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Chapter VIII

It was a fresh rain-repentant afternoon, following a morning that had been sultry and torrentially wet by turns; the sort of afternoon that impels people to talk graciously of the rain as having done a lot of good, its chief merit in their eyes probably having been its recognition of the art of moderation. Also it was an afternoon that invited bodily activity after the convalescent languor of the earlier part of the day. Elaine had instinctively found her way into her riding-habit and sent an order down to the stables - a blessed oasis that still smelt sweetly of horse and hay and cleanliness in a world that reeked of petrol, and now she set her mare at a smart pace through a succession of long-stretching country lanes. She was due some time that afternoon at a garden-party, but she rode with determination in an opposite direction. In the first place neither Comus or Courtenay would be at the party, which fact seemed to remove any valid reason that could be thought of for inviting her attendance thereat; in the second place about a hundred human beings would be gathered there, and human gatherings were not her most crying need at the present moment. Since her last encounter with her wooers, under the cedars in her own garden, Elaine realised that she was either very happy or cruelly unhappy, she could not quite determine which. She seemed to have what she most wanted in the world lying at her feet, and she was dreadfully uncertain in her more reflective moments whether she really wanted to stretch out her hand and take it. It was all very like some situation in an Arabian Nights tale or a story of Pagan Hellas, and consequently the more puzzling and disconcerting to a girl brought up on the methodical lines of Victorian Christianity. Her appeal court was in permanent session these last few days, but it gave no decisions, at least none that she would listen to. And the ride on her fast light-stepping little mare, alone and unattended, through the fresh-smelling leafy lanes into unexplored country, seemed just what she wanted at the moment. The mare made some small delicate pretence of being roadshy, not the staring dolt-like kind of nervousness that shows itself in an irritating hanging-back as each conspicuous wayside object presents itself, but the nerve-flutter of an imaginative animal that merely results in a quick whisk of the head and a swifter bound forward. She might have paraphrased the mental attitude of the immortalised Peter Bell into

A basket underneath a tree A yellow tiger is to me, If it is nothing more.

The more really alarming episodes of the road, the hoot and whir of a passing motor-car or the loud vibrating hum of a wayside threshing-machine, were treated with indifference.

On turning a corner out of a narrow coppice-bordered lane into a wider road that sloped steadily upward in a long stretch of hill Elaine saw, coming toward her at no great distance, a string of yellow-painted vans, drawn for the most part by skewbald or speckled horses. A certain rakish air about these oncoming road-craft proclaimed them as belonging to a travelling wild-beast show, decked out in the rich primitive colouring that one’s taste in childhood would have insisted on before it had been schooled in the artistic value of dulness. It was an unlooked-for and distinctly unwelcome encounter. The mare had already commenced a sixfold scrutiny with nostrils, eyes and daintilypricked ears; one ear made hurried little backward movements to hear what Elaine was saying about the eminent niceness and respectability of the approaching caravan, but even Elaine felt that she would be unable satisfactorily to explain the elephants and camels that would certainly form part of the procession. To turn back would seem rather craven, and the mare might take fright at the manoeuvre and try to bolt; a gate standing ajar at the entrance to a farmyard lane provided a convenient way out of the difficulty.

As Elaine pushed her way through she became aware of a man standing just inside the lane, who made a movement forward to open the gate for her.

“Thank you. I’m just getting out of the way of a wild-beast show,” she explained; “my mare is tolerant of motors and traction-engines, but I expect camels - hullo,” she broke off, recognising the man as an old acquaintance, “I heard you had taken rooms in a farmhouse somewhere. Fancy meeting you in this way.”

In the not very distant days of her little-girlhood, Tom Keriway had been a man to be looked upon with a certain awe and envy; indeed the glamour of his roving career would have fired the imagination, and wistful desire to do likewise, of many young Englishmen. It seemed to be the grown-up realisation of the games played in dark rooms in winter fire-lit evenings, and the dreams dreamed over favourite books of adventure. Making Vienna his headquarters, almost his home, he had rambled where he listed through the lands of the Near and Middle East as leisurely and thoroughly as tamer souls might explore Paris. He had wandered through Hungarian horse-fairs, hunted shy crafty beasts on lonely Balkan hillsides, dropped himself pebble-wise into the stagnant human pool of some Bulgarian monastery, threaded his way through the strange racial mosaic of Salonika, listened with amused politeness to the shallow ultra-modern opinions of a voluble editor or lawyer in some wayside Russian town, or learned wisdom from a chance tavern companion, one of the atoms of the busy ant-stream of men and merchandise that moves untiringly round the shores of the Black Sea. And far and wide as he might roam he always managed to turn up at frequent intervals, at ball and supper and theatre, in the gay Hauptstadt of the Habsburgs, haunting his favourite cafés and wine-vaults, skimming through his favourite news-sheets, greeting old acquaintances and friends, from ambassadors down to cobblers in the social scale. He seldom talked of his travels, but it might be said that his travels talked of him; there was an air about him that a German diplomat once summed up in a phrase: “a man that wolves have sniffed at.”

And then two things happened, which he had not mapped out in his route; a severe illness shook half the life and all the energy out of him, and a heavy money loss brought him almost to the door of destitution. With something, perhaps, of the impulse which drives a stricken animal away from its kind, Tom Keriway left the haunts where he had known so much happiness, and withdrew into the shelter of a secluded farmhouse lodging; more than ever he became to Elaine a hearsay personality. And now the chance meeting with the caravan had flung her across the threshold of his retreat.

“What a charming little nook you’ve got hold of,” she exclaimed with instinctive politeness, and then looked searchingly round, and discovered that she had spoken the truth; it really was charming. The farmhouse had that intensely English look that one seldom sees out of Normandy. Over the whole scene of rickyard, garden, outbuildings, horsepond and orchard, brooded that air which seems rightfully to belong to out-of-theway farmyards, an air of wakeful dreaminess which suggests that here, man and beast and bird have got up so early that the rest of the world has never caught them up and never will.

Elaine dismounted, and Keriway led the mare round to a little paddock by the side of a great grey barn. At the end of the lane they could see the show go past, a string of lumbering vans and great striding beasts that seemed to link the vast silences of the desert with the noises and sights and smells, the naphtha-flares and advertisement hoardings and trampled orange-peel, of an endless succession of towns.

“You had better let the caravan pass well on its way before you get on the road again,” said Keriway; “the smell of the beasts may make your mare nervous and restive going home.”

Then he called to a boy who was busy with a hoe among some defiantly prosperous weeds, to fetch the lady a glass of milk and a piece of currant loaf.

“I don’t know when I’ve seen anything so utterly charming and peaceful,” said Elaine, propping herself on a seat that a pear-tree had obligingly designed in the fantastic curve of its trunk.

“Charming, certainly,” said Keriway, “but too full of the stress of its own little life struggle to be peaceful. Since I have lived here I’ve learnt, what I’ve always suspected, that a country farmhouse, set away in a world of its own, is one of the most wonderful studies of interwoven happenings and tragedies that can be imagined. It is like the old chronicles of medieval Europe in the days when there was a sort of ordered anarchy between feudal lords and overlords, and burg-grafs, and mitred abbots, and princebishops, robber barons and merchant guilds, and Electors and so forth, all striving and contending and counter-plotting, and interfering with each other under some vague code of loosely-applied rules. Here one sees it reproduced under one’s eyes, like a musty page of black-letter come to life. Look at one little section of it, the poultry-life on the farm. Villa poultry, dull egg-machines, with records kept of how many ounces of food they eat, and how many pennyworths of eggs they lay, give you no idea of the wonder-life of these farm-birds; their feuds and jealousies, and carefully maintained prerogatives, their unsparing tyrannies and persecutions, their calculated courage and bravado or sedulously hidden cowardice, it might all be some human chapter from the annals of the old Rhineland or medieval Italy. And then, outside their own bickering wars and hates, the grim enemies that come up against them from the woodlands; the hawk that dashes among the coops like a moss-trooper raiding the border, knowing well that a charge of shot may tear him to bits at any moment. And the stoat, a creeping slip of brown fur a few inches long, intently and unstayably out for blood. And the hunger-taught master of craft, the red fox, who has waited perhaps half the afternoon for his chance while the fowls were dusting themselves under the hedge, and just as they were turning supperward to the yard one has stopped a moment to give her feathers a final shake and found death springing upon her. Do you know,” he continued, as Elaine fed herself and the mare with morsels of currant-loaf, “I don’t think any tragedy in literature that I have ever come across impressed me so much as the first one, that I spelled out slowly for myself in words of three letters: the bad fox has got the red hen. There was something so dramatically complete about it; the badness of the fox, added to all the traditional guile of his race, seemed to heighten the horror of the hen’s fate, and there was such a suggestion of masterful malice about the word ‘got.’ One felt that a countryside in arms would not get that hen away from the bad fox. They used to think me a slow dull reader for not getting on with my lesson, but I used to sit and picture to myself the red hen, with its wings beating helplessly, screeching in terrified protest, or perhaps, if he had got it by the neck, with beak wide agape and silent, and eyes staring, as it left the farmyard for ever. I have seen blood-spillings and down-crushings and abject defeat here and there in my time, but the red hen has remained in my mind as the type of helpless tragedy.” He was silent for a moment as if he were again musing over the three-letter drama that had so dwelt in his childhood’s imagination. “Tell me some of the things you have seen in your time,” was the request that was nearly on Elaine’s lips, but she hastily checked herself and substituted another.

“Tell me more about the farm, please.”

And he told her of a whole world, or rather of several intermingled worlds, set apart in this sleepy hollow in the hills, of beast lore and wood lore and farm craft, at times touching almost the border of witchcraft - passing lightly here, not with the probing eagerness of those who know nothing, but with the averted glance of those who fear to see too much. He told her of those things that slept and those that prowled when the dusk fell, of strange hunting cats, of the yard swine and the stalled cattle, of the farm folk themselves, as curious and remote in their way, in their ideas and fears and wants and tragedies, as the brutes and feathered stock that they tended. It seemed to Elaine as if a musty store of old-world children’s books had been fetched down from some cobwebbed lumber-room and brought to life. Sitting there in the little paddock, grown thickly with tall weeds and rank grasses, and shadowed by the weather-beaten old grey barn, listening to this chronicle of wonderful things, half fanciful, half very real, she could scarcely believe that a few miles away there was a garden-party in full swing, with smart frocks and smart conversation, fashionable refreshments and fashionable music, and a fevered undercurrent of social strivings and snubbings. Did Vienna and the Balkan Mountains and the Black Sea seem as remote and hard to believe in, she wondered, to the man sitting by her side, who had discovered or invented this wonderful fairyland? Was it a true and merciful arrangement of fate and life that the things of the moment thrust out the after-taste of the things that had been? Here was one who had held much that was priceless in the hollow of his hand and lost it all, and he was happy and absorbed and well-content with the little wayside corner of the world into which he had crept. And Elaine, who held so many desirable things in the hollow of her hand, could not make up her mind to be even moderately happy. She did not even know whether to take this hero of her childhood down from his pedestal, or to place him on a higher one; on the whole she was inclined to resent rather than approve the idea that ill-health and misfortune could so completely subdue and tame an erstwhile bold and roving spirit.

The mare was showing signs of delicately-hinted impatience; the paddock, with its teasing insects and very indifferent grazing, had not thrust out the image of her own comfortable well-foddered loose-box. Elaine divested her habit of some remaining crumbs of bun-loaf and jumped lightly on to her saddle. As she rode slowly down the lane, with Keriway escorting her as far as its gate, she looked round at what had seemed to her, a short while ago, just a picturesque old farmstead, a place of bee-hives and hollyhocks and gabled cart-sheds; now it was in her eyes a magic city, with an undercurrent of reality beneath its magic.

“You are a person to be envied,” she said to Keriway; “you have created a fairyland, and you are living in it yourself.”

 

“Envied?”

 

He shot the question out with sudden bitterness. She looked down and saw the wistful misery that had come into his face.

“Once,” he said to her, “in a German paper I read a short story about a tame crippled crane that lived in the park of some small town. I forget what happened in the story, but there was one line that I shall always remember: ‘it was lame, that is why it was tame.’”

He had created a fairyland, but assuredly he was not living in it.

Chapter IX

In the warmth of a late June morning the long shaded stretch of raked earth, gravel-walk and rhododendron bush that is known affectionately as the Row was alive with the monotonous movement and alert stagnation appropriate to the time and place. The seekers after health, the seekers after notoriety and recognition, and the lovers of good exercise were all well represented on the galloping ground; the gravel-walk and chairs and long seats held a population whose varied instincts and motives would have baffled a social catalogue-maker. The children, handled or in perambulators, might be excused from instinct or motive; they were brought.

Pleasingly conspicuous among a bunch of indifferent riders pacing along by the rails where the onlookers were thickest was Courtenay Youghal, on his handsome plum-roan gelding Anne de Joyeuse. That delicately stepping animal had taken a prize at Islington and nearly taken the life of a stable-boy of whom he disapproved, but his strongest claims to distinction were his good looks and his high opinion of himself. Youghal evidently believed in thorough accord between horse and rider.

“Please stop and talk to me,” said a quiet beckoning voice from the other side of the rails, and Youghal drew rein and greeted Lady Veula Croot. Lady Veula had married into a family of commercial solidity and enterprising political nonentity. She had a devoted husband, some blonde teachable children, and a look of unutterable weariness in her eyes. To see her standing at the top of an expensively horticultured staircase receiving her husband’s guests was rather like watching an animal performing on a music-hall stage.

One always tells oneself that the animal likes it, and one always knows that it doesn’t.

 

“Lady Veula is an ardent Free Trader, isn’t she?” someone once remarked to Lady Caroline.

“I wonder,” said Lady Caroline, in her gently questioning voice; “a woman whose dresses are made in Paris and whose marriage has been made in Heaven might be equally biassed for and against free imports.”

Lady Veula looked at Youghal and his mount with slow critical appraisement, and there was a note of blended raillery and wistfulness in her voice.

“You two dear things, I should love to stroke you both, but I’m not sure how Joyeuse would take it. So I’ll stroke you down verbally instead. I admired your attack on Sir Edward immensely, though of course I don’t agree with a word of it. Your description of him building a hedge round the German cuckoo and hoping he was isolating it was rather sweet. Seriously though, I regard him as one of the pillars of the Administration.” “So do I,” said Youghal; “the misfortune is that he is merely propping up a canvas roof. It’s just his regrettable solidity and integrity that makes him so expensively dangerous. The average Briton arrives at the same judgment about Roan’s handling of foreign affairs as Omar does of the Supreme Being in his dealings with the world: He’s a good fellow and ‘twill all be well.’”

Lady Veula laughed lightly. “My Party is in power so I may exercise the privilege of being optimistic. Who is that who bowed to you?” she continued, as a dark young man with an inclination to stoutness passed by them on foot; “I’ve seen him about a good deal lately. He’s been to one or two of my dances.”

“Andrei Drakoloff,” said Youghal; “he’s just produced a play that has had a big success in Moscow and is certain to be extremely popular all over Russia. In the first three acts the heroine is supposed to be dying of consumption; in the last act they find she is really dying of cancer.”

“Are the Russians really such a gloomy people?”

“Gloom-loving but not in the least gloomy. They merely take their sadness pleasurably, just as we are accused of taking our pleasures sadly. Have you noticed that dreadful Klopstock youth has been pounding past us at shortening intervals. He’ll come up and talk if he half catches your eye.”

“I only just know him. Isn’t he at an agricultural college or something of the sort?”

 

“Yes, studying to be a gentleman farmer, he told me. I didn’t ask if both subjects were compulsory.”

 

“You’re really rather dreadful,” said Lady Veula, trying to look as if she thought so; “remember, we are all equal in the sight of Heaven.”

 

For a preacher of wholesome truths her voice rather lacked conviction.

 

“If I and Ernest Klopstock are really equal in the sight of Heaven,” said Youghal, with intense complacency, “I should recommend Heaven to consult an eye specialist.”

There was a heavy spattering of loose earth, and a squelching of saddle-leather, as the Klopstock youth lumbered up to the rails and delivered himself of loud, cheerful greetings. Joyeuse laid his ears well back as the ungainly bay cob and his appropriately matched rider drew up beside him; his verdict was reflected and endorsed by the cold stare of Youghal’s eyes.

“I’ve been having a nailing fine time,” recounted the newcomer with clamorous enthusiasm; “I was over in Paris last month and had lots of strawberries there, then I had a lot more in London, and now I’ve been having a late crop of them in Herefordshire, so I’ve had quite a lot this year.” And he laughed as one who had deserved well and received well of Fate.

“The charm of that story,” said Youghal, “is that it can be told in any drawing-room.” And with a sweep of his wide-brimmed hat to Lady Veula he turned the impatient Joyeuse into the moving stream of horse and horsemen.

“That woman reminds me of some verse I’ve read and liked,” thought Youghal, as Joyeuse sprang into a light showy canter that gave full recognition to the existence of observant human beings along the side walk. “Ah, I have it.”

And he quoted almost aloud, as one does in the exhilaration of a canter:

“How much I loved that way you had Of smiling most, when very sad, A smile which carried tender hints Of sun and spring, And yet, more than all other thing, Of weariness beyond all words.”

And having satisfactorily fitted Lady Veula on to a quotation he dismissed her from his mind. With the constancy of her sex she thought about him, his good looks and his youth and his railing tongue, till late in the afternoon.

While Youghal was putting Joyeuse through his paces under the elm trees of the Row a little drama in which he was directly interested was being played out not many hundred yards away. Elaine and Comus were indulging themselves in two pennyworths of Park chair, drawn aside just a little from the serried rows of sitters who were set out like bedded plants over an acre or so of turf. Comus was, for the moment, in a mood of pugnacious gaiety, disbursing a fund of pointed criticism and unsparing anecdote concerning those of the promenaders or loungers whom he knew personally or by sight. Elaine was rather quieter than usual, and the grave serenity of the Leonardo da Vinci portrait seemed intensified in her face this morning. In his leisurely courtship Comus had relied almost exclusively on his physical attraction and the fitful drollery of his wit and high spirits, and these graces had gone far to make him seem a very desirable and rather lovable thing in Elaine’s eyes. But he had left out of account the disfavour which he constantly risked and sometimes incurred from his frank and undisguised indifference to other people’s interests and wishes, including, at times, Elaine’s. And the more that she felt that she liked him the more she was irritated by his lack of consideration for her. Without expecting that her every wish should become a law to him she would at least have liked it to reach the formality of a Second Reading. Another important factor he had also left out of his reckoning, namely the presence on the scene of another suitor, who also had youth and wit to recommend him, and who certainly did not lack physical attractions. Comus, marching carelessly through unknown country to effect what seemed already an assured victory, made the mistake of disregarding the existence of an unbeaten army on his flank.

To-day Elaine felt that, without having actually quarrelled, she and Comus had drifted a little bit out of sympathy with one another. The fault she knew was scarcely hers, in fact from the most good-natured point of view it could hardly be denied that it was almost entirely his. The incident of the silver dish had lacked even the attraction of novelty; it had been one of a series, all bearing a strong connecting likeness. There had been small unrepaid loans which Elaine would not have grudged in themselves, though the application for them brought a certain qualm of distaste; with the perversity which seemed inseparable from his doings, Comus had always flung away a portion of his borrowings in some ostentatious piece of glaring and utterly profitless extravagance, which outraged all the canons of her upbringing without bringing him an atom of understandable satisfaction. Under these repeated discouragements it was not surprising that some small part of her affection should have slipped away, but she had come to the Park that morning with an unconfessed expectation of being gently wooed back to the mood of gracious forgetfulness that she was only too eager to assume. It was almost worth while being angry with Comus for the sake of experiencing the pleasure of being coaxed into friendliness again with the charm which he knew so well how to exert. It was delicious here under the trees on this perfect June morning, and Elaine had the blessed assurance that most of the women within range were envying her the companionship of the handsome merry-hearted youth who sat by her side. With special complacence she contemplated her cousin Suzette, who was self-consciously but not very elatedly basking in the attentions of her fiancé, an earnest-looking young man who was superintendent of a People’s something-or-other on the south side of the river, and whose clothes Comus had described as having been made in Southwark rather than in anger.

Most of the pleasures in life must be paid for, and the chair-ticket vendor in due time made his appearance in quest of pennies.

Comus paid him from out of a varied assortment of coins and then balanced the remainder in the palm of his hand. Elaine felt a sudden foreknowledge of something disagreeable about to happen and a red spot deepened in her cheeks.

“Four shillings and fivepence and a half-penny,” said Comus, reflectively. “It’s a ridiculous sum to last me for the next three days, and I owe a card debt of over two pounds.”

“Yes?” commented Elaine dryly and with an apparent lack of interest in his exchequer statement. Surely, she was thinking hurriedly to herself, he could not be foolish enough to broach the matter of another loan.

“The card debt is rather a nuisance,” pursued Comus, with fatalistic persistency. “You won seven pounds last week, didn’t you?” asked Elaine; “don’t you put by any of your winnings to balance losses?”

“The four shillings and the fivepence and the half-penny represent the rearguard of the seven pounds,” said Comus; “the rest have fallen by the way. If I can pay the two pounds to-day I daresay I shall win something more to go on with; I’m holding rather good cards just now. But if I can’t pay it of course I shan’t show up at the club. So you see the fix I am in.”

Elaine took no notice of this indirect application. The Appeal Court was assembling in haste to consider new evidence, and this time there was the rapidity of sudden determination about its movement.

The conversation strayed away from the fateful topic for a few moments and then Comus brought it deliberately back to the danger zone.

 

“It would be awfully nice if you would let me have a fiver for a few days, Elaine,” he said quickly; “if you don’t I really don’t know what I shall do.”

“If you are really bothered about your card debt I will send you the two pounds by messenger boy early this afternoon.” She spoke quietly and with great decision. “And I shall not be at the Connor’s dance to-night,” she continued; “it’s too hot for dancing. I’m going home now; please don’t bother to accompany me, I particularly wish to go alone.”

Comus saw that he had overstepped the mark of her good nature. Wisely he made no immediate attempt to force himself back into her good graces. He would wait till her indignation had cooled.

His tactics would have been excellent if he had not forgotten that unbeaten army on his flank.

Elaine de Frey had known very clearly what qualities she had wanted in Comus, and she had known, against all efforts at self-deception, that he fell far short of those qualities. She had been willing to lower her standard of moral requirements in proportion as she was fond of the boy, but there was a point beyond which she would not go. He had hurt her pride besides alarming her sense of caution.

Suzette, on whom she felt a thoroughly justified tendency to look down, had at any rate an attentive and considerate lover. Elaine walked towards the Park gates feeling that in one essential Suzette possessed something that had been denied to her, and at the gates she met Joyeuse and his spruce young rider preparing to turn homeward.

“Get rid of Joyeuse and come and take me out to lunch somewhere,” demanded Elaine.

“How jolly,” said Youghal. “Let’s go to the Corridor Restaurant. The head waiter there is an old Viennese friend of mine and looks after me beautifully. I’ve never been there with a lady before, and he’s sure to ask me afterwards, in his fatherly way, if we’re engaged.”

The lunch was a success in every way. There was just enough orchestral effort to immerse the conversation without drowning it, and Youghal was an attentive and inspired host. Through an open doorway Elaine could see the café reading-room, with its imposing array of Neue Freie Presse, Berliner Tageblatt, and other exotic newspapers hanging on the wall. She looked across at the young man seated opposite her, who gave one the impression of having centred the most serious efforts of his brain on his toilet and his food, and recalled some of the flattering remarks that the press had bestowed on his recent speeches.

“Doesn’t it make you conceited, Courtenay,” she asked, “to look at all those foreign newspapers hanging there and know that most of them have got paragraphs and articles about your Persian speech?”

Youghal laughed.

“There’s always a chastening corrective in the thought that some of them may have printed your portrait. When once you’ve seen your features hurriedly reproduced in the Matin, for instance, you feel you would like to be a veiled Turkish woman for the rest of your life.”

And Youghal gazed long and lovingly at his reflection in the nearest mirror, as an antidote against possible incitements to humility in the portrait gallery of fame.

Elaine felt a certain soothed satisfaction in the fact that this young man, whose knowledge of the Middle East was an embarrassment to Ministers at question time and in debate, was showing himself equally well-informed on the subject of her culinary likes and dislikes. If Suzette could have been forced to attend as a witness at a neighbouring table she would have felt even happier.

“Did the head waiter ask if we were engaged?” asked Elaine, when Courtenay had settled the bill, and she had finished collecting her sunshade and gloves and other impedimenta from the hand

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