CHAPTER I.1 ..................................................................................................................... 3
CHAPTER I.1 ..................................................................................................................... 3
CHAPTER I.2 ................................................................................................................... 11
CHAPTER I.3 ................................................................................................................... 16
CHAPTER I.4 ................................................................................................................... 22
CHAPTER II.1.................................................................................................................. 27
CHAPTER II.2.................................................................................................................. 33
CHAPTER II.3.................................................................................................................. 36
CHAPTER II.4.................................................................................................................. 45
CHAPTER II.5.................................................................................................................. 48
CHAPTER II.6.................................................................................................................. 51
CHAPTER II.7.................................................................................................................. 55
CHAPTER III.1 ................................................................................................................ 60
CHAPTER III.2 ................................................................................................................ 62
CHAPTER III.3 ................................................................................................................ 66
CHAPTER IV.1 ................................................................................................................ 71
CHAPTER IV.2 ................................................................................................................ 76
CHAPTER IV.3 ................................................................................................................ 80
CHAPTER IV.4 ................................................................................................................ 84
CHAPTER IV.5 ................................................................................................................ 88
CHAPTER IV.6 ................................................................................................................ 92
CHAPTER V.1 ................................................................................................................. 94
CHAPTER V.2 ................................................................................................................. 98
CHAPTER V.3 ............................................................................................................... 101
CHAPTER V.4 ............................................................................................................... 105
CHAPTER V.5 ............................................................................................................... 110
CHAPTER V.6 ............................................................................................................... 112
CHAPTER V.7 ............................................................................................................... 115
CHAPTER VI.1 .............................................................................................................. 119
CHAPTER VI.2 .............................................................................................................. 124
CHAPTER VI.3 .............................................................................................................. 129
CHAPTER VI.4 .............................................................................................................. 133
CHAPTER VI.5 .............................................................................................................. 139
CHAPTER VI.6 .............................................................................................................. 140
CHAPTER VII.1............................................................................................................. 141
CHAPTER VII.2............................................................................................................. 145
Uncle Charlie Wheeler stamped on the steps before Nance McGregor's bakeshop on the Main Street of the town of Coal Creek Pennsylvania and then went quickly inside. Something pleased him and as he stood before the counter in the shop he laughed and whistled softly. With a wink at the Reverend Minot Weeks who stood by the door leading to the street, he tapped with his knuckles on the showcase.
"It has," he said, waving attention to the boy, who was making a mess of the effort to arrange Uncle Charlie's loaf into a neat package, "a pretty name. They call it Norman--Norman McGregor." Uncle Charlie laughed heartily and again stamped upon the floor. Putting his finger to his forehead to suggest deep thought, he turned to the minister. "I am going to change all that," he said.
"Norman indeed! I shall give him a name that will stick! Norman! Too soft, too soft and delicate for Coal Creek, eh? It shall be rechristened. You and I will be Adam and Eve in the garden naming things. We will call it Beaut--Our Beautiful One-Beaut McGregor."
The Reverend Minot Weeks also laughed. He thrust four ringers of each hand into the pockets of his trousers, letting the extended thumbs lie along the swelling waist line. From the front the thumbs looked like two tiny boats on the horizon of a troubled sea. They bobbed and jumped about on the rolling shaking paunch, appearing and disappearing as laughter shook him. The Reverend Minot Weeks went out at the door ahead of Uncle Charlie, still laughing. One fancied that he would go along the street from store to store telling the tale of the christening and laughing again. The tall boy could imagine the details of the story.
It was an ill day for births in Coal Creek, even for the birth of one of Uncle Charlie's inspirations. Snow lay piled along the sidewalks and in the gutters of Main Street--black snow, sordid with the gathered grime of human endeavour that went on day and night in the bowels of the hills. Through the soiled snow walked miners, stumbling along silently and with blackened faces. In their bare hands they carried dinner pails.
The McGregor boy, tall and awkward, and with a towering nose, great hippopotamus-like mouth and fiery red hair, followed Uncle Charlie, Republican politician, postmaster and village wit to the door and looked after him as with the loaf of bread under his arm he hurried along the street. Behind the politician went the minister still enjoying the scene in the bakery. He was preening himself on his nearness to life in the mining town. "Did not Christ himself laugh, eat and drink with publicans and sinners?" he thought, as he waddled through the snow. The eyes of the McGregor boy, as they followed the two departing figures, and later, as he stood in the door of the bake- shop watching the struggling miners, glistened, with hatred. It was the quality of intense hatred for his fellows in the black hole between the Pennsylvania hills that marked the boy and made him stand forth among his fellows.
In a country of so many varied climates and occupations as America it is absurd to talk of an American type. The country is like a vast disorganised undisciplined army, leaderless, uninspired, going in route-step along the road to they know not what end. In the prairie towns of the West and the river towns of the South from which have come so many of our writing men, the citizens swagger through life. Drunken old reprobates lie in the shade by the river's edge or wander through the streets of a corn shipping village of a Saturday evening with grins on their faces. Some touch of nature, a sweet undercurrent of life, stays alive in them and is handed down to those who write of them, and the most worthless man that walks the streets of an Ohio or Iowa town may be the father of an epigram that colours all the life of the men about him. In a mining town or deep in the entrails of one of our cities life is different. There the disorder and aimlessness of our American lives becomes a crime for which men pay heavily. Losing step with one another, men lose also a sense of their own individuality so that a thousand of them may be driven in a disorderly mass in at the door of a Chicago factory morning after morning and year after year with never an epigram from the lips of one of them.
In Coal Creek when men got drunk they staggered in silence through the street. Did one of them, in a moment of stupid animal sportiveness, execute a clumsy dance upon the barroom floor, his fellow--labourers looked at him dumbly, or turning away left him to finish without witnesses his clumsy hilarity.
Standing in the doorway and looking up and down the bleak village street, some dim realisation of the disorganised ineffectiveness of life as he knew it came into the mind of the McGregor boy. It seemed to him right and natural that he should hate men. With a sneer on his lips, he thought of Barney Butterlips, the town socialist, who was forever talking of a day coming when men would march shoulder to shoulder and life in Coal Creek, life everywhere, should cease being aimless and become definite and full of meaning.
"They will never do that and who wants them to," mused the McGregor boy. A blast of wind bearing snow beat upon him and he turned into the shop and slammed the door behind him. Another thought stirred in his head and brought a flush to his cheeks. He turned and stood in the silence of the empty shop shaking with emotion. "If I could form the men of this place into an army I would lead them to the mouth of the old Shumway cut and push them in," he threatened, shaking his fist toward the door. "I would stand aside and see the whole town struggle and drown in the black water as untouched as though I watched the drowning of a litter of dirty little kittens."
* * * * * The next morning when Beaut McGregor pushed his baker's cart along the street and began climbing the hill toward the miners' cottages, he went, not as Norman McGregor, the town baker boy, only product of the loins of Cracked McGregor of Coal Creek, but as a personage, a being, the object of an art. The name given him by Uncle Charlie Wheeler had made him a marked man. He was as the hero of a popular romance, galvanised into life and striding in the flesh before the people. Men looked at him with new interest, inventorying anew the huge mouth and nose and the flaming hair. The bartender, sweeping the snow from before the door of the saloon, shouted at him. "Hey, Norman!" he called. "Sweet Norman! Norman is too pretty a name. Beaut is the name for you! Oh you Beaut!"
The tall boy pushed the cart silently along the street. Again he hated Coal Creek. He hated the bakery and the bakery cart. With a burning satisfying hate he hated Uncle Charlie Wheeler and the Reverend Minot Weeks. "Fat old fools," he muttered as he shook the snow off his hat and paused to breathe in the struggle up the hill. He had something new to hate. He hated his own name. It did sound ridiculous. He had thought before that there was something fancy and pretentious about it. It did not fit a bakery cart boy. He wished it might have been plain John or Jim or Fred. A quiver of irritation at his mother passed through him. "She might have used more sense," he muttered.
And then the thought came to him that his father might have chosen the name. That checked his flight toward universal hatred and he began pushing the cart forward again, a more genial current of thought running through his mind. The tall boy loved the memory of his father, "Cracked McGregor." "They called him 'Cracked' until that became his name," he thought. "Now they are at me." The thought renewed a feeling of fellowship between himself and his dead father--it softened him. When he reached the first of the bleak miners' houses a smile played about the corners of his huge mouth.
In his day Cracked McGregor had not borne a good reputation in Coal Creek. He was a tall silent man with something morose and dangerous about him. He inspired fear born of hatred. In the mines he worked silently and with fiery energy, hating his fellow miners among whom he was thought to be "a bit off his head." They it was who named him "Cracked" McGregor and they avoided him while subscribing to the common opinion that he was the best miner in the district. Like his fellow workers he occasionally got drunk. When he went into the saloon where other men stood in groups buying drinks for each other he bought only for himself. Once a stranger, a fat man who sold liquor for a wholesale house, approached and slapped him on the back. "Come, cheer up and have a drink with me," he said. Cracked McGregor turned and knocked the stranger to the floor. When the fat man was down he kicked him and glared at the crowd in the room. Then he walked slowly out at the door staring around and hoping some one would interfere.
In his house also Cracked McGregor was silent. When he spoke at all he spoke kindly and looked into the eyes of his wife with an eager expectant air. To his red-haired son he seemed to be forever pouring forth a kind of dumb affection. Taking the boy in his arms he sat for hours rocking back and forth and saying nothing. When the boy was ill or troubled by strange dreams at night the feel of his father's arms about him quieted him. In his arms the boy went to sleep happily. In the mind of the father there was a single recurring thought, "We have but the one bairn, we'll not put him into the hole in the ground," he said, looking eagerly to the mother for approval.
Twice had Cracked McGregor walked with his son on a Sunday afternoon. Taking the lad by the hand the miner went up the face of the hill, past the last of the miners' houses, through the grove of pine trees at the summit and on over the hill into sight of a wide valley on the farther side. When he walked he twisted his head far to one side like one listening. A falling timber in the mines had given him a deformed shoulder and left a great scar on his face, partly covered by a red beard filled with coal dust. The blow that had deformed his shoulder had clouded his mind. He muttered as he walked along the road and talked to himself like an old man.
The red-haired boy ran beside his father happily. He did not see the smiles on the faces of the miners, who came down the hill and stopped to look at the odd pair. The miners went on down the road to sit in front of the stores on Main Street, their day brightened by the memory of the hurrying McGregors. They had a remark they tossed about. "Nance McGregor should not have looked at her man when she conceived," they said.
Up the face of the hill climbed the McGregors. In the mind of the boy a thousand questions wanted answering. Looking at the silent gloomy face of his father, he choked back the questions rising in his throat, saving them for the quiet hour with his mother when Cracked McGregor was gone to the mine. He wanted to know of the boyhood of his father, of the life in the mine, of the birds that flew overhead and why they wheeled and flew in great ovals in the sky. He looked at the fallen trees in the woods and wondered what made them fall and whether the others would presently fall in their turn.
Over the hill went the silent pair and through the pinewood to an eminence half way down the farther side. When the boy saw the valley lying so green and broad and fruitful at their feet he thought it the most wonderful sight in the world. He was not surprised that his father had brought him there. Sitting on the ground he opened and closed his eyes, his soul stirred by the beauty of the scene that lay before them.
On the hillside Cracked McGregor went through a kind of ceremony. Sitting upon a log he made a telescope of his hands and looked over the valley inch by inch like one seeking something lost. For ten minutes he would look intently at a clump of trees or a spot in the river running through the valley where it broadened and where the water roughened by the wind glistened in the sun. A smile lurked in the corners of his mouth, he rubbed his hands together, he muttered incoherent words and bits of sentences, once he broke forth into a low droning song.
On the first morning, when the boy sat on the hillside with his father, it was spring and the land was vividly green. Lambs played in the fields; birds sang their mating songs; in the air, on the earth and in the water of the flowing river it was a time of new life. Below, the flat valley of green fields was patched and spotted with brown new-turned earth. The cattle walking with bowed heads, eating the sweet grass, the farmhouses with red barns, the pungent smell of the new ground, fired his mind and awoke the sleeping sense of beauty in the boy. He sat upon the log drunk with happiness that the world in which he lived could be so beautiful. In his bed at night he dreamed of the valley, confounding it with the old Bible tale of the Garden of Eden, told him by his mother. He dreamed that he and his mother went over the hill and down toward the valley but that his father, wearing a long white robe and with his red hair blowing in the wind, stood upon the hillside swinging a long sword blazing with fire and drove them back.
When the boy went again over the hill it was October and a cold wind blew down the hill into his face. In the woods golden brown leaves ran about like frightened little animals and golden-brown were the leaves on the trees about the farmhouses and golden-brown the corn standing shocked in the fields. The scene saddened the boy. A lump came into his throat and he wanted back the green shining beauty of the spring. He wished to hear the birds singing in the air and in the grass on the hillside.
Cracked McGregor was in another mood. He seemed more satisfied than on the first visit and ran up and down on the little eminence rubbing his hands together and on the legs of his trousers. Through the long afternoon he sat on the log muttering and smiling.
On the road home through the darkened woods the restless hurrying leaves frightened the boy so that, with his weariness from walking against the wind, his hunger from being all day without food, and with the cold nipping at his body, he began to cry. The father took the boy in his arms and holding him across his breast like a babe went down the hill to their home.
It was on a Tuesday morning that Cracked McGregor died. His death fixed itself as something fine in the mind of the boy and the scene and the circumstance stayed with him through life, filling him with secret pride like a knowledge of good blood. "It means something that I am the son of such a man," he thought.
It was past ten in the morning when the cry of "Fire in the mine" ran up the hill to the houses of the miners. A panic seized the women. In their minds they saw the men hurrying down old cuts, crouching in hidden corridors, pursued by death. Cracked McGregor, one of the night shift, slept in his house. The boy's mother, threw a shawl about her head, took his hand and ran down the hill to the mouth of the mine. Cold winds spitting snow blew in their faces. They ran along the tracks of the railroad, stumbling over the ties, and stood on the railroad embankment that overlooked the runway to the mine.
About the runway and along the embankment stood the silent miners, their hands in their trousers pockets, staring stolidly at the closed door of the mine. Among them was no impulse toward concerted action. Like animals at the door of a slaughter-house they stood as though waiting their turn to be driven in at the door. An old crone with bent back and a huge stick in her hand went from one to another of the miners gesticulating and talking. "Get my boy--my Steve! Get him out of there!" she shouted, waving the stick about.
The door of the mine opened and three men came out, staggering as they pushed before them a small car that ran upon rails. On the car lay three other men, silent and motionless. A woman thinly clad and with great cave-like hollows in her face climbed the embankment and sat upon the ground below the boy and his mother. "The fire is in the old McCrary cut," she said, her voice quivering, a dumb hopeless look in her eyes. "They can't get through to close the doors. My man Ike is in there." She put down her head and sat weeping. The boy knew the woman. She was a neighbour who lived in an unpainted house on the hillside. In the yard in front of her house a swarm of children played among the stones. Her husband, a great hulking fellow, got drunk and when he came home kicked his wife. The boy had heard her screaming at night.
Suddenly in the growing crowd of miners below the embankment Beaut McGregor saw his father moving restlessly about. On his head he had his cap with the miner's lamp lighted. He went from group to group among the people, his head hanging to one side. The boy looked at him intently. He was reminded of the October day on the eminence overlooking the fruitful valley and again he thought of his father as a man inspired, going through a kind of ceremony. The tall miner rubbed his hands up and down his legs, he peered into the faces of the silent men standing about, his lips moved and his red beard danced up and down.
As the boy looked a change came over the face of Cracked McGregor. He ran to the foot of the embankment and looked up. In his eyes was the look of a perplexed animal. The wife bent down and began to talk to the weeping woman on the ground, trying to comfort her. She did not see her husband and the boy and man stood in silence looking into each other's eyes.
Then the puzzled look went out of the father's face. He turned and running along with his head rolling about reached the closed door of the mine. A man, who wore a white collar and had a cigar stuck in the corner of his mouth, put out his hand."Stop! Wait!" he shouted. Pushing the man aside with his powerful arm the runner pulled open the door of the mine and disappeared down the runway.
A hubbub arose. The man in the white collar took the cigar from his mouth and began to swear violently. The boy stood on the embankment and saw his mother running toward the runway of the mine. A miner gripped her by the arm and led her back up the face of the embankment. In the crowd a woman's voice shouted, "It's Cracked McGregor gone to close the door to the McCrary cut."The man with the white collar glared about as he chewed the end of his cigar. "He's gone crazy," he shouted, again closing the door to the mine.
Cracked McGregor died in the mine, almost within reach of the door to the old cut where the fire burned. With him died all but five of the imprisoned miners. All day parties of men tried to get down into the mine. Below in the hidden passages under their own homes the scurrying miners died like rats in a burning barn while their wives, with shawls over their heads, sat silently weeping on the railroad embankment. In the evening the boy and his mother went up the hill alone. From the houses scattered over the hill came the sound of women weeping.* * * * *
For several years after the mine disaster the McGregors, mother and son, lived in the house on the hillside. The woman went each morning to the offices of the mine where she washed windows and scrubbed floors. The position was a sort of recognition on the part of the mine officials of the heroism of Cracked McGregor.
Nance McGregor was a small blue-eyed woman with a sharp nose. She wore glasses and had the name in Coal Creek of being quick and sharp. She did not stand by the fence to talk with the wives of other miners but sat in her house and sewed or read aloud to her son. She subscribed for a magazine and had bound copies of it standing upon shelves in the room where she and the boy ate breakfast in the early morning. Before the death of her husband she had maintained a habit of silence in her house but after his death she expanded, and, with her red-haired son, discussed freely every phase of their narrow lives. As he grew older the boy began to believe that she like the miners had kept hidden under her silence a secret fear of his father. Certain things she said of her life encouraged the thought.
Norman McGregor grew into a tall broad-shouldered boy with strong arms, flaming red hair and a habit of sudden and violent fits of temper. There was something about him that held the attention. As he grew older and was renamed by Uncle Charlie Wheeler he began going about looking for trouble. When the boys called him "Beaut" he knocked them down. When men shouted the name after him on the street he followed them with black looks. It became a point of honour with him to resent the name. He connected it with the town's unfairness to Cracked McGregor.
In the house on the hillside the boy and his mother lived together happily. In the early morning they went down the hill and across the tracks to the offices of the mine. From the offices the boy went up the hill on the farther side of the valley and sat upon the schoolhouse steps or wandered in the streets waiting for the day in school to begin. In the evening mother and son sat upon the steps at the front of their home and watched the glare of the coke ovens on the sky and the lights of the swiftly-running passenger trains, roaring whistling and disappearing into the night.
Nance McGregor talked to her son of the big world outside the valley and told him of the cities, the seas and the strange lands and peoples beyond the seas. "We have dug in the ground like rats," she said, "I and my people and your father and his people. With you it will be different. You will get out of here to other places and other work." She grew indignant thinking of the life in the town. "We are stuck down here amid dirt, living in it, breathing it," she complained. "Sixty men died in that hole in the ground and then the mine started again with new men. We stay here year after year digging coal to burn in engines that take other people across the seas and into the West."
When the son was a tall strong boy of fourteen Nance McGregor bought the bakery and to buy it took the money saved by Cracked McGregor. With it he had planned to buy a farm in the valley beyond the hill. Dollar by dollar it had been put away by the miner who dreamed of life in his own fields.
In the bakery the boy worked and learned to make bread. Kneading the dough his arms and hands grew as strong as a bear's. He hated the work, he hated Coal Creek and dreamed of life in the city and of the part he should play there. Among the young men he began to make here and there a friend. Like his father he attracted attention. Women looked at him, laughed at his big frame and strong homely features and looked again. When they spoke to him in the bakery or on the street he spoke back fearlessly and looked them in the eyes. Young girls in the school walked home down the hill with other boys and at night dreamed of Beaut McGregor. When some one spoke ill of him they answered defending and praising him. Like his father he was a marked man in the town of Coal Creek.
One Sunday afternoon three boys sat on a log on the side of the hill that looked down into Coal Creek. From where they sat they could see the workers of the night shift idling in the sun on Main Street. From the coke ovens a thin line of smoke rose into the sky. A freight train heavily loaded crept round the hill at the end of the valley. It was spring and over even that hive of black industry hung a faint promise of beauty. The boys talked of the life of people in their town and as they talked thought each of himself.
Although he had not been out of the valley and had grown strong and big there, Beaut McGregor knew something of the outside world. It isn't a time when men are shut off from their fellows. Newspapers and magazines have done their work too well. They reached even into the miner's cabin and the merchants along Main Street of Coal Creek stood before their stores in the afternoon and talked of the doings of the world. Beaut McGregor knew that life in his town was exceptional, that not everywhere did men toil all day black and grimy underground, that not all women were pale bloodless and bent. As he went about delivering bread he whistled a song. "Take me back to Broadway," he sang after the soubrette in a show that had once come to Coal Creek.
Now as he sat on the hillside he talked earnestly while he gesticulated with his hands. "I hate this town," he said. "The men here think they are confoundedly funny. They don't care for anything but making foolish jokes and getting drunk. I want to go away." His voice rose and hatred flamed up in him. "You wait," he boasted. "I'll make men stop being fools. I'll make children of them. I'll----" Pausing he looked at his two companions.
Beaut poked the ground with a stick. The boy sitting beside him laughed. He was a short well--dressed black--haired boy with rings on his fingers who worked in the town poolroom, racking the pool balls. "I'd like to go where there are women with blood in them," he said.
Three women came up the hill toward them, a tall pale brown-haired woman of twenty-seven and two fairer young girls. The black-haired boy straightened his tie and began thinking of a conversation he would start when the women reached him. Beaut and the other boy, a fat fellow, the son of a grocer, looked down the hill to the town over the heads of the newcomers and continued in their minds the thoughts that had made the conversation.
"Hello girls, come and sit here," shouted the black-haired boy, laughing and looking boldly into the eyes of the tall pale woman. They stopped and the tall woman began stepping over the fallen logs, coming to them. The two young girls followed, laughing. They sat down on the log beside the boys, the tall pale woman at the end beside red-haired McGregor. An embarrassed silence fell over the party. Both Beaut and the fat boy were disconcerted by this turn to their afternoon's outing and wondered how it would turn out.The pale woman began to talk in a low tone. "I want to get away from here," she said, "I wish I could hear birds sing and see green things grow."
Beaut McGregor had an idea. "You come with me," he said. He got up and climbed over the logs and the pale woman followed. The fat boy shouted at them, relieving his own embarrassment by trying to embarrass them. "Where're you going--you two?" he shouted.
Beaut said nothing. He stepped over the logs to the road and began climbing the hill. The tall woman walked beside him and held her skirts out of the deep dust of the road. Even on this her Sunday gown there was a faint black mark along the seams--the mark of Coal Creek.
As McGregor walked his embarrassment left him. He thought it fine that he should be thus alone with a woman. When she had tired from the climb he sat with her on a log beside the road and talked of the black-haired boy. "He has your ring on his finger," he said, looking at her and laughing.She held her hand pressed tightly against her side and closed her eyes. "The climbing hurts me," she said.
Tenderness took hold of Beaut. When they went on again he walked behind her, his hand upon her back pushing her up the hill. The desire to tease her about the black-haired boy had passed and he wished he had said nothing about the ring. He remembered the story the black- haired boy had told him of his conquest of the woman. "More than likely a mess of lies," he thought.
Over the crest of the hill they stopped and rested, leaning against a worn rail fence by the woods. Below them in a wagon a party of men went down the hill. The men sat upon boards laid across the box of a wagon and sang a song. One of them stood in the seat beside the driver and waved a bottle. He seemed to be making a speech. The others shouted and clapped their hands. The sounds came faint and sharp up the hill.
In the woods beside the fence rank grass grew. Hawks floated in the sky over the valley below. A squirrel running along the fence stopped and chattered at them. McGregor thought he had never had so delightful a companion. He got a feeling of complete, good fellowship and friendliness with this woman. Without knowing how the thing had been done he felt a certain pride in it. "Don't mind what I said about the ring," he urged, "I was only trying to tease you."
The woman beside McGregor was the daughter of an undertaker who lived upstairs over his shop near the bakery. He had seen her in the evening standing in the stairway by the shop door. After the story told him by the black-haired boy he had been embarrassed about her. When he passed her standing in the stairway he went hurriedly along and looked into the gutter.
They went down the hill and sat on the log upon the hillside. A clump of elders had grown about the log since his visits there with Cracked McGregor so that the place was closed and shaded like a room. The woman took off her hat and laid it beside her on the log. A faint colour mounted to her pale cheeks and a flash of anger gleamed in her eyes. "He probably lied to you about me," she said, "I didn't give him that ring to wear. I don't know why I gave it to him. He wanted it. He asked me for it time and again. He said he wanted to show it to his mother. And now he has shown it to you and I suppose told lies about me."
Beaut was annoyed and wished he had not mentioned the ring. He felt that an unnecessary fuss was being made about it. He did not believe that the blackhaired boy had lied but he did not think it mattered.
He began talking of his father, boasting of him. His hatred of the town blazed up. "They thought they knew him down there," he said, "they laughed at him and called him 'Cracked.' They thought his running into the mine just a crazy notion like a horse that runs into a burning stable. He was the best man in town. He was braver than any of them. He went in there and died when he had almost enough money saved to buy a farm over here." He pointed down the valley.
Beaut began to tell her of the visits to the hillside with his father and described the effect of the scene on himself when he was a child. "I thought it was paradise," he said.
She put her hand on his arm and seemed to be soothing him like a careful groom quieting an excitable horse. "Don't mind them," she said, "you will go away after a time and make a place for yourself out in the world."He wondered how she knew. A profound respect for her came over him. "She is keen to guess that," he thought.
He began to talk of himself, boasting and throwing out his chest. "I'd like to have the chance to show what I can do," he declared. A thought that had been in his mind on the winter day when Uncle Charlie Wheeler put the name of Beaut upon him came back and he walked up and down before the woman making grotesque motions with his hands as Cracked McGregor had walked up and down before him.
"I'll tell you what," he began and his voice was harsh. He had forgotten the presence of the woman and half forgotten what had been in his mind. He sputtered and glared over his shoulder up the hillside as he struggled for words. "Oh to Hell with men!" he burst forth. "They are cattle, stupid cattle." A fire blazed up in his eyes and a confident ring came into his voice. "I'd like to get them together, all of them," he said, "I'd like to make them----" Words failed him and again he sat down on the log beside the woman. "Well I'd like to lead them to an old mine shaft and push them in," he concluded resentfully.* * * * *
On the eminence Beaut and the tall woman sat and looked down into the valley. "I wonder why we don't go there, mother and I," he said. "When I see it I'm filled with the notion. I think I want to be a farmer and work in the fields. Instead of that mother and I sit and plan of the city. I'm going to be a lawyer. That's all we talk about. Then I come up here and it seems as though this is the place for me."
The tall woman laughed. "I can see you coming home at night from the fields," she said. "It might be to that white house there with the windmill, You would be a big man and would have dust in your red hair and perhaps a red beard growing on your chin. And a woman with a baby in her arms would come out of the kitchen door to stand leaning on the fence waiting for you. When you came up she would put her arm around your neck and kiss you on the lips. The beard would tickle her cheek. You should have a beard when you grow older. Your mouth is so big."
A strange new feeling shot through Beaut. He wondered why she had said that and wanted to take hold of her hand and kiss her then and there. He got up and looked at the sun going down behind the hill far away at the other end of the valley. "We'd better be getting along back," he said.
The woman remained seated on the log. "Sit down," she said, "I'll tell you something--something it's good for you to hear. You're so big and red you tempt a girl to bother you. First though you tell me why you go along the street looking into the gutter when I stand in the stairway in the evening."Beaut sat down again upon the log, and thought of what the black- haired boy had told him of her. "Then it was true--what he said about you?" he asked. "No! No!" she cried, jumping up in her turn and beginning to pin on her hat. "Let's be going." Beaut sat stolidly on the log. "What's the use bothering each other," he said. "Let's sit here until the sun goes down. We can get home before dark."
They sat down and she began talking, boasting of herself as he had boasted of his father.
"I'm too old for that boy," she said; "I'm older than you by a good many years. I know what boys talk about and what they say about women. I do pretty well. I don't have any one to talk to except father and he sits all evening reading a paper and going to sleep in his chair. If I let boys come and sit with me in the evening or stand talking with me in the stairway it is because I'm lonesome. There isn't a man in town I'd marry--not one."
The speech sounded discordant and harsh to Beaut. He wished his father were there rubbing his hands together and muttering rather than this pale woman who stirred him up and then talked harshly like the women at the back doors in Coal Creek. He thought again as he had thought before that he preferred the blackfaced miners drunk and silent to their pale talking wives. On an impulse he told her that, saying it crudely so that it hurt.
Their companionship was spoiled. They got up and began to climb the hill, going toward home. Again she put her hand to her side and again he wished to put his hand at her back and push her up the hill. Instead he walked beside her in silence, again hating the town.
Halfway down the hill the tall woman stopped by the road-side. Darkness was coming on and the glow of the coke ovens lighted the sky. "One living up here and never going down there might think it rather grand and big," he said. Again the hatred came. "They might think the men who live down there knew something instead of being just a lot of cattle."
A smile came into the face of the tall woman and a gentler look stole into her eyes. "We get at one another," she said, "we can't let one another alone. I wish we hadn't quarrelled. We might be friends if we tried. You have got something in you. You attract women. I've heard others say that. Your father was that way. Most of the women here would rather have been the wife of Cracked McGregor ugly as he was than to have stayed with their own husbands. I heard my mother say that to father when they lay quarrelling in bed at night and I lay listening."
The boy was overcome with the thought of a woman talking to him so frankly. He looked at her and said what was in his mind. "I don't like the women," he said, "but I liked you, seeing you standing in the stairway and thinking you had been doing as you pleased. I thought maybe you amounted to something. I don't know why you should be bothered by what I think. I don't know why any woman should be bothered by what any man thinks. I should think you would go right on doing what you want to do like mother and me about my being a lawyer."
He sat on a log beside the road near where he had met her and watched her go down the hill. "I'm quite a fellow to have talked to her all afternoon like that," he thought and pride in his growing manhood crept over him.
The town of Coal Creek was hideous. People from prosperous towns and cities of the middle west, from Ohio, Illinois, and Iowa, going east to New York or Philadelphia, looked out of the car windows and seeing the poor little houses scattered along the hillside thought of books they had read of life in hovels in the old world. In chair-cars men and women leaned back and closed their eyes. They yawned and wished the journey would come to an end. If they thought of the town at all they regretted it mildly and passed it off as a necessity of modern life.
The houses on the hillside and the stores along Main Street belonged to the mining company. In its turn the mining company belonged to the officials of the railroad. The manager of the mine had a brother who was division superintendent. It was the mine manager who had stood by the door of the mine when Cracked McGregor went to his death. He lived in a city some thirty miles away, and went there in the evening on the train. With him went the clerks and even the stenographers from the offices of the mine. After five o'clock in the afternoon no white collars were to be seen upon the streets of Coal Creek.
In the town men lived like brutes. Dumb with toil they drank greedily in the saloon on Main Street and went home to beat their wives. Among them a constant low muttering went on. They felt the injustice of their lot but could not voice it logically and when they thought of the men who owned the mine they swore dumbly, using vile oaths even in their thoughts. Occasionally a strike broke out and Barney Butterlips, a thin little man with a cork leg, stood on a box and made speeches regarding the coming brotherhood of man. Once a troop of cavalry was unloaded from the cars and with a battery paraded the main street. The battery was made up of several men in brown uniforms. They set up a Gatling gun at the end of the street and the strike subsided.
An Italian who lived in a house on the hillside cultivated a garden. His place was the one beauty spot in the valley. With a wheelbarrow he brought earth from the woods at the top of the hill and on Sunday he could be seen going back and forth and whistling merrily. In the winter he sat in his house making a drawing on a bit of paper. In the spring he took the drawing, and by it planted his garden, utilising every inch of his ground. When a strike came on he was told by the mine manager to go on back to work or move out of his house. He thought of the garden and the work he had done and went back to his routine of work in the mine. While he worked the miners marched up the hill and destroyed the garden. The next day the Italian also joined the striking miners.
In a little one-room shack on the hill lived an old woman. She lived alone and was vilely dirty. In her house she had old broken chairs and tables picked up about town and piled in such profusion that she could scarcely move about. On warm days she sat in the sun before the shack chewing on a stick that had been dipped in tobacco. Miners coming up the hill dumped bits of bread and meatends out of their dinner-pails into a box nailed to a tree by the road. These the old woman collected and ate. When the soldiers came to town she walked along the street jeering at them. "Pretty boys! Scabs! Dudes! Dry-goods clerks!" she called after them as she walked by the tails of their horses. A young man with glasses on his nose, who was mounted on a grey horse turned and called to his comrades, "Let her alone--it's old Mother Misery herself."
When the tall red-haired boy looked at the workers and at the old woman who followed the soldiers he did not sympathise with them. He hated them. In a way he sympathised with the soldiers. His blood was stirred by the sight of them marching shoulder to shoulder. He thought there was order and decency in the rank of uniformed men moving silently and quickly along and he half wished they would destroy the town. When the strikers made a wreck of the garden of the Italian he was deeply touched and walked up and down in the room before his mother, proclaiming himself. "I would have killed them had it been my garden," he said. "I would not have left one of them alive." In his heart he like Cracked McGregor nursed his hatred of the miners and of the town. "The place is one to get out of," he said. "If a man doesn't like it here let him get up and leave." He remembered his father working and saving for the farm in the valley. "They thought him cracked but he knew more than they. They would not have dared touch a garden he had planted."
In the heart of the miner's son strange half-formed thoughts began to find lodgings. Remembering in his dreams at night the moving columns of men in their uniforms he read new meaning into the scraps of history picked up in the school and the movements of men in old history began to have significance for him. On a summer afternoon as he loitered before the town's hotel, beneath which was the saloon and billiard room where the black-haired boy worked, he overheard two men talking of the significance of men.
One of the men was an itinerant oculist who came to the mining town once a month to fit and sell spectacles. When the oculist had sold several pairs of spectacles he got drunk, sometimes staying drunk for a week. When he was drunk he spoke French and Italian and sometimes stood in the barroom before the miners, quoting the poems of Dante. His clothes were greasy from long wear and he had a huge nose streaked with red and purple veins. Because of his learning in the languages and his quoting of poems the miners thought the oculist infinitely wise. To them it seemed that one with such a mind must have almost unearthly knowledge concerning the eyes and the fitting of glasses and they wore with pride the cheap ill-fitting things he thrust upon them.
Occasionally, as though making a concession to his patrons, the oculist spent an evening among them. Once after reciting one of the sonnets of Shakespeare he put a hand on the bar and rocking gently back and forth sang in a drink-broken voice a ballad beginning "The harp that once through Tara's halls the soul of music shed." After the song he put his head down upon the bar and wept while the miners looked on touched with sympathy.
On the summer afternoon when Beaut McGregor listened, the oculist was engaged in a violent quarrel with another man, drunk like himself. The second man was a slender dandified fellow of middle age who sold shoes for a Philadelphia jobbing-house. He sat in a chair tilted against the hotel and tried to read aloud from a book. When he was fairly launched in a long paragraph the oculist interrupted. Staggering up and down the narrow board walk before the hotel the old drunkard raved and swore. He seemed beside himself with wrath.
"I am sick of such slobbering philosophy," he declared. "Even the reading of it makes you drool at the mouth. You do not say the words sharply, and they can't be said sharply. I'm a strong man myself."Spreading his legs wide apart and blowing up his cheeks, the oculist beat upon his breast. With a wave of his hand he dismissed the man in the chair.
"You but slobber and make a foul noise," he declared. "I know your kind. I spit upon you. The Congress at Washington is full of such fellows as is also the House of Commons in England. In France they were once in charge. They ran things in France until the coming of a man such as myself. They were lost in the shadow of the great Napoleon."
The oculist as though dismissing the dandified man from his mind turned to address Beaut. He talked in French and the man in the chair fell into a troubled sleep. "I am like Napoleon," the drunkard declared, breaking again into English. Tears began to show in his eyes. "I take the money of these miners and I give them nothing. The spectacles I sell to their wives for five dollars cost me but fifteen cents. I ride over these brutes as Napoleon rode over Europe. There would be order and purpose in me were I not a fool. I am like Napoleon in that I have utter contempt for men."* * * * *
Again and again the words of the drunkard came back into the mind of the McGregor boy influencing his thoughts. Grasping nothing of the philosophy back of the man's words his imagination was yet touched by the drunkard's tale of the great Frenchman, babbled into his ears, and it in some way seemed to give point to his hatred of the disorganised ineffectiveness of the life about him.
* * * * * After Nance McGregor opened the bakery another strike came to disturb the prosperity of the business. Again the miners walked idly through the streets. Into the bakery they came to get bread and told Nance to write the debt down against them. Beaut McGregor was disturbed. He saw his father's money being spent for flour which when baked into loaves went out of the shop under the arms of the miners who shuffled as they walked. One night a man whose name appeared on their books followed by a long record of charged loaves came reeling past the bakery. McGregor went to his mother and protested. "They have money to get drunk," he said, "let them pay for their loaves."
Nance McGregor went on trusting the miners. She thought of the women and children in the houses on the hill and when she heard of the plans of the mining company to evict the miners from their houses she shuddered. "I was the wife of a miner and I will stick to them," she thought.
One day the mine manager came into the bakery. He leaned over the showcase and talked to Nance. The son went and stood by his mother's side to listen. "It has got to be stopped," the manager was saying. "I will not see you ruin yourself for these cattle. I want you to close this place till the strike is over. If you won't close it I will. The building belongs to us. They did not appreciate what your husband did and why should you ruin yourself for them?"
The woman looked at him and answered in a low tone full of resolution. "They thought he was crazy and he was," she said; "but what made him so--the rotten timbers in the mine that broke and crushed him. You and not they are responsible for my man and what he was."
Beaut McGregor interrupted. "Well I think he is right," he declared, leaning over the counter beside his mother and looking into her face. "The miners don't want better things for their families, they want more money to get drunk. We will close the doors here. We will put no more money into bread to go into their gullets. They hated father and he hated them and now I hate them also."
Beaut walked around the end of the counter and went with the mine manager to the door. He locked it and put the key into his pocket. Then he walked to the rear of the bake shop where his mother sat on a box weeping. "It is time a man took charge here," he said.
Nance McGregor and her son sat in the bakery and looked at each other. Miners came along the street, tried the door and went away grumbling. Word ran from lip to lip up the hillside. "The mine manager has closed Nance McGregor's shop," said the women leaning over back fences. Children sprawling on the floors of the houses put up their heads and howled. Their lives were a succession of new terrors. When a day passed that a new terror did not shake them they went to bed happy. When the miner and his woman stood by the door talking in low tones they cried, expecting to be put to bed hungry. When guarded talk did not go on by the door the miner came home drunk and beat the mother and the children lay in beds along the wall trembling with fright.
Late that night a party of miners came to the door of the bakery and beat upon it with their fists. "Open up here!" they shouted. Beaut came out of the rooms above the bakery and stood in the empty shop. His mother sat in a chair in her room and trembled. He went to the door and unlocking it stepped out. The miners stood in groups on the wooden sidewalk and in the mud of the road. Among them stood the old crone who had walked beside the horses and shouted at the soldiers. A miner with a black beard came and stood before the boy. Waving his hand at the crowd he said, "We have come to open the bakery. Some of us have no ovens in our stoves. You give us the key and we will open the place. We will break in the door if you don't want to do that. The company can't blame you if we do it by force. You can keep account of what we take. Then when the strike is settled we will pay you."
A flame shot into the eyes of the boy. He walked down the steps and stood among the miners. Thrusting his hands into his pockets he peered into their faces. When he spoke his voice resounded through the street, "You jeered at my father, Cracked McGregor, when he went into the mine for you. You laughed at him because he saved his money and did not spend it buying you drinks. Now you come here to get bread his money bought and you do not pay. Then you get drunk and go reeling past this very door. Now let me tell you something." He thrust his hands into the air and shouted. "The mine manager did not close this place. I closed it. You jeered at Cracked McGregor, a better man than any of you. You have had fun with me--laughing at me. Now I jeer at you." He ran up the steps and unlocking the door stood in the doorway. "Pay the money you owe this bakery and there will be bread for sale here," he called, and went in and locked the door.
The miners walked off up the street. The boy stood within the bakery, his hands trembling. "I've told them something," he thought, "I've shown them they can't make a fool of me." He went up the stairway to the rooms above. By the window his mother sat, her head in her hands, looking down into the street. He sat in a chair and thought of the situation. "They will be back here and smash the place like they tore up that garden," he said.
The next evening Beaut sat in the darkness on the steps before the bakery. In his hands he held a hammer. A dull hatred of the town and of the miners burned in his brain. "I will make it hot for some of them if they come here," he thought. He hoped they would come. As he looked at the hammer in his hand a phrase from the lips of the drunken old oculist babbling of Napoleon came into his mind. He began to think that he also must be like the figure of which the drunkard had talked. He remembered a story the oculist had told of a fight in the streets of a European city and muttered and waved the hammer about. Upstairs his mother sat by the window with her head in her hands. From the saloon down the street a light gleamed out on the wet sidewalk. The tall pale woman who had gone with him to the eminence overlooking the valley came down the stairway from above the undertaker's shop. She ran along the sidewalk. On her head she wore a shawl and as she ran she clutched it with her hand. The other hand she held against her side.
When the women reached the boy who sat in silence before the bakery she put her hands on his shoulders and plead with him. "Come away," she said. "Get your mother and come to our place. They're going to smash you up here. You'll get hurt."
Beaut arose and pushed her away. Her coming had given him new courage. His heart jumped at the thought of her interest in him and he wished that the miners might come so that he could fight them before her. "I wish I could live among people as decent as she," he thought.
A train stopped at the station down the street. There came the sound of tramping of men and quick sharp commands. A stream of men poured out of the saloon onto the sidewalk. Down the street came a file of soldiers with guns swung across their shoulders. Again Beaut was thrilled by the sight of trained orderly men moving along shoulder to shoulder. In the presence of these men the disorganized miners seemed pitifully weak and insignificant. The girl pulled the shawl about her head and ran up the street to disappear into the stairway. The boy unlocked the door and went upstairs and to bed.
After the strike Nance McGregor who owned nothing but unpaid accounts was unable to open the bakery. A small man with a white moustache, who chewed tobacco, came from the mill and took the unused flour and shipped it away. The boy and his mother continued living above the bakery store room. Again she went in the morning to wash the windows and scrub the floors in the offices of the mine and her red-haired son stood upon the street or sat in the pool room and talked to the black- haired boy. "Next week I'll be going to the city and will begin making something of myself," he said. When the time came to go he waited and idled in the streets. Once when a miner jeered at him for his idleness he knocked him into the gutter. The miners who hated him for his speech on the steps, admired him for his strength and brute courage.
In a cellar-like house driven like a stake into the hillside above Coal Creek lived Kate Hartnet with her son Mike. Her man had died with the others during the fire in the mine. Her son like Beaut McGregor did not work in the mine. He hurried through Main Street or went half running among the trees on the hills. Miners seeing him hurrying along with white intense face shook their heads. "He's cracked," they said. "He'll hurt some one yet."
Beaut saw Mike hurrying about the streets. Once encountering him in the pine woods above the town he walked with him and tried to get him to talk. In his pockets Mike carried books and pamphlets. He set traps in the woods and brought home rabbits and squirrels. He got together collections of birds' eggs which he sold to women in the trains that stopped at Coal Creek and when he caught birds he stuffed them, put beads in their eyesockets and sold them also. He proclaimed himself an anarchist and like Cracked McGregor muttered to himself as he hurried along.
One day Beaut came upon Mike Hartnet reading a book as he sat on a log overlooking the town. A shock ran through McGregor when he looked over the shoulder of the man and saw what book he read. "It is strange," he thought, "that this fellow should stick to the same book that fat old Weeks makes his living by."
Beaut sat on the log beside Hartnet and watched him. The reading man looked up and nodded nervously then slid along the log to the farther end. Beaut laughed. He looked down at the town and then at the frightened nervous bookreading man on the log. An inspiration came to him."If you had the power, Mike, what would you do to Coal Creek?" he asked.
The nervous man jumped and tears came into his eyes. He stood before the log and spread out his hands. "I would go among men like Christ," he cried, pitching his voice forward like one addressing an audience. "Poor and humble, I would go teaching them of love." Spreading out his hands like one pronouncing a benediction he shouted, "Oh men of Coal Creek, I would teach you love and the destruction of evil."
Beaut jumped up from the log and strode before the trembling figure. He was strangely moved. Grasping the man he thrust him back upon the log. His own voice rolled down the hillside in a great roaring laugh. "Men of Coal Creek," he shouted, mimicking the earnestness of Hartnet, "listen to the voice of McGregor. I hate you. I hate you because you jeered at my father and at me and because you cheated my mother, Nance McGregor. I hate you because you are weak and disorganised like cattle. I would like to come among you teaching the power of force. I would like to slay you one by one, not with weapons but with my naked fists. If they have made you work like rats buried in a hole they are right. It is man's right to do what he can. Get up and fight. Fight and I'll get on the other side and you can fight me. I'll help drive you back into your holes."
Beaut ceased speaking and jumping over the logs ran down the road. Among the first of the miner's houses he stopped and laughed awkwardly. "I am cracked also," he thought, "shouting at emptiness on a hillside." He went on in a reflective mood, wondering what power had taken hold of him. "I would like a fight--a fight against odds," he thought. "I will stir things up when I am a lawyer in the city."
Mike Hartnet came running down the road at the heels of McGregor. "Don't tell," he plead trembling. "Don't tell about me in the town. They will laugh and call names after me. I want to be let alone."
Beaut shook himself loose from the detaining hand and went on down the hill. When he had passed out of sight of Hartnet he sat down on the ground. For an hour he looked at the town in the valley and thought of himself. He was half proud, half ashamed of the thing that had happened.* * * * *
In the blue eyes of McGregor anger flashed quick and sudden. Upon the streets of Coal Creek he walked, swinging along, his great body inspiring fear. His mother grown grave and silent worked in the offices of the mines. Again she had a habit of silence in her own home and looked at her son, half fearing him. All day she worked in the mine offices and in the evening sat silently in a chair on the porch before her house and looked down into Main Street.
Beaut McGregor did nothing. He sat in the dingy little pool room and talked with the black-haired boy or walked over the hills swinging a stick in his hand and thinking of the city to which he would presently go to start his career. As he walked in the streets women stopped to look at him, thinking of the beauty and strength of his maturing body. The miners passed him in silence hating him and dreading his wrath. Walking among the hills he thought much of himself. "I am capable of anything," he thought, lifting his head and looking at the towering hills, "I wonder why I stay on here."
When he was eighteen Beaut's mother fell ill. All day she lay on her back in bed in the room above the empty bakery. Beaut shook himself out of his waking stupor and went about seeking work. He had not felt that he was indolent. He had been waiting. Now he bestirred himself. "I'll not go into the mines," he said, "nothing shall get me down there."
He got work in a livery stable cleaning and feeding the horses. His mother got out of bed and began going again to the mine offices. Having started to work Beaut stayed on, thinking it but a way station to the position he would one day achieve in the city.
In the stable worked two young boys, sons of coal miners. They drove travelling men from the trains to farming towns in valleys back among the hills and in the evening with Beaut McGregor they sat on a bench before the barn and shouted at people going past the stable up the hill.
The livery stable in Coal Creek was owned by a hunchback named Weller who lived in the city and went home at night. During the day he sat about the stable talking to red-haired McGregor. "You're a big beast," he said laughing. "You talk about going away to the city and making something of yourself and still you stay on here doing nothing. You want to quit this talking about being a lawyer and become a prize fighter. Law is a place for brains not muscles." He walked through the stables leaning his head to one side and looking up at the big fellow who brushed the horses. McGregor watched him and grinned. "I'll show you," he said.
The hunchback was pleased when he strutted before McGregor. He had heard men talk of the strength and the evil temper of his stableman and it pleased him to have so fierce a fellow cleaning the horses. At night in the city he sat under the lamp with his wife and boasted. "I make him step about," he said.
In the stable the hunchback kept at the heels of McGregor. "And there's something else," he said, putting his hand in his pockets and raising himself on his toes. "You look out for that undertaker's daughter. She wants you. If she gets you there will be no law study but a place in the mines for you. You let her alone and begin taking care of your mother."
Beaut went on cleaning the horses and thinking of what the hunchback had said. He thought there was sense to it. He also was afraid of the tall pale girl. Sometimes when he looked at her a pain shot through him and a combination of fear and desire gripped him. He walked away from it and went free as he went free from the life in the darkness down in the mine. "He has a kind of genius for keeping away from the things he don't like," said the liveryman, talking to Uncle Charlie Wheeler in the sun before the door of the post office.
One afternoon the two boys who worked in the livery stable with McGregor got him drunk. The affair was a rude joke, elaborately planned. The hunchback had stayed in the city for the day and no travelling men got off the trains to be driven over the hills. In the afternoon hay brought over the hill from the fruitful valley was being put into the loft of the barn and between loads McGregor and the two boys sat on the bench by the stable door. The two boys went to the saloon and brought back beer, paying for it from a fund kept for that purpose. The fund was the result of a system worked out by the two drivers. When a passenger gave one of them a coin at the end of a day of driving he put it into the common fund. When the fund had grown to some size the two went to the saloon and stood before the bar drinking until it was spent and then came back to sleep off their stupor on the hay in the barn. After a prosperous week the hunchback occasionally gave them a dollar for the fund.
Of the beer McGregor drank but one foaming glass. For all his idling about Coal Creek he had never before tasted beer and it was strong and bitter in his mouth. He threw up his head and gulped it then turned and walked toward the rear of the stable to conceal the tears that the taste of the stuff had forced into his eyes.
The two drivers sat on the bench and laughed. The drink they had given Beaut was a horrible mess concocted by the laughing bartender at their suggestion. "We will get the big fellow drunk and hear him roar," the bartender had said.
As he walked toward the back of the stable a convulsive nausea seized Beaut. He stumbled and pitched forward, cutting his face on the floor. Then he rolled over on his back and groaned and a little stream of blood ran down his cheek.
The two boys jumped up from the bench and ran toward him. They stood looking at his pale lips. Fear seized them. They tried to lift him but he fell from their arms and lay again on the stable floor, white and motionless. Filled with fright they ran from the stable and through Main Street. "We must get a doctor," they said as they hurried along, "He is mighty sick--that fellow."
In the doorway leading to the rooms over the undertaker's shop stood the tall pale girl. One of the running boys stopped and addressed her, "Your red-head," he shouted, "is blind drunk lying on the stable floor. He has cut his head and is bleeding."
The tall girl ran down the street to the offices of the mine. With Nance McGregor she hurried to the stable. The store keepers along Main Street looked out of their doors and saw the two women pale and with set faces half-carrying the huge form of Beaut McGregor along the street and in at the door of the bakery.* * * * *
At eight o'clock that evening Beaut McGregor, his legs still unsteady, his face white, climbed aboard a passenger train and passed out of the life of Coal Creek. On the seat beside him a bag contained all his clothes. In his pocket lay a ticket to Chicago and eighty-five dollars, the last of Cracked McGregor's savings. He looked out of the car window at the little woman thin and worn standing alone on the station platform and a great wave of anger passed through him. "I'll show them," he muttered. The woman looked at him and forced a smile to her lips. The train began to move into the west. Beaut looked at his mother and at the deserted streets of Coal Creek and put his head down upon his hands and in the crowded car before the gaping people wept with joy that he had seen the last of youth. He looked back at Coal Creek, full of hate. Like Nero he might have wished that all of the people of the town had but one head so that he might have cut it off with a sweep of a sword or knocked it into the gutter with one swinging blow.
It was late in the summer of 1893 when McGregor came to Chicago, an ill time for boy or man in that city. The big exposition of the year before had brought multiplied thousands of restless labourers into the city and its leading citizens, who had clamoured for the exposition and had loudly talked of the great growth that was to come, did not know what to do with the growth now that it had come. The depression that followed on the heels of the great show and the financial panic that ran over the country in that year had set thousands of hungry men to wait dumbly on park benches poring over want advertisements in the daily papers and looking vacantly at the lake or had driven them to tramp aimlessly through the streets, filled with forebodings.
In time of plenty a great American city like Chicago goes on showing a more or less cheerful face to the world while in nooks and crannies down side-streets and alleys poverty and misery sit hunched up in little ill-smelling rooms breeding vice. In times of depression these creatures crawl forth and joined by thousands of the unemployed tramp the streets through the long nights or sleep upon benches in the parks. In the alleyways off Madison Street on the West Side and off State Street, on the South Side, eager women driven by want sold their bodies to passersby for twenty-five cents. An advertisement in the newspapers of one unfilled job brought a thousand men to block the streets at daylight before a factory door. In the crowds men swore and knocked each other about. Workingmen driven to desperation went forth into quiet streets and knocking over citizens took their money and watches and ran trembling into the darkness. A girl of Twenty-fourth Street was kicked and knocked into the gutter because when attacked by thieves she had but thirty-five cents in her purse. A professor of the University of Chicago addressing his class said that, having looked into the hungry distorted faces of five hundred men clamouring for a position as dishwasher in a cheap restaurant, he was ready to pronounce all claims to social advancement in America a figment in the brains of optimistic fools. A tall awkward man walking up State Street threw a stone through the window of a store. A policeman hustled him through the crowd. "You'll get a workhouse sentence for this," he said.
"You fool that's what I want. I want to make property that won't employ me feed me," said the tall gaunt man who, trained in the cleaner and more wholesome poverty of the frontier, might have been a Lincoln suffering for mankind.
Into this maelstrom of misery and grim desperate want walked Beaut McGregor of Coal Creek--huge, graceless of body, indolent of mind, untrained, uneducated, hating the world. Within two days he had snatched before the very eyes of that hungry marching army three prizes, three places where a man might by working all day get clothes to wear upon his back and food to put into his stomach. In a way McGregor had already sensed something the realisation of which will go far toward making any man a strong figure in the world. He was not to be bullied with words. Orators might have preached to him all day about the progress of mankind in America, flags might have been flapped and newspapers might have dinned the wonders of his country into his brain. He would only have shaken his big head. He did not yet know the whole story of how men, coming out of Europe and given millions of square miles of black fertile land mines and forests, have failed in the challenge given them by fate and have produced out of the stately order of nature only the sordid disorder of man. McGregor did not know the fullness of the tragic story of his race. He only knew that the men he had seen were for the most part pigmies. On the train coming to Chicago a change had come over him. The hatred of Coal Creek that burned in him had set fire to something else. He sat looking out of the car window at the stations running past during the night and the following day at the cornfields of Indiana, making his plans. In Chicago he meant to do something. Coming from a community where no man arose above a condition of silent brute labour he meant to step up into the light of power. Filled with hatred and contempt of mankind he meant that mankind should serve him. Raised among men who were but men he meant to be a master.
And his equipment was better than he knew. In a disorderly haphazard world hatred is as effective an impulse to drive men forward to success as love and high hope. It is a world-old impulse sleeping in the heart of man since the day of Cain. In a way it rings true and strong above the hideous jangle of modern life. Inspiring fear it usurps power.
McGregor was without fear. He had not yet met his master and looked with contempt upon the men and women he had known. Without knowing it he had, besides a huge body hard as adamant, a clear and lucid brain. The fact that he hated Coal Creek and thought it horrible proved his keenness. It was horrible. Well might Chicago have trembled and rich men strolling in the evening along Michigan Boulevard have looked fearfully about as this huge red fellow, carrying the cheap handbag and staring with his blue eyes at the restless moving mobs of people, walked for the first time through its streets. In his very frame there was the possibility of something, a blow, a shock, a thrust out of the lean soul of strength into the jelly-like fleshiness of weakness.
In the world of men nothing is so rare as a knowledge of men. Christ himself found the merchants hawking their wares even on the floor of the temple and in his naive youth was stirred to wrath and drove them through the door like flies. And history has represented him in turn as a man of peace so that after these centuries the temples are again supported by the hawking of wares and his fine boyish wrath is forgotten. In France after the great revolution and the babbling of many voices talking of the brotherhood of man it wanted but a short and very determined man with an instinctive knowledge of drums, of cannons and of stirring words to send the same babblers screaming across open spaces, stumbling through ditches and pitching headlong into the arms of death. In the interest of one who believed not at all in the brotherhood of man they who had wept at the mention of the word brotherhood died fighting brothers.
In the heart of all men lies sleeping the love of order. How to achieve order out of our strange jumble of forms, out of democracies and monarchies, dreams and endeavours is the riddle of the Universe and the thing that in the artist is called the passion for form and for which he also will laugh in the face of death is in all men. By grasping that fact Caesar, Alexander, Napoleon and our own Grant have made heroes of the dullest clods that walk and not a man of all the thousands who marched with Sherman to the sea but lived the rest of his life with a something sweeter, braver and finer sleeping in his soul than will ever be produced by the reformer scolding of brotherhood from a soap-box. The long march, the burning of the throat and the stinging of the dust in the nostrils, the touch of shoulder against shoulder, the quick bond of a common, unquestioned, instinctive passion that bursts in the orgasm of battle, the forgetting of words and the doing of the thing, be it winning battles or destroying ugliness, the passionate massing of men for accomplishment--these are the signs, if they ever awake in our land, by which you may know you have come to the days of the making of men.
In Chicago in 1893 and in the men who went aimlessly seeking work in the streets of Chicago in that year there were none of these signs. Like the coal mining town from which Beaut McGregor had come, the city lay sprawling and ineffective before him, a tawdry disorderly dwelling for millions of men, built not for the making of men but for the making of millions by a few odd meat-packers and drygoods merchants.
With a slight lifting of his great shoulders McGregor sensed these things although he could not have expressed his sense of them and the hatred and contempt of men, born of his youth in the mining town, was rekindled by the sight of city men wandering afraid and bewildered through the streets of their own city.
Knowing nothing of the customs of the unemployed McGregor did not walk the streets looking for signs marked "Men Wanted." He did not sit on park benches studying want advertisements, the want advertisements that so often proved but bait put out by suave men up dirty stairways to glean the last few pennies from pockets of the needy. Going along the street he swung his great body through the doorways leading to the offices of factories. When some pert young man tried to stop him he did not say words but drew back his fist threateningly and, glowering, walked in. The young men at the doors of factories looked at his blue eyes and let him pass unchallenged.
In the afternoon of his first day of seeking Beaut got a place in an apple warehouse on the North Side, the third place offered him during the day and the one that he accepted. The chance came to him through an exhibition of strength. Two men, old and bent, struggled to get a barrel of apples from the sidewalk up to a platform that ran waist high along the front of the warehouse. The barrel had rolled to the sidewalk from a truck standing in the gutter. The driver of the truck stood with his hands on his hips, laughing. A German with blond hair stood upon the platform swearing in broken English. McGregor stood upon the sidewalk and looked at the two men who were struggling with the barrel. A feeling of immense contempt for their feebleness shone in his eyes. Pushing them aside he grasped the barrel and with a great heave sent it up onto the platform and spinning through an open doorway into the receiving room of the warehouse. The two workmen stood on the sidewalk smiling sheepishly. Across the street a group of city firemen who lounged in the sun before an engine house clapped their hands. The truck driver turned and prepared to send another barrel along the plank extending from the truck across the sidewalk to the warehouse platform. At a window in the upper part of the warehouse a grey head protruded and a sharp voice called down to the tall German. "Hey Frank, hire that 'husky' and let about six of the dead ones you've got around here go home."
McGregor jumped upon the platform and walked in at the warehouse door. The German followed, inventorying the size of the red-haired giant with something like disapproval. His look seemed to say, "I like strong fellows but you're too strong." He took the discomfiture of the two feeble workmen on the sidewalk as in some way reflecting upon himself. The two men stood in the receiving room and looked at each other. A bystander might have thought them preparing to fight.
And then a freight elevator came slowly down from the upper part of the warehouse and from it jumped a small grey-haired man with a yard stick in his hand. He had a sharp restless eye and a short stubby grey beard. Striking the floor with a bound he began to talk. "We pay two dollars for nine hours' work here--begin at seven, quit at five. Will you come?" Without waiting for an answer he turned to the German. "Tell those two old 'rummies' to get their time and get out of here," he said, turning again and looking expectantly at McGregor.
McGregor liked the quick little man and grinned with approval of his decisiveness. He nodded his assent to the proposal and, looking at the German, laughed. The little man disappeared through a door leading to an office and McGregor walked out into the street. At a corner he turned and saw the German standing on the platform before the warehouse looking after him. "He is wondering whether or not he can whip me," thought McGregor.* * * * *
In the apple warehouse McGregor worked for three years, rising during his second year to be foreman and replacing the tall German. The German expected trouble with McGregor and was determined to make short work of him. He had been offended by the action of the gray-haired superintendent in hiring the man and felt that a prerogative belonging to himself had been ignored. All day he followed McGregor with his eyes, trying to calculate the strength and courage in the huge body. He knew that hundreds of hungry men walked the streets and in the end decided that the need of work if not the spirit of the man would make him submissive. During the second week he put the question that burned in his brain to the test. He followed McGregor into a dimly-lighted upper room where barrels of apples, piled to the ceiling, left only narrow ways for passage. Standing in the semi-darkness he shouted, calling the man who worked among the apple barrels a foul name, "I won't have you loafing in there, you red-haired bastard," he shouted.
McGregor said nothing. He was not offended by the vileness of the name the German had called him and took it merely as a challenge that he had been expecting and that he meant to accept. With a grim smile on his lips he walked toward the German and when but one apple barrel lay between them reached across and dragged the foreman sputtering and swearing down the passageway to a window at the end of the room. By the window he stopped and putting his hand to the throat of the struggling man began to choke him into submission. Blows fell on his face and body. Struggling terribly the German kicked McGregor's legs with desperate energy. Although his ears rang with the hammerlike blows that fell about his neck and cheeks McGregor stool silent under the storm. His blue eyes gleamed with hatred and the muscles of his great arms danced in the light from the window. As he looked into the protruding eyes of the writhing German he thought of fat Reverend Minot Weeks of Coal Creek and added an extra twitch to the flesh between his fingers. When a gesture of submission came from the man against the wall he stepped back and let go his grip. The German dropped to the floor. Standing over him McGregor delivered his ultimatum. "You report this or try to get me fired and I'll kill you outright," he said. "I'm going to stay here on this job until I get ready to leave it. You can tell me what to do and how to do it but when you speak to me again say 'McGregor'-Mr. McGregor, that's my name."
The German got to his feet and began walking down the passageway between the rows of piled barrels. As he went he helped himself along with his hands. McGregor went back to work. After the retreating form of the German he shouted, "Get a new place when you can Dutch, I'll be taking this job away from you when I'm ready for it."
That evening as McGregor walked to the car he saw the little grey- haired superintendent standing waiting for him before a saloon. The man made a sign and McGregor walked across and stood beside him. They went together into the saloon and stood leaning against the bar and looked at each other. A smile played about the lips of the little man. "What have you been doing to Frank?" he asked.
McGregor turned to the bartender who stood waiting before him. He thought that the superintendent intended to try to patronise him by buying him a drink and he did not like the thought. "What will you have? I'll take a cigar for mine," he said quickly, defeating the superintendent's plan by being the first to speak. When the bartender brought the cigars McGregor paid for them and walked out at the door. He felt like one playing a game. "If Frank meant to bully me into submission this man also means something."
On the sidewalk before the saloon McGregor stopped. "Look here," he said, turning and facing the superintendent, "I'm after Frank's place. I'm going to learn the business as fast as I can. I won't put it up to you to fire him. When I get ready for the place he won't be there."
A light flashed into the eyes of the little man. He held the cigar McGregor had paid for as though about to throw it into the street. "How far do you think you can go with your big fists?" he asked, his voice rising.
McGregor smiled. He thought he had earned another victory and lighting his cigar held the burning match before the little man. "Brains are intended to help fists," he said, "I've got both."The superintendent looked at the burning match and at the cigar between his fingers. "If I don't which will you use on me?" he asked. McGregor threw the match into the street. "Aw! don't bother asking," he said, holding out another match.
McGregor and the superintendent walked along the street. "I would like to fire you but I won't. Some day you'll run that warehouse like a clock," said the superintendent.
McGregor sat in the street-car and thought of his day. It had been he felt a day of two battles. First the direct brutal battle of fists in the passageway and then this other battle with the superintendent. He thought he had won both fights. Of the fight with the tall German he thought little. He had expected to win that. The other was different. The superintendent he felt had wanted to patronise him, patting him on the back and buying him drinks. Instead he had patronised the superintendent. A battle had gone on in the brains of the two men and he had won. He had met a new kind of man, one who did not live by the raw strength of his muscles and he had given a good account of himself. The conviction that he had, besides a good pair of fists, a good brain swept in on him glorifying him. He thought of the sentence, "Brains are intended to help fists," and wondered how he had happened to think of it.
The street in which McGregor lived in Chicago was called Wycliff Place, after a family of that name that had once owned the land thereabout. The street was complete in its hideousness. Nothing more unlovely could be imagined. Given a free hand an indiscriminate lot of badly trained carpenters and bricklayers had builded houses beside the cobblestone road that touched the fantastic in their unsightliness and inconvenience.
The great west side of Chicago has hundreds of such streets and the coal mining town out of which McGregor had come was more inspiring as a place in which to live. As an unemployed young man, not much given to chance companionships, Beaut had spent many long evenings wandering alone on the hillsides above his home town. There was a kind of dreadful loveliness about the place at night. The long black valley with its dense shroud of smoke that rose and fell and formed itself into fantastic shapes in the moonlight, the poor little houses clinging to the hillside, the occasional cry of a woman being beaten by a drunken husband, the glare of the coke fires and the rumble of coal cars being pushed along the railroad tracks, all of these made a grim and rather inspiring impression on the young man's mind so that although he hated the mines and the miners he sometimes paused in his night wanderings and stood with his great shoulders lifted, breathing deeply and feeling things he had no words in him to express.
In Wycliff Place McGregor got no such reactions. Foul dust filled the air. All day the street rumbled and roared under the wheels of trucks and light hurrying delivery wagons. Soot from the factory chimneys was caught up by the wind and having been mixed with powdered horse manure from the roadway flew into the eyes and the nostrils of pedestrians. Always a babble of voices went on. At a corner saloon teamsters stopped to have their drinking cans filled with beer and stood about swearing and shouting. In the evening women and children went back and forth from their houses carrying beer in pitchers from the same saloon. Dogs howled and fought, drunken men reeled along the sidewalk and the women of the town appeared in their cheap finery and paraded before the idlers about the saloon door.
The woman who rented the room to McGregor boasted to him of Wycliff blood. It was that she told him that had brought her to Chicago from her home at Cairo, Illinois. "The place was left to me and not knowing what else to do with it I came here to live," she said. She explained to him that the Wycliffs had been people of note in the early history of Chicago. The huge old house with the cracked stone steps and the ROOMS TO RENT sign in the window had once been their family seat.
The history of this woman was characteristic of the miss-fire quality of much of American life. She was at bottom a wholesome creature who should have lived in a neat frame house in a village and tended a garden. On Sunday she should have dressed herself with care and gone off to sit in a country church with her hands crossed and her soul at rest.
The thought of owning a house in the city had however paralysed her brain. The house itself was worth a certain number of thousands of dollars and her mind could not rise above that fact, so her good broad face had become grimy with city dirt and her body weary from the endless toil of caring for roomers. On summer evenings she sat on the steps before her house clad in some bit of Wycliff finery taken from a trunk in the attic and when a lodger came out at the door she looked at him wistfully and said, "On such a night as this you could hear the whistles on the river steamers in Cairo."
McGregor lived in a small room at the end of a tall on the second floor of the Wycliff house. The windows of the room looked down into a dirty little court almost surrounded by brick warehouses. The room was furnished with a bed, a chair that vas always threatening to come to pieces and a desk with weak carved legs.
In this room sat McGregor night after night striving to realise his Coal Creek dream of training his mind and making himself of some account in the world. From seven-thirty until nine-thirty he sat at a desk in a night school. From ten until midnight he read in his room. He did not think of his surroundings, of the vast disorder of life about him, but tried with all his strength to bring something like order and purpose into his own mind and his own life.
In the little court under the window lay heaps of discarded newspaper tossed about by the wind. There in the heart of the city, walled in by the brick warehouse and half concealed under piles of chair legs cans and broken bottles, lay two logs in their time no doubt, a part of the grove that once lay about the house. The neighbourhood had passed so rapidly from country estate to homes and from homes to rented lodgings and huge brick warehouses that the marks of the lumberman's axe still showed in the butts of the logs.
McGregor seldom saw the little court except when its ugliness was refined and glossed over by darkness or by the moonlight. On hot evenings he laid down his book and leaning far out of the window rubbed his eyes and watched the discarded newspapers, worried by the whirlpools of wind in the court, run here and there, dashing against the warehouse walls and vainly trying to escape over the roof. The sight fascinated him and brought a thought into his mind. He began to think that the lives of most of the people about him were much like the dirty newspaper harried by adverse winds and surrounded by ugly walls of facts. The thought drove him from the window to renewed effort among his books. "I'll do something here anyway. I'll show them," he growled.
One living in the house with McGregor during those first years in the city might have thought his life stupid and commonplace but to him it did not seem so. It was for the miner's son a time of sudden and tremendous growth. Filled with confidence in the strength and quickness of his body he was beginning to have also confidence in the vigour and clearness of his brain. In the warehouse he went about with eyes and ears open, devising in his mind new methods of moving goods, watching the men at work, marking the shirkers, preparing to pounce upon the tall German's place as foreman.
The superintendent of the warehouse, not understanding the turn of the talk with McGregor on the sidewalk before the saloon, decided to like him and laughed when they met in the warehouse. The tall German maintained a policy of sullen silence and went to laborious lengths to avoid addressing him.
In his room at night McGregor began to read law, reading each page over and over and thinking of what he had read through the next day as he rolled and piled apple barrels in the passages in the warehouse.
McGregor had an aptitude and an appetite for facts. He read law as another and gentler nature might have read poetry or old legends. What he read at night he remembered and thought about during the day. He had no dream of the glories of the law. The fact that these rules laid down by men to govern their social organisation were the result of ages of striving toward perfection did not greatly interest him and he only thought of them as weapons with which to attack and defend in the battle of brains he meant presently to fight. His mind gloated in anticipation of the battle.
And then a new element asserted itself in the life of McGregor. One of the hundreds of disintegrating forces that attack strong natures, striving to scatter their force in the back currents of life, attacked him. His big body began to feel with enervating persistency the call of sex.
In the house in Wycliff Place McGregor passed as a mystery. By keeping silence he won a reputation for wisdom. The clerks in the hall bedrooms thought him a scientist. The woman from Cairo thought him a theological student. Down the hall a pretty girl with large black eyes who worked in a department store down town dreamed of him at night. When in the evening he banged the door to his room and strode down the hallway going to the night school she sat in a chair by the open door of her room. As he passed she raised her eyes and looked at him boldly. When he returned she was again by the door and again she looked boldly at him.
In his room, after the meetings with the black-eyed girl McGregor found difficulty in keeping his mind on the reading. He felt as he had felt with the pale girl on the hillside beyond Coal Creek. With her as with the pale girl he felt the need of defending himself. He began to make it a practice to hurry along past her door.
The girl in the hall bedroom thought constantly of McGregor. When he had gone to night school another young man of the house who wore a Panama hat came from the floor above and, putting his hands on the door frames of her room, stood looking at her and talking. In his lips he held a cigarette, which when he talked hung limply from the corner of his mouth.
This young man and the black-eyed girl kept up a continuous stream of comments on the doings of red-haired McGregor. Begun by the young man, who hated him because of his silence, the subject was kept alive by the girl who wanted to talk of McGregor.
On Saturday nights the young man and the girl sometimes went together to the theatre. One night in the summer when they had returned to the front of the house the girl stopped. "Let's see what the big red-head is doing," she said.
Going around the block they stole in the darkness down an alleyway and stood in the little dirty court looking up at McGregor who, with his feet in the window and a lamp burning at his shoulder, sat in his room reading.
When they returned to the front of the house the black-eyed girl kissed the young man, closing her eyes and thinking of McGregor. In her room later she lay abed dreaming. She imagined herself assaulted by the young man who had crept into her room and that McGregor had come roaring down the hall to snatch him away and fling him outside the door.
At the end of the hallway near the stairway leading to the street lived a barber. He had deserted a wife and four children in a town in Ohio and to prevent recognition had grown a black beard. Between this man and McGregor a companionship had sprung up and they went together on Sunday mornings to walk in the park. The black bearded man called himself Frank Turner.
Frank Turner had a passion. Through the evenings and on Sunday afternoons he sat in his room making violins. He worked with a knife, glue, pieces of glass and sand paper and spent his earnings for ingredients for the making of varnishes. When he got hold of a piece of wood that seemed an answer to his prayers he took it to McGregor's room and holding it up to the light talked of what he would do with it. Sometimes he brought a violin and sitting in the open window tested the quality of its tone. One evening he took an hour of McGregor's time to talk of the varnish of Cremona and to read to him from a worn little book concerning the old Italian masters of violin making.* * * * *
On a bench in the park sat Turner, the maker of violins, the man who dreamed of the rediscovery of the varnish of Cremona, talking to McGregor, son of the Pennsylvania miner.
It was a Sunday afternoon and the park was vibrant with life. All day the street cars had been unloading Chicagoans at the park entrance. They came in pairs and in parties, young men with their sweethearts and fathers with families at their heels. Now at the end of the day they continued to come, a steady stream of humanity flowing along the gravel walk past the bench where the two men sat in talk. Through the stream and crossing it went another stream homeward bound. Babies cried. Fathers called to the children at play on the grass. Cars coming to the park filled went away filled.
McGregor looked about him and thought of himself and of the restless moving people. In him there was none of that vague fear of the multitude common to many solitary souls. His contempt of men and of the lives lived by men reinforced his native boldness. The odd little rounding of the shoulders of even the athletic young men made him straighten with pride his own shoulders and fat and lean, tall and short, he thought of all men as counters in some vast games at which he was presently to be a master player.
The passion for form, that strange intuitive power that many men have felt and none but the masters of human life have understood, had begun to awaken in him. Already he had begun to sense out the fact that for him law was but an incident in some vast design and he was altogether untouched by the desire for getting on in the world, by the greedy little snatching at trifles that was the whole purpose of the lives of so many of the people about him. When somewhere in the park a band began to play he nodded his head up and down and ran his hand nervously up and down the legs of his trousers. Into his mind came the desire to boast to the barber, telling of the things he meant to do in the world, but he put the desire away. Instead he sat silently blinking his eyes and wondering at the persistent air of ineffectiveness in the people who passed. When a band went by playing march music and followed by some fifty men wearing white plumes in their hats and walking with self-conscious awkwardness, he was startled. Among the people he thought there was a change. Something like a running shadow passed over them. The babbling of voices ceased and like himself the people began to nod their heads. A thought, gigantic in its simplicity, began to come into his mind but was wiped out immediately by his impatience with the marchers. A madness to spring up and run among them knocking them about and making them march with the power that comes of abandonment almost lifted him from the bench. His mouth twitched and his fingers ached for action.* * * * *
In and out among the trees and on the green spaces moved the people. Along the shores of a pond sat men and women eating the evening meal from baskets or from white cloths spread on the grass. They laughed and shouted at each other and at the children, calling them back from the gravel driveways filled with moving carriages. Beaut saw a girl throw an egg shell and hit a young fellow between the eyes, and then run laughing away along the shore of the pond. Under a tree a woman nursed a babe, covering her breasts with a shawl so that just the black head of the babe showed. Its tiny hand clutched at the mouth of the woman. In an open space in the shadow of a building young men played baseball, the shouts of the spectators rising above the murmur of the voices of people on the gravel walk.
A thought came into McGregor's mind that he wanted to discuss with the older man. He was moved by the sight of women about and shook himself like one awakening from a dream. Then he began looking at the ground and kicking up the gravel with his foot. "Look here," he said, turning to the barber, "what is a man to do about women, about getting what he wants from the women?"
The barber seemed to understand. "It has come to that then?" he asked and looked quickly up. He lighted a pipe and sat looking at the people. It was then he told McGregor of the wife and four children in the Ohio town, describing the little brick house and the garden and the coop for chickens at the back like one who lingers over a place dear to his fancy. Something old and weary was in his voice as he finished.
"It wasn't a matter for me to decide," he said. "I came away because I couldn't do anything else. I'm not excusing myself, I'm just telling you. There was something messy and disorderly about it all, about my life with her and with them. I couldn't stand it. I felt myself being submerged by something. I wanted to be orderly and to work, you see. I couldn't let violin making alone. Lord, how I tried--tried bluffing myself about it--calling it a fad."
The barber looked nervously at McGregor to reassure himself of his interest. "I owned a shop on the main street of our town. Back of it was a blacksmith shop. During the day I stood by the chair in my shop talking to men being shaved about the love of women and a man's duty to his family. Summer afternoons I went and sat on a keg in the blacksmith shop and talked of the same thing with the smith but all that did me no good.
"When I let myself go I dreamed not of my duty to my family but of working undisturbed as I do now here in the city in my room in the evenings and on Sundays."
A sharpness came into the voice of the speaker. He turned to McGregor and talked vigorously like one making a defence. "My woman was a good enough sort," he said. "I suppose loving is an art like writing a book or drawing pictures or making violins. People try to do it and don't succeed. In the end we threw the job up and just lived together like most people do. Our lives got mussy and meaningless. That's how it was.
"Before she married me my wife had been a stenographer in a factory that made tin cans. She liked that work. She could make her fingers dance along the keys. When she read a book at home she didn't think the writer amounted to much if he made mistakes about punctuation. Her boss was so proud of her that he would brag of her work to visitors and sometimes would go off fishing leaving the running of the business in her hands.
"I don't know why she married me. She was happier there and she is happier back there now. We got to walking together on Sunday evenings and standing under the trees on side streets, kissing and looking at each other. We talked about a lot of things. We seemed to need each other. Then we got married and started living together.
"It didn't work out. After we had been married a few years things changed. I don't know why. I thought I was the same as I had been and I think she was. We used to sit around quarrelling about it, each blaming the other. Anyway we didn't get along.
"We would sit on the little front porch of our house in the evening, she bragging of the work she had done in the can factory and I dreaming of quietude and a chance to work on the violins. I thought I knew a way to increase the quality and beauty of tone and I had that idea about varnish I have talked to you about. I even dreamed of doing things those old fellows of Cremona didn't do. "When she had been talking of her work in the office for maybe a half hour she would look up and find that I hadn't been listening. We would quarrel. We even quarrelled before the children after they came. Once she said that she didn't see how it would matter if no violins had ever been made and that night I dreamed of choking her in bed. I woke up and lay there beside her thinking of it with something like real satisfaction in just the thought that one long hard grip of my fingers would get her out of my way for good.
"We didn't always feel that way. Every little while a change would come over both of us and we would begin to take an interest in each other. I would be proud of the work she had done in the factory and would brag of it to men coming into the shop. In the evening she would be sympathetic about the violins and put the baby to bed to let me alone at my work in the kitchen.
"Then we would begin to sit in the darkness in the house and hold each other's hands. We would forgive things that had been said and play a sort of game, chasing each other about the room in the darkness and knocking against the chairs and laughing. Then we would begin to look at each other and kiss. Presently there would be another baby."
The barber threw up his hands with a gesture of impatience. His voice lost its softer, reminiscent quality. "Such times didn't last," he said. "On the whole it was no life to live. I came away. The children are in a state institution and she has gone back to her work in the office. The town hates me. They have made a heroine of her. I'm here talking to you with these whiskers on my face so that people from my town wouldn't know me if they came along. I'm a barber and I would shave them off fast enough if it wasn't for that."
A woman walking past looked back at McGregor. In her eyes lurked an invitation. It reminded him of something in the eyes of the pale daughter of the undertaker of Coal Creek. An uneasy tremor ran through him. "What do you do about women now?" he asked.
The voice of the smaller man arose harsh and excited in the evening air. "I get the feeling taken out of me as a man would have a tooth fixed," he said. "I pay money for the service and keep my mind on what I want to do. There are plenty of women for that, women who are good for that only. When I first came here I used to wander about at night, wanting to go to my room and work but with my mind and my will paralysed by that feeling. I don't do that now and I won't again. What I do many men do--good men--men who do good work. What's the use thinking about it when you only run against a stone wall and get hurt?"
The black bearded man arose, thrust his hands into his trousers pockets and looked about him. Then he sat down again. He seemed to be filled with suppressed excitement. "There is a big hidden something going on in modern life," he said, talking rapidly and excitedly. "It used to touch only the men higher up, now it reaches down to men like me--barbers and workingmen. Men know about it but don't talk and don't dare think. Their women have changed. Women used to be willing to do anything for men, just be slaves to them. The best men don't ask that now and don't want that."
He jumped to his feet and stood over McGregor. "Men don't understand what's going on and don't care," he said. "They are too busy getting things done or going to ball games or quarrelling about politics.
"And what do they know about it if they are fools enough to think? They get thrown into false notions. They see about them a lot of fine purposeful women maybe caring for their children and they blame themselves for their vices and are ashamed. Then they turn to the other women anyway, shutting their eyes and going ahead. They pay for what they want as they would pay for a dinner, thinking no more of the women who serve them than they do of the waitresses who serve them in the restaurants. They refuse to think of the new kind of woman that is growing up. They know that if they get sentimental about her they'll get into trouble or get new tests put to them, be disturbed you see, and spoil their work or their peace of mind. They don't want to get into trouble or be disturbed. They want to get a better job or enjoy a ball game or build a bridge or write a book. They think that a man who gets sentimental about any woman is a fool and of course he is."
"Do you mean that all of them do that?" asked McGregor. He wasn't upset by what had been said. It struck him as being true. For himself he was afraid of women. It seemed to him that a road was being built by his companion along which he might travel with safety. He wanted the man to go on talking. Into his brain flashed the thought that if he had the thing to do over there would have been a different ending to the afternoon spent with the pale girl on the hillside.
The barber sat down upon the bench. The flush out of his cheeks. "Well I have done pretty well myself," he said, "but then you know I make violins and don't think of women. I've been in Chicago two years and I've spent just eleven dollars. I would like to know what the average man spends. I wish some fellow would get the facts and publish them. It would make people sit up. There must be millions spent here every year."
"You see I'm not very strong and I stand all day on my feet in the barber shop." He looked at McGregor and laughed. "The black-eyed girl in the hall is after you," he said. "You'd better look out. You let her alone. Stick to your law books. You are not like me. You are big and red and strong. Eleven dollars won't pay your way here in Chicago for no two years."
McGregor looked again at the people moving toward the park entrance in the gathering darkness. He thought it wonderful that a brain could think a thing out so clearly and words express thoughts so lucidly. His eagerness to follow the passing girls with his eyes was gone. He was interested in the older man's viewpoint. "And what about children?" he asked.
The older man sat sideways on the bench. There was a troubled look in his eyes and a suppressed eager quality in his voice. "I'm going to tell you about that," he said. "I don't want to keep anything back.
"Look here!" he demanded, sliding along the bench toward McGregor and emphasising his points by slapping one hand down upon the other. "Ain't all children my children?" He paused, trying to gather his scattered thoughts into words. When McGregor started to speak he put his hand up as though to ward off a new thought or another question. "I'm not trying to dodge," he said. "I'm trying to get thoughts that have been in my head day after day in shape to tell. I haven't tried to express them before. I know men and women cling to their children. It's the only thing they have left of the dream they had before they married. I felt that way. It held me for a long time. It would be holding me now only that the violins pulled so hard at me."
He threw up his hand impatiently. "You see I had to find an answer. I couldn't think of being a skunk--running away--and I couldn't stay. I wasn't intended to stay. Some men are intended to work and take care of children and serve women perhaps but others have to keep trying for a vague something all their lives--like me trying for a tone on a violin. If they don't get it it doesn't matter, they have to keep trying."My wife used to say I'd get tired of it. No woman ever really understands a man caring for anything except herself. I knocked that out of her." The little man looked up at McGregor. "Do you think I'm a skunk?" he asked. McGregor looked at him gravely. "I don't know," he said. "Go on and tell me about the children."
"I said they were the last things to cling to. They are. We used to have religion. But that's pretty well gone now--the old kind. Now men think about children, I mean a certain kind of men--the ones that have work they want to get on with. Children and work are the only things that kind care about. If they have a sentiment about women it's only about their own--the one they have in the house with them. They want to keep that one finer than they are themselves. So they work the other feeling out on the paid women.
"Women fuss about men loving children. Much they care. It's only a plan for demanding adulation for themselves that they don't earn. Once, when I first came to the city, I took a place as servant in a wealthy family. I wanted to stay under cover until my beard grew. Women used to come there to receptions and to meetings in the afternoon to talk about reforms they were interested in----Bah! They work and scheme trying to get at men. They are at it all their lives, flattering, diverting us, giving us false ideas, pretending to be weak and uncertain when they are strong and determined. They have no mercy. They wage war on us trying to make us slaves. They want to take us captive home to their houses as Caesar took captives home to Rome.
"You look here!" He jumped to his feet again and shook his fingers at McGregor. "You just try something. You try being open and frank and square with a woman-any woman--as you would with a man. Let her live her own life and ask her to let you live yours. You try it. She won't. She will die first."
He sat down again upon the bench and shook his head back and forth. "Lord how I wish I could talk!" he said. "I'm making a muddle of this and I wanted to tell you. Oh, how I wanted to tell you! It's part of my idea that a man should tell a boy all he knows. We've got to quit lying to them."McGregor looked at the ground. He was profoundly and deeply moved and interested as he had never before been moved by anything but hate.
Two women coming along the gravel walk stopped under a tree and looked back. The barber smiled and raised his hat. When they smiled back at him he rose and started toward them. "Come on boy," he whispered behind his hand to McGregor. "Let's get them."
When McGregor looked up the scene before his eyes infuriated him. The smiling barber with his hat in his hand, the two women waiting under the tree, the look of half-guilty innocence on the faces of all of them, stirred a blind fury in his brain. He sprang forward, clutching the shoulder of Turner with his hand. Whirling him about he threw him to his hands and knees. "Get out of here you females!" he roared at the women who ran off in terror down the walk.
The barber sat again upon the bench beside McGregor. He rubbed his hands together to brush the bits of gravel out of the flesh. "What's got wrong with you?" he asked.McGregor hesitated. He wondered how he should tell what was in his mind. "Everything in its place," he said finally. "I wanted to go on with our talk." Lights flashed out of the darkness of the park. The two men sat on the bench thinking each his own thoughts.
"I want to take some work out of the clamps to-night," the barber said, looking at his watch. Together the two men walked along the street. "Look here," said McGregor. "I didn't mean to hurt you. Those two women that came up and interfered with what we were working out made me furious."
"Women always interfere," said the barber. "They raise hell with men." His mind ran out and began to play with the world-old problem of the sexes. "If a lot of women fall in the fight with us men and become our slaves--serving us as the paid women do--need they fuss about it? Let them be game and try to help work it out as men have been game and have worked and thought through ages of perplexity and defeat."
The barber stopped on the street corner to fill and light his pipe. "Women can change everything when they want to," he said, looking at McGregor and letting the match burn out in his fingers. "They can have motherhood pensions and room to work out their own problem in the world or anything else that they really want. They can stand up face to face with men. They don't want to. They want to enslave us with their faces and their bodies. They want to carry on the old, old weary fight." He tapped McGregor on the arm. "If a few of us--wanting with all our might to get something done--beat them at their own game, don't we deserve the victory?" he asked."But sometimes I think I would like a woman to live with, you know, just to sit and talk with me," said McGregor.
The barber laughed. Puffing at his pipe he walked down the street. "To be sure! To be sure!" he said. "I would. Any man would. I like to sit in the room for a spell in the evening talking to you but I would hate to give up violin making and be bound all my life to serve you and your purposes just the same."
In the hallway of their own house the barber spoke to McGregor as he looked down the hallway to where the door of the black eyed girl's room had just crept open. "You let women alone," he said; "when you feel you can't stay away from them any longer you come and talk it over with me."
McGregor nodded and went along the hallway to his own room. In the darkness he stood by the window and looked down into the court. The feeling of hidden power, the ability to rise above the mess into which modern life had sunk that had come to him in the park, returned and he walked nervously about. When finally he sat down upon a chair and leaning forward put his head in his hands he felt like one who has started on a long journey through a strange and dangerous country and who has unexpectedly come upon a friend going the same way.
The people of Chicago go home from their work at evening--drifting they go in droves, hurrying along. It is a startling thing to look closely at them. The people have bad mouths. Their mouths are slack and the jaws do not hang right. The mouths are like the shoes they wear. The shoes have become run down at the corners from too much pounding on the hard pavements and the mouths have become crooked from too much weariness of soul.Something is wrong with modern American life and we Americans do not want to look at it. We much prefer to call ourselves a great people and let it go at that.
It is evening and the people of Chicago go home from work. Clatter, clatter, clatter, go the heels on the hard pavements, jaws wag, the wind blows and dirt drifts and sifts through the masses of the people. Every one has dirty ears. The stench in the street cars is horrible. The antiquated bridges over the rivers are packed with people. The suburban trains going away south and west are cheaply constructed and dangerous. A people calling itself great and living in a city also called great go to their houses a mere disorderly mass of humans cheaply equipped. Everything is cheap. When the people get home to their houses they sit on cheap chairs before cheap tables and eat cheap food. They have given their lives for cheap things. The poorest peasant of one of the old countries is surrounded by more beauty. His very equipment for living has more solidity.
The modern man is satisfied with what is cheap and unlovely because he expects to rise in the world. He has given his life to that dreary dream and he is teaching his children to follow the same dream. McGregor was touched by it. Being confused by the matter of sex he had listened to the advice of the barber and meant to settle things in the cheap way. One evening a month after the talk in the park he hurried along Lake Street on the West Side with that end in view. It was near eight o'clock and growing dark and McGregor should have been at the night school. Instead he walked along the street looking at the ill- kept frame houses. A fever burned in his blood. An impulse, for the moment stronger than the impulse that kept him at work over books night after night there in the big disorderly city and as yet stronger than any new impulse toward a vigorous compelling march through life, had hold of him. His eyes stared into the windows. He hurried along filled with a lust that stultified his brain and will. A woman sitting at the window of a little frame house smiled and beckoned to him.
McGregor walked along the path leading to the little frame house. The path ran through a squalid yard. It was a foul place like the court under his window behind the house in Wycliff Place. Here also discoloured papers worried by the wind ran about in crazy circles. McGregor's heart pounded and his mouth felt dry and unpleasant. He wondered what he should say and how he should say it when he came into the presence of the woman. He wished there were some one to be hit with his fist. He didn't want to make love, he wanted relief. He would have much preferred a fight.
The veins in McGregor's neck began to swell and as he stood in the darkness before the door of the house he swore. He stared up and down the street but the sky, the sight of which might have helped him, was hidden from view by the structure of an elevated railroad. Pushing open the door of the house he stepped in. In the dim light he could see nothing but a form sprang out of the darkness and a pair of powerful arms pinned his hands to his sides. McGregor looked quickly about A man huge as himself held him tightly against the door. He had one glass eye and a stubby black beard and in the half light looked sinister and dangerous. The hand of the woman who had beckoned to him from the window fumbled in McGregor's pockets and came out clutching a little roll of money. Her face, set now and ugly like the man's, looked up at him from under the arms of her ally.In a moment McGregor's heart stopped pounding and the dry unpleasant taste went out of his mouth. He felt relieved and glad at this sudden turn to the affair.
With a quick upward snap of his knees into the stomach of the man who had held him McGregor freed himself. A swinging blow to the neck sent his assailant groaning to the floor. McGregor sprang across the room. In the corner by the bed he caught the woman. Clutching her by the hair he whirled her about. "Hand over that money," he said fiercely.
The woman put up her hands and plead with him. The grip of his hands in her hair brought the tears to her eyes. She thrust the roll of bills into his hands and waited, trembling, thinking he intended to kill her.
A new feeling swept over McGregor. The thought of having come into the house at the invitation of this woman was revolting to him. He wondered how he could have been such a beast. As he stood in the dim light thinking of this and looking at the woman he became lost in thought and wondered why the idea given him by the barber, that had seemed so clear and sensible, now seemed so foolish. His eyes stared at the woman as his mind returned to the black-bearded barber talking on the park bench and he was seized with a blind fury, a fury not directed at the people in the foul little room but at himself and his own blindness. Again a great hatred of the disorder of life took hold of him and as though all of the disorderly people of the world were personified in her he swore and shook the woman as a dog might have shaken a foul rag.
"Sneak. Dodger. Mussy fool," he muttered, thinking of himself as a giant attacked by some nauseous beast. The woman screamed with terror. Seeing the look on her assailant's face and mistaking the meaning of his words she trembled and thought again of death. Reaching under the pillow on the bed she got another roll of bills and thrust that also into McGregor's hands. "Please go," she plead. "We were mistaken. We thought you were some one else."
McGregor strode to the door past the man on the floor who groaned and rolled about. He walked around the corner to Madison Street and boarded a car for the night school. Sitting in the car he counted the money in the roll thrust into his hand by the kneeling woman and laughed so that the people in the car looked at him in amazement. "Turner has spent eleven dollars among them in two years and I have got twenty-seven dollars in one night," he thought. He jumped off the car and walked along under the street lights striving to think things out. "I can't depend on any one," he muttered. "I have to make my own way. The barber is as confused as the rest of them and he doesn't know it. There is a way out of the confusion and I'm going to find it, but I'll have to do it alone. I can't take any one's word for anything."
The matter of McGregor's attitude toward women and the call of sex was not of course settled by the fight in the house in Lake Street. He was a man who, even in the days of his great crudeness, appealed strongly to the mating instinct in women and more than once his purpose was to be shaken and his mind disturbed by the forms, the faces and the eyes of women.
McGregor thought he had settled the matter. He forgot the black-eyed girl in the hallway and thought only of advancement in the warehouse and of study in his room at night. Now and then he took an evening off and went for a walk through the streets or in one of the parks.
In the streets of Chicago, under the night lights, among the restless moving people he was a figure to be remembered. Sometimes he did not see the people at all but went swinging along in the same spirit in which he had walked in the Pennsylvania hills. He was striving to get a hold of some elusive quality in life that seemed to be forever out of reach. He did not want to be a lawyer or a warehouseman. What did he want? Along the street he went trying to make up his mind and because his was not a gentle nature his perplexity drove him to anger and he swore.
Up and down Madison Street he went striding along, his lips muttering words. In a corner saloon some one played a piano. Groups of girls passed laughing and talking. He came to the bridge that led over the river into the loop district and then turned restlessly back. On the sidewalks along Canal Street he saw strongbodied men loitering before cheap lodging houses. Their clothing was filthy with long wear and there was no light of determination in their faces. In the little fine interstices of the cloth of which their clothes were made was gathered the filth of the city in which they lived and in the stuff of their natures the filth and disorder of modern civilisation had also found lodging.
On walked McGregor looking at man-made things and the flame of anger within burned stronger and stronger. He saw the drifting clouds of people of all nations that wander at night in Halstead Street and turning into a side street saw also the Italians, Poles and Russians that at evening gather on the sidewalks before tenements in that district.
The desire in McGregor for some kind of activity became a madness. His body shook with the strength of his desire to end the vast disorder of life. With all the ardour of youth he wanted to see if with the strength of his arm he could shake mankind out of its sloth. A drunken man passed and following him came a large man with a pipe in his mouth. The large man did not walk with any suggestion of power in his legs. He shambled along. He was like a huge child with fat cheeks and great untrained body, a child without muscles and hardness, clinging to the skirts of life.
McGregor could not bear the sight of the big ungainly figure. The man seemed to personify all of the things against which his soul was in revolt and he stopped and stood crouched, a ferocious light burning in his eyes.
Into the gutter rolled the man stunned by the force of the blow dealt him by the miner's son. He crawled on his hands and knees and cried for help. His pipe had rolled away into the darkness. McGregor stood on the sidewalk and waited. A crowd of men standing before a tenement house started to run toward him. Again he crouched. He prayed that they would come on and let him fight them also. In anticipation of a great struggle joy shone in his eyes and his muscles twitched.
And then the man in the gutter got to his feet and ran away. The men who had started to run toward him stopped and turned back. McGregor walked on, his heart heavy with the sense of defeat. He was a little sorry for the man he had struck and who had made so ridiculous a figure crawling about on his hands and knees and he was more perplexed than ever.
McGregor tried again to solve the problem of women. He had been much pleased by the outcome of the affair in the little frame house and the next day bought law books with the twenty-seven dollars thrust into his hand by the frightened woman. Later he stood in his room stretching his great body like a lion returned from the kill and thought of the little black-bearded barber in the room at the end of the hall stooping over his violin, his mind busy with the attempt to justify himself because he would not face one of life's problems. The feeling of resentment against the man had gone. He thought of the course laid out for himself by that philosopher and laughed. "There is something about it to avoid, like giving yourself up to digging in the dirt under the ground," he told himself.
McGregor's second adventure began on a Saturday night and again he let himself be led into it by the barber. The night was hot and the younger man sat in his room filled with a desire to go forth and explore the city. The quiet of the house, the distant rumble of street cars, the sound of a band playing far down the street disturbed and diverted his mind. He wished that he might take a stick in his hands and go forth to prowl among the hills as he had gone on such nights in his youth in the Pennsylvania town.The door to his room opened and the barber came in. In his hand he held two tickets. He sat on the window sill to explain.
"There is a dance in a hall on Monroe Street," said the barber excitedly. "I have two tickets here. A politician sold them to the boss in the shop where I work." The barber threw back his head and laughed. To his mind there was something delicious in the thought of the boss barber being forced by the politicians to buy dance tickets. "They cost two dollars each," he cried and shook with laughter "You should have seen my boss squirm. He didn't want the tickets but was afraid not to take them. The politician could make trouble for him and he knew it. You see we make a hand-book on the races in the shop and that is against the law. The politician could make trouble for us. The boss paid out the four dollars swearing under his breath and when the politician had gone out he threw them at me. 'There, take them,' he shouted, 'I don't want the rotten things. Is a man a horse trough at which every beast can stop to drink?'"
McGregor and the barber sat in the room laughing at the boss barber who had smilingly bought the tickets while consumed with inward wrath. The barber urged McGregor to go with him to the dance. "We will make a night of it," he said. "We will see women there--two that I know. They live upstairs over a grocery store. I have been with them. They will open your eyes. They are a kind of women you haven't known, bold and clever and good fellows too."
McGregor got up and pulled his shirt over his head. A wave of feverish excitement ran over his body. "We shall see about this," he said, "we shall see if this is another wrong trail you are starting me on. You go to your room and get ready. I am going to fix myself up."
In the dance hall McGregor sat on a seat by the wall with one of the two women lauded by the barber and a third one who was frail and bloodless. To him the adventure had been a failure. The swing of the dance music struck no answering chord in him. He saw the couples on the floor clasped in each other's arms, writhing and turning, swaying back and forth, looking into each other's eyes and turned aside wishing himself back in his room among the law books.
The barber talked to two of the women, bantering them. McGregor thought the conversation inane and trivial. It skirted the edge of things and ran off into vague references to other times and adventures of which he knew nothing.
The barber danced away with one of the women. She was tall and the head of the barber barely Passed her shoulder. His black beard shone against her white dress. The two women sat beside him and talked. McGregor gathered that the frail woman was a maker of hats. Something about her attracted him and he leaned against the wall and looked at her, not hearing the talk.A youth came up and took the other woman away. From across the hall the barber beckoned to him.
A thought flashed into his mind. This woman beside him was frail and thin and bloodless like the women of Coal Creek. A feeling of intimacy with her came over him. He felt as he had felt concerning the tall pale girl of Coal Creek when they together gether had climbed the hill to the eminence that looked down into the valley of farms.
Edith Carson the milliner, whom fate had thrown into the company of McGregor, was a frail woman of thirty-four and lived alone in two rooms at the back of her millinery store. Her life was almost devoid of colour. On Sunday morning she wrote a long letter to her family on an Indiana farm and then put on a hat from among the samples in the show case along the wall and went to church, sitting by herself in the same seat Sunday after Sunday and afterward remembering nothing of the sermon.
On Sunday afternoon Edith went by street-car to a park and walked alone under the trees. If it threatened rain she sat in the larger of the two rooms back of the shop sewing on new dresses for herself or for a sister who had married a blacksmith in the Indiana town and who had four children.
Edith had soft mouse-coloured hair and grey eyes with small brown spots on the iris. She was so slender that she wore pads about her body under her dress to fill it out. In her youth she had had a sweetheart--a fat round-cheeked boy who lived on the next farm. Once they had gone together to the fair at the county seat and coming home in the buggy at night he had put his arm about her and kissed her. "You ain't very big," he had said.
Edith sent to a mail order house in Chicago and bought the padding which she wore under her dress With it came an oil which she rubbed on herself. The label on the bottle spoke of the contents with great respect as a wonderful developer. The heavy pads wore raw places on her side against which her clothes rubbed but she bore the pain with grim stoicism, remembering what the fat boy had said.
After Edith came to Chicago and opened a shop of her own she had a letter from her former admirer. "It pleases me to think that the same wind that blows over me blows also over you," it said. After that one letter she did not hear from him again. He had the phrase out of a book he had read and had written the letter to Edith that he might use it. After the letter had gone he thought of her frail figure and repented of the impulse that had tricked him into writing. Half in alarm he began courting and soon married another girl.
Sometimes on her rare visits home Edith had seen her former lover driving along the road. The sister who had married the blacksmith said that he was stingy, that his wife had nothing to wear but a cheap calico dress and that on Saturday he drove off to town alone, leaving her to milk the cows and feed the pigs and horses. Once he encountered Edith on the road and tried to get her into the wagon to ride with him. Although she had walked along the road ignoring him she took the letter about the wind that blew over them both out of a drawer on spring evenings or after a walk in the park and read it over. After she had read it she sat in the darkness at the front of the store looking through the screen door at people in the street and wondered what life would mean to her if she had a man on whom she could bestow her love. In her heart she believed that, unlike the wife of the fat youth, she would have borne children.
In Chicago Edith Carson had made money. She had a genius for economy in the management of her business. In six years she had cleared a large debt from the shop and had a comfortable balance in the bank. Girls who worked in factories or in stores came and left most of their meagre surplus in her shop and other girls who didn't work came in, throwing dollars about and talking about "gentlemen friends." Edith hated the bargaining but attended to it with shrewdness and with a quiet disarming little smile on her face. What she liked was to sit quietly in the room and trim hats. When the business grew she had a woman to tend the shop and a girl to sit beside her and help with the hats. She had a friend, the wife of a motorman on the street-car line, who sometimes came to see her in the evening. The friend was a plump little woman, dissatisfied with her marriage, and she got Edith to make her several new hats a year for which she paid nothing.
Edith went to the dance at which she met McGregor with the motorman's wife and a girl who lived upstairs over a bakery next door to the shop, The dance was held in a hall over a saloon and was given for the benefit of a political organisation in which the baker was a leader. The wife of the baker came in and sold Edith two tickets, one for herself and one for the wife of the motorman who happened to be sitting with her at the time.
That evening after the motorman's wife had gone home Edith decided to go to the dance and the decision was something like an adventure in itself. The night was hot and sultry, lightning flashed in the sky and clouds of dust swept down the street. Edith sat in the darkness behind the bolted screen door and looked at the people who hurried homeward down the street. A wave of revolt at the narrowness and emptiness of her life ran through her. Tears sprang to her eyes. She closed the shop door and going into the room at the back lighted the gas and stood looking at herself in the mirror. "I'll go to the dance," she thought. "Perhaps I shall get a man. If he won't marry me he can have what he wants of me anyway."
In the dance hall Edith sat demurely by the wall near a window and watched the couples whirl about on the floor. Through an open door she could see couples sitting in another room around tables and drinking beer. A tall young man in white trousers and white slippers went about on the dance floor. He smiled and bowed to the women. Once he started across the floor toward Edith and her heart beat rapidly, but just when she thought he intended to speak to her and to the motorman's wife he turned and went to another part of the room. Edith followed him with her eyes, admiring his white trousers and his shining white teeth.
The wife of the motorman went away with a small straight man with a grey moustache whom Edith thought had unpleasant eyes and two girls came and sat beside her. They were customers of her store and lived together in a flat over a grocery on Monroe Street. Edith had heard the girl who sat in the workroom with her speak slightingly of them. The three sat together along the wall and talked of hats.
And then across the floor of the dance hall came two men, a huge red- haired fellow and a little man with a black beard. The two women hailed them and the five sat together making a party by the wall, the little man keeping up a running stream of comments about the people on the floor with Edith's two companions. A dance struck up and taking one of the women the black-bearded man danced away. Edith and the other woman again talked of hats. The huge fellow beside her said nothing but followed the women about the dance hall with his eyes. Edith thought she had never seen so homely a fellow.
At the end of the dance the black-bearded man went through the door into the room filled with little tables and made a sign to the red- haired man to follow. A boyish looking fellow appeared and went away with the other woman and Edith sat alone on the bench by the wall beside McGregor.
"This place doesn't interest me," said McGregor quickly. "I don't like to sit watching people hop about on their toes. If you want to come with me we'll get out of here and go to some place where we can talk and get acquainted."* * * * *
The little milliner walked across the floor on the arm of McGregor, her heart jumping with excitement. "I've got a man," she thought, exulting. That the man had deliberately chosen her she knew. She had heard the introductions and the bantering talk of the black-bearded man and had noted the indifference of the big man to the other women.
Edith looked at her companion's huge frame and forgot his homeliness. Into her mind came a picture of the fat boy, grown into a man, driving down the road in the wagon and leeringly asking her to ride with him. A flood of anger at the memory of the look of greedy assurance in his eyes came over her. "This one could knock him over a six-rail fence," she thought."Where are we going now?" she asked.
McGregor looked down at her. "To some place where we can talk," he said. "I was sick of this place. You ought to know where we're going. I'm going with you. You aren't going with me."
McGregor wished he were in Coal Creek. He felt he would like to take this woman over the hill and sit on the log to talk of his father.
As they walked along Monroe Street Edith thought of the resolution she had made as she stood before the mirror in her room at the back of the shop on the evening when she had decided to come to the dance. She wondered if the great adventure was about to come to her and her hand trembled on McGregor's arm. A hot wave of hope and fear shot through her.
At the door of the millinery shop she fumbled with uncertain hands as she unlocked the door. A delicious feeling shook her. She felt like a bride, glad and yet ashamed and afraid.
In the room at the back of the shop McGregor lighted the gas and pulling off his overcoat threw it on the couch at the side of the room. He was not in the least excited and with a steady hand lighted the fire in the little stove and then looking up he asked Edith if he might smoke. He had the air of a man come home to his own house and the woman sat on the edge of her chair to unpin her hat and waited hopefully to see what course the night's adventure would take.
For two hours McGregor sat in the rocking chair in Edith Carson's room and talked of Coal Creek and of his life in Chicago. He talked freely, letting himself go as a man might in talking to one of his own people after a long absence. His attitude and the quiet ring in his voice confused and puzzled Edith. She had expected something quite different.
Going to the little room at the side she brought forth a teakettle and prepared to make tea. The big man still sat in her chair smoking and talking. A delightful feeling of safety and coziness crept over her. She thought her room beautiful but mingled with her satisfaction was a faint grey streak of fear. "Of course he won't come back again," she thought.
In the year following the beginning of his acquaintanceship with Edith Carson McGregor continued to work hard and steadily in the warehouse and with his books at night. He was promoted to be foreman, replacing the German, and he thought he had made progress with his studies. When he did not go to the night school he went to Edith Carson's place and sat reading a book and smoking his pipe by a little table in the back room.
About the room and in and out of her shop moved Edith, going softly and quietly. A light began to come into her eyes and colour into her cheeks. She did not talk but new and daring thoughts visited her mind and a thrill of reawakened life ran through her body. With gentle insistence she did not let her dreams express themselves in words and almost hoped that she might be able to go on forever thus, having this strong man come into her presence and sit absorbed in his own affairs within the walls of her house. Sometimes she wanted him to talk and wished that she had the power to lead him into the telling of little facts of his life. She wanted to be told of his mother and father, of his boyhood in the Pennsylvania town, of his dreams and his desires but for the most part she was content to wait and only hoped that nothing would happen to bring an end to her waiting.
McGregor began to read books of history and became absorbed in the figures of certain men, all soldiers and leaders of soldiers who stalked across the pages wherein was written the story of man's life. The figures of Sherman, Grant, Lee, Jackson, Alexander, Caesar, Napoleon, and Wellington seemed to him to stand starkly up among the other figures in the books and going to the Public Library at the noon hour he got books concerning these men and for a time lost interest in the study of law and devoted himself to contemplation of the breakers of laws.
There was something beautiful about McGregor in those days. He was as virginal and pure as a chunk of the hard black coal out of the hills of his own state and like the coal ready to burn himself out into power. Nature had been kind to him. He had the gift of silence and of isolation. All about him were other men, perhaps as strong physically as himself and with better trained minds who were being destroyed and he was not being destroyed. For the others life let itself run out in the endless doing of little tasks, the thinking of little thoughts and the saying of groups of words over and over endlessly like parrots that sit in cages and earn their bread by screaming two or three sentences to passers by.
It is a terrible thing to speculate on how man has been defeated by his ability to say words. The brown bear in the forest has no such power and the lack of it has enabled him to retain a kind of nobility of bearing sadly lacking in us. On and on through life we go, socialists, dreamers, makers of laws, sellers of goods and believers in suffrage for women and we continuously say words, worn-out words, crooked words, words without power or pregnancy in them.
The matter is one to be thought of seriously by youths and maidens inclined to garrulousness. Those who have the habit of it will never change. The gods who lean over the rim of the world to laugh at us have marked them for their barrenness.
And yet the word must run on. McGregor, the silent, wanted his word. He wanted his true note as an individual to ring out above the hubbub of voices and then he wanted to use the strength and the virility within himself to carry his word far. What he did not want was that his mouth become foul and his brain become numb with the saying of the words and the thinking of the thoughts of other men and that he in his turn become a mere toiling food-consuming chattering puppet to the gods.
For a long time the miner's son wondered what power lay in the men whose figures stood up so boldly in the pages of the books he read. He tried to think the matter out as he sat in Edith's room or walked by himself through the streets. In the warehouse he looked with new curiosity at the men who worked in the great rooms piling and unpiling apple barrels and the boxes of eggs and fruit When he came into one of the rooms the men who had been standing in groups idly talking of their own affairs began to run busily about. They no longer chattered but as long as he remained worked desperately, furtively watching as he stood staring at them.
McGregor wondered. He tried to fathom the mystery of the power that made them willing to work until their bodies were bent and stooped, that made them unashamed to be afraid and that left them in the end mere slaves to words and formulas.
The perplexed young man who watched the men in the warehouse began to think that the passion for reproduction might have something to do with the matter. Perhaps his constant association with Edith awakened the thought. His own loins were heavy with the seeds of children and only his absorption in the thought of finding himself kept him from devoting himself to the feeding of his lusts. One day he had a talk concerning the matter with a at the warehouse. The talk came about in this way.
In the warehouse the men came in at the door in the morning, drifting in like flies that wander in at the open windows on a summer day. With downcast eyes they shuffled across the long floor, white with lime. Morning after morning they came in at the door and went silently to their places looking at the floor and scowling. A slender bright-eyed young man who acted as shipping clerk during the day sat in a little coop and to him the men as they passed called out their numbers. From time to time the shipping clerk who was an Irishman tried to joke with one of them, tapping sharply upon his desk with a pencil as though to compel attention. "They are no good," he said to himself, when in response to his sallies they only smiled vaguely. "Although they get but a dollar and a half a day they are overpaid!" Like McGregor he had nothing but contempt for the men whose numbers he put in the book. Their stupidity he took as a compliment to himself. "We are the kind who get things done," he thought as he put the pencil back of his ear and closed the book. In his mind the futile pride of the middle class man flamed up. In his contempt for the workers he forgot also to have contempt for himself.
One morning McGregor and the shipping clerk stood upon a board platform facing the street and the shipping clerk talked of parentage. "The wives of the workers here have children as cattle have calves," said the Irishman. Moved by some hidden sentiment within himself he added heartily. "Oh well, what's a man for? It's nice to see kids around the house. I've got four kids myself. You should see them play about in the garden at my place in Oak Park when I come home in the evening."
McGregor thought of Edith Carson and a faint hunger began to grow within him. A desire that was later to come near to upsetting the purpose of his life began to make itself felt. With a growl he fought against the desire and confused the Irishman by making an attack upon him. "Well how are you any better?" he asked bluntly. "Do you think your children any more important than theirs? You may have a better mind but their bodies are better and your mind hasn't made you a very striking figure as far as I can see."
Turning away from the Irishman who had begun to sputter with wrath McGregor went up an elevator to a distant part of the building to think of the Irishman's words. From time to time he spoke sharply to a workman who loitered in one of the passages between the piles of boxes and barrels. Under his hand the work in the warehouse had begun to take on order and the little grey-haired superintendent who had employed him rubbed his hands with delight.
In a corner by a window stood McGregor wondering why he also did not want to devote his life to being the father of children. In the dim light across the face of the window a fat old spider crawled slowly. In the hideous body of the insect there was something that suggested to the mind of the struggling thinker the sloth of the world. Vaguely his mind groped about trying to get hold of words and ideas to express what was in his brain. "Ugly crawling things that look at the floor," he muttered. "If they have children it is without order or orderly purpose. It is an accident like the accident of the fly that falls into the net built by the insect here. The coming of the children is like the coming of the flies, it feeds a kind of cowardice in men. In the children men hope vainly to see done what they have not the courage to try to do."
With an oath McGregor smashed with his heavy leather glove the fat thing wandering aimlessly across the light. "I must not be confused by little things. There is still going on the attempt to force me into the hole in the ground. There is a hole here in which men live and work just as there is in the mining town from which I came."
Hurrying out of his room that evening McGregor went to see Edith. He wanted to look at her and to think. In the little room at the back he sat for an hour trying to read a book and then for the first time shared his thoughts with her. "I am trying to discover why men are of so little importance," he said suddenly. "Are they mere tools for women? Tell me that. Tell me what women think and what they want?"
Without waiting for an answer he turned again to the reading of the book. "Oh well," he added "it doesn't need to bother me. I won't let any women lead me into being a reproductive tool for her."
Edith was alarmed. She took McGregor's outburst as a declaration of war against herself and her influence and her hands began to tremble. Then a new thought came to her. "He needs money to get on in the world," she told herself and a little thrill of joy ran through her as she thought of her own carefully guarded hoard. She wondered how she could offer it to him so that there would be no danger of a refusal."You're all right," said McGregor, preparing to depart. "You do not interfere with a man's thoughts."
Edith blushed and like the workmen in the warehouse looked at the floor. Something in his words startled her and when he was gone she went to her desk and taking out her bankbook turned its pages with new pleasure. Without hesitation she who indulged herself in nothing would have given all to McGregor.
And out into the street went the man, thinking of his own affairs. He dismissed from his mind the thoughts of women and children and began again to think of the stirring figures of history that had made so strong an appeal to him. As he passed over one of the bridges he stopped and stood leaning over the rail to look at the black water below. "Why has thought never succeeded in replacing action?" he asked himself. "Why are the men who write books in some way less full of meaning than the men who do things?"
McGregor was staggered by the thought that had come to him and wondered if he had started on a wrong trail by coming to the city and trying to educate himself. For an hour he stood in the darkness and tried to think things out. It began to rain but he did not mind. Into his brain began to creep a dream of a vast order coming out of disorder. He was like one standing in the presence of some gigantic machine with many intricate parts that had begun to run crazily, each part without regard to the purpose of the whole. "There is danger in thinking too," he muttered vaguely. "Everywhere there is danger, in labour, in love and in thinking. What shall I do with myself?"
McGregor turned about and threw up his hands. A new thought swept like a broad path of light across the darkness of his mind. He began to see that the soldiers who had led thousands of men into battle had appealed to him because in the working out of their purposes they had used human lives with the recklessness of gods. They had found the courage to do that and their courage was magnificent. Away down deep in the hearts of men lay sleeping a love of order and they had taken hold of that love. If they had used it badly did that matter? Had they not pointed the way?
Back into McGregor's mind came a night scene in his home town. Vividly he saw in fancy the poor unkempt little street facing the railroad tracks and the groups of striking miners huddled in the light before the door of a saloon while in the road a body of soldiers marched past, their uniforms looking grey and their faces grim in the uncertain light. "They marched," whispered McGregor. "That's what made them seem so powerful. They were just ordinary men but they went swinging along, all as one man. Something in that fact ennobled them. That's what Grant knew and what Caesar knew. That's what made Grant and Caesar seem so big. They knew and they were not afraid to use their knowledge. Perhaps they did not bother to think how it would all come out. They hoped for another kind of man to do the thinking. Perhaps they did not think of anything at all but just went ahead and tried to do each his own part.
"I will do my part here," shouted McGregor. "I will find the way." His body shook and his voice roared along the footpath of the bridge. Men stopped to look back at the big shouting figure. Two women walking past screamed and ran into the roadway. McGregor walked rapidly away toward his own room and his books. He did not know how he would be able to use the new impulse that had come to him but as he swung along through dark streets and past rows of dark buildings he thought again of the great machine running crazily and without purpose and was glad he was not a part of it. "I will keep myself to myself and be ready for what happens," he said, burning with new courage.
When McGregor had secured the place in the apple-warehouse and went home to the house in Wycliff Place with his first week's pay, twelve dollars, in his pocket he thought of his mother, Nance McGregor, working in the mine offices in the Pennsylvania town and folding a five dollar bill sent it to her in a letter. "I will begin to take care of her now," he thought and with the rough sense of equity in such matters, common to labouring people, had no intention of giving himself airs. "She has fed me and now I will begin to feed her," he told himself.
The five dollars came back. "Keep it. I don't want your money," the mother wrote. "If you have money left after your expenses are paid begin to fix yourself up. Better get a new pair of shoes or a hat. Don't try to take care of me. I won't have it. I want you to look out for yourself. Dress well and hold up your head, that's all I ask. In the city clothes mean a good deal. In the long run it will mean more to me to see you be a real man than to be a good son."
Sitting in her rooms over the vacant bake-shop in Coal Creek Nance began to get new satisfaction out of the contemplation of herself as a woman with a son in the city. In the evening she thought of him moving along the crowded thoroughfares among men and women and her bent little old figure straightened with pride. When a letter came telling of his work in the night school her heart jumped and she wrote a long letter filled with talk of Garfield and Grant and of Lincoln lying by the burning pine knot reading his books. It seemed to her unbelievably romantic that her son should some day be a lawyer and stand up in a crowded court room speaking thoughts out of his brain to other men. She thought that if this great red-haired boy, who at home had been so unmanageable and so quick with his fists, was to end by being a man of books and of brains then she and her man, Cracked McGregor, had not lived in vain. A sweet new sense of peace came to her. She forgot her own years of toil and gradually her mind went back to the silent boy sitting on the steps with her before her house in the year after her husband's death while she talked to him of the world, and thus she thought of him, a quiet eager boy, going about bravely there in the distant city.
Death caught Nance McGregor off her guard. After one of her long days of toil in the mine office she awoke to find him sitting grim and expectant beside her bed. For years she in common with most of the women of the coal town had been afflicted with what is called "trouble with the heart." Now and then she had "bad spells." On this spring evening she got into bed and sitting propped among the pillows fought out her fight alone like a worn-out animal that has crept into a hole in the woods.
In the middle of the night the conviction came to her that she would die. Death seemed moving about in the room and waiting for her. In the street two drunken men stood talking, their voices concerned with their own human affairs coming in through the window and making life seem very near and dear to the dying woman. "I've been everywhere," said one of the men. "I've been in towns and cities I don't even remember the names of. You ask Alex Fielder who keeps a saloon in Denver. Ask him if Gus Lamont has been there."
Nance heard the two men stumble off down the street, the traveller protesting against the unbelief of his friend. It seemed to her that life with all of its colour sound and meaning was running away from her presence. The exhaust of the engine over at the mine rang in her ears. She thought of the mine as a great monster lying asleep below the ground, its huge nose stuck into the air, its mouth open to eat men. In the darkness of the room her coat, flung over the back of a chair, took the shape and outline of a face, huge and grotesque, staring silently past her into the sky.
Nance McGregor gasped and struggled for breath. She clutched the bedclothes with her hands and fought grimly and silently. She did not think of the place to which she might go after death. She was trying hard not to go there. It had been her habit of life to fight not to dream dreams.
Nance thought of her father, drunk and throwing his money about in the old days before her marriage, of the walks she as a young girl had taken with her lover on Sunday afternoons and of the times when they had gone together to sit on the hillside overlooking the farming country. As in a vision the dying woman saw the broad fertile land spread out before her and blamed herself that she had not done more toward helping her man in the fulfilment of the plans she and he had made to go there and live. Then she thought of the night when her boy came and of how, when they went to bring her man from the mine, they found him apparently dead under the fallen timbers so that she thought life and death had visited her hand in hand in one night.
Nance sat stiffly up in bed. She thought she heard the sound of heavy feet on the stairs. "That will be Beaut coming up from the shop," she muttered and fell back upon the pillow dead.
Beaut McGregor went home to Pennsylvania to bury his mother and on a summer afternoon walked again on the streets of his native town. From the station he went at once to the empty bake-shop, above which he had lived with his mother but he did not stay there. For a moment he stood bag in hand listening to the voices of the miners' wives in the room above and then put the bag behind an empty box and hurried away. The voices of women broke the stillness of the room in which he stood. Their thin sharpness hurt something within him and he could not bear the thought of the equally thin sharp silence he knew would fall upon the women who were attending his mother's body in the room above when he came into the presence of the dead.
Along Main Street he went to a hardware store and from there went to the mine office. Then with a pick and shovel on his shoulder he began to climb the hill up which he had walked with his father when he was a lad. On the train homeward bound an idea had come to him. "I will her among the bushes on the hillside that looks down into the fruitful valley," he told himself. The details of a religious discussion between two labourers that had gone on one day during the noon hour at the warehouse had come into his mind and as the train ran eastward he for the first time found himself speculating on the possibility of a life after death. Then he brushed the thoughts aside. "Anyway if Cracked McGregor does come back it is there you will find him, sitting on the log on the hillside," he thought.
With the tools on his shoulder McGregor climbed the long hillside road, now deep with black dust. He was going to dig the grave for the burial of Nance McGregor. He did not glare at the miners who passed swinging their dinner-pails as they had done in the old days but looked at the ground and thought of the dead woman and a little wondered what place a woman would yet come to occupy in his own life. On the hillside the wind blew sharply and the great boy just emerging into manhood worked vigorously making the dirt fly. When the hole had grown deep he stopped and looked to where in the valley below a man who was hoeing corn shouted to a woman who stood on the porch of a farm house. Two cows that stood by a fence in a field lifted up their heads and bawled lustily. "It is the place for the dead to lie," whispered McGregor. "When my own time comes I shall be brought up here." An idea came to him. "I will have father's body moved," he told himself. "When I have made some money I will have that done. Here we shall all lie in the end, all of us McGregors."
The thought that had come to McGregor pleased him and he was pleased also with himself for thinking the thought. The male in him made him throw back his shoulders. "We are two of a feather, father and me," he muttered, "two of a feather and mother has not understood either of us. Perhaps no woman was ever intended to understand us."
Jumping out of the hole he strode over the crest of the hill and began the descent toward the town. It was late afternoon and the sun had gone down behind clouds. "I wonder if I understand myself, if any one understands," he thought as he went swiftly along with the tools clanking on his shoulder.
McGregor did not want to go back to the town and to the dead woman in the little room. He thought of the miners' wives, attendants to the dead, who would sit with crossed hands looking at him and turned out of the road to sit on the fallen log where once on a Sunday afternoon he had sat with the black-haired boy who worked in the poolroom and where the daughter of the undertaker had come to sit beside him.
And then up the long hill came the woman herself. As she drew near he recognised her tall figure and for some reason a lump came into his throat She had seen him depart from the town with the pick and shovel on his shoulder and after waiting what she thought an interval long enough to still the tongues of gossip had followed. "I wanted to talk with you," she said, climbing over logs and coming to sit beside him.
For a long time the man and woman sat in silence and stared at the town in the valley below. McGregor thought she had grown more pale than ever and looked at her sharply. His mind, more accustomed to look critically at women than had been the mind of the boy who had once sat talking to her on the same log, began to inventory her body. "She is already becoming stooped," he thought. "I would not want to make love to her now."
Along the log toward him moved the undertaker's daughter and with a swift impulse toward boldness slipped a thin hand into his. She began to talk of the dead woman lying in the upstairs room in the town. "We have been friends since you went away," she explained. "She liked to talk of you and I liked that too."Made bold by her own boldness the woman hurried on. "I do not want you to misunderstand me," she said. "I know I can't get you. I'm not thinking of that."
She began to talk of her own affairs and of the dreariness of life with her father but McGregor's mind could not centre itself on her talk. When they started down the hill he had the impulse to take her in his arms and carry her as Cracked McGregor had once carried him but was so embarrassed that he did not offer to help her. He thought that for the first time some one from his native town had come close to him and he watched her stooped figure with an odd new feeling of tenderness. "I won't be alive long, maybe not a year. I've got the consumption," she whispered softly as he left her at the entrance to the hallway leading up to her home, and McGregor was so stirred by her words that he turned back and spent another hour wandering alone on the hillside before he went to see the body of his mother.
* * * * *
In the room above the bakery McGregor sat at an open window and looked down into the dimly lighted street. In a corner of the room lay his mother in a coffin and two miners' wives sat in the darkness behind him. All were silent and embarrassed.
McGregor leaned out of the window and watched a group of miners who gathered at a corner. He thought of the undertaker's daughter, now nearing death, and wondered why she had suddenly come so close to him. "It is not because she is a woman, I know that," he told himself and tried to dismiss the matter from his mind by watching the people in the street below.
In the mining town a meeting was being held. A box lay at the edge of the sidewalk and upon it climbed that same young Hartnet who had once talked to McGregor and who made his living by gathering birds' eggs and trapping squirrels in the hills. He was frightened and talked rapidly. Presently he introduced a large man with a flat nose who, when he had in turn climbed upon the box, began to tell stories and anecdotes designed to make the miners laugh.
McGregor listened. He wished the undertaker's daughter were there to sit in the darkened room beside him. He thought he would like to tell her of his life in the city and of how disorganised and ineffective all modern life seemed to him. Sadness invaded his mind and he thought of his dead mother and of how this other woman would presently die. "It's just as well. Perhaps there is no other way, no orderly march toward an orderly end. Perhaps one has to die and return to nature to achieve that," he whispered to himself.
In the street below the man upon the box, who was a travelling socialist orator, began to talk of the coming social revolution. As he talked it seemed to McGregor that his jaw had become loose from much wagging and that his whole body was loosely put together and without force. The speaker danced up and down on the box and his arms flapped about and these also seemed loose, not a part of the body.
"Vote with us and the thing is done," he shouted. "Are you going to let a few men run things forever? Here you live like beasts paying tribute to your masters. Arouse yourselves. Join us in the struggle. You yourselves can be masters if you will only think so."
"You will have to do something more than think," roared McGregor, as he leaned far out at the window. Again as always when he had heard men saying words he was blind with anger. Sharply he remembered the walks he had sometimes taken at night in the city streets and the air of disorderly ineffectiveness all about him. And here in the mining town it was the same. On every side of him appeared blank empty faces and loose badly knit bodies.
"Mankind should be like a great fist ready to smash and to strike. It should be ready to knock down what stands in its way," he cried, astonishing the crowd in the street and frightening into something like hysterics the two women who sat with him beside the dead woman in the darkened room.
The funeral of Nance McGregor was an event in Coal Creek. In the minds of the miners she stood for something. Fearing and hating the husband and the tall bigfisted son they had yet a tenderness for the mother and wife. "She lost her money handing us out bread," they said as they pounded on the bar in the saloon. Word ran about among them and they returned again and again to the subject. The fact that she had lost her man twice--once in the mine when the timber fell and clouded his brain, and then later when his body lay black and distorted near the door to the McCrary cut after the dreadful time of the fire in the mine--was perhaps forgotten but the fact that she had once kept a store and that she had lost her money serving them was not forgotten.
On the day of the funeral the miners came up out of the mine and stood in groups in the open street and in the vacant bake shop. The men of the night shift had their faces washed and had put white paper collars about their necks. The man who owned the saloon locked the front door and putting the keys into his pocket stood on the side-walk looking silently at the windows of Nance McGregor's rooms. Out along the runway from the mines came other miners-men of the day shift. Setting their dinner pails on the stone along the front of the saloon and crossing the railroad they kneeled and washed their blackened faces in the red stream that flowed at the foot of the embankment The voice of the preacher, a slender wasp-like young man with black hair and dark shadows under his eyes, floated out to the listening men. A train of loaded coke cars rumbled past along the back of the stores.McGregor sat at the head of the coffin dressed in a new black suit. He stared at the wall back of the head of the preacher, not hearing, thinking his own thoughts.
Back of McGregor sat the undertaker's pale daughter. She leaned forward until she touched the back of the chair in front and sat with her face buried in a white handkerchief. Her weeping cut across the voice of the preacher in the closely crowded little room filled with miners' wives and in the midst of his prayer for the dead she was taken with a violent fit of coughing and had to get up and hurry out of the room.
After the services in the rooms above the bake shop a procession formed on Main Street. Like awkward boys the miners fell into groups and walked along behind the black hearse and the carriage in which sat the dead woman's son with the minister. The men kept looking at each other and smiling sheepishly. There had been no arrangement to follow the body to its grave and when they thought of the son and the attitude he had always maintained toward them they wondered whether or not he wanted them to follow.
And McGregor was unconscious of all this. He sat in the carriage beside the minister and with unseeing eyes stared over the heads of the horses. He was thinking of his life in the city and of what he should do there in the future, of Edith Carson, sitting in the cheap dance hall and of the evenings he had spent with her, of the barber on the park bench talking of women and of his life with his mother when he was a boy in the mining town.
As the carriage climbed slowly up the hill followed by the miners McGregor began to love his mother. For the first time he realised that her life was full of meaning and that in her woman's way she had been quite as heroic in her years of patient toil as had been her man Cracked McGregor when he ran to his death in the burning mine. McGregor's hands began to tremble and his shoulders straightened. He became conscious of the men, the dumb blackened children of toil dragging their weary legs up the hill.
For what? McGregor stood up in the carriage and turning about looked at the men. Then he fell upon his knees on the carriage seat and watched them eagerly, his soul crying out to something he thought must be hidden away among the black mass of them, something that was the keynote of their lives, something for which he had not looked and in which he had not believed.
McGregor, kneeling in the open carriage at the top of the hill and watching the marching men slowly toiling upward, had of a sudden one of those strange awakenings that are the reward of stoutness in stout souls. A strong wind lifted the smoke from the coke ovens and blew it up the face of the hill on the farther side of the valley and the wind seemed to have lifted also some of the haze that had covered his eyes. At the foot of the hill along the railroad he could see the little stream, one of the blood red streams of the mine country, and the dull red houses of the miners. The red of the coke ovens, the red sun setting behind the hills to the west and last of all the red stream flowing like a river of blood down through the valley made a scene that burned itself into the brain of the miner's son. A lump came into his throat and for a moment he tried vainly to get back his old satisfying hate of the town and the miners but it would not come. Long he looked down the hill to where the miners of the night shift marched up the hill after the carriage and the slowly moving hearse. It seemed to him that they like himself were marching up out of the smoke and the little squalid houses away from the shores of the blood red river into something new. What? McGregor shook his head slowly like an animal in pain. He wanted something for himself, for all these men. It seemed to him that he would gladly lie dead like Nance McGregor to know the secret of that want.
And then as though in answer to the cry out of his heart the file of marching men fell into step. An instantaneous impulse seemed to run through the ranks of stooped toiling figures. Perhaps they also looking backward had caught the magnificence of the picture scrawled across the landscape in black and red and had been moved by it so that their shoulders straightened and the long subdued song of life began to sing in their bodies. With a swing the marching men fell into step. Into the mind of McGregor flashed a thought of another day when he had stood upon this same hill with the half crazed man who stuffed birds and sat upon a log by the roadside reading the Bible and how he had hated these men because they did not march with orderly precision like the soldiers who came to subdue them. In a flash he knew that he who had hated the miners hated them no more. With Napoleonic insight he read a lesson into the accident of the men's falling into step behind his carriage. A big grim thought flashed into his brain. "Some day a man will come who will swing all of the workers of the world into step like that," he thought. "He will make them conquer, not one another but the terrifying disorder of life. If their lives have been wrecked by disorder it is not their fault. They have been betrayed by the ambitions of their leaders, all men have betrayed them." McGregor thought that his mind swept down over the men, that the impulses of his mind like living things ran among them, crying to them, touching them, caressing them. Love invaded his spirit and made his body tingle. He thought of the workers in the Chicago warehouse and of the millions of others workers who in that great city, in all cities, everywhere, went at the end of the day shuffling off along the streets to their houses carrying with them no song, no hope, nothing but a few paltry dollars with which to buy food and keep the endless hurtful scheme of things alive. "There is a curse on my country," he cried. "Everyone has come here for gain, to grow rich, to achieve. Suppose they should begin to want to live here. Suppose they should quit thinking of gain, leaders and followers of leaders. They are children. Suppose like children they should begin to play a bigger game. Suppose they could just learn to march, nothing else. Suppose they should begin to do with their bodies what their minds are not strong enough to do--to just learn the one simple thing, to march, whenever two or four or a thousand of them get together, to march."
McGregor's thoughts moved him so that he wanted to yell. Instead his face grew stern and he tried to command himself. "No, wait," he whispered. "Train yourself. Here is something to give point to your life. Be patient and wait." Again his thoughts swept away, running down to the advancing men. Tears came into his eyes. "Men have taught them that big lesson only when they wanted to kill. This must be different. Some one must teach them the big lesson just for their own sakes, that they also may know. They must march fear and disorder and purposelessness away. That must come first."
McGregor turned and compelled himself to sit quietly beside the minister in the carriage. He became bitter against the leaders of men, the figures in old history that had once loomed so big in his mind.
"They have half taught them the secret only to betray them," he muttered. "The men of books and of brains have done the same. That loose-jawed fellow in the street last night--there must be thousands of such, talking until their jaws hang loose like worn-out gates. Words mean nothing but when a man marches with a thousand other men and is not doing it for the glory of some king, then it will mean something. He will know then that he is a part of something real and he will catch the rhythm of the mass and glory in the fact that he is a part of the mass and that the mass has meaning. He will begin to feel great and powerful." McGregor smiled grimly. "That is what the great leaders of armies have known," he whispered. "And they have sold men out. They have used that knowledge to subdue men, to make them serve their own little ends."
McGregor continued to look back at the men and in an odd sort of way to wonder at himself and the thought that had come to him. "It can be done," he presently said aloud. "It will be done by some one, sometime. Why not by me?"
They buried Nance McGregor in the deep hole dug by her son before the log on the hillside. On the morning of his arrival he had secured permission of the mining company who owned the land to make this the burial place of the McGregors.
When the service over the grave was finished he looked about him at the miners, standing uncovered along the hill and in the road leading down into the valley, and felt that he should like to tell them what was in his mind. He had an impulse to jump upon the log beside the grave and in the presence of the green fields his father loved and across the grave of Nance McGregor shout to them saying, "Your cause shall be my cause. My brain and strength shall be yours. Your enemies I shall smite with my naked fist." Instead he walked rapidly past them and topping the hill went down toward the town into the gathering night.
McGregor could not sleep on that last night he was ever to spend in Coal Creek. When darkness came he went along the street and stood at the foot of the stairs leading to the home of the undertaker's daughter. The emotions that had swept over him during the afternoon had subdued his spirit and he wanted to be with some one who would also be subdued and quiet. When the woman did not come down the stairs to stand in the hallway as she had done in his boyhood he went up and knocked at her door. Together they went along Main Street and climbed the hill.
The undertaker's daughter walked with difficulty and was compelled to stop and sit upon a stone by the roadside. When she attempted to rise McGregor gathered her into his arms and when she protested patted her thin shoulder with his big hand and whispered to her. "Be quiet," he said. "Do not talk about anything. Just be quiet."
The nights in the hills above mining towns are magnificent. The long valleys, cut and slashed by the railroads and made ugly by the squalid little houses of the miners are half lost in the soft blackness. Out of the darkness sounds emerge. Coal cars creak and protest as they are pushed along rails. Voices cry out. With a long reverberating rattle one of the mine cars dumps its load down a metal chute into a car standing on the railroad tracks. In the winter little fires are started along the tracks by the workmen who are employed about the tipple and on summer nights the moon comes out and touches with wild beauty the banks of black smoke that drift upward from the long rows of coke ovens.
With the sick woman in his arms McGregor sat in silence on the hillside above Coal Creek and let new thoughts and new impulses play with his spirit. The love for the figure of his mother that had come to him during the afternoon returned and he took the woman of the mine country into his arms and held her closely against his breast.
The struggling man in the hills of his own country, who was trying to clear his soul of the hatred of men bred in him by the disorder of life, lifted his head and pressed the body of the undertaker's daughter hard against his own body. The woman, understanding his mood, picked with her thin fingers at his coat and wished she might die there in the darkness in the arms of the man she loved. When he became conscious of her presence and relaxed the grip of his arms about her shoulders she lay still and waited for him to forget again and again to press her tightly and let her feel in her worn-out body his massive strength and virility.
"It is a job. It is something big I can try to do," he whispered to himself and in fancy saw the great disorderly city on the western plains rocked by the swing and rhythm of men, aroused and awakening with their bodies a song of new life.
Chicago is a vast city and millions of people live within the limits of its influence. It stands at the heart of America almost within sound of the creaking green leaves of the corn in the vast corn fields of the Mississippi Valley. It is inhabited by hordes of men of all nations who have come across the seas or out of western corn--shipping towns to make their fortunes. On all sides men are busy making fortunes.
In little Polish villages the word has been whispered about, "In America one gets much money," and adventurous souls have set forth only to land at last, a little perplexed and disconcerted, in narrow ill--smelling rooms in Halstead Street in Chicago.
In American villages the tale has been told. Here it has not been whispered but shouted. Magazines and newspapers have done the job. The word regarding the making of money runs over the land like a wind among the corn. The young men listen and run away to Chicago. They have vigour and youth but in them has been builded no dream no tradition of devotion to anything but gain.
Chicago is one vast gulf of disorder. Here is the passion for gain, the very spirit of the bourgeoise gone drunk with desire. The result is something terrible. Chicago is leaderless, purposeless, slovenly, down at the heels.
And back of Chicago lie the long corn fields that are not disorderly. There is hope in the corn. Spring comes and the corn is green. It shoots up out of the black land and stands up in orderly rows. The corn grows and thinks of nothing but growth. Fruition comes to the corn and it is cut down and disappears. Barns are filled to bursting with the yellow fruit of the corn.
And Chicago has forgotten the lesson of the corn. All men have forgotten. It has never been told to the young men who come out of the corn fields to live in the city.
Once and once only in modern times the soul of America was stirred. The Civil War swept like a purifying fire through the land. Men marched together and knew the feel of shoulder to shoulder action. Brown stout bearded figures returned after the war to the villages. The beginning of a literature of strength and virility arose.
And then the time of sorrow and of stirring effort passed and prosperity returned. Only the aged are now cemented together by the sorrow of that time and there has been no new national sorrow.
It is a summer evening in America and the citizens sit in their houses after the effort of the day. They talk of the children in school or of the new difficulty of meeting the high prices of food stuff. In cities the bands play in the parks. In villages the lights go out and one hears the sound of hurrying horses on distant roads.
A thoughtful man walking in the streets of Chicago on such an evening sees women in white shirt waists and men with cigars in their mouths who sit on the porches of the houses. The man is from Ohio. He owns a factory in one of the large industrial towns there and has come to the city to sell his product. He is a man of the better sort, quiet, efficient, kindly. In his own community every one respects him and he respects himself. Now he walks and gives himself over to thoughts. He passes a house set among trees where a man cuts grass by the streaming light from a window. The song of the lawn mower stirs the walker. He idles along the street and looks in through the windows at Prints upon the walls. A white--clad woman sits playing on a piano. "Life is good," he says, lighting a cigar; "it climbs on and up toward a kind of universal fairness."
And then in the light from a street lamp the walker sees a man staggering along the sidewalk, muttering and helping himself with his hands upon a wall. The sight does not greatly disturb the pleasant satisfying thoughts that stir in his mind. He has eaten a good dinner at the hotel, he knows that drunken men are often but gay money- spending dogs who to-morrow morning will settle down to their work feeling secretly better for the night of wine and song.
My thoughtful man is an American with the disease of comfort and prosperity in his blood. He strolls along and turns a corner. He is satisfied with the cigar he smokes and, he decides, satisfied with the age in which he lives. "Agitators may howl," he says, "but on the whole life is good, and as for me I am going to spend my life attending to the business in hand."
The walker has turned a corner into a side street. Two men emerge from the door of a saloon and stand upon the sidewalk under a light. They wave their arms up and down. Suddenly one of them springs forward and with a quick forward thrust of his body and the flash of a clenched fist in the lamp light knocks his companion into the gutter. Down the street he sees rows of tall smokebegrimed brick buildings hanging black and ominous against the sky. At the end of a street a huge mechanical apparatus lifts cars of coal and dumps them roaring and rattling into the bowels of a ship that lies tied in the river.
The walker throws his cigar away and looks about. A man walks before him in the silent street. He sees the man raise his fist to the sky and notes with a shock the movement of the lips and the hugeness and ugliness of the face in the lamplight.
Again he goes on, hurrying now, around another corner into a street filled with pawn shops, clothing stores and the clamour of voices. In his mind floats a picture. He sees two boys, clad in white rompers, feeding clover to a tame rabbit in a suburban back lawn and wishes he were at home in his own place. In his fancy the two sons are walking under apple trees and laughing and tusseling for a great bundle of newly pulled sweet smelling clover. The strange looking red man with the huge face he has seen in the street is looking at the two children over a garden wall. There is a threat in the look and the threat alarms him. Into his mind comes the notion that the man who looks over the wall wants to destroy the future of his children.
The night advances. Down a stairway beside a clothing store comes a woman with gleaming white teeth who is clad in a black dress. She makes a Peculiar little jerking movement with her head to the walker. A patrol wagon with clanging bells rushes through the street, two blue clad policemen sitting stiffly in the seat. A boy--he can't be above six--runs along the street pushing soiled newspapers under the noses of idlers on the corners, his shrill childish voice rises above the din of the trolley cars and the clanging notes of the patrol wagon.
The walker throws his cigar into the gutter and climbing the steps of a street car goes back to his hotel. His fine reflective mood is gone. He half wishes that something lovely might come into American life but the wish does not persist. He is only irritated and feels that a pleasant evening has been in some way spoiled. He is wondering if he will be successful in the business that brought him to the city. As he turns out the light in his room and putting his head upon the pillow listens to the noises of the city merged now into a quiet droning roar he thinks of the brick factory on the banks of the river in Ohio and as he falls into sleep the face of the red-haired man lowers at him from the factory door.* * * * *
When McGregor returned to the city after the burial of his mother he began at once to try to put his idea of the marching men into form. For a long time he did not know how to begin. The idea was vague and shadowy. It belonged to the nights in the hills of his own country and seemed a little absurd when he tried to think of it in the daylight of North State Street in Chicago.
McGregor felt that he had to prepare himself. He believed that he could study books and learn much from men's ideas expressed in books without being overwhelmed by their thoughts. He became a student and quit the place in the apple-warehouse to the secret relief of the little bright-eyed superintendent who had never been able to get himself up to the point of raging at this big red fellow as he had raged at the German before McGregor's time. The warehouse man felt that during the meeting on the corner before the saloon on the day McGregor began to work for him something had happened. The miner's son had unmanned him. "A man ought to be boss in his own place," he sometimes muttered to himself, as he walked in the passageways among rows of piled apple barrels in the upper part of the warehouse wondering why the presence of McGregor irritated him.
From six o'clock in the evening until two in the morning McGregor now worked as night-cashier in a restaurant on South State Street below Van Buren and from two until seven in the morning he slept in a room whose windows looked down into Michigan Boulevard. On Thursday he was free, his place being taken for the evening by the man who owned the restaurant, a small excitable Irishman by the name of Tom O'Toole.
McGregor got his chance to become a student through the bank account belonging to Edith Carson. The opportunity arose in this way. On a summer evening after his return from Pennsylvania he sat with her in the darkened store back of the closed screen door. McGregor was morose and silent. On the evening before he had tried to talk to several men at the warehouse about the Marching Men and they had not understood. He blamed his inability with words and sat in the half darkness with his face in his hands and looked up the street saying nothing and thinking bitter thoughts.
The idea that had come to him made him half drunk with its possibilities and he knew that he must not let it make him drunk. He wanted to begin forcing men to do the simple thing full of meaning rather than the disorganised ineffective things and he had an ever- present inclination to arise, to stretch himself, to run into the streets and with his great arms see if he could not sweep the people before him, starting them on the long purposeful march that was to be the beginning of the rebirth of the world and that was to fill with meaning the lives of men. Then when he had walked the fever out of his blood and had frightened the people in the streets by the grim look in his face he tried to school himself to sit quietly waiting.
The woman sitting beside him in a low rocking chair began trying to tell him of something that had been in her mind. Her heart jumped and she talked slowly, pausing between sentences to conceal the trembling of her voice. "Would it help you in what you want to do if you could quit at the warehouse and spend your days in study?" she asked.
McGregor looked at her and nodded his head absent-mindedly. He thought of the nights in his room when the hard heavy work of the day in the warehouse seemed to have benumbed his brain.
"Besides the business here I have seventeen hundred dollars in the savings bank," said Edith, turning aside to conceal the eager hopeful look in her eyes. "I want to invest it. I do not want it lying there doing nothing. I want you to take it and make a lawyer of yourself."
Edith sat rigid in her chair waiting for his answer. She felt that she had put him to a test. In her mind was a new hope. "If he takes it he will not be walking out at the door some night and never coming back."
"After all why not stick to my plan and be a lawyer?" he asked himself. "That might open the door. I'll do that," he said aloud to the woman. "Both you and mother have talked of it so I'll give it a trial. Yes, I'll take the money."
Again he looked at her as she sat before him flushed and eager and was touched by her devotion as he had been touched by the devotion of the undertaker's daughter in Coal Creek. "I don't mind being under obligations to you," he said; "I don't know any one else I would take it from."
In the street later the troubled man walked about trying to make new plans for the accomplishment of his purpose. He was annoyed by what he thought to be the dulness of his own brain and he thrust his fist up into the air to look at it in the lamplight. "I'll get ready to use that intelligently," he thought; "a man wants trained brains backed up by a big fist in the struggle I'm going into."
It was then that the man from Ohio walked past with his hands in his pockets and attracted his attention. To McGregor's nostrils came the odour of rich fragrant tobacco. He turned and stood staring at the intruder on his thoughts. "That's what I am going to fight," he growled; "the comfortable well-to-do acceptance of a disorderly world, the smug men who see nothing wrong with a world like this. I would like to frighten them so that they throw their cigars away and run about like ants when you kick over ant hills in the field."
McGregor began to attend some classes at Chicago University and walked about among the massive buildings, erected for the most part through the bounty of one of his country's leading business men, wondering why the great centre of learning seemed so little a part of the city. To him the University seemed something entirely apart, not in tune with its surrounding. It was like an expensive ornament worn on the soiled hand of a street urchin. He did not stay there long.
One day he got into disfavour with the professor in one of the classes. He sat in a room among other students, his mind busy with thoughts of the future and of how he might get his movement of the marching men under way. In a chair beside him sat a large girl with blue eyes and hair like yellow wheat. She like McGregor was unconscious of what was going on about her and sat with half-closed eyes watching him. In the corners of her eyes lurked a gleam of amusement. She drew sketches of his huge mouth and nose on a pad of Paper.
At McGregor's left with his legs sprawled into the aisle sat a youth who was thinking of the yellow-haired girl and planning a campaign against her. His father was a manufacturer of berry boxes in a brick building on the West Side and he wished he were in school in another city so that it would not be necessary to live at home. All day he thought of the evening meal and of the coming of his father, nervous and tired, to quarrel with his mother about the management of the servants. Now he was trying to evolve a plan for getting money from his mother with which to enjoy a dinner at a downtown restaurant. With delight he contemplated such an evening with a box of cigarettes on the table and the yellow-haired girl sitting opposite him under red lights. He was a typical American youth of the upper middle class and was in the University only because he was in no hurry to begin his life in the commercial world.
In front of McGregor sat another typical student, a pale nervous young man who drummed with his fingers on the back of a book. He was very serious about acquiring learning and when the professor paused in his talk he threw up his hands and asked a question. When the professor smiled he laughed loudly. He was like an instrument on which the professor struck chords.The professor, a short man with a bushy black beard, heavy shoulders and large powerful eye-glasses, spoke in a shrill voice surcharged with excitement.
"The world is full of unrest," he said; "men are struggling like chicks in the shell. In the hinterland of every man's mind uneasy thoughts stir. I call your attention to what is going on in the Universities of Germany."
The professor paused and glared about. McGregor was so irritated by what he took to be the wordiness of the man that he could not restrain himself. He felt as he had felt when the socialist orator talked on the streets of Coal Creek. With an oath he arose and kicked out his foot to push his chair away. The pad of paper fell out of the large girl's lap and scattered its leaves about the floor. A light burned in McGregor's blue eyes. As he stood in the classroom before the startled class his head, big and red, had something of nobility about it like the head of a fine beast. His voice rumbled out of his throat and the girl looked at him, her mouth standing open.
"We go from room to room hearing talk," began McGregor. "On the street corners downtown in the evenings and in towns and villages men talk and talk. Books are written, jaws wag. The jaws of men are loose. They wabble about--saying nothing."
McGregor's excitement grew. "If there is all this unrest why does it not come to something?" he demanded. "Why do not you who have trained brains strive to find the secret of order in the midst of this disorder? Why is something not done?"
The professor ran up and down on the platform. "I do not know what you mean," he cried nervously. McGregor turned slowly and stared at the class. He tried to explain. "Why do not men lead their lives like men?" he asked. "They must be taught to march, hundreds of thousands of men. Do you not think so?"
McGregor's voice rose and his great fist was raised. "The world should become a great camp," he cried. "The brains of the world should be at the organisation of mankind. Everywhere there is disorder and men chatter like monkeys in a cage. Why should some man not begin the organisation of a new army? If there are men who do not understand what is meant let them be knocked down."
The professor leaned forward and peered through his spectacles at McGregor. "I understand your kind," he said, and his voice trembled. "The class is dismissed. We deprecate violence here."
The professor hurried through a door and down a long hallway with the class chattering at his heels. McGregor sat in his chair in the empty class room and stared at the wall. As the professor hurried away he muttered to himself: "What's getting in here? What's getting into our schools?"* * * * *
Late on the following afternoon McGregor sat in his room thinking of what had happened in the class. He had decided that he would not spend any more time at the University but would devote himself entirely to the study of law. Several young men came in.
Among the students at the University McGregor had seemed very old. Secretly he was much admired and had often been the subject of talk. Those who had now come to see him wanted him to join a Greek Letter Fraternity. They sat about his room, on the window sill and on a trunk by the wall. They smoked pipes and were boyishly eager and enthusiastic. A glow shone in the cheeks of the spokesman--a clean- looking youth with black curly hair and round pink--and-white cheeks, the son of a Presbyterian minister from Iowa.
"You have been picked by our fellows to be one of us," said the spokesman. "We want you to become an Alpha Beta Pi. It is a grand fraternity with chapters in the best schools in the country. Let me tell you."He began reeling off a list of names of statesmen, college professors, business men and well known athletes who belonged to the order.
McGregor sat by the wall looking at his guests and wondering what he would say. He was a little amused and half hurt and felt like a man who has had a Sunday School scholar stop him on the street to ask him about the welfare of his soul. He thought of Edith Carson waiting for him in her store on Monroe Street, of the angry miners standing in the saloon in Coal Creek plotting to break into the restaurant while he sat with the hammer in his hands waiting for battle, of old Mother Misery walking at the heels of the soldiers' horses through the streets of the mining village, and last of all of the terrible certainty that these bright-eyed boys would be destroyed, swallowed up by the huge commercial city in which they were to live.
"It means a lot to be one of us when a chap gets out into the world," the curlyhaired youth said. "It helps you get on, get in with the right people. You can't go on without men you know. You ought to get in with the best fellows." He hesitated and looked at the floor. "I don't mind telling you," he said with an outburst of frankness, "that one of our stronger men--Whiteside, the mathematician--wanted us to have you. He said you were worth while. He thought you ought to see us and get to know us and that we ought to see and get to know you."
McGregor got up and took his hat from a nail on the wall. He felt the utter futility of trying to express what was in his mind and walked down the stairs to the street with the file of boys following in embarrassed silence and stumbling in the darkness of the hallway at his heels. At the street door he stopped and faced them, struggling to put his thoughts into words.
"I can't do what you ask," he said. "I like you and like your asking me to come in with you, but I'm going to quit the University." His voice softened. "I would like to have you for friends," he added. "You say a man needs to know people after awhile. Well, I would like to know you while you are what you are now. I don't want to know you after you become what you will become."
McGregor turned and ran down the remaining steps to the stone sidewalk and went rapidly up the street. A stern hard look was in his face and he knew he would spend a silent night thinking of what had happened. "I hate hitting boys," he thought as he hurried away to his evening's work at the restaurant.