEAK 74

15. Other SOULSPEAK Catalysts 81

The Seven Categories Rule 83

16. Other Types of Catalysts 86

 

Part IV Some Final Thoughts on SOULSPEAK 92

17. Some Final Thoughts on SOULSPEAK 92

Part V A New Call for an Older Poetry 98

 

Introduction to Part V 98

18. The State of Contemporary Poetry 99

19. What Oral Poetry Brings to the Table 103

20. We Have Mistaken the Totem for the God 105

21. The Encroaching Sea of Orality 108

22. Oral Poetry: Common and Uncommon Speech 116

23. The Transition from Oral to Written Poetry 119

24. A Brief History of Oral and Written Poetry 122

25. The Form of Oral Poetry 128

26. The Differences Between Oral and Written Composition 131

27. Let’s Pretend You’re an Epic Poet 140

28. Oral Poetry as a Galápagos of Poetry 150

29. Rap and Slam Poetry 152

30. Performance and Music in Poetry 157

31. Using Rap and Homer to Convince the Skeptical 163

 

ABOUT THE AUTHOR 171

WEB LINKS 174