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 BALLAD OF THE DOUBLE-SOUL

"Les Dieux, qui trop aiment ses faceties cruelles"

                                        PAUL VERVILLE.

 

In the beginning the Gods made man, and fashioned the

    sky and the sea,

And the earth's fair face for man's dwelling-place, and

     this was the Gods' decree:--

 

"Lo, We have given to man five wits: he  discerneth

folly

    and sin;

He is swift to deride all the world outside, and blind

to  the world within:

 

"So that man may make sport and amuse Us, in battling

    for phrases or pelf,

Now that each may know what forebodeth woe to his

neighbor,   and not to himself."

 

Yet some have the Gods forgotten,--or is it that

subtler

    mirth

The Gods extort of a certain sort of folk that cumber

    the earth?

 

For this is the song of the double-soul, distortedly

two in  one,--

 

 

Of the wearied eyes that still behold the fruit ere

the seed

    be sown,

And derive affright for the nearing night from the

light

    of the noontide sun.

 

For one that with hope in the morning set forth, and

    knew never a fear,

They have linked with another whom omens bother; and

    he whispers in one's ear.

 

And one is fain to be climbing where only angels have

    trod,

But is fettered and tied to another's side who fears

that

    it might look odd.

 

And one would worship a woman whom all perfections

    dower,

But the other smiles at transparent wiles; and he

quotes

    from Schopenhauer.

 

Thus two by two we wrangle and blunder about the

    earth,

And that body we share we may not spare; but the Gods

    have need of mirth.

 

So this is the song of the double-soul, distortedly

two

    in one.--

Of the wearied eyes that still behold the fruit ere

the seed

    be sown,

And derive affright for the nearing night from the

light

    of the noontide sun.

 

 AUCTORIAL INDUCTION

"These questions, so long as they remain with the Muses, may very well be unaccompanied with severity, for where there is no other end of contemplation and inquiry but that of pastime alone, the understanding is not oppressed; but after the Muses have given over their riddles to Sphinx,--that is, to practise, which urges and impels to action, choice and determination,--then it is that they become torturing, severe and trying."

From the dawn of the day to the dusk he toiled,

Shaping fanciful playthings, with tireless hands,-–

Useless trumpery toys; and, with vaulting heart,

Gave them unto all peoples, who mocked at him,

Trampled on them, and soiled them, and went their way.

Then he toiled from the morn to the dusk again,

Gave his gimcracks to peoples who mocked at him,

Trampled on them, deriding, and went their way.

 Thus he labors, and loudly they jeer at him;-–

That is, when they remember he still exists.

 WHO, you ask, IS THIS FELLOW?--What matter names?

He is only a scribbler who is content.

 FELIX KENNASTON. The Toy-Maker .

 

AUCTORIAL INDUCTION

WHICH (AFTER SOME BRIEF DISCOURSE OF FIRES AND FRYING-PANS) ELUCIDATES THE INEXPEDIENCY OF PUBLISHING THIS BOOK, AS WELL AS THE NECESSITY OF WRITING IT: AND THENCE PASSES TO A MODEST DEFENSE OF MORE VITAL THEMES.

The desire to write perfectly of beautiful happenings is, as the saying runs, old as the hills--and as immortal. Questionless, there was many a serviceable brick wasted in Nineveh because finicky persons must needs be deleting here and there a phrase in favor of its cuneatic synonym; and it is not improbable that when the outworn sun expires in clinkers its final ray will gild such zealots tinkering with their "style." Some few there must be in every age and every land of whom life claims nothing very insistently save that they write perfectly of beautiful happenings.

Yet, that the work of a man of letters is almost always a congenial product of his day and environment, is a contention as lacking in novelty as it is in the need of any upholding here. Nor is the rationality of that axiom far to seek; for a man of genuine literary genius, since he possesses a temperament whose susceptibilities are of wider area than those of any other, is inevitably of all people the one most  variously affected by his surroundings. And it is he, in consequence, who of all people most faithfully and compactly exhibits the impress of his times and his times' tendencies, not merely in his writings--where it conceivably might be just predetermined affectation-- but in his personality.

Such being the assumption upon which this volume is builded, it appears only equitable for the architect frankly to indicate his cornerstone. Hereinafter you have an attempt to depict a special temperament--one in essence "literary"--as very variously molded by diverse eras and as responding in proportion with its ability to the demands of a certain hour.

In proportion with its ability, be it repeated, since its ability is singularly hampered. For, apart from any ticklish temporal considerations, be it remembered, life is always claiming of this  temperament's possessor that he write perfectly of beautiful happenings.

To disregard this vital longing, and flatly to stifle the innate striving toward artistic creation, is to become (as with Wycherley and Sheridan) a man who waives, however laughingly, his sole apology for existence. The proceeding is paltry enough, in all conscience; and yet, upon the other side, there is much positive danger in giving to the instinct a loose rein. For in that event the familiar  circumstances of sedate and wholesome living cannot but seem, like paintings viewed too near, to lose in gusto and winsomeness. Desire, perhaps a craving hunger, awakens for the impossible. No emotion, whatever be its sincerity, is endured without a side-glance toward its capabilities for being written about. The world, in short, inclines to appear an ill-lit mine, wherein one quarries gingerly amidst an abiding loneliness (as with Pope and Ufford and Sire Raimbaut)--and wherein one very often is allured into unsavory alleys (as with Herrick and Alessandro de Medici)--in search of that raw material which loving labor will transshape into comeliness.

Such, if it be allowed to shift the metaphor, are the treacherous by-paths of that admirably policed highway whereon the well-groomed and well-bitted Pegasi of Vanderhoffen and Charteris (in his later manner) trot stolidly and safely toward oblivion. And the result of wandering afield is of necessity a tragedy, in that the deviator's life, if not as an artist's  quite certainly as a human being's, must in the outcome be adjudged a failure.

Hereinafter, then, you have an attempt to depict a special temperament--one in essence "literary"--as very variously molded by diverse eras and as responding in proportion with its ability to the demands of a certain hour.

 II

And this much said, it is permissible to hope, at least, that here and there some reader may be found not wholly blind to this book's goal, whatever be his opinion as to this book's success in reaching it. Yet many honest souls there be among us average-novel- readers in whose eyes this volume must rest content to figure as a collection of short stories having naught in common beyond the feature that each deals with the affaires du coeur of a poet.

Such must always be the book's interpretation by mental indolence. The fact is incontestable; and this fact in itself may be taken as sufficient to establish the inexpediency of publishing The Certain Hour. For that "people will not buy a volume of short stories" is notorious to all publishers. To offset the axiom there are no doubt incongruous phenomena--ranging from the continued popularity of the Bible to the present general esteem of Mr. Kipling, and embracing the rather unaccountable vogue of "O. Henry";--but, none the less, the superstition has its force.

Here intervenes the multifariousness of man, pointed out somewhere by Mr. Gilbert Chesterton, which enables the individual to be at once a  vegetarian, a golfer, a vestryman, a blond, a mammal, a Democrat, and an immortal spirit. As a rational person, one may debonairly consider The Certain Hour possesses as large license to look like a volume of short stories as, say, a backgammon-board has to its customary guise of a two-volume history; but as an average-novel-reader, one must vote otherwise. As an average-novel-reader, one must condemn the very book which, as a seasoned scribbler, one was moved to write through long consideration of the drama already suggested--that immemorial drama of the desire to write perfectly of beautiful happenings, and the obscure martyrdom to which this desire solicits its possessor.

Now, clearly, the struggle of a special temperament with a fixed force does not forthwith begin another story when the locale of combat shifts. The case is, rather, as when--with certainly an intervening change of apparel--Pompey fights Caesar at both Dyrrachium and Pharsalus, or as when General Grant successively encounters General Lee at the Wilderness,  Spottsylvania, Cold Harbor and Appomattox. The combatants remain unchanged, the question at issue is the same, the tragedy has continuity. And even so, from the time of Sire Raimbaut to that of John Charteris has a special temperament heart-hungrily confronted an ageless problem: at what cost now, in this fleet hour of my vigor, may one write perfectly of beautiful happenings?

Thus logic urges, with pathetic futility, inasmuch as we average-novel-readers are profoundly indifferent to both logic and good writing. And always the fact remains that to the mentally indolent this book may well seem a volume of disconnected short stories. All of us being more or less mentally indolent, this possibility constitutes a dire fault.

Three other damning objections will readily obtrude themselves: The Certain Hour deals with past epochs--beginning before the introduction of dinner-forks, and ending at that remote quaint period when people used to waltz and two-step--dead eras in which we average-novel-readers are not interested; The Certain Hour assumes an appreciable amount of culture and information on its purchaser's part, which we average-novel-readers either lack or, else, are  unaccustomed to employ in connection with reading for pastime; and--in our eyes the crowning misdemeanor-- The Certain Hour is not "vital."

Having thus candidly confessed these faults committed as the writer of this book, it is still possible in human multifariousness to consider their enormity, not merely in this book, but in fictional reading-matter at large, as viewed by an average-novel- reader--by a representative of that potent class whose preferences dictate the nature and main trend of modern American literature. And to do this, it may be, throws no unsalutary sidelight upon the still-existent problem: at what cost, now, may one attempt to write perfectly of beautiful happenings?

 III

Indisputably the most striking defect of this modern American literature is the fact that the production of anything at all resembling literature is scarcely anywhere apparent. Innumerable printing-presses, instead, are turning out a vast quantity of reading-matter, the candidly recognized purpose of which is to kill time, and which--it has been asserted, though perhaps too sweepingly--ought not to be vended over book-counters, but rather in drugstores along with the other narcotics.

It is begging the question to protest that the class of people who a generation ago read nothing now at least read novels, and to regard this as a change for the better. By similar logic it would be more wholesome to breakfast off laudanum than to omit the meal entirely. The nineteenth century, in fact, by making education popular, has produced in America the curious spectacle of a reading-public with essentially nonliterary tastes. Formerly, better books were published, because they were intended for persons who turned to reading through a natural bent of mind; whereas the modern American novel of commerce is addressed to us average people who read, when we read at all, in violation of every innate instinct.

Such grounds as yet exist for hopefulness on the part of those who cordially care for belles lettres are to be found elsewhere than in the crowded market-places of fiction, where genuine intelligence panders on all sides to ignorance and indolence. The phrase may seem to have no very civil ring; but reflection will assure the fair-minded that two indispensable requisites nowadays of a pecuniarily successful novel are, really, that it make no demand upon the reader's imagination, and that it rigorously refrain from assuming its reader to possess any particular  information on any subject whatever. The author who writes over the head of the public is the most  dangerous enemy of his publisher--and the most insidious as well, because so many publishers are in private life interested in literary matters, and would readily permit this personal foible to influence the exercise of their vocation were it possible to do so upon the preferable side of bankruptcy.

But publishers, among innumerable other conditions, must weigh the fact that no novel which does not deal with modern times is ever really popular among the serious-minded. It is difficult to imagine a tale whose action developed under the rule of the Caesars or the Merovingians being treated as more than a literary hors d'oeuvre. We purchasers of "vital" novels know nothing about the period, beyond a hazy association of it with the restrictions of the schoolroom; our sluggish imaginations instinctively rebel against the exertion of forming any notion of such a period; and all the human nature that exists even in serious-minded persons is stirred up to resentment against the book's author for presuming to know more than a potential patron. The book, in fine, simply irritates the  serious-minded person; and she--for it is only women who willingly brave the terrors of department-stores, where most of our new books are bought nowadays--quite naturally puts it aside in favor of some keen and daring study of American life that is warranted to grip the reader. So, modernity of scene is everywhere necessitated as an essential qualification for a book's discussion at the literary evenings of the local  woman's club; and modernity of scene, of course, is almost always fatal to the permanent worth of fictitious narrative.

It may seem banal here to recall the truism that first-class art never reproduces its surroundings; but such banality is often justified by our human proneness to shuffle over the fact that many truisms are true. And this one is pre-eminently indisputable: that what mankind has generally agreed to accept as first-class art in any of the varied forms of fictitious narrative has never been a truthful reproduction of the artist's era. Indeed, in the higher walks of fiction art has never reproduced anything, but has always dealt with the facts and laws of life as so much crude material which must be transmuted into comeliness. When Shakespeare pronounced his celebrated dictum about art's holding the mirror up to nature, he was no doubt alluding to the circumstance that a mirror reverses everything which it reflects.

Nourishment for much wildish speculation, in fact, can be got by considering what the world's literature would be, had its authors restricted themselves, as do we Americans so sedulously--and unavoidably--to writing of contemporaneous happenings. In fiction-making no author of the first class since Homer's infancy has ever in his happier efforts concerned himself at all with the great "problems" of his particular day; and among geniuses of the second rank you will find such ephemeralities adroitly utilized only when they are distorted into enduring parodies of their actual selves by the broad humor of a Dickens or the colossal fantasy of a Balzac. In such cases as the latter two writers, however, we have an otherwise competent artist handicapped by a personality so marked that, whatever he may nominally write about, the result is, above all else, an exposure of the writer's idiosyncrasies. Then, too, the laws of any locale wherein Mr.  Pickwick achieves a competence in business, or of a society wherein Vautrin becomes chief of police, are upon the face of it extra-mundane. It suffices that, as a general rule, in fiction-making the true artist finds an ample, if restricted, field wherein the proper functions of the preacher, or the ventriloquist, or the photographer, or of the public prosecutor, are  exercised with equal lack of grace.

Besides, in dealing with contemporary life a novelist is goaded into too many pusillanimous concessions to plausibility. He no longer moves with the gait of omnipotence. It was very different in the palmy days when Dumas was free to play at ducks and drakes with history, and Victor Hugo to reconstruct the whole system of English government, and Scott to compel the sun to set in the east, whenever such minor changes caused to flow more smoothly the progress of the tale these giants had in hand. These freedoms are not tolerated in American noveldom, and only a few futile "high-brows" sigh in vain for Thackeray's "happy harmless Fableland, where these things are." The majority of us are deep in "vital" novels. Nor is the reason far to seek.

 IV

One hears a great deal nowadays concerning "vital" books. Their authors have been widely praised on very various grounds. Oddly enough, however, the writers of these books have rarely been commended for the really praiseworthy charity evinced therein toward that large long-suffering class loosely describable as the  average-novel-reader.

Yet, in connection with this fact, it is worthy of more than passing note that no great while ago the New York Times' carefully selected committee, in picking out the hundred best books published during a particular year, declared as to novels--"a `best' book, in our opinion, is one that raises an important question, or recurs to a vital theme and pronounces upon it what in some sense is a last word." Now this definition is not likely ever to receive more praise than it deserves. Cavilers may, of course, complain that actually to write the last word on any subject is a feat reserved for the Recording Angel's unique performance on judgment Day. Even setting that objection aside, it is undeniable that no work of fiction published of late in America corresponds quite so accurately to the terms of this definition as do the multiplication tables. Yet the multiplication tables are not without their claims to applause as examples of straightforward narrative. It is, also, at least permissible to consider that therein the numeral five, say, where it figures as protagonist, unfolds under the stress of its varying adventures as opulent a development of real human nature as does, through similar ups-and-downs, the Reverend John Hodder in The Inside of the Cup. It is equally allowable to find the less simple evolution of the digit seven more sympathetic, upon the whole, than those of Undine Spragg in The Custom of the Country. But, even so, this definition of what may now, authoritatively, be ranked as a "best novel" is an honest and noteworthy severance from misleading literary associations such as have too long befogged our notions about reading-matter. It points with emphasis toward the altruistic obligations of tale-tellers to be "vital."

For we average-novel-readers--we average people, in a word--are now, as always, rather pathetically hungry for "vital" themes, such themes as appeal directly to our everyday observation and prejudices. Did the decision rest with us all novelists would be put under bond to confine themselves forevermore to themes like these.

As touches the appeal to everyday observation, it is an old story, at least coeval with Mr. Crummles' not uncelebrated pumps and tubs, if not with the grapes of Zeuxis, how unfailingly in art we delight to  recognize the familiar. A novel whose scene of action is explicit will always interest the people of that locality, whatever the book's other pretensions to consideration. Given simultaneously a photograph of Murillo's rendering of The Virgin Crowned Queen of Heaven and a photograph of a governor's installation in our State capital, there is no one of us but will quite naturally look at the latter first, in order to see if in it some familiar countenance be recognizable. And thus, upon a larger scale, the twentieth century is, pre-eminently, interested in the twentieth century.

It is all very well to describe our average-novel- readers' dislike of Romanticism as "the rage of Caliban not seeing his own face in a glass." It is even within the scope of human dunderheadedness again to point out here that the supreme artists in literature have precisely this in common, and this alone, that in their masterworks they have avoided the "vital" themes of their day with such circumspection as lesser folk reserve for the smallpox. The answer, of course, in either case, is that the "vital" novel, the novel which peculiarly appeals to us average-novel-readers, has nothing to do with literature. There is between these two no more intelligent connection than links the paint Mr. Sargent puts on canvas and the paint Mr. Dockstader puts on his face.

Literature is made up of the re-readable books, the books which it is possible--for the people so  constituted as to care for that sort of thing--to read again and yet again with pleasure. Therefore, in literature a book's subject is of astonishingly minor importance, and its style nearly everything: whereas in books intended to be read for pastime, and forthwith to be consigned at random to the wastebasket or to the inmates of some charitable institute, the theme is of paramount importance, and ought to be a serious one. The modern novelist owes it to his public to select a "vital" theme which in itself will fix the reader's attention by reason of its familiarity in the reader's everyday life.

Thus, a lady with whose more candid opinions the writer of this is more frequently favored nowadays than of old, formerly confessed to having only one set rule when it came to investment in new reading-matter-- always to buy the Williamsons' last book. Her reason was the perfectly sensible one that the Williamsons' plots used invariably to pivot upon motor-trips, and she is an ardent automobilist. Since, as of late, the Williamsons have seen fit to exercise their typewriter upon other topics, they have as a matter of course lost her patronage.

This principle of selection, when you come to appraise it sanely, is the sole intelligent method of dealing with reading-matter. It seems here expedient again to state the peculiar problem that we average-- novel-readers have of necessity set the modern novelist--namely, that his books must in the main appeal to people who read for pastime, to people who read books only under protest and only when they have no other employment for that particular half-hour.

Now, reading for pastime is immensely simplified when the book's theme is some familiar matter of the reader's workaday life, because at outset the reader is spared considerable mental effort. The motorist above referred to, and indeed any average-novel-reader, can without exertion conceive of the Williamsons' people in their automobiles. Contrariwise, were these fictitious characters embarked in palankeens or droshkies or jinrikishas, more or less intellectual exercise would be necessitated on the reader's part to form a notion of the conveyance. And we average-novel-readers do not open a book with the intention of making a mental effort. The author has no right to expect of us an act so unhabitual, we very poignantly feel. Our prejudices he is freely chartered to stir up--if, lucky rogue, he can!--but he ought with deliberation to recognize that it is precisely in order to avoid mental effort that we purchase, or borrow, his book, and afterward discuss it.

Hence arises our heartfelt gratitude toward such novels as deal with "vital" themes, with the questions we average-novel-readers confront or make talk about in those happier hours of our existence wherein we are not reduced to reading. Thus, a tale, for example, dealing either with "feminism" or "white slavery" as the handiest makeshift of spinsterdom--or with the divorce habit and plutocratic iniquity in general, or with the probable benefits of converting clergymen to Christianity, or with how much more than she knows a desirable mother will tell her children--finds the book's tentative explorer, just now, amply equipped with prejudices, whether acquired by second thought or second hand, concerning the book's topic. As endurability goes, reading the book rises forthwith almost to the level of an afternoon-call where there is gossip about the neighbors and Germany's future. We average-novel-readers may not, in either case, agree with the opinions advanced; but at least our prejudices are aroused, and we are interested.

And these "vital" themes awake our prejudices at the cost of a minimum--if not always, as when Miss Corelli guides us, with a positively negligible--  tasking of our mental faculties. For such exemption we average-novel-readers cannot but be properly grateful. Nay, more than this: provided the novelist contrive to rouse our prejudices, it matters with us not at all whether afterward they be soothed or harrowed. To implicate our prejudices somehow, to raise in us a partizanship in the tale's progress, is our sole  request. Whether this consummation be brought about through an arraignment of some social condition which we personally either advocate or reprehend--the attitude weighs little--or whether this interest be purchased with placidly driveling preachments of generally "uplifting" tendencies--vaguely titillating that vague intention which exists in us all of becoming immaculate as soon as it is perfectly convenient--the personal prejudices of us average-novel-readers are not lightly lulled again to sleep.

In fact, the jealousy of any human prejudice  against hinted encroachment may safely be depended upon to spur us through an astonishing number of pages--for all that it has of late been complained among us, with some show of extenuation, that our original intent in beginning certain of the recent "vital" novels was to kill time, rather than eternity. And so, we average-- novel-readers plod on jealously to the end, whether we advance (to cite examples already somewhat of  yesterday) under the leadership of Mr. Upton Sinclair aspersing the integrity of modern sausages and  millionaires, or of Mr. Hall Caine saying about Roman Catholics what ordinary people would hesitate to impute to their relatives by marriage--or whether we be more suavely allured onward by Mrs. Florence Barclay, or Mr. Sydnor Harrison, with ingenuous indorsements of the New Testament and the inherent womanliness of women.

The "vital" theme, then, let it be repeated, has two inestimable advantages which should commend it to all novelists: first, it spares us average-novel-  readers any preliminary orientation, and thereby mitigates the mental exertion of reading; and secondly, it appeals to our prejudices, which we naturally prefer to exercise, and are accustomed to exercise, rather than our mental or idealistic faculties. The novelist who conscientiously bears these two facts in mind is reasonably sure of his reward, not merely in pecuniary form, but in those higher fields wherein he  harvests his chosen public's honest gratitude and affection.

For we average-novel-readers are quite frequently reduced by circumstances to self-entrustment to the resources of the novelist, as to those of the dentist. Our latter-day conditions, as we cannot but recognize, necessitate the employment of both artists upon occasion. And with both, we average-novel-readers, we average people, are most grateful when they make the process of resorting to them as easy and unirritating as may be possible.

 V

So much for the plea of us average-novel-readers; and our plea, we think, is rational. We are "in the market" for a specified article; and human ingenuity, co-operating with human nature, will inevitably insure the manufacture of that article as long as any general demand for it endures.

Meanwhile, it is small cause for grief that the purchaser of American novels prefers Central Park to any "wood near Athens," and is more at home in the Tenderloin than in Camelot. People whose tastes happen to be literary are entirely too prone to too much long-faced prattle about literature, which, when all is said, is never a controlling factor in anybody's life. The automobile and the telephone, the accomplishments of Mr. Edison and Mr. Burbank, and it would be permissible to add of Mr. Rockefeller, influence nowadays, in one fashion or another, every moment of every living American's existence; whereas had America produced, instead, a second Milton or a Dante, it would at most have caused a few of us to spend a few spare evenings rather differently.

Besides, we know--even we average-novel-readers-- that America is in fact producing her enduring  literature day by day, although, as rarely fails to be the case, those who are contemporaneous with the makers of this literature cannot with any certainty point them out. To voice a hoary truism, time alone is the test of "vitality." In our present flood of books, as in any other flood, it is the froth and scum which shows most prominently. And the possession of "vitality," here as elsewhere, postulates that its possessor must ultimately perish.

Nay, by the time these printed pages are first read as printed pages, allusion to those modern authors whom these pages cite--the pre-eminent literary personages of that hour wherein these pages were written--will inevitably have come to savor somewhat of antiquity: so that sundry references herein to the "vital" books now most in vogue will rouse much that vague shrugging recollection as wakens, say, at a mention of Dorothy Vernon or Three Weeks or Beverly of Graustark. And while at first glance it might seem expedient--in revising the last proof-sheets of these pages--somewhat to "freshen them up" by substituting, for the books herein referred to, the "vital" and more widely talked-of novels of the summer of 1916, the task would be but wasted labor; since even these fascinating chronicles, one comprehends forlornly, must needs be equally obsolete by the time these proof-sheets have been made into a volume. With malice aforethought, therefore, the books and authors named herein stay those which all of three years back our reviewers and advertising pages, with perfect gravity, acclaimed as of  enduring importance. For the quaintness of that opinion, nowadays, may profitably round the moral that there is really nothing whereto one may fittingly compare a successful contribution to "vital" reading-matter, as touches evanescence.

And this is as it should be. Tout passe.--L'art robust seul a l'eternite, precisely as Gautier points out, with bracing common-sense; and it is excellent thus to comprehend that to-day, as always, only through exercise of the auctorial virtues of distinction and clarity, of beauty and symmetry, of tenderness and truth and urbanity, may a man in reason attempt to insure his books against oblivion's voracity.

Yet the desire to write perfectly of beautiful  happenings is, as the saying runs, old as the hills-- and as immortal. Questionless, there was many a serviceable brick wasted in Nineveh because finicky persons must needs be deleting here and there a phrase in favor of its cuneatic synonym; and it is not  improbable that when the outworn sun expires in clinkers its final ray will gild such zealots tinkering with their "style." This, then, is the conclusion of the whole matter. Some few there must be in every age and every land of whom life claims nothing very insistently save that they write perfectly of beautiful happenings. And even we average-novel-readers know it is such folk who are to-day making in America that portion of our literature which may hope for  permanency.

 Dumbarton Grange

 1914-1916

 

 BELHS CAVALIERS

"For this RAIMBAUT DE VAQUIERAS lived at a time when prolonged habits of extra-mundane contemplation, combined with the decay of real knowledge, were apt to volatilize the thoughts and aspirations of the best and wisest into dreamy unrealities, and to lend a false air of mysticism to love. . . . It is as if the  intellect and the will had become used to moving paralytically among visions, dreams, and mystic terrors, weighed down with torpor."

Fair friend, since that hour I took leave of thee

I have not slept nor stirred from off my knee,

But prayed alway to God, S. Mary's Son,

To give me back my true companion;

 And soon it will be Dawn.

Fair friend, at parting, thy behest to me

Was that all sloth I should eschew and flee,

And keep good Watch until the Night was done:

Now must my Song and Service pass for none?

 For soon it will be Dawn.

 RAIMBAUT DE VAQUIERAS. Aubade,

from F. York Powells version.

 

 BELHS CAVALIERS

You may read elsewhere of the long feud that was between Guillaume de Baux, afterward Prince of Orange, and his kinsman Raimbaut de Vaquieras. They were not reconciled until their youth was dead. Then, when Messire Raimbaut returned from battling against the Turks and the Bulgarians, in the 1,210th year from man's salvation, the Archbishop of Rheims made peace between the two cousins; and, attended by Makrisi, a converted Saracen who had followed the knight's fortunes for well nigh a quarter of a century, the Sire de Vaquieras rode homeward.

Many slain men were scattered along the highway when he came again into Venaissin, in April, after an absence of thirty years. The crows whom his passing disturbed were too sluggish for long flights and many of them did not heed him at all. Guillaume de Baux was now undisputed master of these parts, although, as this host of mute, hacked and partially devoured witnesses attested, the contest had been dubious for a while: but now Lovain of the Great-Tooth, Prince Guillaume's last competitor, was captured; the forces of Lovain were scattered; and of Lovain's lieutenants only Mahi de Vernoil was unsubdued.

Prince Guillaume laughed a little when he told his kinsman of the posture of affairs, as more loudly did Guillaume's gross son, Sire Philibert. But Madona Biatritz did not laugh. She was the widow of Guillaume's dead brother--Prince Conrat, whom Guillaume succeeded--and it was in her honor that Raimbaut had made those songs which won him eminence as a practitioner of the Gay Science.

Biatritz said, "It is a long while since we two met."

 He that had been her lover all his life said,

 "Yes."

 She was no longer the most beautiful of women, no longer his be-hymned Belhs Cavaliers--you may read elsewhere how he came to call her that in all his canzons--but only a fine and gracious stranger. It was uniformly gray, that soft and plentiful hair, where once such gold had flamed as dizzied him to think of even now; there was no crimson in these thinner lips; and candor would have found her eyes less wonderful than those Raimbaut had dreamed of very often among an alien and hostile people. But he lamented nothing, and to him she was as ever Heaven's most splendid miracle.

 "Yes," said this old Raimbaut,--"and even to-day we have not reclaimed the Sepulcher as yet. Oh, I doubt if we shall ever win it, now that your brother and my most dear lord is dead." Both thought a while of Boniface de Montferrat, their playmate once, who yesterday was King of Thessalonica and now was so much Macedonian dust.

 She said: "This week the Prince sent envoys to my nephew. . . . And so you have come home again----" Color had surged into her time-worn face, and as she thought of things done long ago this woman's eyes were like the eyes of his young Biatritz. She said: "You never married?"

 He answered: "No, I have left love alone. For Love prefers to take rather than to give; against a single happy hour he balances a hundred miseries, and he appraises one pleasure to be worth a thousand pangs. Pardieu, let this immortal usurer contrive as may seem well to him, for I desire no more of his bounty or of his penalties."

 "No, we wish earnestly for nothing, either good or bad," said Dona Biatritz--"we who have done with loving."

 They sat in silence, musing over ancient  happenings, and not looking at each other, until the Prince came with his guests, who seemed to laugh too heartily.

 Guillaume's frail arm was about his kinsman, and Guillaume chuckled over jests and by-words that had been between the cousins as children. Raimbaut found them no food for laughter now. Guillaume told all of Raimbaut's oath of fealty, and of how these two were friends and their unnatural feud was forgotten. "For we grow old,--eh, maker of songs?" he said; "and it is time we made our peace with Heaven, since we are not long for this world."

 "Yes," said the knight; "oh yes, we both grow old." He thought of another April evening, so long ago, when this Guillaume de Baux had stabbed him in a hedged field near Calais, and had left him under a hawthorn bush for dead; and Raimbaut wondered that there was no anger in his heart. "We are friends now," he said. Biatritz, whom these two had loved, and whose vanished beauty had been the spur of their long enmity, sat close to them, and hardly seemed to listen.

 Thus the evening passed and every one was merry, because the Prince had overcome Lovain of the Great-Tooth, and was to punish the upstart on the morrow. But Raimbaut de Vaquieras, a spent fellow, a derelict, barren of aim now that the Holy Wars were over, sat in this unfamiliar place--where when he was young he had laughed as a cock crows!--and thought how at the last he had crept home to die as a dependent on his cousin's bounty.

 Thus the evening passed, and at its end Makrisi followed the troubadour to his regranted fief of Vaquieras. This was a chill and brilliant night, swayed by a frozen moon so powerful that no stars showed in the unclouded heavens, and everywhere the bogs were curdled with thin ice. An obdurate wind swept like a knife-blade across a world which even in its spring seemed very old.

 "This night is bleak and evil," Makrisi said.

 He rode a coffin's length behind his master. "It is like Prince Guillaume, I think. What man will sorrow when dawn comes?"

 Raimbaut de Vaquieras replied: "Always dawn comes at last, Makrisi."

 "It comes the more quickly, messire, when it is prompted."

 The troubadour only smiled at words which seemed so meaningless. He did not smile when later in the night Makrisi brought Mahi de Vernoil, disguised as a mendicant friar. This outlaw pleaded with Sire Raimbaut to head the tatters of Lovain's army, and showed Raimbaut how easy it would be to wrest Venaissin from Prince Guillaume. "We cannot save Lovain," de Vemoil said, "for Guillaume has him fast. But  Venaissin is very proud of you, my tres beau sire. Ho, maker of world-famous songs! stout champion of the faith! my men and I will now make you Prince of Orange in place of the fiend who rules us. You may then at your convenience wed Madona Biatritz, that most amiable lady whom you have loved so long. And by the Cross! you may do this before the week is out."

 The old knight answered: "It is true that I have always served Madona Biatritz, who is of matchless worth. I might not, therefore, presume to call myself any longer her servant were my honor stained in any particular. Oh no, Messire de Vernoil, an oath is an oath. I have this day sworn fealty to Guillaume de Baux."

 Then after other talk Raimbaut dismissed the fierce-eyed little man. The freebooter growled curses as he went. On a sudden he whistled, like a person considering, and he began to chuckle.

 Raimbaut said, more lately: "Zoraida left no wholesome legacy in you, Makrisi." This Zoraida was a woman the knight had known in Constantinople--a comely outlander who had killed herself because of Sire Raimbaut's highflown avoidance of all womankind except the mistress of his youth.

 "Nay, save only in loving you too well, messire, was Zoraida a wise woman, notably. . . . But this is outworn talk, the prattle of Cain's babyhood. As matters were, you did not love Zoraida. So Zoraida died. Such is the custom in my country."

 "You trouble me, Makrisi. Your eyes are like blown coals. . . . Yet you have served me long and  faithfully. You know that mine was ever the vocation of dealing honorably in battle among emperors, and of spreading broadcast the rumor of my valor, and of achieving good by my sword's labors. I have lived by warfare. Long, long ago, since I derived no benefit from love, I cried farewell to it."

 "Ay," said Makrisi. "Love makes a demi-god of all--just for an hour. Such hours as follow we devote to the concoction of sleeping-draughts." He laughed, and very harshly.

 And Raimbaut did not sleep that night because this life of ours seemed such a piece of tangle-work as he had not the skill to unravel. So he devoted the  wakeful hours to composition of a planh, lamenting vanished youth and that Biatritz whom the years had stolen.

 Then on the ensuing morning, after some talk about the new campaign, Prince Guillaume de Baux leaned back in his high chair and said, abruptly:

 "In perfect candor, you puzzle your liege-lord. For you loathe me and you still worship my sister-in- law, an unattainable princess. In these two  particulars you display such wisdom as would inevitably prompt you to make an end of me. Yet, what the devil! you, the time-battered vagabond, decline happiness and a kingdom to boot because of yesterday's mummery in the cathedral! because of a mere promise given! Yes, I have my spies in every rat-hole. I am aware that my barons hate me, and hate Philibert almost as  bitterly,--and that, in fine, a majority of my barons would prefer to see you Prince in my unstable place, on account of your praiseworthy molestations of heathenry. Oh, yes, I understand my barons perfectly. I flatter myself I understand everybody in Venaissin save you."

 Raimbaut answered: "You and I are not alike."

 "No, praise each and every Saint!" said the Prince of Orange, heartily. "And yet, I am not sure----" He rose, for his sight had failed him so that he could not distinctly see you except when he spoke with head thrown back, as though he looked at you over a wall. "For instance, do you understand that I hold Biatritz here as a prisoner, because her dower-lands are necessary to me, and that I intend to marry her as soon as Pope Innocent grants me a dispensation?"

 "All Venaissin knows that. Yes, you have always gained everything which you desired in this world, Guillaume. Yet it was at a price, I think."

 "I am no haggler. . . . But you have never  comprehended me, not even in the old days when we loved each other. For instance, do you understand--slave of a spoken word!--what it must mean to me to know that at this hour to-morrow there will be alive in Venaissin no person whom I hate?"

 Messire de Vaquieras reflected. His was never a rapid mind. "Why, no, I do not know anything about hatred," he said, at last. "I think I never hated any person."

 Guillaume de Baux gave a half-frantic gesture. "Now, Heaven send you troubadours a clearer understanding of what sort of world we live in----!" He broke off short and growled, "And yet--sometimes I envy you, Raimbaut!"

 They rode then into the Square of St. Michel to witness the death of Lovain. Guillaume took with him his two new mistresses and all his by-blows, each magnificently clothed, as if they rode to a festival. Afterward, before the doors of Lovain's burning house, a rope was fastened under Lovain's armpits, and he was gently lowered into a pot of boiling oil. His feet cooked first, and then the flesh of his legs, and so on upward, while Lovain screamed. Guillaume in a loose robe of green powdered with innumerable silver crescents, sat watching, under a canopy woven very long ago in Tarshish, and cunningly embroidered with the figures of peacocks and apes and men with eagles' heads. His hands caressed each other meditatively.

It was on the afternoon of this day, the last of April, that Sire Raimbaut came upon Madona Biatritz about a strange employment in the Ladies' Court. There was then a well in the midst of this enclosure, with a granite ledge around it carven with lilies; and upon this she leaned, looking down into the water. In her lap was a rope of pearls, which one by one she  unthreaded and dropped into the well.

Clear and warm the weather was. Without, forests were quickening, branch by branch, as though a green flame smoldered from one bough to another. Violets peeped about the roots of trees, and all the world was young again. But here was only stone beneath their feet; and about them showed the high walls and the lead-sheathed towers and the parapets and the sunk windows of Guillaume's chateau. There was no color anywhere save gray; and Raimbaut and Biatritz were aging people now. It seemed to him that they were the wraiths of those persons who had loved each other at Montferrat; and that the walls about them and the leaden devils who grinned from every waterspout and all those dark and narrow windows were only part of some magic picture, such as a sorceress may momentarily summon out of smoke-wreaths, as he had seen Zoraida do very long ago.

This woman might have been a wraith in verity, for she was clothed throughout in white, save for the ponderous gold girdle about her middle. A white gorget framed the face which was so pinched and shrewd and strange; and she peered into the well, smiling  craftily.

"I was thinking death was like this well," said Biatritz, without any cessation of her singular employment--"so dark that we may see nothing clearly save one faint gleam which shows us, or which seems to show us, where rest is. Yes, yes, this is that chaplet which you won in the tournament at Montferrat when we were young. Pearls are the symbol of tears, we read. But we had no time for reading then, no time for anything except to be quite happy. . . . You saw this morning's work. Raimbaut, were Satan to go mad he would be such a fiend as this Guillaume de Baux who is our master!"

"Ay, the man is as cruel as my old opponent, Mourzoufle," Sire Raimbaut answered, with a patient shrug. "It is a great mystery why such persons should win all which they desire of this world. We can but recognize that it is for some sufficient reason." Then he talked with her concerning the aforementioned infamous emperor of the East, against whom the old knight had fought, and of Enrico Dandolo and of King Boniface, dead brother to Madona Biatritz, and of much remote, outlandish adventuring oversea. Of Zoraida he did not speak. And Biatritz, in turn, told him of that one child which she had borne her husband, Prince Conrat--a son who died in infancy; and she spoke of this dead baby, who living would have been their monarch, with a sweet quietude that wrung the old knight's heart.

Thus these spent people sat and talked for a long while, the talk veering anywhither just as chance directed. Blurred gusts of song and laughter would come to them at times from the hall where Guillaume de Baux drank with his courtiers, and these would break the tranquil flow of speech. Then, unvexedly, the gentle voice of the speaker, were it his or hers, would resume.

She said: "They laugh. We are not merry." "No," he replied; "I am not often merry. There was a time when love and its service kept me in continuous joy, as waters invest a fish. I woke from a high dream. . . . And then, but for the fear of seeming cowardly, I would have extinguished my life as men blow out a candle. Vanity preserved me, sheer vanity!" He shrugged, spreading his hard lean hands. "Belhs Cavaliers, I grudged my enemies the pleasure of seeing me forgetful of valor and noble enterprises. And so, since then, I have served Heaven, in default of you."

"I would not have it otherwise," she said, half as in wonder; "I would not have you be quite sane like other men. And I believe," she added--still with her wise smile--"you have derived a deal of  comfort, off and on, from being heart-broken."

He replied gravely: "A man may always, if he will but take the pains, be tolerably content and rise in worth, and yet dispense with love. He has only to guard himself against baseness, and concentrate his powers on doing right. Thus, therefore, when fortune failed me, I persisted in acting to the best of my ability. Though I had lost my lands and my loved lady, I must hold fast to my own worth. Without a lady and without acreage, it was yet in my power to live a cleanly and honorable life; and I did not wish to make two evils out of one."

"Assuredly, I would not have you be quite sane like other men," she repeated. "It would seem that you have somehow blundered through long years, preserving always the ignorance of a child, and the blindness of a child. I cannot understand how this is possible; nor can I keep from smiling at your highflown notions; and yet,--I envy you, Raimbaut."

Thus the afternoon passed, and the rule of Prince Guillaume was made secure. His supper was worthily appointed, for Guillaume loved color and music and beauty of every kind, and was on this, the day of his triumph, in a prodigal humor. Many lackeys in scarlet brought in the first course, to the sound of exultant drums and pipes, with a blast of trumpets and a waving of banners, so that all hearts were uplifted, and  Guillaume jested with harsh laughter.

But Raimbaut de Vaquieras was not mirthful, for he was remembering a boy whom he had known of very long ago. He was swayed by an odd fancy, as the men sat over their wine, and jongleurs sang and performed tricks for their diversion, that this boy, so frank and excellent, as yet existed somewhere; and that the Raimbaut who moved these shriveled hands before him, on the table there, was only a sad dream of what had never been. It troubled him, too, to see how grossly these soldiers ate, for, as a person of refinement, an  associate of monarchs, Sire Raimbaut when the dishes were passed picked up his meats between the index-and the middle-finger of his left hand, and esteemed it infamous manners to dip any other fingers into the gravy.

Guillaume had left the Warriors' Hall. Philibert was drunk, and half the men-at-arms were snoring among the rushes, when at the height of their festivity Makrisi came. He plucked his master by the sleeve.

A swarthy, bearded Angevin was singing. His song was one of old Sire Raimbaut's famous canzons in honor of Belhs Cavaliers. The knave was singing blithely:

Pus mos Belhs Cavaliers grazitz

E joys m'es lunhatz e faiditz,

Don no m' venra jamais conortz;

Fer qu'ees mayer l'ira e plus fortz--

The Saracen had said nothing. He showed a jeweled dagger, and the knight arose and followed him out of that uproarious hall. Raimbaut was bitterly perturbed, though he did not know for what reason, as Makrisi led him through dark corridors to the dull-gleaming arras of Prince Guillaume's apartments. In this corridor was an iron lamp swung from the ceiling, and now, as this lamp swayed slightly and burned low, the tiny flame leaped clear of the wick and was extinguished, and darkness rose about them.

Raimbaut said: "What do you want of me? Whose blood is on that knife?"

 "Have you forgotten it is Walburga's Eve?" Makrisi said. Raimbaut did not regret he could not see his servant's countenance. "Time was we named it otherwise and praised another woman than a Saxon wench, but let the new name stand. It is Walburga's Eve, that little, little hour of evil! and all over the world surges the full tide of hell's desire, and mischief is a-making now, apace, apace, apace. People moan in their sleep, and many pillows are pricked by needles that have sewed a shroud. Cry Eman hetan now, messire! for there are those to-night who find the big cathedrals of your redroofed Christian towns no more imposing than so many pimples on a butler's chin, because they ride so high, so very high, in this brave moonlight. Full-tide, full-tide!" Makrisi said, and his voice jangled like a bell as he drew aside the curtain so that the old knight saw into the room beyond.

 It was a place of many lights, which, when thus suddenly disclosed, blinded him at first. Then Raimbaut perceived Guillaume lying a-sprawl across an oaken chest. The Prince had fallen backward and lay in this posture, glaring at the intruders with horrible eyes which did not move and would not ever move again. His breast was crimson, for some one had stabbed him. A woman stood above the corpse and lighted yet another candle while Raimbaut de Vaquieras waited motionless. A hand meant only to bestow caresses brushed a lock of hair from this woman's eyes while he waited. The movements of this hand were not uncertain, but only quivered somewhat, as a taut wire shivers in the wind, while Raimbaut de Vaquieras waited motionless.

 "I must have lights, I must have a host of candles to assure me past any questioning that he is dead. The man is of deep cunning. I think he is not dead even now." Lightly Biatritz touched the Prince's breast. "Strange, that this wicked heart should be so tranquil when there is murder here to make it glad! Nay, very certainly this Guillaume de Baux will rise and laugh in his old fashion before he speaks, and then I shall be afraid. But I am not afraid as yet. I am afraid of nothing save the dark, for one cannot be merry in the dark."

 Raimbaut said: "This is Belhs Cavaliers whom I have loved my whole life through. Therefore I do not doubt. Pardieu, I do not even doubt, who know she is of matchless worth."

 "Wherein have I done wrong, Raimbaut?" She came to him with fluttering hands. "Why, but look you, the man had laid an ambuscade in the marsh and he meant to kill you there to-night as you rode for Vaquieras. He told me of it, told me how it was for that end alone he lured you into Venaissin----" Again she brushed the hair back from her forehead. "Raimbaut, I spoke of God and knightly honor, and the man laughed. No, I think it was a fiend who sat so long beside the window yonder, whence one may see the marsh. There were no candles in the room. The moonlight was upon his evil face, and I could think of nothing, of nothing that has been since Adam's time, except our youth, Raimbaut. And he smiled fixedly, like a white image, because my misery amused him. Only, when I tried to go to you to warn you, he leaped up stiffly, making a mewing noise. He caught me by the throat so that I could not scream. Then while we struggled in the moonlight your Makrisi came and stabbed him----"

 "Nay, I but fetched this knife, messire." Makrisi seemed to love that bloodied knife.

 Biatritz proudly said: "The man lies, Raimbaut."

 "What need to tell me that, Belhs Cavaliers?"

 And the Saracen shrugged. "It is very true I lie," he said. "As among friends, I may confess I killed the Prince. But for the rest, take notice both of you, I mean to lie intrepidly."

 Raimbaut remembered how his mother had given each of two lads an apple, and he had clamored for Guillaume's, as children do, and Guillaume had changed with him. It was a trivial happening to remember after fifty years; but Guillaume was dead, and this  hacked flesh was Raimbaut's flesh in part, and the thought of Raimbaut would never trouble Guillaume de Baux any more. In addition there was a fire of juniper wood and frankincense upon the hearth, and the room smelt too cloyingly of be-drugging sweetness. Then on the walls were tapestries which depicted Merlin's Dream, so that everywhere recoiling women smiled with bold eyes; and here their wantonness seemed out of place.

 "Listen," Makrisi was saying; "listen, for the hour strikes. At last, at last!" he cried, with a shrill whine of malice.

 Raimbaut said, dully: "Oh, I do not  understand----"

 "And yet Zoraida loved you once! loved you as people love where I was born!" The Saracen's voice had altered. His speech was like the rustle of papers. "You did not love Zoraida. And so it came about that upon Walburga's Eve, at midnight, Zoraida hanged herself beside your doorway. Thus we love where I was born. . . . And I, I cut the rope--with my left hand. I had my other arm about that frozen thing which yesterday had been Zoraida, you understand, so that it might not fall. And in the act a tear dropped from that dead woman's cheek and wetted my forehead. Ice is not so cold as was that tear. . . . Ho, that tear did not fall upon my forehead but on my heart, because I loved that dancing-girl, Zoraida, as you do this princess here. I think you will understand,"  Makrisi said, calmly as one who states a maxim.

 The Sire de Vaquieras replied, in the same tone: "I understand. You have contrived my death?"

 "Ey, messire, would that be adequate? I could have managed that any hour within the last score of years. Oh no! for I have studied you carefully. Oh no! instead, I have contrived this plight. For the Prince of Orange is manifestly murdered. Who killed him?-- why, Madona Biatritz, and none other, for I will swear to it. I, I will swear to it, who saw it done.

 Afterward both you and I must be questioned upon the rack, as possibly concerned in the affair, and whether innocent or guilty we must die very horribly. Such is the gentle custom of your Christian country when a prince is murdered. That is not the point of the jest, however. For first Sire Philibert will put this woman to the Question by Water, until she confesses her confederates, until she confesses that every baron whom Philibert distrusts was one of them. Oh yes, assuredly they will thrust a hollow cane into the mouth of your Biatritz, and they will pour water a little by a little through this cane, until she confesses what they desire. Ha, Philibert will see to this confession! And through this woman's torment he will rid himself of every dangerous foe he has in Venaissin. You must stand by and wait your turn. You must stand by, in fetters, and see this done--you, you, my master!--you, who love this woman as I loved that dead Zoraida who was not fair enough to please you!"

 Raimbaut, trapped, impotent, cried out: "This is not possible----" And for all that, he knew the Saracen to be foretelling the inevitable.

 Makrisi went on, quietly: "After the Question men will parade her, naked to the middle, through all Orange, until they reach the Marketplace, where will be four horses. One of these horses they will harness to each arm and leg of your Biatritz. Then they will beat these horses. These will be strong horses. They will each run in a different direction."

 This infamy also was certain. Raimbaut foresaw what he must do. He clutched the dagger which Makrisi fondled. "Belhs Cavaliers, this fellow speaks the truth. Look now, the moon is old--is it not strange to know it will outlive us?"

 And Biatritz came close to Sire Raimbaut and said: "I understand. If I leave this room alive it will purchase a hideous suffering for my poor body, it will bring about the ruin of many brave and innocent chevaliers. I know. I would perforce confess all that the masked men bade me. I know, for in Prince Conrat's time I have seen persons who had been put to the Question----" She shuddered; and she re-began, without any agitation: "Give me the knife, Raimbaut."

 "Pardieu! but I may not obey you for this once," he answered, "since we are informed by those in holy orders that all such as lay violent hands upon themselves must suffer eternally." Then, kneeling, he cried, in an extremity of adoration: "Oh, I have served you all my life. You may not now deny me this last service. And while I talk they dig your grave! O blind men, making the new grave, take heed lest that grave be too narrow, for already my heart is breaking in my body. I have drunk too deep of sorrow. And yet I may not fail you, now that honor and mercy and my love for you demand I kill you before I also die--in such a fashion as this fellow speaks of."

 She did not dispute this. How could she when it was an axiom in all Courts of Love that Heaven held dominion in a lover's heart only as an underling of the man's mistress?

 And so she said, with a fond smile: "It is your demonstrable privilege. I would not grant it, dear, were my weak hands as clean as yours. Oh, but it is long you have loved me, and it is faithfully you have served Heaven, and my heart too is breaking in my body now that your service ends!"

 And he demanded, wearily: "When we were boy and girl together what had we said if any one had told us this would be the end?"

 "We would have laughed. It is a long while since those children laughed at Montferrat. . . . Not yet, not yet!" she said. "Ah, pity me, tried champion, for even now I am almost afraid to die."

 She leaned against the window yonder, shuddering, staring into the night. Dawn had purged the east of stars. Day was at hand, the day whose noon she might not hope to witness. She noted this incuriously. Then Biatritz came to him, very strangely proud, and yet all tenderness.

 "See, now, Raimbaut! because I have loved you as I have loved nothing else in life, I will not be unworthy of your love. Strike and have done."

 Raimbaut de Vaquieras raised an already bloodied dagger. As emotion goes, he was bankrupt. He had no longer any dread of hell, because he thought that, a little later, nothing its shrewdest overseer could plan would have the power to vex him. She, waiting, smiled. Makrisi, seated, stretched his legs, put fingertips together with the air of an attendant amateur. This was better than he had hoped. In such a posture they heard a bustle of armored men, and when all turned, saw how a sword protruded through the arras.

 "Come out, Guillaume!" people were shouting. "Unkennel, dog! Out, out, and die!" To such a heralding Mahi de Vernoil came into the room with mincing steps such as the man affected in an hour of peril. He first saw what a grisly burden the chest sustained. "Now, by the Face!" he cried, "if he that cheated me of quieting this filth should prove to be of gentle birth I will demand of him a duel to the death!" The curtains were ripped from their hangings as he spoke, and behind him the candlelight was reflected by the armor of many followers.

 Then de Vernoil perceived Raimbaut de Vaquieras, and the spruce little man bowed ceremoniously. All were still. Composedly, like a lieutenant before his captain, Mahi narrated how these hunted remnants of Lovain's army had, as a last cast, that night invaded the chateau, and had found, thanks to the festival, its men-at-arms in uniform and inefficient drunkenness. "My tres beau sire," Messire de Vernoil ended, "will you or nill you, Venaissin is yours this morning. My knaves have slain Philibert and his bewildered fellow-tipplers with less effort than is needed to drown as many kittens."

 And his followers cried, as upon a signal: "Hail, Prince of Orange!"

 It was so like the wonder-working of a dream--this sudden and heroic uproar--that old Raimbaut de Vaquieras stood reeling, near to intimacy with fear for the first time. He waited thus, with both hands pressed before his eyes. He waited thus for a long while, because he was not used to find chance dealing kindlily with him. Later he saw that Makrisi had vanished in the tumult, and that many people awaited his speaking.

 The lord of Venaissin began: "You have done me a great service, Messire de Vemoil. As recompense, I give you what I may. I freely yield you all my right in Venaissin. Oh no, kingcraft is not for me. I daily see and hear of battles won, cities beleaguered, high towers overthrown, and ancient citadels and new walls leveled with the dust. I have conversed with many kings, the directors of these events, and they were not happy people. Yes, yes, I have witnessed divers happenings, for I am old. . . . I have found nothing which can serve me in place of honor."

 He turned to Dona Biatritz. It was as if they were alone. "Belhs Cavaliers," he said, "I had sworn fealty to this Guillaume. He violated his obligations; but that did not free me of mine. An oath is an oath. I was, and am to-day, sworn to support his cause, and to profit in any fashion by its overthrow would be an abominable action. Nay, more, were any of his adherents alive it would be my manifest duty to join them against our preserver, Messire de Vernoil. This necessity is very happily spared me. I cannot, though, in honor hold any fief under the supplanter of my liege-lord. I must, therefore, relinquish Vaquieras and take eternal leave of Venaissin. I will not lose the right to call myself your servant!" he cried out-- "and that which is noblest in the world must be served fittingly. And so, Belhs Cavaliers, let us touch palms and bid farewell, and never in this life speak face to face of trivial happenings which we two alone remember. For naked of lands and gear I came to you--a prince's daughter--very long ago, and as nakedly I now depart, so that I may retain the right to say, `All my life long I served my love of her according to my abilities, wholeheartedly and with clean hands.'"

 "Yes, yes! you must depart from Venaissin," said Dona Biatritz. A capable woman, she had no sympathy with his exquisite points of honor, and yet loved him all the more because of what seemed to her his surpassing folly. She smiled, somewhat as mothers do in humoring an unreasonable boy. "We will go to my nephew's court at Montferrat," she said. "He will willingly provide for his old aunt and her husband. And you may still make verses--at Montferrat, where we lived verses, once, Raimbaut."

 Now they gazed full upon each other. Thus they stayed, transfigured, neither seeming old. Each had forgotten that unhappiness existed anywhere in the whole world. The armored, blood-stained men about them were of no more importance than were those wantons in the tapestry. Without, dawn throbbed in heaven. Without, innumerable birds were raising that glad, piercing, hurried morning-song which very anciently caused Adam's primal waking, to behold his mate.

 

 BALTHAZAR'S DAUGHTER

"A curious preference for the artificial should be mentioned as characteristic of ALESSANDRO DE MEDICI'S poetry. For his century was anything but artless; the great commonplaces that form the main stock of human thought were no longer in their first flush, and he addressed a people no longer childish. . . .   Unquestionably his fancies were fantastic, anti-natural, bordering on hallucination, and they betray a desire for impossible novelty; but it is allowable to prefer them to the sickly simplicity of those so-called poems that embroider with old faded wools upon the canvas of worn-out truisms, trite, trivial and idiotically sentimental patterns."

Let me have dames and damsels richly clad

To feed and tend my mirth,

 Singing by day and night to make me glad;

 Let me have fruitful gardens of great girth

Fill'd with the strife of birds,

 With water-springs, and beasts that house i' the earth.

 Let me seem Solomon for lore of words,

Samson for strength, for beauty Absalom.

Knights as my serfs be given;

And as I will, let music go and come;

Till, when I will, I will to enter Heaven.

 ALESSANDRO DE MEDICI. Madrigal,

from D. G. Rossetti's version.

 

 BALTHAZAR'S DAUGHTER

Graciosa was Balthazar's youngest child, a white, slim girl with violet eyes and strange pale hair which had the color and glitter of stardust. "Some day at court," her father often thought complacently, "she, too, will make a good match." He was a necessitous lord, a smiling, supple man who had already marketed two daughters to his advantage. But Graciosa's time was not yet mature in the year of grace 1533, for the girl was not quite sixteen. So Graciosa remained in Balthazar's big cheerless house and was tutored in all needful accomplishments. She was proficient in the making of preserves and unguents, could play the harpsichord and the virginals acceptably, could embroider an altarcloth to admiration, and, in spite of a trivial lameness in walking, could dance a coranto or a saraband against any woman between two seas.

Now to the north of Balthazar's home stood a tall forest, overhanging both the highway and the river whose windings the highway followed. Graciosa was very often to be encountered upon the outskirts of these woods. She loved the forest, whose tranquillity bred dreams, but was already a woman in so far that she found it more interesting to watch the highway. Sometimes it would be deserted save for small purple butterflies which fluttered about as if in continuous indecision, and rarely ascended more than a foot above the ground. But people passed at intervals--as now a page, who was a notably fine fellow, clothed in ash-colored gray, with slashed, puffed sleeves, and having a heron's feather in his cap; or a Franciscan with his gown tucked up so that you saw how the veins on his naked feet stood out like the carvings on a vase; or a farmer leading a calf; or a gentleman in a mantle of squirrel's fur riding beside a wonderful proud lady, whose tiny hat was embroidered with pearls. It was all very interesting to watch, it was like turning over the leaves of a book written in an unknown tongue and guessing what the pictures meant, because these people were intent upon their private avocations, in which you had no part, and you would never see them any more.

Then destiny took a hand in the affair and Guido came. He reined his gray horse at the sight of her sitting by the wayside and deferentially inquired how far it might be to the nearest inn. Graciosa told him. He thanked her and rode on. That was all, but the appraising glance of this sedate and handsome burgher obscurely troubled the girl afterward.

Next day he came again. He was a jewel-merchant, he told her, and he thought it within the stretch of possibility that my lord Balthazar's daughter might wish to purchase some of his wares. She viewed them with admiration, chaffered thriftily, and finally bought a topaz, dug from Mount Zabarca, Guido assured her, which rendered its wearer immune to terrors of any kind.

Very often afterward these two met on the outskirts of the forest as Guido rode between the coast and the hill-country about his vocation. Sometimes he laughingly offered her a bargain, on other days he paused to exhibit a notable gem which he had procured for this or that wealthy amateur. Count Eglamore, the young Duke's favorite yonder at court, bought most of them, it seemed. "The nobles complain against this upstart Eglamore very bitterly," said Guido, "but we merchants have no quarrel with him. He buys too lavishly."

"I trust I shall not see Count Eglamore when I go to court," said Graciosa, meditatively; "and, indeed, by that time, my father assures me, some honest gentleman will have contrived to cut the throat of this abominable Eglamore." Her father's people, it should be premised, had been at bitter feud with the favorite ever since he detected and punished the conspiracy of the Marquis of Cibo, their kinsman. Then Graciosa continued: "Nevertheless, I shall see many beautiful sights when I am taken to court. . . . And the Duke, too, you tell me, is an amateur of gems."

"Eh, madonna, I wish that you could see his jewels," cried Guido, growing fervent; and he lovingly catalogued a host of lapidary marvels.

"I hope that I shall see these wonderful jewels when I go to court," said Graciosa wistfully.

 "Duke Alessandro," he returned, his dark eyes strangely mirthful, "is, as I take it, a catholic lover of beauty in all its forms. So he will show you his gems, very assuredly, and, worse still, he will make verses in your honor. For it is a preposterous feature of Duke Alessandro's character that he is always making songs."

 "Oh, and such strange songs as they are, too, Guido. Who does not know them?"

 "I am not the best possible judge of his verses' merit," Guido estimated, drily. "But I shall never understand how any singer at all came to be locked in such a prison. I fancy that at times the paradox puzzles even Duke Alessandro."

 "And is he as handsome as people report?"

 Then Guido laughed a little. "Tastes differ, of course. But I think your father will assure you, madonna, that no duke possessing such a zealous tax-collector as Count Eglamore was ever in his lifetime considered of repulsive person."

 "And is he young?"

 "Why, as to that, he is about of an age with me, and in consequence old enough to be far more sensible than either of us is ever likely to be," said Guido; and began to talk of other matters.

 But presently Graciosa was questioning him again as to the court, whither she was to go next year and enslave a marquis, or, at worst, an opulent baron. Her thoughts turned toward the court's  predominating figure. "Tell me of Eglamore, Guido."

 "Madonna, some say that Eglamore was a brewer's son. Others--and your father's kinsmen in particular-- insist that he was begot by a devil in person, just as Merlin was, and Plato the philosopher, and puissant Alexander. Nobody knows anything about his origin." Guido was sitting upon the ground, his open pack between his knees. Between the thumb and forefinger of each hand he held caressingly a string of pearls which he inspected as he talked. "Nobody," he idly said, "nobody is very eager to discuss Count Eglamore's origin now that Eglamore has become indispensable to Duke Alessandro. Yes, it is thanks to Eglamore that the Duke has ample leisure and needful privacy for the pursuit of recreations which are reputed to be curious."

 "I do not understand you, Guido." Graciosa was all wonder.

 "It is perhaps as well," the merchant said, a trifle sadly. Then Guido shrugged. "To be brief, madonna, business annoys the Duke. He finds in this Eglamore an industrious person who affixes seals, draughts proclamations, makes treaties, musters armies, devises pageants, and collects revenues, upon the whole, quite as efficiently as Alessandro would be capable of doing these things. So Alessandro makes verses and amuses himself as his inclinations prompt, and Alessandro's people are none the worse off on account of it."

 "Heigho, I foresee that I shall never fall in love with the Duke," Graciosa declared. "It is  unbefitting and it is a little cowardly for a prince to shirk the duties of his station. Now, if I were Duke I would grant my father a pension, and have Eglamore hanged, and purchase a new gown of silvery green, in which I would be ravishingly beautiful, and afterward-- Why, what would you do if you were Duke, Messer Guido?"

 "What would I do if I were Duke?" he echoed. "What would I do if I were a great lord instead of a  tradesman? I think you know the answer, madonna."

 "Oh, you would make me your duchess, of course. That is quite understood," said Graciosa, with the lightest of laughs. "But I was speaking seriously, Guido."

 Guido at that considered her intently for a half-minute. His countenance was of portentous gravity, but in his eyes she seemed to detect a lurking impishness.

 "And it is not a serious matter that a peddler of crystals should have dared to love a nobleman's daughter? You are perfectly right. That I worship you is an affair which does not concern any person save myself in any way whatsoever, although I think that knowledge of the fact would put your father to the trouble of sharpening his dagger. . . . Indeed, I am not certain that I worship you, for in order to adore wholeheartedly, the idolater must believe his idol to be perfect. Now, your nails are of an ugly shape, like that of little fans; your mouth is too large; and I have long ago perceived that you are a trifle lame in spite of your constant care to conceal the fact. I do not admire these faults, for faults they are  undoubtedly. Then, too, I know you are vain and self-seeking, and look forward contentedly to the time when your father will transfer his ownership of such  physical attractions as heaven gave you to that nobleman who offers the highest price for them. It is true you have no choice in the matter, but you will participate in a monstrous bargain, and I would prefer to have you exhibit distaste for it." And with that he returned composedly to inspection of his pearls.

 "And to what end, Guido?" It was the first time Graciosa had completely waived the reticence of a superior caste. You saw that the child's parted lips were tremulous, and you divined her childish fits of dreading that glittering, inevitable court-life shared with an unimaginable husband.

 But Guido only grumbled whimsically. "I am afraid that men do not always love according to the strict laws of logic. I desire your happiness above all things; yet to see you so abysmally untroubled by anything that troubles me is another matter."

 "But I am not untroubled, Guido----she began swiftly. Graciosa broke off in speech, shrugged, flashed a smile at him. "For I cannot fathom you, Ser Guido, and that troubles me. Yes, I am very fond of you, and yet I do not trust you. You tell me you love me greatly. It pleases me to have you say this. You perceive I am very candid this morning, Messer Guido. Yes, it pleases me, and I know that for the sake of seeing me you daily endanger your life, for if my father heard of our meetings he would have you killed. You would not incur such hare-brained risks unless you cared very greatly; and yet, somehow, I do not believe it is altogether for me you care."

 Then Guido was in train to protest an all-mastering and entirely candid devotion, but he was interrupted.

 "Most women have these awkward intuitions," spoke a melodious voice, and turning, Graciosa met the eyes of the intruder. This magnificent young man had a proud and bloodless face which contrasted sharply with his painted lips and cheeks. In the contour of his protruding mouth showed plainly his negroid ancestry. His scanty beard, as well as his frizzled hair, was the color of dead grass. He was sumptuously clothed in white satin worked with silver, and around his cap was a gold chain hung with diamonds. Now he handed his fringed riding-gloves to Guido to hold.

 "Yes, madonna, I suspect that Eglamore here cares greatly for the fact that you are Lord Balthazar's daughter, and cousin to the late Marquis of Cibo. For Cibo has many kinsmen at court who still resent the circumstance that the matching of his wits against Eglamore's earned for Cibo a deplorably public demise. So they conspire against Eglamore with vexatious industry, as an upstart, as a nobody thrust over people of proven descent, and Eglamore goes about in hourly apprehension of a knife-thrust. If he could make a match with you, though, your father--thrifty man!-- would be easily appeased. Your cousins, those proud, grumbling Castel-Franchi, Strossi and Valori, would not prove over-obdurate toward a kinsman who, whatever his past indiscretions, has so many pensions and offices at his disposal. Yes, honor would permit a truce, and Eglamore could bind them to his interests within ten days, and be rid of the necessity of sleeping in chain armor. . . . Have I not unraveled the scheme  correctly, Eglamore?"

 "Your highness was never lacking in penetration," replied the other in a dull voice. He stood  motionless, holding the gloves, his shoulders a little bowed as if under some physical load. His eyes were fixed upon the ground. He divined the change in Graciosa's face and did not care to see it.

 "And so you are Count Eglamore," said Graciosa in a sort of whisper. "That is very strange. I had thought you were my friend, Guido. But I forget. I must not call you Guido any longer." She gave a little shiver here. He stayed motionless and did not look at her. "I have often wondered what manner of man you were. So it was you--whose hand I touched just now--you who poisoned Duke Cosmo, you who had the good cardinal assassinated, you who betrayed the brave lord of Faenza! Oh, yes, they openly accuse you of every imaginable crime--this patient Eglamore, this reptile who has crept into his power through filthy passages. It is very strange you should be capable of so much wickedness, for to me you seem only a sullen  lackey."

 He winced and raised his eyes at this. His face remained expressionless. He knew these accusations at least to be demonstrable lies, for as it happened he had never found his advancement to hinge upon the commission of the crimes named. But even so, the past was a cemetery he did not care to have revivified.

 "And it was you who detected the Marquis of Cibo's conspiracy. Tebaldeo was my cousin, Count Eglamore, and I loved him. We were reared together. We used to play here in these woods, and I remember how Tebaldeo once fetched me a wren's nest from that maple yonder. I stood just here. I was weeping because I was afraid he would fall. If he had fallen and been killed, it would have been the luckier for him," Graciosa sighed. "They say that he conspired. I do not know. I only know that by your orders, Count Eglamore, my playmate Tebaldeo was fastened upon a Saint Andrew's cross and his arms and legs were each broken in two places with an iron bar. Then your servants took Tebaldeo, still living, and laid him upon a carriage-wheel which was hung upon a pivot. The upper edge of this wheel was cut with very fine teeth like those of a saw, so that his agony might be complete. Tebaldeo's poor mangled legs were folded beneath his body so that his heels touched the back of his head, they tell me. In such a posture he died very slowly while the wheel turned very slowly there in the sunlit market-place, and flies buzzed greedily about him, and the shopkeepers took holiday in order to watch Tebaldeo die--the same Tebaldeo who once fetched me a wren's nest from yonder maple."

 Eglamore spoke now. "I gave orders for the Marquis of Cibo's execution. I did not devise the manner of his death. The punishment for Cibo's crime was long ago fixed by our laws. Cibo plotted to kill the Duke. Cibo confessed as much."

 But the girl waved this aside. "And then you plan this masquerade. You plan to make me care for you so greatly that even when I know you to be Count Eglamore I must still care for you. You plan to marry me, so as to placate Tebaldeo's kinsmen, so as to bind them to your interests. It was a fine bold stroke of policy, I know, to use me as a stepping-stone to safety--but was it fair to me?" Her voice rose now a little. She  seemed to plead with him. "Look you, Count Eglamore, I was a child only yesterday. I have never loved any man. But you have loved many women, I know, and long experience has taught you many ways of moving a woman's heart. Oh, was it fair, was it worth while, to match your skill against my ignorance? Think how unhappy I would be if even now I loved you, and how I would loathe myself. . . . But I am getting angry over  nothing. Nothing has happened except that I have dreamed in idle moments of a brave and comely lover who held his head so high that all other women envied me, and now I have awakened."

 Meanwhile, it was with tears in his eyes that the young man in white had listened to her quiet talk, for you could nowhere have found a nature more readily sensitive than his to all the beauty and wonder which life, as if it were haphazardly, produces every day. He pitied this betrayed child quite ineffably, because in her sorrow she was so pretty.

 So he spoke consolingly. "Fie, Donna Graciosa, you must not be too harsh with Eglamore. It is his nature to scheme, and he weaves his plots as inevitably as the spider does her web. Believe me, it is wiser to forget the rascal--as I do--until there is need of him; and I think you will have no more need to consider Eglamore's trickeries, for you are very beautiful, Graciosa."

 He had drawn closer to the girl, and he brought a cloying odor of frangipani, bergamot and vervain. His nostrils quivered, his face had taken on an odd pinched look, for all that he smiled as over some occult jest. Graciosa was a little frightened by his bearing, which was both furtive and predatory.

 "Oh, do not be offended, for I have some rights to say what I desire in these parts. For, Dei gratia, I am the overlord of these parts, Graciosa--a neglected prince who wondered over the frequent absences of his chief counselor and secretly set spies upon him. Eglamore here will attest as much. Or if you cannot believe poor Eglamore any longer, I shall have other witnesses within the half-hour. Oh, yes, they are to meet me here at noon--some twenty crop-haired stalwart cut-throats. They will come riding upon beautiful broad-chested horses covered with red velvet trappings that are hung with little silver bells which jingle delightfully. They will come very soon, and then we will ride back to court."

 Duke Alessandro touched his big painted mouth with his forefinger as if in fantastic mimicry of a man imparting a confidence.

 "I think that I shall take you with me, Graciosa, for you are very beautiful. You are as slim as a lily and more white, and your eyes are two purple mirrors in each of which I see a tiny image of Duke Alessandro. The woman I loved yesterday was a big splendid wench with cheeks like apples. It is not desirable that women should be so large. All women should be little creatures that fear you. They should have thin, plaintive voices, and in shrinking from you be as slight to the touch as a cobweb. It is not possible to love a woman ardently unless you comprehend how easy it would be to murder her."

 "God, God!" said Count Eglamore, very softly, for he was familiar with the look which had now come into Duke Alessandro's face. Indeed, all persons about court were quick to notice this odd pinched look, like that of a traveler nipped at by frosts, and people at court became obsequious within the instant in dealing with the fortunate woman who had aroused this look, Count Eglamore remembered.

 And the girl did not speak at all, but stood  motionless, staring in bewildered, pitiable, childlike fashion, and the color had ebbed from her countenance.

 Alessandro was frankly pleased. "You fear me, do you not, Graciosa? See, now, when I touch your hand it is soft and cold as a serpent's skin, and you shudder. I am very tired of women who love me, of all women with bold, hungry eyes. To you my touch will always be a martyrdom, you will always loathe me, and therefore I shall not weary of you for a long while. Come, Graciosa. Your father shall have all the wealth and state that even his greedy imaginings can devise, so long as you can contrive to loathe me. We will find you a suitable husband. You shall have flattery and titles, gold and fine glass, soft stuffs and superb palaces such as are your beauty's due henceforward."

 He glanced at the peddler's pack, and shrugged. "So Eglamore has been wooing you with jewels! You must see mine, dear Graciosa. It is not merely an affair of possessing, as some emperors do, all the four kinds of sapphires, the twelve kinds of emeralds, the three kinds of rubies, and many extraordinary pearls, diamonds, cymophanes, beryls, green peridots, tyanos, sandrastra, and fiery cinnamon-stones"--he enumerated them with the tender voice of their lover--"for the value of these may at least be estimated. Oh, no, I have in my possession gems which have not their fellows in any other collection, gems which have not even a name and the value of which is incalculable--strange jewels that were shot from inaccessible mountain peaks by means of slings, jewels engendered by the thunder, jewels taken from the heart of the Arabian deer, jewels cut from the brain of a toad and the eyes of serpents, and even jewels that are authentically known to have fallen from the moon. We will select the rarest, and have a pair of slippers encrusted with them, in which you shall dance for me."

 "Highness," cried Eglamore, with anger and terror at odds in his breast, "Highness, I love this girl!"

 "Ah, then you cannot ever be her husband," Duke Alessandro returned. "You would have suited otherwise. No, no, we must seek out some other person of discretion. It will all be very amusing, for I think that she is now quite innocent, as pure as the high angels are. See, Eglamore, she cannot speak, she stays still as a lark that has been taken in a snare. It will be very marvelous to make her as I am. . . ." He meditated, as, obscurely aware of opposition, his shoulders twitched fretfully, and momentarily his eyes lightened like the glare of a cannon through its smoke. "You made a beast of me, some long-faced people say. Beware lest the beast turn and rend you."

 Count Eglamore plucked aimlessly at his chin. Then he laughed as a dog yelps. He dropped the gloves which he had held till this, deliberately, as if the act were a rite. His shoulders straightened and purpose seemed to flow into the man. "No," he said quietly, "I will not have it. It was not altogether I who made a brain-sick beast of you, my prince; but even so, I have never been too nice to profit by your vices. I have taken my thrifty toll of abomination, I have stood by  contentedly, not urging you on, yet never trying to stay you, as you waded deeper and ever deeper into the filth of your debaucheries, because meanwhile you left me so much power. Yes, in some part it is my own handiwork which is my ruin. I accept it.

 Nevertheless, you shall not harm this child."

 "I venture to remind you, Eglamore, that I am still the master of this duchy." Alessandro was languidly amused, and had begun to regard his adversary with real curiosity.

 "Oh, yes, but that is nothing to me. At court you are the master. At court I have seen mothers raise the veil from their daughters' faces, with smiles that were more loathsome than the grimaces of a fiend, because you happened to be passing. But here in these woods, your highness, I see only the woman I love and the man who has insulted her."

 "This is very admirable fooling," the Duke considered. "So all the world is changed and Pandarus is transformed into Hector? These are sonorous words, Eglamore, but with what deeds do you propose to back them?"

 "By killing you, your highness."

 "So!" said the Duke. "The farce ascends in  interest." He drew with a flourish, with actual  animation, for sottish, debauched and power-crazed as this man was, he came of a race to whom danger was a cordial. "Very luckily a sword forms part of your disguise, so let us amuse ourselves. It is always diverting to kill, and if by any chance you kill me I shall at least be rid of the intolerable knowledge that to-morrow will be just like to-day." The Duke  descended blithely into the level road and placed himself on guard.

 Then both men silently went about the business in hand. Both were oddly calm, almost as if preoccupied by some more important matter to be settled later. The two swords clashed, gleamed rigidly for an instant, and then their rapid interplay, so far as vision went, melted into a flickering snarl of silver, for the sun was high and each man's shadow was huddled under him. Then Eglamore thrust savagely and in the act trod the edge of a puddle, and fell ignominiously prostrate. His sword was wrenched ten feet from him, for the Duke had parried skilfully. Eglamore lay thus at  Alessandro's mercy.

 "Well, well!" the Duke cried petulantly, "and am I to be kept waiting forever? You were a thought quicker in obeying my caprices yesterday. Get up, you muddy lout, and let us kill each other with some pretension of adroitness."

 Eglamore rose, and, sobbing, caught up his sword and rushed toward the Duke in an agony of shame and rage. His attack now was that of a frenzied animal, quite careless of defense and desirous only of murder. Twice the Duke wounded him, but it was Alessandro who drew backward, composedly hindering the brutal onslaught he was powerless to check. Then Eglamore ran him through the chest and gave vent to a strangled, growling cry as Alessandro fell. Eglamore wrenched his sword free and grasped it by the blade so that he might stab the Duke again and again. He meant to hack the abominable flesh, to slash and mutilate that haughty mask of infamy, but Graciosa clutched his weapon by the hilt.

 The girl panted, and her breath came thick. "He gave you your life."

 Eglamore looked up. She leaned now upon his shoulder, her face brushing his as he knelt over the unconscious Duke; and Eglamore found that at her dear touch all passion had gone out of him.

 "Madonna," he said equably, "the Duke is not yet dead. It is impossible to let him live. You may think he voiced only a caprice just now. I think so too, but I know the man, and I know that all this madman's whims are ruthless and irresistible. Living, Duke  Alessandro's appetites are merely whetted by  opposition, so much so that he finds no pleasures sufficiently piquant unless they have God's  interdiction as a sauce. Living, he will make of you his plaything, and a little later his broken, soiled and castby plaything. It is therefore necessary that I kill Duke Alessandro."

 She parted from him, and he too rose to his feet.

 "And afterward," she said quietly, "and afterward you must die just as Tebaldeo died."

 "That is the law, madonna. But whether Alessandro enters hell to-day or later, I am a lost man."

 "Oh, that is very true," she said. "A moment since you were Count Eglamore, whom every person feared. Now there is not a beggar in the kingdom who would change lots with you, for you are a friendless and hunted man in peril of dreadful death. But even so, you are  not penniless, Count Eglamore, for these jewels here which formed part of your masquerade are of great value, and there is a world outside. The frontier is not two miles distant. You have only to escape into the hill-country beyond the forest, and you need not kill Duke Alessandro after all. I would have you go hence with hands as clean as possible."

 "Perhaps I might escape." He found it quaint to note how calm she was and how tranquilly his own thoughts ran. "But first the Duke must die, because I dare not leave you to his mercy."

 "How does that matter?" she returned. "You know very well that my father intends to market me as best suits his interests. Here I am so much merchandise. The Duke is as free as any other man to cry a bargain." He would have spoken in protest, but Graciosa interrupted wearily: "Oh, yes, it is to this end only that we daughters of Duke Alessandro's vassals are nurtured, just as you told me--eh, how long ago!--that such physical attractions as heaven accords us may be marketed. And I do not see how a wedding can in any way ennoble the transaction by causing it to profane a holy sacrament. Ah, no, Balthazar's daughter was near attaining all that she had been taught to desire, for a purchaser came and he bid lavishly. You know very well that my father would have been delighted. But you must need upset the bargain. `No, I will not have it!' Count Eglamore must cry. It cost you very highly to speak those words. I think it would have puzzled my father to hear those words at which so many fertile lands, stout castles, well-timbered woodlands, herds of cattle, gilded coaches, liveries and curious  tapestries, fine clothing and spiced foods, all  vanished like a puff of smoke. Ah, yes, my father would have thought you mad."

 "I had no choice," he said, and waved a little gesture of impotence. He spoke as with difficulty, almost wearily. "I love you. It is a theme on which I do not embroider. So long as I had thought to use you as an instrument I could woo fluently enough. To-day I saw that you were frightened and helpless--oh, quite helpless. And something changed in me. I knew for the first time that I loved you and that I was not clean as you are clean. What it was of passion and horror, of despair and adoration and yearning, which struggled in my being then I cannot tell you. It spurred me to such action as I took,--but it has robbed me of sugared eloquence, it has left me chary of speech. It is necessary that I climb very high because of my love for you, and upon the heights there is silence."

 And Graciosa meditated. "Here I am so much merchandise. Heigho, since I cannot help it, since bought and sold I must be, one day or another, at least I will go at a noble price. Yet I do not think I am quite worth the value of these castles and lands and other things which you gave up because of me, so that it will be necessary to make up the difference, dear, by loving you very much."

 And at that he touched her chin, gently and masterfully, for Graciosa would have averted her face, and it seemed to Eglamore that he could never have his fill of gazing on the radiant, shamed tenderness of Graciosa's face. "Oh, my girl!" he whispered. "Oh, my wonderful, worshiped, merry girl, whom God has fashioned with such loving care! you who had only scorn to give me when I was a kingdom's master! and would you go with me now that I am friendless and homeless?"

 "But I shall always have a friend," she answered"-- a friend who showed me what Balthazar's daughter was and what love is. And I am vain enough to believe I shall not ever be very far from home so long as I am near to my friend's heart."

 A mortal man could not but take her in his arms.

 "Farewell, Duke Alessandro!" then said Eglamore; "farewell, poor clay so plastic the least touch  remodels you! I had a part in shaping you so bestial; our age, too, had a part--our bright and cruel day, wherein you were set too high. Yet for me it would perhaps have proved as easy to have made a learned recluse of you, Alessandro, or a bloodless saint, if to do that had been as patently profitable. For you and all your kind are so much putty in the hands of circumspect fellows such as I. But I stood by and let our poisoned age conform that putty into the shape of a crazed beast, because it took that form as readily as any other, and in taking it, best served my selfish ends. Now I must pay for that sorry shaping, just as, I think, you too must pay some day. And so, I cry farewell with loathing, but with compassion also!"

 Then these two turned toward the hills, leaving Duke Alessandro where he lay in the road, a very lamentable figure in much bloodied finery. They turned toward the hills, and entered a forest whose ordering was time's contemporary, and where there was no grandeur save that of the trees.

 But upon the summit of the nearest hill they paused and looked over a restless welter of foliage that glittered in the sun, far down into the highway. It bustled like an unroofed ant-hill, for the road was alive with men who seemed from this distance very small. Duke Alessandro's attendants had found him and were clustered in a hubbub about their reviving master. Dwarfish Lorenzino de Medici was the most solicitous among them.

 Beyond was the broad river, seen as a ribbon of silver now, and on its remoter bank the leaded roofs of a strong fortress glistened like a child's new toy. Tilled fields showed here and there, no larger in appearance than so many outspread handkerchiefs. Far down in the east a small black smudge upon the pearl-colored and vaporous horizon was all they could discern of a walled city filled with factories for the working of hemp and furs and alum and silk and bitumen.

 "It is a very rich and lovely land," said Eglamore--"this kingdom which a half-hour since lay in the hollow of my hand." He viewed it for a while, and not without pensiveness. Then he took Graciosa's hand and looked into her face, and he laughed joyously.

 

 JUDITH'S CREED

"It does not appear that the age thought his works worthy of posterity, nor that this great poet himself levied any ideal tribute on future times, or had any further prospect than of present popularity and present profit. So careless was he, indeed, of fame, that, when he retired to ease and plenty, while he was yet little declined into the vale of years, and before he could be disgusted with fatigue or disabled by infirmity, he desired only that in this rural quiet he who had so long mazed his imagination by following phantoms might at last be cured of his delirious ecstasies, and as a hermit might estimate the transactions of the world."

Now my charms are all o'erthrown,

And what strength I have's my own,

Which is most faint.

Now I want

 Spirits to enforce, art to enchant;

And my ending is despair,

 Unless I be relieved by prayer,

Which pierces so, that it assaults

Mercy itself, and frees all faults.

 As you from crimes would pardon'd be,

Let your indulgence set me free.

WILLIAM SHAKESPEARE. Epilogue

to The Tempest.

 He was hoping, while his fingers drummed in unison with the beat of his verse, that this last play at least would rouse enthusiasm in the pit. The welcome given its immediate predecessors had undeniably been tepid. A memorandum at his elbow of the receipts at the Globe for the last quarter showed this with disastrous bluntness; and, after all, in 1609 a shareholder in a theater, when writing dramas for production there, was ordinarily subject to more claims than those of his ideals.

He sat in a neglected garden whose growth was in reversion to primal habits. The season was September, the sky a uniform and temperate blue. A peachtree, laden past its strength with fruitage, made about him with its boughs a sort of tent. The grass around his writing-table was largely hidden by long, crinkled peach leaves--some brown and others gray as yet--and was dotted with a host of brightly-colored peaches. Fidgeting bees and flies were excavating the decayed spots in this wasting fruit, from which emanated a vinous odor. The bees hummed drowsily, their industry facilitating idleness in others. It was  curious--he meditated, his thoughts straying from "an uninhabited island"--how these insects alternated in color between brown velvet and silver, as they blundered about a flickering tessellation of amber and dark green . . . in search of rottenness. . . .

He frowned. Here was an arid forenoon as imagination went. A seasoned plagiarist by this, he opened a book which lay upon the table among several others and duly found the chapter entitled Of the Cannibals.

"So, so!" he said aloud. "`It is a nation,' would I answer Plato, `that has no kind of traffic, no knowledge of letters----'" And with that he sat about reshaping Montaigne's conceptions of Utopia into verse. He wrote--while his left hand held the book flat--as orderly as any county-clerk might do in the recordance of a deed of sale.

Midcourse in larceny, he looked up from writing. He saw a tall, dark lady who was regarding him half - sorrowfully and half as in the grasp of some occult amusement. He said nothing. He released the telltale book. His eyebrows lifted, banteringly. He rose.

He found it characteristic of her that she went silently to the table and compared the printed page with what he had just written. "So nowadays you have turned pickpocket? My poet, you have altered."

He said: "Why, yes. When you broke off our friendship, I paid you the expensive compliment of falling very ill. They thought that I would die.

 They tell me even to-day I did not die. I almost question it." He shrugged. "And to-day I must continue to write plays, because I never learned any other trade. And so, at need, I pilfer." The topic did not seem much to concern him.

"Eh, and such plays!" the woman cried. "My poet, there was a time when you created men and women as glibly as Heaven does. Now you make sugar-candy dolls."

"The last comedies were not all I could have  wished," he assented. "In fact, I got only some L30 clear profit."

"There speaks the little tradesman I most hated of all persons living!" the woman sighed. Now, as in impatience, she thrust back her traveling-hood and stood bare-headed.

Then she stayed silent,--tall, extraordinarily pallid, and with dark, steady eyes. Their gaze by ordinary troubled you, as seeming to hint some knowledge to your belittlement. The playmaker remembered that. Now he, a reputable householder, was wondering what would be the upshot of this intrusion. His visitor, as he was perfectly aware, had little patience with such moments of life as could not be made dramatic. . . . He was recollecting many trifles, now his mind ran upon old times. . . . No, no, reflection assured him, to call her beautiful would be, and must always have been, an exaggeration; but to deny the exotic and somewhat sinister charm of her, even to-day, would be an absurdity.

She said, abruptly: "I do not think I ever loved you as women love men. You were too anxious to associate with fine folk, too eager to secure a  patron--yes, and to get your profit of him--and you were always ill-at-ease among us. Our youth is so long past, and we two are so altered that we, I think, may speak of its happenings now without any bitterness. I hated those sordid, petty traits. I raged at your incessant pretensions to gentility because I knew you to be so much more than a gentleman. Oh, it infuriated me--how long ago it was!--to see you cringing to the Court blockheads, and running their errands, and smirkingly pocketing their money, and wheedling them into helping the new play to success. You complained I treated you like a lackey; it was not unnatural when of your own freewill you played the lackey so  assiduously."

He laughed. He had anatomized himself too frequently and with too much dispassion to overlook  whatever tang of snobbishness might be in him; and, moreover, the charge thus tendered became in reality the speaker's apology, and hurt nobody's self-esteem.

"Faith, I do not say you are altogether in the  wrong," he assented. "They could be very useful to me--Pembroke, and Southampton, and those others--and so I endeavored to render my intimacy acceptable. It was my business as a poet to make my play as near perfect as I could; and this attended to, common-sense demanded of the theater-manager that he derive as much money as was possible from its representation. What would you have? The man of letters, like the carpenter or the blacksmith, must live by the vending of his  productions, not by the eating of them."

 The woman waved this aside.

She paced the grass in meditation, the peach leaves brushing her proud head--caressingly, it seemed to him. Later she came nearer in a brand-new mood. She smiled now, and her voice was musical and thrilled with wonder. "But what a poet Heaven had locked inside this little parasite! It used to puzzle me." She laughed, and ever so lightly. "Eh, and did you never understand why by preference I talked with you at evening from my balcony? It was because I could forget you then entirely. There was only a voice in the dark. There was a sorcerer at whose bidding words trooped like a conclave of emperors, and now sang like a bevy of linnets. And wit and fancy and high aspirations and my love--because I knew then that your love for me was splendid and divine--these also were my sorcerer's potent allies. I understood then how glad and awed were those fabulous Greekish queens when a god wooed them. Yes, then I understood. How long ago it seems!"

"Yes, yes," he sighed. "In that full-blooded season was Guenevere a lass, I think, and Charlemagne was not yet in breeches."

"And when there was a new play enacted I was glad. For it was our play that you and I had polished the last line of yesterday, and all these people wept  and laughed because of what we had done. And I was proud----" The lady shrugged impatiently. "Proud, did I say? and glad? That attests how woefully I fall short of you, my poet. You would have found some magic phrase to make that ancient glory articulate, I know. Yet,--did I ever love you? I do not know that. I only know I sometimes fear you robbed me of the power of loving any other man."

He raised one hand in deprecation. "I must remind you," he cried, whimsically, "that a burnt child dreads even to talk of fire."

Her response was a friendly nod. She came yet nearer. "What," she demanded, and her smile was elfish, "what if I had lied to you? What if I were hideously tired of my husband, that bluff, stolid captain? What if I wanted you to plead with me as in the old time?"

He said: "Until now you were only a woman. Oh, and now, my dear, you are again that resistless gipsy who so merrily beguiled me to the very heart of loss. You are Love. You are Youth. You are Comprehension. You are all that I have had, and lost, and vainly hunger for. Here in this abominable village, there is no one who understands--not even those who are more dear to me than you are. I know. I only spoil good paper which might otherwise be profitably used to wrap herrings in, they think. They give me ink and a pen just as they would give toys to a child who squalled for them too obstinately. And Poesy is a thrifty oracle with no words to waste upon the deaf,  however loudly her interpreter cry out to her. Oh, I have hungered for you, my proud, dark lady!" the playmaker said.

Afterward they stood quite silent. She was not unmoved by his outcry; and for this very reason was obscurely vexed by the reflection that it would be the essay of a braver man to remedy, rather than to lament, his circumstances. And then the moment's rapture failed him.

"I am a sorry fool," he said; and lightly he ran on: "You are a skilful witch. Yet you have raised the ghost of an old madness to no purpose. You seek a master-poet? You will find none here. Perhaps I was one once. But most of us are poets of one sort or another when we love. Do you not understand? To-day I do not love you any more than I do Hecuba. Is it not strange that I should tell you this and not be moved at all? Is it not laughable that we should stand here at the last, two feet apart as things physical go, and be as profoundly severed as if an ocean tumbled between us?"

He fell to walking to and fro, his hands behind his back. She waited, used as she was to his unstable temperament, a trifle puzzled. Presently he spoke:

"There was a time when a master-poet was needed. He was found--nay,--rather made. Fate hastily caught up a man not very different from the run of men--one with a taste for stringing phrases and with a comedy or so to his discredit. Fate merely bid him love a headstrong child newly released from the nursery."

"We know her well enough," she said. "The girl was faithless, and tyrannous, and proud, and coquettish, and unworthy, and false, and inconstant. She was black as hell and dark as night in both her person and her living. You were not niggardly of vituperation."

And he grimaced. "Faith," he replied, "but sonnets are a more natural form of expression than affidavits, and they are made effective by compliance with different rules. I find no flagrant fault with you to-day. You were a child of seventeen, the darling of a noble house, and an actor--yes, and not even a pre-eminent actor--a gross, poor posturing vagabond, just twice your age, presumed to love you. What child would not amuse herself with such engaging toys? Vivacity and prettiness and cruelty are the ordinary attributes of kittenhood. So you amused yourself. And I submitted with clear eyes, because I could not help it. Yes, I who am by nature not disposed to underestimate my personal importance--I submitted, because your mockery was more desirable than the adoration of any other woman. And all this helped to make a master-poet of me. Eh, why not, when such monstrous passions spoke through me--as if some implacable god elected to play godlike music on a mountebank's lute? And I made admirable plays. Why not, when there was no tragedy more poignant than mine?--and where in any comedy was any figure one-half so ludicrous as mine? Ah, yes, Fate gained her ends, as always."

He was a paunchy, inconsiderable little man. By ordinary his elongated features and high, bald forehead loaned him an aspect of serene and axiom-based wisdom, much as we see him in his portraits; but now his countenance was flushed and mobile. Odd passions played about it, as when on a sullen night in August summer lightnings flicker and merge.

His voice had found another cadence. "But Fate was not entirely ruthless. Fate bade the child become a woman, and so grow tired of all her childhood's playthings. This was after a long while, as we estimate happenings. . . . I suffered then. Yes, I went down to the doors of death, as people say, in my long illness. But that crude, corporal fever had a  providential thievishness; and not content with stripping me of health and strength,--not satisfied with pilfering inventiveness and any strong hunger to create--why, that insatiable fever even robbed me of my insanity. I lived. I was only a broken instrument flung by because the god had wearied of playing. I would give forth no more heart-wringing music, for the musician had departed. And I still lived--I, the stout little  tradesman whom you loathed. Yes, that tradesman scrambled through these evils, somehow, and came out still able to word adequately all such imaginings as could be devised by his natural abilities. But he transmitted no more heart-wringing music."

She said, "You lie!"

 He said, "I thank Heaven daily that I do not." He spoke the truth. She knew it, and her heart was all rebellion.

 Indefatigable birds sang through the following hush. A wholesome and temperate breeze caressed these silent people. Bees that would die to-morrow hummed about them tirelessly.

 Then the poet said: "I loved you; and you did not love me. It is the most commonplace of tragedies, the heart of every man alive has been wounded in this identical fashion. A master-poet is only that wounded man--among so many other bleeding folk--who perversely augments his agony, and utilizes his wound as an inkwell. Presently time scars over the cut for him, as time does for all the others. He does not suffer any longer. No, and such relief is a clear gain; but none the less, he must henceforward write with ordinary ink such as the lawyers use."

 "I should have been the man," the woman cried. "Had I been sure of fame, could I have known those raptures when you used to gabble immortal phrases like a stammering infant, I would have paid the price without all this whimpering."

 "Faith, and I think you would have," he assented. "There is the difference. At bottom I am a creature of the most moderate aspirations, as you always complained; and for my part, Fate must in reason demand her applause of posterity rather than of me. For I regret the unlived life that I was meant for--the  comfortable level life of little happenings which  all my schoolfellows have passed through in a  stolid drove. I was equipped to live that life with relish, and that life only; and it was denied me. It was demolished in order that a book or two be made out of its wreckage."

 She said, with half-shut eyes: "There is a woman at the root of all this." And how he laughed!

 "Did I not say you were a witch? Why, most  assuredly there is."

 He motioned with his left hand. Some hundred yards away a young man, who was carrying two logs toward New Place, had paused to rest. A girl was with him. Now laughingly she was pretending to assist the porter in lifting his burden. It was a quaintly pretty vignette, as framed by the peach leaves, because those two young people were so merry and so candidly in love. A symbolist might have wrung pathos out of the girl's desire to aid, as set against her fond inadequacy; and the attendant playwright made note of it.

 "Well, well!" he said: "Young Quiney is a so-so choice, since women must necessarily condescend to intermarrying with men. But he is far from worthy of her. Tell me, now, was there ever a rarer piece of beauty?"

 "The wench is not ill-favored," was the dark lady's unenthusiastic answer. "So!--but who is she?"

 He replied: "She is my daughter. Yonder you see my latter muse for whose dear sake I spin romances. I do not mean that she takes any lively interest in them. That is not to be expected, since she cannot read or write. Ask her about the poet we were discussing, and I very much fear Judith will bluntly inform you she cannot tell a B from a bull's foot. But one must have a muse of some sort or another; and so I write about the world now as Judith sees it. My Judith finds this world an eminently pleasant place. It is full of laughter and kindliness--for could Herod be unkind to her?--and it is largely populated by ardent young fellows who are intended chiefly to be twisted about your fingers; and it is illuminated by sunlight whose real purpose is to show how pretty your hair is. And if affairs go badly for a while, and you have done nothing very wrong--why, of course, Heaven will soon straighten matters satisfactorily. For nothing that happens to us can possibly be anything except a benefit, because God orders all happenings, and God loves us. There you have Judith's creed; and upon my word, I believe there is a great deal to be said for it."

 "And this is you," she cried--"you who wrote of Troilus and Timon!"

 "I lived all that," he replied--"I lived it, and so for a long while I believed in the existence of wickedness. To-day I have lost many illusions, madam, and that ranks among them. I never knew a wicked person. I question if anybody ever did. Undoubtedly short-sighted people exist who have floundered into ill-doing; but it proves always to have been on account of either cowardice or folly, and never because of malevolence; and, in consequence, their sorry pickle should demand commiseration far more loudly than our blame. In short, I find humanity to be both a weaker and a better-meaning race than I had suspected. And so, I make what you call `sugar-candy dolls,' because I very potently believe that all of us are sweet at heart. Oh no! men lack an innate aptitude for sinning; and at worst, we frenziedly attempt our misdemeanors just as a sheep retaliates on its pursuers. This much, at least, has Judith taught me."

 The woman murmured: "Eh, you are luckier than I. I had a son. He was borne of my anguish, he was fed and tended by me, and he was dependent on me in all things." She said, with a half-sob, "My poet, he was so little and so helpless! Now he is dead."

 "My dear, my dear!" he cried, and he took both her hands. "I also had a son. He would have been a man by this."

 They stood thus for a while. And then he smiled.

 "I ask your pardon. I had forgotten that you hate to touch my hands. I know--they are too moist and flabby. I always knew that you thought that. Well! Hamnet died. I grieved. That is a trivial thing to say. But you also have seen your own flesh lying in a coffin so small that even my soft hands could lift it. So you will comprehend. To-day I find that the roughest winds abate with time. Hatred and self-seeking and mischance and, above all, the frailties innate in us--these buffet us for a while, and we are puzzled, and we demand of God, as Job did, why is this permitted? And then as the hair dwindles, the wit grows."

 "Oh, yes, with age we take a slackening hold upon events; we let all happenings go by more lightly; and we even concede the universe not to be under any actual bond to be intelligible. Yes, that is true. But is it gain, my poet? for I had thought it to be loss."

 "With age we gain the priceless certainty that sorrow and injustice are ephemeral. Solvitur ambulando, my dear. I have attested this merely by living long enough. I, like any other man of my years, have in my day known more or less every grief which the world breeds; and each maddened me in turn, as each was duly salved by time; so that to-day their ravages vex me no more than do the bee-stings I got when I was an urchin. To-day I grant the world to be composed of muck and sunshine intermingled; but, upon the whole, I find the sunshine more pleasant to look at, and--greedily, because my time for sightseeing is not very long--I stare at it. And I hold Judith's creed to be the best of all imaginable creeds--that if we do nothing very wrong, all human imbroglios, in some irrational and quite incomprehensible fashion, will be straightened to our satisfaction. Meanwhile, you also voice a tonic truth--this universe of ours, and, reverently speaking, the Maker of this universe as well, is under no actual bond to be intelligible in dealing with us." He  laughed at this season and fell into a lighter tone. "Do I preach like a little conventicle-attending  tradesman? Faith, you must remember that when I talk gravely Judith listens as if it were an oracle discoursing. For Judith loves me as the wisest and the best of men. I protest her adoration frightens me. What if she were to find me out?"

 "I loved what was divine in you," the woman answered.

 "Oddly enough, that is the perfect truth! And when what was divine in me had burned a sufficiency of incense to your vanity, your vanity's owner drove off in a fine coach and left me to die in a garret. Then Judith came. Then Judith nursed and tended and caressed me--and Judith only in all the world!--as once you did that boy you spoke of. Ah, madam, and does not sorrow sometimes lie awake o' nights in the low cradle of that child? and sometimes walk with you by day and clasp your hand--much as his tiny hand did once, so trustingly, so like the clutching of a vine--and beg you never to be friends with anything save sorrow? And do you wholeheartedly love those other women's boys-- who did not die? Yes, I remember. Judith, too, remembered. I was her father, for all that I had forsaken my family to dance Jack-pudding attendance on a fine Court lady. So Judith came. And Judith, who sees in play-writing just a very uncertain way of making money--Judith, who cannot tell a B from a bull's foot,--why, Judith, madam, did not ask, but gave, what was divine."

 "You are unfair," she cried. "Oh, you are cruel, you juggle words, make knives of them. . . . You"and she spoke as with difficulty--"you have no right to know just how I loved my boy! You should be either man or woman!"

 He said pensively: "Yes, I am cruel. But you had mirth and beauty once, and I had only love and a vocabulary. Who then more flagrantly abused the gifts God gave? And why should I not be cruel to you, who made a master-poet of me for your recreation? Lord, what a deal of ruined life it takes to make a little art! Yes, yes, I know. Under old oaks lovers will mouth my verses, and the acorns are not yet shaped from which those oaks will spring. My adoration and your perfidy, all that I have suffered, all that I have  failed in even, has gone toward the building of an enduring monument. All these will be immortal, because youth is immortal, and youth delights in demanding explanations of infinity. And only to this end I have suffered and have catalogued the ravings of a perverse disease which has robbed my life of all the normal privileges of life as flame shrivels hair from the arm--that young fools such as I was once might be pleased to murder my rhetoric, and scribblers parody me in their fictions, and schoolboys guess at the date of my death!" This he said with more than ordinary animation; and then he shook his head. "There is a leaven," he said--"there is a leaven even in your smuggest and most inconsiderable tradesman."

 She answered, with a wistful smile: "I, too, regret my poet. And just now you are more like him----"

 "Faith, but he was really a poet--or, at least, at times----?"

 "Not marble, nor the gilded monuments of princes shall outlive this powerful rhyme----'"

 "Dear, dear!" he said, in petulant vexation; "how horribly emotion botches verse. That clash of sibi-lants is both harsh and ungrammatical. Shall should be changed to will." And at that the woman sighed, because, in common with all persons who never essayed creative verbal composition, she was quite certain perdurable writing must spring from a surcharged heart, rather than from a rearrangement of phrases. And so,  "Very unfeignedly I regret my poet," she said, "my poet, who was unhappy and unreasonable, because I was not always wise or kind, or even just. And I did not know until to-day how much I loved my poet. . . . Yes, I know now I loved him. I must go now. I would I had not come."

 Then, standing face to face, he cried, "Eh, madam, and what if I also have lied to you--in part? Our work is done; what more is there to say?"

 "Nothing," she answered--"nothing. Not even for you, who are a master-smith of words to-day and nothing more."

 "I?" he replied. "Do you so little emulate a  higher example that even for a moment you consider me?"

 She did not answer.

When she had gone, the playmaker sat for a long while in meditation; and then smilingly he took up his pen. He was bound for "an uninhabited island" where all disasters ended in a happy climax.

"So, so!" he was declaiming, later on: "We, too, are kin To dreams and visions; and our little life Is gilded by such faint and cloud-wrapped suns--Only, that needs a homelier touch. Rather, let us say, We are such stuff As dreams are made on--Oh, good, good!--Now to pad out the line. . . . In any event, the Bermudas are a seasonable topic. Now here, instead of thickly-templed India, suppose we write the  still-vexed Bermoothes--Good, good! It fits in well enough. . . ."

And so in clerkly fashion he sat about the  accomplishment of his stint of labor in time for dinner. A competent workman is not disastrously upset by interruption; and, indeed, he found the notion of surprising Judith with an unlooked-for trinket or so to be at first a very efficacious spur to composition.

And presently the strong joy of creating kindled in him, and phrase flowed abreast with thought, and the playmaker wrote fluently and surely to an accompaniment of contented ejaculations. He regretted nothing, he would not now have laid aside his pen to take up a scepter. For surely--he would have said--to live untroubled, and weave beautiful and winsome dreams is the most desirable of human fates. But he did not consciously think of this, because he was midcourse in the evoking of a mimic tempest which, having purged its victims of unkindliness and error, aimed (in the end) only to sink into an amiable calm.

 

 CONCERNING CORINNA

"DR. HERRICK told me that, in common with all the Enlightened or Illuminated Brothers, of which prying sect the age breeds so many, he trusted the great lines of Nature, not in the whole, but in part, as they believed Nature was in certain senses not true, and a betrayer, and that she was not wholly the benevolent power to endow, as accorded with the prevailing deceived notion of the vulgar. But he wished not to discuss more particularly than thus, as he had drawn up to himself a certain frontier of reticence; and so fell to petting a great black pig, of which he made an unseemly companion, and to talking idly."

 A Gyges ring they bear about them still,

To be, and not, seen when and where they will;

They tread on clouds, and though they sometimes fall,

They fall like dew, and make no noise at all:

So silently they one to th' other come

As colors steal into the pear or plum;

 And air-like, leave no pression to be seen

Where'er they met, or parting place has been.

 

 ROBERT HERRICK. My Lovers how

They Come and Part.

 

 CONCERNING CORINNA

The matter hinges entirely upon whether or not Robert Herrick was insane. Sir Thomas Browne always preferred to think that he was; whereas Philip Borsdale  perversely considered the answer to be optional. Perversely, Sir Thomas protested, because he said that to believe in Herrick's sanity was not conducive to your own.

This much is certain: the old clergyman, a man of few friends and no intimates, enjoyed in Devon, thanks to his time-hallowed reputation for singularity, a certain immunity. In and about Dean Prior, for instance, it was conceded in 1674 that it was unusual for a divine of the Church of England to make a black pig--- and a pig of peculiarly diabolical ugliness, at that-- his ordinary associate; but Dean Prior had come long ago to accept the grisly brute as a concomitant of Dr. Herrick's presence almost as inevitable as his shadow. It was no crime to be fond of dumb animals, not even of one so inordinately unprepossessing; and you allowed for eccentricities, in any event, in dealing with a poet.

For Totnes, Buckfastleigh, Dean Prior--all that part of Devon, in fact--complacently basked in the reflected glory of Robert Herrick. People came from a long distance, now that the Parliamentary Wars were over, in order just to see the writer of the  Hesperides and the Noble Numbers. And such enthusiasts found in Robert Herrick a hideous dreamy man, who, without ever perpetrating any actual discourtesy, always managed to dismiss them, somehow, with a sense of having been rebuffed.

Sir Thomas Browne, that ardent amateur of the curious, came into Devon, however, without the risk of incurring any such fate, inasmuch as the knight traveled westward simply to discuss with Master Philip Borsdale the recent doings of Cardinal Alioneri. Now, Philip Borsdale, as Sir Thomas knew, had been employed by Herrick in various transactions here irrelevant. In consequence, Sir Thomas Browne was not greatly surprised when, on his arrival at Buckfastleigh, Borsdale's body-servant told him that Master Borsdale had left instructions for Sir Thomas to follow him to Dean Prior. Browne complied, because his business with Borsdale was of importance.

Philip Borsdale was lounging in Dr. Herrick's chair, intent upon a lengthy manuscript, alone and to all appearances quite at home. The state of the room Sir Thomas found extraordinary; but he had graver matters to discuss; and he explained the results of his mission without extraneous comment.

"Yes, you have managed it to admiration," said Philip Borsdale, when the knight had made an end. Borsdale leaned back and laughed, purringly, for the outcome of this affair of the Cardinal and the Wax Image meant much to him from a pecuniary standpoint. "Yet it is odd a prince of any church which has done so much toward the discomfiture of sorcery should have entertained such ideas. It is also odd to note the series of coincidences which appears to have attended this Alioneri's practises."

"I noticed that," said Sir Thomas. After a while he said: "You think, then, that they must have been coincidences?"

"MUST is a word which intelligent people do not outwear by too constant usage."

 And "Oh----?" said the knight, and said that alone, because he was familiar with the sparkle now in Borsdale's eyes, and knew it heralded an adventure for an amateur of the curious.

 "I am not committing myself, mark you, Sir Thomas, to any statement whatever, beyond the observation that these coincidences were noticeable. I add, with  superficial irrelevance, that Dr. Herrick disappeared last night."

 "I am not surprised," said Sir Thomas, drily. "No possible antics would astonish me on the part of that unvenerable madman. When I was last in Totnes, he broke down in the midst of a sermon, and flung the manuscript of it at his congregation, and cursed them roundly for not paying closer attention. Such was never my ideal of absolute decorum in the pulpit. Moreover, it is unusual for a minister of the Church of England to be accompanied everywhere by a pig with whom he discusses the affairs of the parish precisely as if the pig were a human being."

 "The pig--he whimsically called the pig Corinna, sir, in honor of that imaginary mistress to whom he addressed so many verses--why, the pig also has disappeared. Oh, but of course that at least is simply a coincidence. . . . I grant you it was an uncanny beast. And I grant you that Dr. Herrick was a dubious ornament to his calling. Of that I am doubly certain to-day," said Borsdale, and he waved his hand comprehensively, "in view of the state in which--you see--he left this room. Yes, he was quietly writing here at eleven o'clock last night when old Prudence Baldwin, his housekeeper, last saw him. Afterward Dr. Herrick appears to have diverted himself by taking away the mats and chalking geometrical designs upon the floor, as well as by burning some sort of incense in this brasier."

"But such avocations, Philip, are not necessarily indicative of sanity. No, it is not, upon the whole, an inevitable manner for an elderly parson to while away an evening."

"Oh, but that was only a part, sir. He also left the clothes he was wearing--in a rather peculiarly constructed heap, as you can see. Among them, by the way, I found this flattened and corroded bullet. That puzzled me. I think I understand it now." Thus Borsdale, as he composedly smoked his churchwarden. "In short, the whole affair is as mysterious----"

Here Sir Thomas raised his hand. "Spare me the simile. I detect a vista of curious perils such as infinitely outshines verbal brilliancy. You need my aid in some insane attempt." He considered. He said: "So! you have been retained?"

"I have been asked to help him. Of course I did not know of what he meant to try. In short, Dr. Herrick left this manuscript, as well as certain instructions for me. The last are--well! unusual."

"Ah, yes! You hearten me. I have long had my suspicions as to this Herrick, though. . . . And what are we to do?"

"I really cannot inform you, sir. I doubt if I could explain in any workaday English even what we will attempt to do," said Philip Borsdale. "I do say this: You believe the business which we have settled, involv-ing as it does the lives of thousands of men and women, to be of importance. I swear to you that, as set against what we will essay, all we have done is trivial. As pitted against the business we will  attempt to-night, our previous achievements are suggestive of the evolutions of two sand-fleas beside the ocean. The prize at which this adventure aims is so stupendous that I cannot name it."

"Oh, but you must, Philip. I am no more afraid of the local constabulary than I am of the local notions as to what respectability entails. I may confess, however, that I am afraid of wagering against  unknown odds."

Borsdale reflected. Then he said, with  deliberation: "Dr. Herrick's was, when you come to think of it, an unusual life. He is--or perhaps I ought to say he was--upward of eighty-three. He has lived here for over a half-century, and during that time he has never attempted to make either a friend or an enemy. He was--indifferent, let us say. Talking to Dr. Herrick was, somehow, like talking to a man in a fog. . . . Meanwhile, he wrote his verses to imaginary women--to Corinna and Julia, to Myrha, Electra and Perilla--those lovely, shadow women who never, in so far as we know, had any real existence----"

Sir Thomas smiled. "Of course. They are mere figments of the poet, pegs to hang rhymes on. And yet--let us go on. I know that Herrick never willingly so much as spoke with a woman."

"Not in so far as we know, I said." And Borsdale paused. "Then, too, he wrote such dainty, merry poems about the fairies. Yes, it was all of fifty years ago that Dr. Herrick first appeared in print with his Description of the King and Queen of the Fairies. The thought seems always to have haunted him."

The knight's face changed, a little by a little. "I have long been an amateur of the curious," he said, strangely quiet. "I do not think that anything you may say will surprise me inordinately."

"He had found in every country in the world traditions of a race who were human--yet more than human. That is the most exact fashion in which I can  express his beginnings. On every side he found the notion of a race who can impinge on mortal life and partake of it--but always without exercising the last reach of their endowments. Oh, the tradition exists everywhere, whether you call these occasional inter-lopers fauns, fairies, gnomes, ondines, incubi, or demons. They could, according to these fables, tem-porarily restrict themselves into our life, just as a swimmer may elect to use only one arm--or, a more fitting comparison, become apparent to our human senses in the fashion of a cube which can obtrude only one of its six surfaces into a plane. You follow me, of  course, sir?--to the triangles and circles and hexagons this cube would seem to be an ordinary square. Conceiving such a race to exist, we might talk with them, might jostle them in the streets, might even intermarry with them, sir--and always see in them only human beings, and solely because of our senses' limitations."

"I comprehend. These are exactly the speculations that would appeal to an unbalanced mind--is that not your thought, Philip?"

"Why, there is nothing particularly insane, Sir Thomas, in desiring to explore in fields beyond those which our senses make perceptible. It is very certain these fields exist; and the question of their extent I take to be both interesting and important."

Then Sir Thomas said: "Like any other rational man, I have occasionally thought of this endeavor at which you hint. We exist--you and I and all the others--in what we glibly call the universe. All that we know of it is through what we entitle our five senses, which, when provoked to action, will cause a chemical change in a few ounces of spongy matter packed in our skulls. There are no grounds for believing that this particular method of communication is adequate, or even that the agents which produce it are veracious. Meanwhile, we are in touch with what exists through our five senses only. It may be that they lie to us. There is, at least, no reason for assuming them to be infallible."

"But reflection plows a deeper furrow, Sir Thomas. Even in the exercise of any one of these five senses it is certain that we are excelled by what we vaingloriously call the lower forms of life. A dog has powers of scent we cannot reach to, birds hear the crawling of a worm, insects distinguish those rays in the spectrum which lie beyond violet and red, and are invisible to us; and snails and fish and ants--perhaps all other living creatures, indeed--have senses which man does not share at all, and has no name for. Granted that we human beings alone possess the power of reasoning, the fact remains that we invariably start with false premises, and always pass our judgments when biased at the best by incomplete reports of everything in the universe, and very possibly by reports which lie flat-footedly."

You saw that Browne was troubled. Now he rose. "Nothing will come of this. I do not touch upon the desirability of conquering those fields at  which we dare only to hint. No, I am not afraid. I dare assist you in doing anything Dr. Herrick asks, because I know that nothing will come of such endeavors. Much is permitted us--`but of the fruit of the tree which is in the midst of the garden, God hath said, to us who are no more than human, Ye shall not eat of it.'"

"Yet Dr. Herrick, as many other men have done, thought otherwise. I, too, will venture a quotation. `Didst thou never see a lark in a cage? Such is the soul in the body: this world is like her little turf of grass, and the heavens o'er our heads, like her  looking-glass, only gives us a miserable knowledge of the small compass of our prison.' Many years ago that lamentation was familiar. What wonder, then, that Dr. Herrick should have dared to repeat it yesterday? And what wonder if he tried to free the prisoner?"

"Such freedom is forbidden," Sir Thomas stubbornly replied. "I have long known that Herrick was formerly in correspondence with John Heydon, and Robert Flood, and others of the Illuminated, as they call themselves. There are many of this sect in England, as we all know; and we hear much silly chatter of Elixirs and  Philosopher's Stones in connection with them. But I happen to know somewhat of their real aims and tenets. I do not care to know any more than I do. If it be true that all of which man is conscious is just a portion of a curtain, and that the actual universe in nothing resembles our notion of it, I am willing  to believe this curtain was placed there for some righteous and wise reason. They tell me the curtain may be lifted. Whether this be true or no, I must for my own sanity's sake insist it can never be lifted."

"But what if it were not forbidden? For Dr. Herrick asserts he has already demonstrated that."

 Sir Thomas interrupted, with odd quickness. "True, we must bear it in mind the man never married--Did he, by any chance, possess a crystal of Venice glass three inches square?"

 And Borsdale gaped. "I found it with his manuscript. But he said nothing of it. . . . How could you guess?"

 Sir Thomas reflectively scraped the edge of the glass with his finger-nail. "You would be none the happier for knowing, Philip. Yes, that is a blood-stain here. I see. And Herrick, so far as we know, had never in his life loved any woman. He is the only poet in history who never demonstrably loved any woman. I think you had better read me his manuscript, Philip."

 This Philip Borsdale did.

Then Sir Thomas said, as quiet epilogue: "This, if it be true, would explain much as to that lovely land of eternal spring and daffodils and friendly girls, of which his verses make us free. It would even explain Corinna and Herrick's rapt living without any human ties. For all poets since the time of AEschylus, who could not write until he was too drunken to walk, have been most readily seduced by whatever stimulus most tended to heighten their imaginings; so that for the sake of a song's perfection they have freely resorted to divers artificial inspirations, and very often without evincing any undue squeamishness. . . . I spoke of AEschylus. I am sorry, Philip, that you are not familiar with ancient Greek life. There is so much I could tell you of, in that event, of the quaint cult of Kore, or Pherephatta, and of the swine of Eubouleus, and of certain ambiguous maidens, whom those old Grecians fabled--oh, very ignorantly fabled, my lad, of course--to rule in a more quietly lit and more tranquil world than we blunder about. I think I could explain much which now seems mysterious--yes, and the daffodils, also, that Herrick wrote of so constantly. But it is better not to talk of these sinister  delusions of heathenry." Sir Thomas shrugged. "For my reward would be to have you think me mad. I prefer to iterate the verdict of all logical people, and formally to register my opinion that Robert Herrick was indisputably a lunatic."

Borsdale did not seem perturbed. "I think the rec-ord of his experiments is true, in any event. You will concede that their results were startling? And what if his deductions be the truth? what if our limited senses have reported to us so very little of the universe, and even that little untruthfully?" He laughed and drummed impatiently upon the table. "At least, he tells us that the boy returned. I fervently believe that in this matter Dr. Herrick was capable of any crime except falsehood. Oh, no I depend on it, he also will return."

"You imagine Herrick will break down the door between this world and that other inconceivable world which all of us have dreamed of! To me, my lad, it seems as if this Herrick aimed dangerously near to repetition of the Primal Sin, for all that he handles it like a problem in mechanical mathematics. The poet writes as if he were instructing a dame's school as to the advisability of becoming omnipotent."

"Well, well! I am not defending Dr. Herrick in anything save his desire to know the truth. In this respect at least, he has proven himself to be both admirable and fearless. And at worst, he only strives to do what Jacob did at Peniel," said Philip Borsdale, lightly. "The patriarch, as I recall, was blessed for acting as he did. The legend is not irrelevant, I think."

 They passed into the adjoining room.

Thus the two men came into a high-ceiled apartment, cylindrical in shape, with plastered walls painted green everywhere save for the quaint embellishment of a large oval, wherein a woman, having an eagle's beak, grasped in one hand a serpent and in the other a knife. Sir Thomas Browne seemed to recognize this curious design, and gave an ominous nod.

Borsdale said: "You see Dr. Herrick had prepared everything. And much of what we are about to do is merely symbolical, of course. Most people  undervalue symbols. They do not seem to understand that there could never have been any conceivable need of inventing a periphrasis for what did not exist."

Sir Thomas Browne regarded Borsdale for a while intently. Then the knight gave his habitual shrugging gesture. "You are braver than I, Philip, because you are more ignorant than I. I have been too long an amateur of the curious. Sometimes in over-credulous moments I have almost believed that in sober verity there are reasoning beings who are not human--beings that for their own dark purposes seek union with us. Indeed, I went into Pomerania once to talk with John Dietrick of Ramdin. He told me one of those relations whose truth we dread, a tale which I did not dare, I tell you candidly, even to discuss in my Vulgar Errors. Then there is Helgi Thorison's history, and that of Leonard of Basle also. Oh, there are more recorded stories of this nature than you dream of, Philip. We have only the choice between believing that all these men were madmen, and believing that ordinary human life is led by a drugged animal who drowses through a purblind existence among merciful veils. And these female creatures--these Corinnas, Perillas, Myrhas, and Electras--can it be possible that they are always striving, for their own strange ends, to rouse the sleeping animal and break the kindly veils?--and are they permitted to use such amiable enticements as Herrick describes? Oh, no, all this is just a madman's dream, dear lad, and we must not dare to consider it seriously, lest we become no more sane than he."

"But you will aid me?" Borsdale said.

 "Yes, I will aid you, Philip, for in Herrick's case I take it that the mischief is consummated already; and we, I think, risk nothing worse than death. But you will need another knife a little later--a knife that will be clean."

 "I had forgotten." Borsdale withdrew, and presently returned with a bone-handled knife. And then he made a light. "Are you quite ready, sir?"

 Sir Thomas Browne, that aging amateur of the curious, could not resist a laugh.

 And then they sat about proceedings of which, for obvious reasons, the details are best left unrecorded. It was not an unconscionable while before they seemed to be aware of unusual phenomena. But as Sir Thomas always pointed out, in subsequent discussions, these were quite possibly the fruitage of excited imagination.

 "Now, Philip!--now, give me the knife!" cried Sir Thomas Browne. He knew for the first time, despite many previous mischancy happenings, what real terror was.

 The room was thick with blinding smoke by this, so that Borsdale could see nothing save his co-partner in this adventure. Both men were shaken by what had occurred before. Borsdale incuriously perceived that old Sir Thomas rose, tense as a cat about to pounce, and that he caught the unstained knife from Borsdale's hand, and flung it like a javelin into the  vapor which encompassed them. This gesture stirred the smoke so that Borsdale could see the knife quiver and fall, and note the tiny triangle of unbared plaster it had cut in the painted woman's breast. Within the same instant he had perceived a naked man who staggered.

 "Iz adu kronyeshnago----!" The intruder's thin, shrill wail was that of a frightened child. The man strode forward, choked, seemed to grope his way. His face was not good to look at. Horror gripped and tore at every member of the cadaverous old body, as a high wind tugs at a flag. The two witnesses of Herrick's agony did not stir during the instant wherein the frenzied man stooped, moving stiffly like an ill-made toy, and took up the knife.

 "Oh, yes, I knew what he was about to do," said Sir Thomas Browne afterward, in his quiet fashion. "I did not try to stop him. If Herrick had been my dearest friend, I would not have interfered. I had seen his face, you comprehend. Yes, it was kinder to let him die. It was curious, though, as he stood there hacking his chest, how at each stab he deliberately twisted the knife. I suppose the pain distracted his mind from what he was remembering. I should have forewarned Borsdale of this possible outcome at the very first, I suppose. But, then, which one of us is always wise?"

 So this adventure came to nothing. For its  significance, if any, hinged upon Robert Herrick's sanity, which was at best a disputable quantity. Grant him insane, and the whole business, as Sir Thomas was at large pains to point out, dwindles at once into the irresponsible vagaries of a madman.

 "And all the while, for what we know, he had been hiding somewhere in the house. We never searched it. Oh, yes, there is no doubt he was insane," said Sir Thomas, comfortably.

 "Faith! what he moaned was gibberish, of course----"

 "Oddly enough, his words were intelligible. They meant in Russian `Out of the lowest hell.'"

 "But, why, in God's name, Russian?"

 "I am sure I do not know," Sir Thomas replied; and he did not appear at all to regret his ignorance.

 But Borsdale meditated, disappointedly. "Oh, yes, the outcome is ambiguous, Sir Thomas, in every way. I think we may safely take it as a warning, in any event, that this world of ours, whatever its deficiencies, was meant to be inhabited by men and women only."

"Now I," was Sir Thomas's verdict, "prefer to take it as a warning that insane people ought to be restrained."

"Ah, well, insanity is only one of the many forms of being abnormal. Yes, I think it proves that all abnormal people ought to be restrained. Perhaps it proves that they are very potently restrained," said Philip Borsdale, perversely.

Perversely, Sir Thomas always steadfastly  protested, because he said that to believe in  Herrick's sanity was not conducive to your own.

So Sir Thomas shrugged, and went toward the open window. Without the road was a dazzling gray under the noon sun, for the sky was cloudless. The ordered trees were rustling pleasantly, very brave in their autumnal liveries. Under a maple across the way some seven laborers were joking lazily as they ate their dinner. A wagon lumbered by, the driver whistling. In front of the house a woman had stopped to rearrange the pink cap of the baby she was carrying. The child had just reached up fat and uncertain little arms to kiss her. Nothing that Browne saw was out of ordinary, kindly human life.

"Well, after all," said Sir Thomas, upon a sudden, "for one, I think it is an endurable world, just as it stands."

And Borsdale looked up from a letter he had been reading. It was from a woman who has no concern with this tale, and its contents were of no importance to any one save Borsdale.

"Now, do you know," said Philip Borsdale, "I am beginning to think you the most sensible man of my acquaintance! Oh, yes, beyond doubt it is an endurable sun-nurtured world--just as it stands. It makes it doubly odd that Dr. Herrick should have chosen always to

`Write of groves, and twilights, and to sing

The court of Mab, and of the Fairy King,

And write of Hell.'"

 Sir Thomas touched his arm, protestingly. "Ah, but you have forgotten what follows, Philip--

 `I sing, and ever shall,

 Of Heaven,--and hope to have it after all.'"

"Well! I cry Amen," said Borsdale. "But I wish I could forget the old man's face."

 "Oh, and I also," Sir Thomas said. "And I cry Amen with far more heartiness, my lad, because I, too, once dreamed of--of Corinna, shall we say?”

 

 OLIVIA'S POTTAGE

Mr. Wycherley was naturally modest until King Charles' court, that late disgrace to our times,  corrupted him. He then gave himself up to all sorts of extravagances and to the wildest frolics that a wanton wit could devise. . . . Never was so much ill-nature in a pen as in his, joined with so much good nature as was in himself, even to excess; for he was bountiful, even to run himself into difficulties, and charitable even to a fault. It was not that he was free from the failings of humanity, but he had the tenderness of it, too, which made everybody excuse whom everybody loved; and even the asperity of his verses seems to have been forgiven."

I the Plain Dealer am to act to-day.

 Now, you shrewd judges, who the boxes sway,

Leading the ladies' hearts and sense astray,

And for their sakes, see all and hear no play;

Correct your cravats, foretops, lock behind:

The dress and breeding of the play ne'er mind;

For the coarse dauber of the coming scenes

To follow life and nature only means,

 Displays you as you are, makes his fine woman

A mercenary jilt and true to no man,

 Shows men of wit and pleasure of the age

Are as dull rogues as ever cumber'd stage.

 WILLIAM WYCHERLEY. Prologue

to The Plain Dealer.

 

 OLIVIA'S POTTAGE

It was in the May of 1680 that Mr. William Wycherley went into the country to marry the famed heiress, Mistress Araminta Vining, as he had previously settled with her father, and found her to his vast relief a very personable girl. She had in consequence a host of admirers, pre-eminent among whom was young Robert Minifie of Milanor. Mr. Wycherley, a noted stickler for etiquette, decorously made bold to question Mr. Minifie's taste in a dispute concerning waistcoats. A duel was decorously arranged and these two met upon the narrow beach of Teviot Bay.

Theirs was a spirited encounter, lasting for ten energetic minutes. Then Wycherley pinked Mr. Minifie in the shoulder, just as the dramatist, a favorite pupil of Gerard's, had planned to do; and the four gentlemen parted with every imaginable courtesy, since the wounded man and the two seconds were to return by boat to Mr. Minifie's house at Milanor.

More lately Wycherley walked in the direction of Ouseley Manor, whistling Love's a Toy. Honor  was satisfied, and, happily, as he reflected, at  no expense of life. He was a kindly hearted fop, and more than once had killed his man with perfectly sincere regret. But in putting on his coat--it was the black camlet coat with silver buttons--he had  overlooked his sleevelinks; and he did not recognize, for twenty-four eventful hours, the full importance of his carelessness.

 In the heart of Figgis Wood, the incomparable Countess of Drogheda, aunt to Mr. Wycherley's betrothed, and a noted leader of fashion, had presently paused at sight of him--laughing a little--and with one tiny hand had made as though to thrust back the staghound which accompanied her. "Your humble servant, Mr. Swashbuckler," she said; and then: "But oh! you have not hurt the lad?" she demanded, with a tincture of anxiety.

"Nay, after a short but brilliant engagement," Wycherley returned, "Mr. Minifie was very harmlessly perforated; and in consequence I look to be married on Thursday, after all."

"Let me die but Cupid never meets with anything save inhospitality in this gross world!" cried Lady Drogheda. "For the boy is heels over head in love with Araminta,--oh, a second Almanzor! And my niece does not precisely hate him either, let me tell you, William, for all your month's assault of essences and perfumed gloves and apricot paste and other small artillery of courtship. La, my dear, was it only a month ago we settled your future over a couple of Naples biscuit and a bottle of Rhenish?" She walked beside him now, and the progress of these exquisites was leisurely. There were many trees at hand so huge as to necessitate a considerable detour.

 "Egad, it is a month and three days over," Wycherley retorted, "since you suggested your respected brother-in-law was ready to pay my debts in full, upon condition I retaliated by making your adorable niece Mistress Wycherley. Well, I stand to-day indebted to him for an advance of L1500 and am no more afraid of bailiffs. We have performed a very creditable stroke of business; and the day after to-morrow you will have fairly earned your L500 for arranging the marriage. Faith, and in earnest of this, I already begin to view you through appropriate lenses as undoubtedly the most desirable aunt in the universe."

Nor was there any unconscionable stretching of the phrase. Through the quiet forest, untouched as yet by any fidgeting culture, and much as it was when John Lackland wooed Hawisa under, its venerable oaks, old even then, the little widow moved like a light flame. She was clothed throughout in scarlet, after her high-hearted style of dress, and carried a tall staff of ebony; and the gold head of it was farther from the dead leaves than was her mischievous countenance. The big staghound lounged beside her. She pleased the eye, at least, did this heartless, merry and selfish Olivia, whom Wycherley had so ruthlessly depicted in his Plain Dealer. To the last detail Wycherley found her, as he phrased it, "mignonne et piquante," and he told her so.

Lady Drogheda observed, "Fiddle-de-dee!" Lady Drogheda continued: "Yes, I am a fool, of course, but then I still remember Bessington, and the boy that went mad there----"

"Because of a surfeit of those dreams `such as the poets know when they are young.' Sweet chuck, beat not the bones of the buried; when he breathed he was a likely lad," Mr. Wycherley declared, with signal gravity.

"Oh, la, la!" she flouted him. "Well, in any event you were the first gentleman in England to wear a neckcloth of Flanders lace."

"And you were the first person of quality to eat cheesecakes in Spring Garden," he not half so mirthfully retorted. "So we have not entirely failed in life, it may be, after all."

She made of him a quite irrelevant demand: "D'ye fancy Esau was contented, William?"

 "I fancy he was fond of pottage, madam; and that, as I remember, he got his pottage. Come, now, a tangible bowl of pottage, piping hot, is not to be despised in such a hazardous world as ours is."

 She was silent for a lengthy while. "Lord, Lord, how musty all that brave, sweet nonsense seems!" she said, and almost sighed. "Eh, well! le vin est tire, et il faut le boire."

 "My adorable aunt! Let us put it a thought less dumpishly; and render thanks because our pottage smokes upon the table, and we are blessed with excellent appetites."

 "So that in a month we will be back again in the playhouses and Hyde Park and Mulberry Garden, or nodding to each other in the New Exchange,--you with your debts paid, and I with my L500----?" She paused to pat the staghound's head. "Lord Remon came this afternoon," said Lady Drogheda, and with averted eyes.

 "I do not approve of Remon," he announced. "Nay, madam, even a Siren ought to spare her kin and show some mercy toward the more stagnant-blooded fish."

 And Lady Drogheda shrugged. "He is very wealthy, and I am lamentably poor. One must not seek noon at fourteen o'clock or clamor for better bread than was ever made from wheat."

 Mr. Wycherley laughed, after a pregnant silence.

 "By heavens, madam, you are in the right! So I shall walk no more in Figgis Wood, for its old magic breeds too many day-dreams. Besides, we have been serious for half-an-hour. Now, then, let us discuss theology, dear aunt, or millinery, or metaphysics, or the King's new statue at Windsor, or, if you will, the last Spring Garden scandal. Or let us count the leaves upon this tree; and afterward I will enumerate my reasons for believing yonder crescent moon to be the paring of the Angel Gabriel's left thumb-nail."

 She was a woman of eloquent silences when there was any need of them; and thus the fop and the  coquette traversed the remainder of that solemn wood without any further speech. Modish people would have esteemed them unwontedly glum.

Wycherley discovered in a while the absence of his sleevelinks, and was properly vexed by the loss of these not unhandsome trinkets, the gifts of Lady Castlemaine in the old days when Mr. Wycherley was the King's successful rival for her favors. But Wycherley knew the tide filled Teviot Bay and wondering fishes were at liberty to muzzle the toys, by this, and merely shrugged at his mishap, midcourse in toilet.

Mr. Wycherley, upon mature deliberation, wore the green suit with yellow ribbons, since there was a ball that night in honor of his nearing marriage, and a confluence of gentry to attend it. Miss Vining and he walked through a minuet to some applause; the two were heartily acclaimed a striking couple, and congratulations beat about their ears as thick as sugar-plums in a carnival. And at nine you might have found the handsome dramatist alone upon the East Terrace of Ouseley, pacing to and fro in the moonlight, and complacently reflecting upon his quite indisputable and, past doubt, unmerited good fortune.

There was never any night in June which nature planned the more adroitly. Soft and warm and windless, lit by a vainglorious moon and every star that ever shone, the beauty of this world caressed and heartened its beholder like a gallant music. Our universe, Mr. Wycherley conceded willingly, was excellent and kindly, and the Arbiter of it too generous; for here was he, the wastrel, like the third prince at the end of a fairy-tale, the master of a handsome wife, and a fine house and fortune. Somewhere, he knew, young Minifie, with his arm in a sling, was pleading with Mistress Araminta for the last time; and this  reflection did not greatly trouble Mr. Wycherley, since incommunicably it tickled his vanity. He was chuckling when he came to the open window.

Within a woman was singing, to the tinkling accompaniment of a spinet, for the delectation of Lord Remon. She was not uncomely, and the hard, lean, stingy countenance of the attendant nobleman was almost genial. Wycherley understood with a great rending shock, as though the thought were novel, that Olivia, Lady Drogheda, designed to marry this man, who grinned within finger's reach--or, rather, to ally herself with Remon's inordinate wealth,--and without any heralding a brutal rage and hatred of all created things possessed the involuntary eavesdropper.

She looked up into Remon's face and, laughing with such bright and elfin mirth as never any other woman showed, thought Wycherley, she broke into another song. She would have spared Mr. Wycherley that had she but known him to be within earshot. . . . Oh, it was only Lady Drogheda who sang, he knew,--the seasoned gamester and coquette, the veteran of London and of  Cheltenham,--but the woman had no right to charm this haggler with a voice that was not hers. For it  was the voice of another Olivia, who was not a fine and urban lady, and who lived nowhere any longer; it was the voice of a soft-handed, tender, jeering girl, whom he alone remembered; and a sick, illimitable rage grilled in each vein of him as liltingly she sang, for Remon, the old and foolish song which Wycherley had made in her praise very long ago, and of which he might not ever forget the most trivial word.

Men, even beaux, are strangely constituted; and so it needed only this--the sudden stark brute jealousy of one male animal for another. That was the clumsy hand which now unlocked the dyke; and like a flood, tall and resistless, came the recollection of their far-off past and of its least dear trifle, of all the aspirations  and absurdities and splendors of their common youth, and found him in its path, a painted fellow, a  spendthrift king of the mode, a most notable authority upon the set of a peruke, a penniless, spent  connoisseur of stockings, essences and cosmetics.

He got but little rest this night.

 There were too many plaintive memories which tediously plucked him back, with feeble and innumerable hands, as often as he trod upon the threshold of sleep. Then too, there were so many dreams, half-waking, and not only of Olivia Chichele, naive and frank in divers rural circumstances, but rather of Olivia, Lady Drogheda, that perfect piece of artifice; of how  exquisite she was! how swift and volatile in every movement! how airily indomitable, and how mendacious to the tips of her polished finger-nails! and how she always seemed to flit about this world as joyously, alertly, and as colorfully as some ornate and tiny bird of the tropics!

 But presently parochial birds were wrangling under neath the dramatist's window, while he tossed and assured himself that he was sleepier than any saint who ever snored in Ephesus; and presently one hand of Moncrieff was drawing the bed-curtains, while the other carefully balanced a mug of shaving-water.

Wycherley did not see her all that morning, for Lady Drogheda was fatigued, or so a lackey informed him, and as yet kept her chamber. His Araminta he found deplorably sullen. So the dramatist devoted the better part of this day to a refitting of his wedding-suit, just come from London; for Moncrieff, an invaluable man, had adjudged the pockets to be placed too high; and, be the punishment deserved or no, Mr. Wycherley had never heard that any victim of law appeared the more admirable upon his scaffold for being slovenly in his attire.

Thus it was as late as five in the afternoon that, wearing the peach-colored suit trimmed with scarlet ribbon, and a new French beaver, the exquisite came upon Lady Drogheda walking in the gardens with only an appropriate peacock for company. She was so beautiful and brilliant and so little--so like a famous gem too suddenly disclosed, and therefore oddly disparate in all these qualities, that his decorous pleasant voice might quite permissibly have shaken a trifle (as indeed it did), when Mr. Wycherley implored Lady Drogheda to walk with him to Teviot Bay, on the off-chance of recovering his sleeve-links.

And there they did find one of the trinkets, but the tide had swept away the other, or else the sand had buried it. So they rested there upon the rocks, after an unavailing search, and talked of many trifles, amid surroundings oddly incongruous.

For this Teviot Bay is a primeval place, a deep-cut, narrow notch in the tip of Carnrick, and is walled by cliffs so high and so precipitous that they exclude a view of anything except the ocean. The bay opens due west; and its white barriers were now developing a violet tinge, for this was on a sullen afternoon, and the sea was ruffled by spiteful gusts. Wycherley could find no color anywhere save in this glowing, tiny and exquisite woman; and everywhere was a gigantic peace, vexed only when high overhead a sea-fowl jeered at these modish persons, as he flapped toward an  impregnable nest.

"And by this hour to-morrow," thought Mr.  Wycherley, "I shall be chained to that good, strapping, wholesome Juno of a girl!"

So he fell presently into a silence, staring at the vacant west, which was like a huge and sickly pearl, not thinking of anything at all, but longing poignantly for something which was very beautiful and strange and quite unattainable, with precisely that anguish he had sometimes known in awaking from a dream of which he could remember nothing save its piercing loveliness.

"And thus ends the last day of our bachelorhood!" said Lady Drogheda, upon a sudden. "You have played long enough--La, William, you have led the fashion for ten years, you have written four merry comedies, and you have laughed as much as any man alive, but you have pulled down all that nature raised in you, I think. Was it worth while?"

"Faith, but nature's monuments are no longer the last cry in architecture," he replied; "and I believe that The Plain Dealer and The Country Wife will  hold their own."

"And you wrote them when you were just a boy! Ah, yes, you might have been our English Moliere, my dear. And, instead, you have elected to become an authority upon cravats and waistcoats."

"Eh, madam"--he smiled--"there was a time when I too was foolishly intent to divert the leisure hours of posterity. But reflection assured me that posterity had, thus far, done very little to place me under that or any other obligation. Ah, no! Youth, health and-- though I say it--a modicum of intelligence are loaned to most of us for a while, and for a terribly brief  while. They are but loans, and Time is waiting  greedily to snatch them from us. For the perturbed usurer knows that he is lending us, perforce, three priceless possessions, and that till our lease runs out we are free to dispose of them as we elect. Now,  had I jealously devoted my allotment of these treasures toward securing for my impressions of the universe a place in yet unprinted libraries, I would have made an investment from which I could not possibly have derived any pleasure, and which would have been to other people of rather dubious benefit. In consequence, I chose a wiser and devouter course."

This statement Lady Drogheda afforded the commentary of a grimace.

 "Why, look you," Wycherley philosophized, "have you never thought what a vast deal of loving and  painstaking labor must have gone to make the world we inhabit so beautiful and so complete? For it was not enough to evolve and set a glaring sun in heaven, to marshal the big stars about the summer sky, but even in the least frequented meadow every butterfly must have his pinions jeweled, very carefully, and every lovely blade of grass be fashioned separately. The hand that yesterday arranged the Himalayas found time to glaze the wings of a midge! Now, most of us could design a striking Flood, or even a Last judgment, since the canvas is so big and the colors used so virulent; but to paint a snuff-box perfectly you must love the labor for its own sake, and pursue it without even an underthought of the performance's ultimate  appraisement. People do not often consider the simple fact that it is enough to bait, and quite superfluous to veneer, a trap; indeed, those generally acclaimed the best of persons insist this world is but an  antechamber, full of gins and pitfalls, which must be scurried through with shut eyes. And the more fools they, as all we poets know! for to enjoy a sunset, or a glass of wine, or even to admire the charms of a handsome woman, is to render the Artificer of all at least the tribute of appreciation."

 But she said, in a sharp voice: "William, William----!" And he saw that there was no beach now in Teviot Bay except the dwindling crescent at its farthest indentation on which they sat.

 Yet his watch, on consultation, recorded only five o'clock; and presently Mr. Wycherley laughed, not very loudly. The two had risen, and her face was a tiny snowdrift where every touch of rouge and grease-pencils showed crudely.

 "Look now," said Wycherley, "upon what trifles our lives hinge! Last night I heard you singing, and the song brought back so many things done long ago, and made me so unhappy that--ridiculous conclusion!--I forgot to wind my watch. Well! the tide is buffeting at either side of Carnrick; within the hour this place will be submerged; and, in a phrase, we are as dead as Hannibal or Hector."

 She said, very quiet: "Could you not gain the mainland if you stripped and swam for it?"

 "Why, possibly," the beau conceded. "Meanwhile you would have drowned. Faith, we had as well make the best of it."

 Little Lady Drogheda touched his sleeve, and her hand (as the man noted) did not shake at all, nor did her delicious piping voice shake either. "You  cannot save me. I know it. I am not frightened. I bid you save yourself."

 "Permit me to assist you to that ledge of rock," Mr. Wycherley answered, "which is a trifle higher than the beach; and I pray you, Olivia, do not mar the dignity of these last passages by talking nonsense."

 For he had spied a ledge, not inaccessible, some four feet higher than the sands, and it offered them at least a respite. And within the moment they had secured this niggardly concession, intent to die, as Wycherley observed, like hurt mice upon a pantry-shelf. The business smacked of disproportion, he considered, although too well-bred to say as much; for here was a big ruthless league betwixt earth and sea, and with no loftier end than to crush a fop and a coquette, whose speedier extinction had been dear at the expense of a shilling's worth of arsenic!

 Then the sun came out, to peep at these trapped, comely people, and doubtless to get appropriate mirth at the spectacle. He hung low against the misty sky, a clearly-rounded orb that did not dazzle, but merely shone with the cold glitter of new snow upon a fair December day; and for the rest, the rocks, and watery heavens, and all these treacherous and lapping waves, were very like a crude draught of the world, dashed off conceivably upon the day before creation.

 These arbiters of social London did not speak at all; and the bleak waters crowded toward them as in a fretful dispute of precedence.

 Then the woman said: "Last night Lord Remon asked me to marry him, and I declined the honor. For this place is too like Bessington--and, I think, the past month has changed everything----"

 "I thought you had forgotten Bessington," he said, "long, long ago."

 "I did not ever quite forget--Oh, the garish  years," she wailed, "since then! And how I hated you, William--and yet liked you, too,--because you were never the boy that I remembered, and people would not let you be! And how I hated them--the huzzies! For I had to see you almost every day, and it was never you I saw--Ah, William, come back for just a little, little while, and be an honest boy for just the moment that we are dying, and not an elegant fine gentleman!"

 "Nay, my dear," the dramatist composedly answered, "an hour of naked candor is at hand. Life is a  masquerade where Death, it would appear, is master of the ceremonies. Now he sounds his whistle; and we who went about the world so long as harlequins must unmask, and for all time put aside our abhorrence of the disheveled. For in sober verity, this is Death who comes, Olivia,--though I had thought that at his advent one would be afraid."

 Yet apprehension of this gross and unavoidable adventure, so soon to be endured, thrilled him, and none too lightly. It seemed unfair that death should draw near thus sensibly, with never a twinge or ache to herald its arrival. Why, there were fifty years of life in this fine, nimble body but for any contretemps like that of the deplorable present! Thus his meditations stumbled.

 "Oh, William," Lady Drogheda bewailed, "it is all so big--the incurious west, and the sea, and these rocks that were old in Noah's youth,--and we are so little----!"

 "Yes," he returned, and took her hand, because their feet were wetted now; "the trap and its small prey are not commensurate. The stage is set for a Homeric death-scene, and we two profane an over-ambitious background. For who are we that Heaven should have rived the world before time was, to trap us, and should make of the old sea a fowling-net?" Their eyes encountered, and he said, with a strange gush of manliness: "Yet Heaven is kind. I am bound even in honor now to marry Mistress Araminta; and you would marry Remon in the end, Olivia,--ah, yes! for we are merely moths, my dear, and luxury is a disastrously brilliant lamp. But here are only you and I and the master of all ceremony. And yet--I would we were a little worthier, Olivia!"

 "You have written four merry comedies and you were the first gentleman in England to wear a neckcloth of Flanders lace," she answered, and her smile was sadder than weeping.

 "And you were the first person of quality to eat cheese-cakes in Spring Garden. There you have our epitaphs, if we in truth have earned an epitaph who have not ever lived."

 "No, we have only laughed--Laugh now, for the last time, and hearten me, my handsome William! And yet could I but come to God," the woman said, with a new voice, "and make it clear to Him just how it all fell out, and beg for one more chance! How heartily I would pray then!"

 "And I would cry Amen to all that prayer must of necessity contain," he answered. "Oh!" said Wycherley, "just for applause and bodily comfort and the envy of innumerable other fools we two have bartered a great heritage! I think our corner of the world will lament us for as much as a week; but I fear lest Heaven may not condescend to set apart the needful time wherein to frame a suitable chastisement for such poor imbeciles. Olivia, I have loved you all my life, and I have been faithful neither to you nor to myself! I love you so that I am not afraid even now, since you are here, and so entirely that I have forgotten how to plead my cause convincingly. And I have had practice, let me tell you. . . . !" Then he shook his head and smiled. "But candor is not a la mode. See, now, to what outmoded and bucolic frenzies nature brings even us at last."

 She answered only, as she motioned seaward, "Look!"

And what Mr. Wycherley saw was a substantial boat rowed by four of Mr. Minifie's attendants; and in the bow of the vessel sat that wounded gentleman himself, regarding Wycherley and Lady Drogheda with some disfavor; and beside the younger man was Mistress Araminta Vining.

It was a perturbed Minifie who broke the silence. "This is very awkward," he said, "because Araminta and I are eloping. We mean to be married this same night at Milanor. And deuce take it, Mr. Wycherley! I can't leave you there to drown, any more than in the circumstances I can ask you to make one of the party."

"Mr. Wycherley," said his companion, with far more asperity, "the vanity and obduracy of a cruel father have forced me to the adoption of this desperate measure. Toward yourself I entertain no ill-feeling, nor indeed any sentiment at all except the most profound contempt. My aunt will, of course, accompany us; for yourself, you will do as you please; but in any event I solemnly protest that I spurn your odious pretensions, release myself hereby from an enforced and hideous obligation, and in a phrase would not marry you in order to be Queen of England."

"Miss Vining, I had hitherto admired you," the beau replied, with fervor, "but now esteem is changed to adoration."

Then he turned to his Olivia. "Madam, you will pardon the awkward but unavoidable publicity of my proceeding. I am a ruined man. I owe your brother-in- law some L1500, and, oddly enough, I mean to pay him. I must sell Jephcot and Skene Minor, but while life lasts I shall keep Bessington and all its  memories. Meanwhile there is a clergyman waiting at Milanor. So marry me to-night, Olivia; and we will go back to Bessington to-morrow."

"To Bessington----!" she said. It was as though she spoke of something very sacred. Then very mu-sically Lady Drogheda laughed, and to the eye she was all flippancy. "La, William, I can't bury myself in the country until the end of time," she said, "and make interminable custards," she added, "and superintend the poultry," she said, "and for recreation play short whist with the vicar."

And it seemed to Mr. Wycherley that he had gone divinely mad. "Don't lie to me, Olivia. You are thinking there are yet a host of heiresses who would be glad to be a famous beau's wife at however dear a cost. But don't lie to me. Don't even try to seem the airy and bedizened woman I have known so long. All that is over now. Death tapped us on the shoulder, and, if only for a moment, the masks were dropped. And life is changed now, oh, everything is changed! Then, come, my dear! let us be wise and very honest. Let us concede it is still possible for me to find another heiress, and for you to marry Remon; let us grant it the only outcome of our common-sense! and for all that, laugh, and fling away the pottage, and be more wise than reason."

She irresolutely said: "I cannot. Matters are altered now. It would be madness----"

 "It would undoubtedly be madness," Mr. Wycherley assented. "But then I am so tired of being rational! Oh, Olivia," this former arbiter of taste  absurdly babbled, "if I lose you now it is forever! and there is no health in me save when I am with you. Then alone I wish to do praiseworthy things, to be all which the boy we know of should have grown to. . . . See how profoundly shameless I am become when, with such an audience, I take refuge in the pitiful base argument of my own weakness! But, my dear, I want you so that nothing else in the world means anything to me. I want you! and all my life I have wanted you."

 "Boy, boy----!" she answered, and her fine hands had come to Wycherley, as white birds flutter homeward. But even then she had to deliberate the matter--since the habits of many years are not put aside like outworn gloves,--and for innumerable centuries, it seemed to him, her foot tapped on that wetted ledge.

 Presently her lashes lifted. "I suppose it would be lacking in reverence to keep a clergyman waiting longer than was absolutely necessary?" she  hazarded.

 

 A BROWN WOMAN

"A critical age called for symmetry, and exquisite finish had to be studied as much as nobility of thought. . . . POPE aimed to take first place as a writer of polished verse. Any knowledge he gained of the world, or any suggestion that came to him from his intercourse with society, was utilized to accomplish his main purpose. To put his thoughts into choice language was not enough. Each idea had to be put in its neatest and most epigrammatic form."

Why did I write? what sin to me unknown

Dipt me in ink, my parents', or my own?

As yet a child, nor yet a fool to fame,

I lisped in numbers, for the numbers came.

The muse but served to ease some friend, not wife,

 To help me through this long disease, my life.

 

Who shames a scribbler? break one cobweb through,

 He spins the slight, self-pleasing thread anew;

 Destroy his fib or sophistry in vain,

 The creature's at his foolish work again,

 Throned in the centre of his thin designs,

 Proud of a vast extent of flimsy lines!

 ALEXANDER POPE. Epistle

to Dr. Arbuthnot.

 

 A BROWN WOMAN

 But I must be hurrying home now," the girl said, "for it is high time I were back in the hayfields."

"Fair shepherdess," he implored, "for heaven's sake, let us not cut short the pastorelle thus abruptly."

"And what manner of beast may that be, pray?" "'Tis a conventional form of verse, my dear, which we at present strikingly illustrate. The plan of a pastorelle is simplicity's self: a gentleman, which I may fairly claim to be, in some fair rural scene--such as this--comes suddenly upon a rustic maiden of sur-passing beauty. He naturally falls in love with her, and they say all manner of fine things to each other."

 She considered him for a while before speaking. It thrilled him to see the odd tenderness that was in her face. "You always think of saying and writing fine things, do you not, sir?"

 "My dear," he answered, gravely, "I believe that I was undoubtedly guilty of such folly until you came. I wish I could make you understand how your coming has changed everything."

 "You can tell me some other time," the girl gaily declared, and was about to leave him.

 His hand detained her very gently. "Faith, but I fear not, for already my old hallucinations seem to me incredible. Why, yesterday I thought it the most desirable of human lots to be a great poet"--the gentleman laughed in self-mockery. "I positively did. I labored every day toward becoming one. I lived among books, esteemed that I was doing something of genuine importance as I gravely tinkered with alliteration and metaphor and antithesis and judicious paraphrases of the ancients. I put up with life solely because it afforded material for versification; and, in reality, believed the destruction of Troy was providentially ordained lest Homer lack subject matter for an epic. And as for loving, I thought people fell in love in order to exchange witty rhymes."

 His hand detained her, very gently. . . . Indeed, it seemed to him he could never tire of noting her excellencies. Perhaps it was that splendid light poise of her head he chiefly loved; he thought so at least, just now. Or was it the wonder of her walk, which made all other women he had ever known appear to mince and hobble, like rusty toys? Something there was assuredly about this slim brown girl which recalled an untamed and harmless woodland creature; and it was that, he knew, which most poignantly moved him, even though he could not name it. Perhaps it was her bright kind eyes, which seemed to mirror the tranquillity of forests. . . .

 "You gentry are always talking of love," she marveled.

 "Oh," he said, with acerbity, "oh, I don't doubt that any number of beef-gorging squires and leering, long-legged Oxford dandies----" He broke off here, and laughed contemptuously. "Well, you are beautiful, and they have eyes as keen as mine. And I do not blame you, my dear, for believing my designs to be no more commendable than theirs--no, not at all."

 But his mood was spoiled, and his tetchy vanity hurt, by the thought of stout well-set fellows having wooed this girl; and he permitted her to go without protest.

 Yet he sat alone for a while upon the fallen tree--trunk, humming a contented little tune. Never in his life had he been happier. He did not venture to suppose that any creature so adorable could love such a sickly hunchback, such a gargoyle of a man, as he was; but that Sarah was fond of him, he knew. There would be no trouble in arranging with her father for their marriage, most certainly; and he meant to attend to that matter this very morning, and within ten minutes. So Mr. Alexander Pope was meanwhile arranging in his mind a suitable wording for his declaration of marital aspirations.

Thus John Gay found him presently and roused him from phrase-spinning. "And what shall we do this morning, Alexander?" Gay was always demanding, like a spoiled child, to be amused.

Pope told him what his own plans were,  speaking quite simply, but with his countenance radiant. Gay took off his hat and wiped his forehead, for the day was warm. He did not say anything at all.

 "Well----?" Mr. Pope asked, after a pause.

Mr. Gay was dubious. "I had never thought that you would marry," he said. "And--why, hang it, Alexander! to grow enamored of a milkmaid is well enough for the hero of a poem, but in a poet it hints at injudicious composition."

Mr. Pope gesticulated with thin hands and seemed upon the verge of eloquence. Then he spoke unanswerably. "But I love her," he said.

John Gay's reply was a subdued whistle. He, in common with the other guests of Lord Harcourt, at Nuneham Courtney, had wondered what would be the outcome of Mr. Alexander Pope's intimacy with Sarah Drew. A month earlier the poet had sprained his ankle upon Amshot Heath, and this young woman had found him lying there, entirely helpless, as she returned from her evening milking. Being hale of person, she had managed to get the little hunchback to her home unaided. And since then Pope had often been seen with her.

This much was common knowledge. That Mr. Pope proposed to marry the heroine of his misadventure afforded a fair mark for raillery, no doubt, but Gay, in common with the run of educated England in 1718, did not aspire to be facetious at Pope's expense. The luxury was too costly. Offend the dwarf in any  fashion, and were you the proudest duke at Court or the most inconsiderable rhymester in Petticoat Lane, it made no difference; there was no crime too heinous for "the great Mr. Pope's" next verses to charge you with, and, worst of all, there was no misdoing so out of character that his adroit malignancy could not make it seem plausible.

Now, after another pause, Pope said, "I must be going now. Will you not wish me luck?"

 "Why, Alexander--why, hang it!" was Mr. Gay's observation, "I believe that you are human after all, and not just a book in breeches."

He thereby voiced a commentary patently uncalled-for, as Mr. Pope afterward reflected. Mr. Pope was then treading toward the home of old Frederick Drew. It was a gray morning in late July.

 "I love her," Pope had said. The fact was undeniable; yet an expression of it necessarily halts. Pope knew, as every man must do who dares conserve his energies to annotate the drama of life rather than play a part in it, the nature of that loneliness which this conservation breeds. Such persons may hope to win a posthumous esteem in the library, but it is at the bleak cost of making life a wistful transaction with foreigners. In such enforced aloofness Sarah Drew had come to him--strong, beautiful, young, good and vital, all that he was not--and had serenely befriended "the great Mr. Pope," whom she viewed as a queer decrepit little gentleman of whom within a week she was unfeignedly fond.

"I love her," Pope had said. Eh, yes, no doubt; and what, he fiercely demanded of himself, was he--a crippled scribbler, a bungling artisan of phrases--that he should dare to love this splendid and deep-bosomed goddess? Something of youth awoke, possessing him-- something of that high ardor which, as he cloudily remembered now, had once controlled a boy who dreamed in Windsor Forest and with the lightest of hearts planned to achieve the impossible. For what is more difficult of attainment than to achieve the perfected phrase, so worded that to alter a syllable of its wording would be little short of sacrilege?

"What whimwhams!" decreed the great Mr. Pope, aloud. "Verse-making is at best only the affair of idle men who write in their closets and of idle men who read there. And as for him who polishes phrases, whatever be his fate in poetry, it is ten to one but he must give up all the reasonable aims of life for it."

No, he would have no more of loneliness. Henceforward Alexander Pope would be human--like the others. To write perfectly was much; but it was not everything. Living was capable of furnishing even more than the raw material of a couplet. It might, for instance, yield content.

For instance, if you loved, and married, and begot, and died, with the seriousness of a person who believes he is performing an action of real importance, and conceded that the perfection of any art, whether it be that of verse-making or of rope-dancing, is at best a by-product of life's conduct; at worst, you probably would not be lonely. No; you would be at one with all other fat-witted people, and there was no greater blessing conceivable.

Pope muttered, and produced his notebook, and wrote tentatively.

 Wrote Mr. Pope:

The bliss of man (could pride that blessing find)

 Is not to act or think beyond mankind;

 No powers of body or of soul to share

 But what his nature and his state can bear.

"His state!" yes, undeniably, two sibilants  collided here. "His wit?"--no, that would be flat-footed awkwardness in the management of your vowel-sounds; the lengthened "a" was almost requisite. . . . Pope was fretting over the imbroglio when he absent-mindedly glanced up to perceive that his Sarah, not irrevocably offended, was being embraced by a certain John Hughes--who was a stalwart, florid personable individual, no doubt, but, after all, only an  unlettered farmer.

The dwarf gave a hard, wringing motion of his hands. The diamond-Lord Bolingbroke's gift--which ornamented Pope's left hand cut into the flesh of his little finger, so cruel was the gesture; and this little finger was bleeding as Pope tripped forward, smiling. A gentleman does not incommode the public by obtruding the ugliness of a personal wound.

"Do I intrude?" he queried. "Ah, well! I also have dwelt in Arcadia." It was bitter to comprehend that he had never done so.

The lovers were visibly annoyed; yet, if an  interruption of their pleasant commerce was decreed to be, it could not possibly have sprung, as they soon found, from a more sympathetic source.

These were not subtle persons. Pope had the truth from them within ten minutes. They loved each other; but John Hughes was penniless, and old Frederick Drew was, in consequence, obdurate.

"And, besides, he thinks you mean to marry her!" said John Hughes.

 "My dear man, he pardonably forgets that the utmost reach of my designs in common reason would be to have her as my kept mistress for a month or two," drawled Mr. Pope. "As concerns yourself, my good fellow, the case is somewhat different. Why, it is a veritable romance--an affair of Daphne and Corydon--although, to be unpardonably candid, the plot of your romance, my young Arcadians, is not the most original conceivable. I think that the denouement need not baffle our imaginations."

 The dwarf went toward Sarah Drew. The chary sunlight had found the gold in her hair, and its glint was brightly visible to him. "My dear--" he said. His thin long fingers touched her capable hand. It was a sort of caress--half-timid. "My dear, I owe my life to you. My body is at most a flimsy abortion such as a night's exposure would have made more tranquil than it is just now. Yes, it was you who found a  caricature of the sort of man that Mr. Hughes here is, disabled, helpless, and--for reasons which doubtless seemed to you sufficient--contrived that this unsightly parody continue in existence. I am not lovable, my dear. I am only a hunchback, as you can see. My aspirations and my sickly imaginings merit only the derision of a candid clean-souled being such as you are." His finger-tips touched the back of her hand again. "I think there was never a maker of enduring verse who did not at one period or another long to exchange an assured immortality for a sturdier pair of shoulders. I think--I think that I am prone to speak at random," Pope said, with his half-drowsy smile. "Yet, none the less, an honest man, as our kinsmen in Adam average, is bound to pay his equitable debts."

 She said, "I do not understand."

 "I have perpetrated certain jingles," Pope  returned. "I had not comprehended until to-day they are the only children I shall leave behind me. Eh, and what would you make of them, my dear, could ingenuity contrive a torture dire enough to force you into reading them! . . . Misguided people have paid me for contriving these jingles. So that I have money enough to buy you from your father just as I would purchase one of his heifers. Yes, at the very least I have money, and I have earned it. I will send your big-thewed adorer--I believe that Hughes is the name?--L500 of it this afternoon. That sum, I gather, will be sufficient to remove your father's objection to your marriage with Mr. Hughes."

 Pope could not but admire himself tremendously. Moreover, in such matters no woman is blind. Tears came into Sarah's huge brown eyes. This tenderhearted girl was not thinking of John Hughes now. Pope noted the fact with the pettiest exultation. "Oh, you--you are good." Sarah Drew spoke as with difficulty.

 "No adjective, my dear, was ever applied with less discrimination. It is merely that you have rendered no inconsiderable service to posterity, and merit a reward."

 "Oh, and indeed, indeed, I was always fond of you----" The girl sobbed this.

 She would have added more, no doubt, since compassion is garrulous, had not Pope's scratched hand dismissed a display of emotion as not entirely in consonance with the rules of the game.

"My dear, therein you have signally honored me. There remains only to offer you my appreciation of your benevolence toward a sickly monster, and to entreat for my late intrusion--however unintentional--that forgiveness which you would not deny, I think, to any other impertinent insect."

 "Oh, but we have no words to thank you, sir----!"  Thus Hughes began.

 "Then don't attempt it, my good fellow. For   phrase-spinning, as I can assure you, is the most   profitless of all pursuits." Whereupon Pope bowed   low, wheeled, walked away. Yes, he was wounded past   sufferance; it seemed to him he must die of it. Life   was a farce, and Destiny an overseer who hiccoughed   mandates. Well, all that even Destiny could find to   gloat over, he reflected, was the tranquil figure of a   smallish gentleman switching at the grass-blades with   his cane as he sauntered under darkening skies.

For a storm was coming on, and the first big drops   of it were splattering the terrace when Mr. Pope entered Lord Harcourt's mansion.

Pope went straight to his own rooms. As he came in there was a vivid flash of lightning, followed  instantaneously by a crashing, splitting noise, like that of universes ripped asunder. He did not honor the high uproar with attention. This dwarf was not afraid of anything except the commission of an error in taste.

Then, too, there were letters for him, laid ready on the writing-table. Nothing of much importance he found there.--Here, though, was a rather diverting letter from Eustace Budgell, that poor fool, abjectly thanking Mr. Pope for his advice concerning how best to answer the atrocious calumnies on Budgell then appearing in The Grub-Street Journal,--and reposing, drolly enough, next the proof-sheets of an anonymous letter Pope had prepared for the forthcoming issue of that publication, wherein he sprightlily told how Budgell had poisoned Dr. Tindal, after forging his will. For even if Budgell had not in point of  fact been guilty of these particular peccadilloes, he had quite certainly committed the crime of speaking lightly of Mr. Pope, as "a little envious animal," some seven years ago; and it was for this grave indiscretion that Pope was dexterously goading the man into insanity, and eventually drove him to suicide. . . .

The storm made the room dark and reading difficult. Still, this was an even more amusing letter, from the all-powerful Duchess of Marlborough. In as civil terms as her sick rage could muster, the frightened woman offered Mr. Pope L1,000 to suppress his verbal portrait of her, in the character of Atossa, from his Moral Essays; and Pope straightway decided to accept the bribe, and afterward to print his verses unchanged. For the hag, as he reflected, very greatly needed to be taught that in this world there was at least one person who did not quail before her tantrums. There would be, moreover, even an elementary justice in thus robbing her who had robbed England at large. And, besides, her name was Sarah. . . .

Pope lighted four candles and set them before the long French mirror. He stood appraising his many curious deformities while the storm raged. He stood sidelong, peering over his left shoulder, in order to see the outline of his crooked back. Nowhere in England, he reflected, was there a person more pitiable and more repellent outwardly.

"And, oh, it would be droll," Pope said, aloud, "if our exteriors were ever altogether parodies. But time keeps a diary in our faces, and writes a  monstrously plain hand. Now, if you take the first letter of Mr. Alexander Pope's Christian name, and the first and last letters of his surname, you have A. P. E.," Pope quoted, genially. "I begin to think that Dennis was right. What conceivable woman would not prefer a well-set man of five-and-twenty to such a withered abortion? And what does it matter, after all, that a hunchback has dared to desire a shapely brown-haired woman?"

Pope came more near to the mirror. "Make answer, you who have dared to imagine that a goddess was ever drawn to descend into womanhood except by kisses, brawn and a clean heart."

Another peal of thunder bellowed. The storm was growing furious. "Yet I have had a marvelous dream. Now I awaken. I must go on in the old round. As long as my wits preserve their agility I must be able to amuse, to flatter and, at need, to intimidate the patrons of that ape in the mirror, so that they will not dare refuse me the market-value of my antics. And Sarah Drew has declined an alliance such as this in favor of a fresh-colored complexion and a pair of straight shoulders!"

Pope thought a while. "And a clean heart! She bargained royally, giving love for nothing less than love. The man is rustic, illiterate; he never heard of Aristotle, he would be at a loss to distinguish between a trochee and a Titian, and if you mentioned Boileau to him would probably imagine you were talking of cookery. But he loves her. He would forfeit eternity to save her a toothache. And, chief of all, she can make this robust baby happy, and she alone can make him happy. And so, she gives, gives royally--she gives, God bless her!"

Rain, sullen rain, was battering the window. "And you--you hunchback in the mirror, you maker of neat rhymes--pray, what had you to offer? A coach-and-six, of course, and pin-money and furbelows and in the end a mausoleum with unimpeachable Latin on it! And--pate sur pate--an unswerving devotion which she would share on almost equal terms with the Collected Works of Alexander Pope. And so she chose--chose brawn and a clean heart."

The dwarf turned, staggered, fell upon his bed. "God, make a man of me, make me a good brave man. I loved her--oh, such as I am, You know that I loved her! You know that I desire her happiness above all things. Ah, no, for You know that I do not at bottom. I want to hurt, to wound all living creatures, because they know how to be happy, and I do not know how. Ah, God, and why did You decree that I should never be an obtuse and comely animal such as this John Hughes is? I am so tired of being `the great Mr. Pope,' and I want only the common joys of life."

 The hunchback wept. It would be too curious to anatomize the writhings of his proud little spirit.

Now some one tapped upon the door. It was John Gay. He was bidden to enter, and, complying, found Mr. Pope yawning over the latest of Tonson's publications.

Gay's face was singularly portentous. "My friend," Gay blurted out, "I bring news which will horrify you. Believe me, I would never have mustered the pluck to bring it did I not love you. I cannot let you hear it first in public and unprepared, as, otherwise, you would have to do."

"Do I not know you have the kindest heart in all the world? Why, so outrageous are your amiable defects that they would be the public derision of your enemies if you had any," Pope returned.

The other poet evinced an awkward comminglement of consternation and pity. "It appears that when this storm arose--why, Mistress Drew was with a young man of the neighborhood--a John Hewet------" Gay was speaking with unaccustomed rapidity.

"Hughes, I think," Pope interrupted, equably. "Perhaps--I am not sure. They sought shelter under a haycock. You will remember that first crash of thunder, as if the heavens were in demolishment? My friend, the reapers who had been laboring in the fields--who had been driven to such protection as the trees or hedges afforded----"

 "Get on!" a shrill voice cried; "for God's love,  man, get on!" Mr. Pope had risen. This pallid shaken wisp was not in appearance the great Mr. Pope  whose ingenuity had enabled Homeric warriors to excel in the genteel.

 "They first saw a little smoke. . . . They found this Hughes with one arm about the neck of Mistress Drew, and the other held over her face, as if to screen her from the lightning. They were both"--and here Gay hesitated. "They were both dead," he amended.

 Pope turned abruptly. Nakedness is of necessity uncouth, he held, whether it be the body or the soul that is unveiled. Mr. Pope went toward a window which he opened, and he stood thus looking out for a brief while.

 "So she is dead," he said. "It is very strange. So many rare felicities of curve and color, so much of purity and kindliness and valor and mirth, extinguished as one snuffs a candle! Well! I am sorry she is dead, for the child had a talent for living and got such joy out of it. . . . Hers was a lovely happy life, but it was sterile. Already nothing remains of her but dead flesh which must be huddled out of sight. I shall not perish thus entirely, I believe. Men will remember me. Truly a mighty foundation for pride! when the utmost I can hope for is but to be read in one island, and to be thrown aside at the end of one age. Indeed, I am not even sure of that much. I print, and print, and print. And when I collect my verses into books, I am  altogether uncertain whether to took upon myself as a man building a monument, or burying the dead. It sometimes seems to me that each publication is but a solemn funeral of many wasted years. For I have given all to the verse-making. Granted that the sacrifice avails to rescue my name from oblivion, what will it profit me when I am dead and care no more for men's opinions than Sarah Drew cares now for what I say of her? But then she never cared. She loved John Hughes. And she was right."

 He made an end of speaking, still peering out of the window with considerate narrowed eyes.

 The storm was over. In the beech-tree opposite a wren was raising optimistic outcry. The sun had won his way through a black-bellied shred of cloud; upon the terrace below, a dripping Venus and a Perseus were glistening as with white fire. Past these, drenched gardens, the natural wildness of which was judiciously restrained with walks, ponds, grottoes, statuary and other rural elegancies, displayed the intermingled brilliancies of diamonds and emeralds, and glittered as with pearls and rubies where tempest-battered roses were reviving in assertiveness.

 "I think the storm is over," Mr. Pope remarked. "It is strange how violent are these convulsions of nature. . . . But nature is a treacherous blowsy jade, who respects nobody. A gentleman can but shrug under her onslaughts, and henceforward civilly avoid them. It is a consolation to reflect that they pass quickly."

 He turned as in defiance. "Yes, yes! It hurts. But I envy them. Yes, even I, that ugly spiteful hornet of a man! `the great Mr. Pope,' who will be dining with the proudest people in England within the hour and gloating over their deference! For they presume to make a little free with God occasionally, John, but never with me. And I envy these dead young fools. . . . You see, they loved each other, John. I left them, not an hour ago, the happiest of living creatures. I looked back once. I pretended to have dropped my handkerchief. I imagine they were talking of their wedding-clothes, for this broad-shouldered Hughes was matching poppies and field-flowers to her complexion. It was a scene out of Theocritus. I think Heaven was so well pleased by the tableau that Heaven hastily resumed possession of its enactors in order to prevent any after-happenings from belittling that perfect instant."

 "Egad, and matrimony might easily have proved an anti-climax," Gay considered.

 "Yes; oh, it is only Love that is blind, and not the lover necessarily. I know. I suppose I always knew at the bottom of my heart. This hamadryad was destined in the outcome to dwindle into a village housewife, she would have taken a lively interest in the number of eggs the hens were laying, she would even have assured her children, precisely in the way her father spoke of John Hughes, that young people ordinarily have foolish fancies which their rational elders agree to disregard. But as it is, no Eastern queen--not Semele herself--left earth more nobly--"

 Pope broke off short. He produced his notebook, which he never went without, and wrote frowningly, with many erasures. "H'm, yes," he said; and he read aloud:

"When Eastern lovers feed the funeral fire,

On the same pile the faithful fair expire;

Here pitying heaven that virtue mutual found,

And blasted both that it might neither wound.

Hearts so sincere the Almighty saw well  pleased,

 Sent His own lightning and the victims seized."

Then Pope made a grimace. "No; the analogy is trim enough, but the lines lack fervor. It is deplorable how much easier it is to express any emotion other than that of which one is actually conscious." Pope had torn the paper half-through before he reflected that it would help to fill a printed page. He put it in his pocket. "But, come now, I am writing to Lady Mary this afternoon. You know how she loves oddities. Between us--with prose as the medium, of course, since verse should, after all, confine itself to the commemoration of heroes and royal persons--I believe we might make of this occurrence a neat and moving pastorelle--I should say, pastoral, of course, but my wits are wool-gathering."

Mr. Gay had the kindest heart in the universe. Yet he, also, had dreamed of the perfected phrase, so worded that to alter a syllable of its wording would be little short of sacrilege. Eyes kindling, he took up a pen. "Yes, yes, I understand. Egad, it is an  admirable subject. But, then, I don't believe I ever saw these lovers----?"

"John was a well-set man of about five-and-twenty," replied Mr. Pope; "and Sarah was a brown woman of eighteen years, three months and fourteen days."

Then these two dipped their pens and set about a moving composition, which has to-day its proper rating among Mr. Pope's Complete Works.

 

 PRO HONORIA

"But that sense of negation, of theoretic  insecurity, which was in the air, conspiring with what was of like tendency in himself, made of Lord UFFORD a central type of disillusion. . . . He had been amiable because the general betise of humanity did not in his opinion greatly matter, after all; and in reading these `SATIRES' it is well-nigh painful to witness the blind and naked forces of nature and circumstance surprising him in the uncontrollable movements of his own so carefully guarded heart."

 Why is a handsome wife adored

By every coxcomb but her lord?

From yonder puppet-man inquire

Who wisely hides his wood and wire;

Shows Sheba's queen completely dress'd

And Solomon in royal vest;

But view them litter'd on the floor,

Or strung on pegs behind the door,

Punch is exactly of a piece

 With Lorrain's duke, and prince of Greece.

 HORACE CALVERLEY. Petition

to the Duke of Ormskirk.

 

 PRO HONORIA

In the early winter of 1761 the Earl of Bute, then Secretary of State, gave vent to an outburst of  unaccustomed profanity. Mr. Robert Calverley, who represented England at the Court of St. Petersburg, had resigned his office without prelude or any word of explanation. This infuriated Bute, since his pet scheme was to make peace with Russia and thereby end the Continental War. Now all was to do again; the minister raged, shrugged, furnished a new emissary with credentials, and marked Calverley's name for  punishment.

 As much, indeed, was written to Calverley by Lord Ufford, the poet, diarist, musician and virtuoso:

Our Scottish Mortimer, it appears, is unwilling to have the map of Europe altered because Mr. Robert Calverley has taken a whim to go into Italy. He is angrier than I have ever known him to be. He swears that with a pen's flourish you have imperiled the well-being of England, and raves in the same breath of the preferment he had designed for you. Beware of him. For my own part, I shrug and acquiesce, because I am familiar with your pranks. I merely venture to counsel that you do not crown the Pelion of abuse, which our statesmen are heaping upon you, with the Ossa of physical as well as political suicide. Hasten on your Italian jaunt, for Umfraville, who is now with me at Carberry Hill, has publicly declared that if you dare re-appear in England he will have you horsewhipped by his footmen. In consequence, I would most earnestly advise---– Mr. Calverley read no further, but came straightway into England. He had not been in England since his elopement, three years before that spring, with the Marquis of Umfraville's betrothed, Lord Radnor's daughter, whom Calverley had married at Calais. Mr. Calverley and his wife were presently at Carberry Hill, Lord Ufford's home, where, arriving about moon-rise, they found a ball in progress.

Their advent caused a momentary check to merriment. The fiddlers ceased, because Lord Ufford had signaled them. The fine guests paused in their stately dance. Lord Ufford, in a richly figured suit, came hastily to Lady Honoria Calverley, his high heels tapping audibly upon the floor, and with gallantry lifted her hand toward his lips. Her husband he embraced, and the two men kissed each other, as was the custom of the age. Chatter and laughter rose on every side as pert and merry as the noises of a brook in springtime.

"I fear that as Lord Umfraville's host," young Calverley at once began, "you cannot with decorum convey to the ignoramus my opinion as to his ability to conjugate the verb TO DARE."

"Why, but no! you naturally demand a duel," the poet-earl returned. "It is very like you. I lament your decision, but I will attempt to arrange the meeting for to-morrow morning."

Lord Ufford smiled and nodded to the musicians. He finished the dance to admiration, as this lean dan-dified young man did everything--"assiduous to win each fool's applause," as his own verses scornfully phrase it. Then Ufford went about his errand of death and conversed for a long while with Umfraville.

Afterward Lord Ufford beckoned to Calverley, who shrugged and returned Mr. Erwyn's snuff-box, which Calverley had been admiring. He followed the earl into a side-room opening upon the Venetian Chamber wherein the fete was. Ufford closed the door. You saw that he had put away the exterior of mirth that hospitality demanded of him, and perturbation showed in the lean countenance which was by ordinary so proud and so amiably peevish.

"Robin, you have performed many mad actions in your life!" he said; "but this return into the three  kingdoms out-Herods all! Did I not warn you against Umfraville!"

"Why, certainly you did," returned Mr. Calverley. "You informed me--which was your duty as a friend--of this curmudgeon's boast that he would have me horsewhipped if I dared venture into England. You will readily conceive that any gentleman of self-respect cannot permit such farcical utterances to be delivered without appending a gladiatorial epilogue. Well! what are the conditions of this duel?"

"Oh, fool that I have been!" cried Ufford, who was enabled now by virtue of their seclusion to manifest his emotion. "I, who have known you all your  life----!"

He paced the room. Pleading music tinged the silence almost insensibly.

 "Heh, Fate has an imperial taste in humor!" the poet said. "Robin, we have been more than brothers. And it is I, I, of all persons living, who have drawn you into this imbroglio!"

 "My danger is not very apparent as yet," said Calverley, "if Umfraville controls his sword no better than his tongue."

 My lord of Ufford went on: "There is no question of a duel. It is as well to spare you what Lord Umfraville replied to my challenge. Let it suffice that we do not get sugar from the snake. Besides, the man has his grievance. Robin, have you forgot that necklace you and Pevensey took from Umfraville some three years ago--before you went into Russia?"

 Calverley laughed. The question recalled an old hot-headed time when, exalted to a frolicsome zone by the discovery of Lady Honoria Pomfret's love for him, he planned the famous jest which he and the mad Earl of Pevensey perpetrated upon Umfraville. This masquerade won quick applause. Persons of ton guffawed  like ploughboys over the discomfiture of an old hunks thus divertingly stripped of his bride, all his  betrothal gifts, and of the very clothes he wore. An anonymous scribbler had detected in the occurrence a denouement suited to the stage and had constructed a comedy around it, which, when produced by the Duke's company, had won acclaim from hilarious auditors.

 So Calverley laughed heartily. "Gad, what a jest that was! This Umfraville comes to marry Honoria. And highwaymen attack his coach! I would give L50 to have witnessed this usurer's arrival at Denton Honor in his underclothes! and to have seen his monkey-like grimaces when he learned that Honoria and I were already across the Channel!"

 "You robbed him, though----"

 "Indeed, for beginners at peculation we did not do so badly. We robbed him and his valet of everything in the coach, including their breeches. You do not mean that Pevensey has detained the poor man's wedding trousers? If so, it is unfortunate, because this loud-mouthed miser has need of them in order that he may be handsomely interred."

 "Lord Umfraville's wedding-suit was stuffed with straw, hung on a pole and paraded through London by Pevensey, March, Selwyn and some dozen other madcaps, while six musicians marched before them. The clothes were thus conveyed to Umfraville's house. I think none of us would have relished a joke like that were he the butt of it."

 Now the poet's lean countenance was turned upon young Calverley, and as always, Ufford evoked that nobility in Calverley which follies veiled but had not ever killed.

 "Egad," said Robert Calverley; "I grant you that all this was infamously done. I never authorized it. I shall kill Pevensey. Indeed, I will do more," he added, with a flourish. "For I will apologize to  Umfraville, and this very night."

 But Ufford was not disposed to levity. "Let us come to the point," he sadly said. "Pevensey returned everything except the necklace which Umfraville had intended to be his bridal gift. Pevensey conceded the jest, in fine; and denied all knowledge of any  necklace."

 It was an age of accommodating morality. Calverley sketched a whistle, and showed no other trace of astonishment.

 "I see. The fool confided in the spendthrift. My dear, I understand. In nature Pevensey gave the gems to some nymph of Sadler's Wells or Covent Garden. For I was out of England. And so he capped his knavery with insolence. It is an additional reason why  Pevensey should not live to scratch a gray head. It is, however, an affront to me that Umfraville should have believed him. I doubt if I may overlook that, Horace?"

 "I question if he did believe. But, then, what help had he? This Pevensey is an earl. His person as a peer of England is inviolable. No statute touches him directly, because he may not be confined  except by the King's personal order. And it is tolerably notorious that Pevensey is in Lord Bute's pay, and that our Scottish Mortimer, to do him justice, does not permit his spies to be injured."

 Now Mr. Calverley took snuff. The music without was now more audible, and it had shifted to a merrier tune.

 "I think I comprehend. Pevensey and I--whatever were our motives--have committed a robbery. Pevensey, as the law runs, is safe. I, too, was safe as long as I kept out of England. As matters stand, Lord Umfraville intends to press a charge of theft against me. And I am in disgrace with Bute, who is quite content to beat offenders with a crooked stick. This confluence of two-penny accidents is annoying."

 "It is worse than you know," my lord of Ufford returned. He opened the door which led to the Venetian Chamber. A surge of music, of laughter, and of many lights invaded the room wherein they stood. "D'ye see those persons, just past Umfraville, so inadequately disguised as gentlemen? They are from Bow Street. Lord Umfraville intends to apprehend you here to-night."

 "He has an eye for the picturesque," drawled Calverley. "My tragedy, to do him justice, could not be staged more strikingly. Those additional alcoves have improved the room beyond belief. I must apologize for not having rendered my compliments a trifle  earlier."

 Internally he outstormed Termagaunt. It was infamous enough, in all conscience, to be arrested, but to have half the world of fashion as witnessess of ones discomfiture was perfectly intolerable. He recognized the excellent chance he had of being the most prominent figure upon some scaffold before long, but that contingency did not greatly trouble Calverley, as set against the certainty of being made ridiculous within the next five minutes.

 In consequence, he frowned and rearranged the fall of his shirt-frill a whit the more becomingly.

 "Yes, for hate sharpens every faculty," the earl went on. "Even Umfraville understands that you do not fear death. So he means to have you tried like any common thief while all your quondam friends sit and snigger. And you will be convicted----"

 "Why, necessarily, since I am not as Pevensey. Of course, I must confess I took the necklace."

 "And Pevensey must stick to the tale that he knows nothing of any necklace. Dear Robin, this means Newgate. Accident deals very hardly with us, Robin, for this means Tyburn Hill."

 "Yes; I suppose it means my death," young Calverley assented. "Well! I have feasted with the world and found its viands excellent. The banquet ended, I must not grumble with my host because I find his choice of cordials not altogether to my liking." Thus speaking, he was aware of nothing save that the fiddlers were now about an air to which he had often danced with his dear wife.

 "I have a trick yet left to save our honor,----" Lord Ufford turned to a table where wine and glasses were set ready. "I propose a toast. Let us drink--for the last time--to the honor of the Calverleys."

 "It is an invitation I may not decorously refuse. And yet--it may be that I do not understand you?"

 My lord of Ufford poured wine into two glasses. These glasses were from among the curios he collected so industriously--tall, fragile things, of seventeenth century make, very intricately cut with roses and thistles, and in the bottom of each glass a three-penny piece was embedded. Lord Ufford took a tiny vial from his pocket and emptied its contents into the glass which stood the nearer to Mr. Calverley.

 "This is Florence water. We dabblers in science are experimenting with it at Gresham College. A taste of it means death--a painless, quick and honorable death. You will have died of a heart seizure. Come, Robin, let us drink to the honor of the Calverleys."

 The poet-earl paused for a little while. Now he was like some seer of supernal things.

 "For look you," said Lord Ufford, "we come of honorable blood. We two are gentlemen. We have our code, and we may not infringe upon it. Our code does not invariably square with reason, and I doubt if Scripture would afford a dependable foundation. So be it! We have our code and we may not infringe upon it. There have been many Calverleys who did not fear their God, but there was never any one of them who did not fear dishonor. I am the head of no less proud a house. As such, I counsel you to drink and die within the moment. It is not possible a Calverley survive dishonor. Oh, God!" the poet cried, and his voice broke; "and what is honor to this clamor within me! Robin, I love you better than I do this talk of honor! For, Robin, I have loved you long! so long that what we do to-night will always make life hideous to me!"

 Calverley was not unmoved, but he replied in the tone of daily intercourse. "It is undoubtedly absurd to perish here, like some unreasonable adversary of the Borgias. Your device is rather outrageously horrific, Horace, like a bit out of your own romance--yes, egad, it is pre-eminently worthy of the author of The Vassal of Spalatro. Still I can understand that it is  preferable to having fat and greasy fellows squander a shilling for the privilege of perching upon a box while I am being hanged. And I think I shall accept your toast-–

 "You will be avenged," Ufford said, simply.