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The Four Million

Tobin's Palm...................................................................................................................... 3
The Gift Of The Magi....................................................................................................... 9
A Cosmopolite In A Café................................................................................................ 14
Between Rounds .............................................................................................................. 18
The Skylight Room ......................................................................................................... 23
A Service Of Love ........................................................................................................... 28
The Coming-Out Of Maggie .......................................................................................... 33
Man About Town ............................................................................................................ 39
The Cop And The Anthem ............................................................................................. 43
An Adjustment Of Nature.............................................................................................. 48
Memoirs Of A Yellow Dog ............................................................................................. 52
The Love-Philtre Of Ikey Schoenstein .......................................................................... 56
Mammon And The Archer............................................................................................. 60
Springtime À La Carte ................................................................................................... 66
The Green Door............................................................................................................... 71
From The Cabby's Seat .................................................................................................. 77
An Unfinished Story ....................................................................................................... 81
The Caliph, Cupid And The Clock................................................................................ 86
Sisters Of The Golden Circle ......................................................................................... 91
The Romance Of A Busy Broker................................................................................... 96
After Twenty Years....................................................................................................... 100
Lost On Dress Parade................................................................................................... 103
By Courier ..................................................................................................................... 108
The Furnished Room .................................................................................................... 111
The Brief Début Of Tildy ............................................................................................. 116

Tobin's Palm

Tobin and me, the two of us, went down to Coney one day, for there was four dollars between us, and Tobin had need of distractions. For there was Katie Mahorner, his sweetheart, of County Sligo, lost since she started for America three months before with two hundred dollars, her own savings, and one hundred dollars from the sale of Tobin's inherited estate, a fine cottage and pig on the Bog Shannaugh. And since the letter that Tobin got saying that she had started to come to him not a bit of news had he heard or seen of Katie Mahorner. Tobin advertised in the papers, but nothing could be found of the colleen.

So, to Coney me and Tobin went, thinking that a turn at the chutes and the smell of the popcorn might raise the heart in his bosom. But Tobin was a hardheaded man, and the sadness stuck in his skin. He ground his teeth at the crying balloons; he cursed the moving pictures; and, though he would drink whenever asked, he scorned Punch and Judy, and was for licking the tintype men as they came.

So I gets him down a side way on a board walk where the attractions were some less violent. At a little six by eight stall Tobin halts, with a more human look in his eye.

 

"'Tis here," says he, "I will be diverted. I'll have the palm of me hand investigated by the wonderful palmist of the Nile, and see if what is to be will be."

Tobin was a believer in signs and the unnatural in nature. He possessed illegal convictions in his mind along the subjects of black cats, lucky numbers, and the weather predictions in the papers.

We went into the enchanted chicken coop, which was fixed mysterious with red cloth and pictures of hands with lines crossing 'em like a railroad centre. The sign over the door says it is Madame Zozo the Egyptian Palmist. There was a fat woman inside in a red jumper with pothooks and beasties embroidered upon it. Tobin gives her ten cents and extends one of his hands. She lifts Tobin's hand, which is own brother to the hoof of a drayhorse, and examines it to see whether 'tis a stone in the frog or a cast shoe he has come for.

"Man," says this Madame Zozo, "the line of your fate shows—"

 

"Tis not me foot at all," says Tobin, interrupting. "Sure, 'tis no beauty, but ye hold the palm of me hand."

"The line shows," says the Madame, "that ye've not arrived at your time of life without bad luck. And there's more to come. The mount of Venus—or is that a stone bruise?— shows that ye've been in love. There's been trouble in your life on account of your sweetheart."
"'Tis Katie Mahorner she has references with," whispers Tobin to me in a loud voice to one side.

"I see," says the palmist, "a great deal of sorrow and tribulation with one whom ye cannot forget. I see the lines of designation point to the letter K and the letter M in her name."

 

"Whist!" says Tobin to me, "do ye hear that?"

"Look out," goes on the palmist, "for a dark man and a light woman; for they'll both bring ye trouble. Ye'll make a voyage upon the water very soon, and have a financial loss. I see one line that brings good luck. There's a man coming into your life who will fetch ye good fortune. Ye'll know him when ye see him by his crooked nose."

"Is his name set down?" asks Tobin. "'Twill be convenient in the way of greeting when he backs up to dump off the good luck."

"His name," says the palmist, thoughtful looking, "is not spelled out by the lines, but they indicate 'tis a long one, and the letter 'o' should be in it. There's no more to tell. Goodevening. Don't block up the door."

"'Tis wonderful how she knows," says Tobin as we walk to the pier.

As we squeezed through the gates a nigger man sticks his lighted segar against Tobin's ear, and there is trouble. Tobin hammers his neck, and the women squeal, and by presence of mind I drag the little man out of the way before the police comes. Tobin is always in an ugly mood when enjoying himself.

On the boat going back, when the man calls "Who wants the good-looking waiter?" Tobin tried to plead guilty, feeling the desire to blow the foam off a crock of suds, but when he felt in his pocket he found himself discharged for lack of evidence. Somebody had disturbed his change during the commotion. So we sat, dry, upon the stools, listening to the Dagoes fiddling on deck. If anything, Tobin was lower in spirits and less congenial with his misfortunes than when we started.

On a seat against the railing was a young woman dressed suitable for red automobiles, with hair the colour of an unsmoked meerschaum. In passing by, Tobin kicks her foot without intentions, and, being polite to ladies when in drink, he tries to give his hat a twist while apologising. But he knocks it off, and the wind carries it overboard.

Tobin came back and sat down, and I began to look out for him, for the man's adversities were becoming frequent. He was apt, when pushed so close by hard luck, to kick the best dressed man he could see, and try to take command of the boat.

Presently Tobin grabs my arm and says, excited: "Jawn," says he, "do ye know what we're doing? We're taking a voyage upon the water."

 

"There now," says I; "subdue yeself. The boat'll land in ten minutes more."

 

"Look," says he, "at the light lady upon the bench. And have ye forgotten the nigger man that burned me ear? And isn't the money I had gone—a dollar sixty-five it was?"

 

I thought he was no more than summing up his catastrophes so as to get violent with good excuse, as men will do, and I tried to make him understand such things was trifles.

"Listen," says Tobin. "Ye've no ear for the gift of prophecy or the miracles of the inspired. What did the palmist lady tell ye out of me hand? 'Tis coming true before your eyes. 'Look out,' says she, 'for a dark man and a light woman; they'll bring ye trouble.' Have ye forgot the nigger man, though he got some of it back from me fist? Can ye show me a lighter woman than the blonde lady that was the cause of me hat falling in the water? And where's the dollar sixty-five I had in me vest when we left the shooting gallery?"

The way Tobin put it, it did seem to corroborate the art of prediction, though it looked to me that these accidents could happen to any one at Coney without the implication of palmistry.

Tobin got up and walked around on deck, looking close at the passengers out of his little red eyes. I asked him the interpretation of his movements. Ye never know what Tobin has in his mind until he begins to carry it out.

"Ye should know," says he, "I'm working out the salvation promised by the lines in me palm. I'm looking for the crooked-nose man that's to bring the good luck. 'Tis all that will save us. Jawn, did ye ever see a straighter-nosed gang of hellions in the days of your life?"

'Twas the nine-thirty boat, and we landed and walked up-town through Twenty-second Street, Tobin being without his hat.

On a street corner, standing under a gas-light and looking over the elevated road at the moon, was a man. A long man he was, dressed decent, with a segar between his teeth, and I saw that his nose made two twists from bridge to end, like the wriggle of a snake. Tobin saw it at the same time, and I heard him breathe hard like a horse when you take the saddle off. He went straight up to the man, and I went with him.

"Good-night to ye," Tobin says to the man. The man takes out his segar and passes the compliments, sociable.

 

"Would ye hand us your name," asks Tobin, "and let us look at the size of it? It may be our duty to become acquainted with ye."

"My name" says the man, polite, "is Friedenhausman—Maximus G. Friedenhausman." "'Tis the right length," says Tobin. "Do you spell it with an 'o' anywhere down the stretch of it?"

"I do not," says the man.

 

"Can ye spell it with an 'o'?" inquires Tobin, turning anxious.

 

"If your conscience," says the man with the nose, "is indisposed toward foreign idioms ye might, to please yourself, smuggle the letter into the penultimate syllable."

 

"'Tis well," says Tobin. "Ye're in the presence of Jawn Malone and Daniel Tobin."

"Tis highly appreciated," says the man, with a bow. "And now since I cannot conceive that ye would hold a spelling bee upon the street corner, will ye name some reasonable excuse for being at large?"

"By the two signs," answers Tobin, trying to explain, "which ye display according to the reading of the Egyptian palmist from the sole of me hand, ye've been nominated to offset with good luck the lines of trouble leading to the nigger man and the blonde lady with her feet crossed in the boat, besides the financial loss of a dollar sixty-five, all so far fulfilled according to Hoyle."

The man stopped smoking and looked at me.

 

"Have ye any amendments," he asks, "to offer to that statement, or are ye one too? I thought by the looks of ye ye might have him in charge."

"None," says I to him, "except that as one horseshoe resembles another so are ye the picture of good luck as predicted by the hand of me friend. If not, then the lines of Danny's hand may have been crossed, I don't know."

"There's two of ye," says the man with the nose, looking up and down for the sight of a policeman. "I've enjoyed your company immense. Good-night."

 

With that he shoves his segar in his mouth and moves across the street, stepping fast. But Tobin sticks close to one side of him and me at the other.

"What!" says he, stopping on the opposite sidewalk and pushing back his hat; "do ye follow me? I tell ye," he says, very loud, "I'm proud to have met ye. But it is my desire to be rid of ye. I am off to me home."

"Do," says Tobin, leaning against his sleeve. "Do be off to your home. And I will sit at the door of it till ye come out in the morning. For the dependence is upon ye to obviate the curse of the nigger man and the blonde lady and the financial loss of the one-sixtyfive."
"'Tis a strange hallucination," says the man, turning to me as a more reasonable lunatic. "Hadn't ye better get him home?"

"Listen, man," says I to him. "Daniel Tobin is as sensible as he ever was. Maybe he is a bit deranged on account of having drink enough to disturb but not enough to settle his wits, but he is no more than following out the legitimate path of his superstitions and predicaments, which I will explain to you." With that I relates the facts about the palmist lady and how the finger of suspicion points to him as an instrument of good fortune. "Now, understand," I concludes, "my position in this riot. I am the friend of me friend Tobin, according to me interpretations. 'Tis easy to be a friend to the prosperous, for it pays; 'tis not hard to be a friend to the poor, for ye get puffed up by gratitude and have your picture printed standing in front of a tenement with a scuttle of coal and an orphan in each hand. But it strains the art of friendship to be true friend to a born fool. And that's what I'm doing," says I, "for, in my opinion, there's no fortune to be read from the palm of me hand that wasn't printed there with the handle of a pick. And, though ye've got the crookedest nose in New York City, I misdoubt that all the fortune-tellers doing business could milk good luck from ye. But the lines of Danny's hand pointed to ye fair, and I'll assist him to experiment with ye until he's convinced ye're dry."

After that the man turns, sudden, to laughing. He leans against a corner and laughs considerable. Then he claps me and Tobin on the backs of us and takes us by an arm apiece.

"'Tis my mistake," says he. "How could I be expecting anything so fine and wonderful to be turning the corner upon me? I came near being found unworthy. Hard by," says he, "is a café, snug and suitable for the entertainment of idiosyncrasies. Let us go there and have drink while we discuss the unavailability of the categorical."

So saying, he marched me and Tobin to the back room of a saloon, and ordered the drinks, and laid the money on the table. He looks at me and Tobin like brothers of his, and we have the segars.

"Ye must know," says the man of destiny, "that me walk in life is one that is called the literary. I wander abroad be night seeking idiosyncrasies in the masses and truth in the heavens above. When ye came upon me I was in contemplation of the elevated road in conjunction with the chief luminary of night. The rapid transit is poetry and art: the moon but a tedious, dry body, moving by rote. But these are private opinions, for, in the business of literature, the conditions are reversed. 'Tis me hope to be writing a book to explain the strange things I have discovered in life."

"Ye will put me in a book," says Tobin, disgusted; "will ye put me in a book?"

"I will not," says the man, "for the covers will not hold ye. Not yet. The best I can do is to enjoy ye meself, for the time is not ripe for destroying the limitations of print. Ye would look fantastic in type. All alone by meself must I drink this cup of joy. But, I thank ye, boys; I am truly grateful."
"The talk of ye," says Tobin, blowing through his moustache and pounding the table with his fist, "is an eyesore to me patience. There was good luck promised out of the crook of your nose, but ye bear fruit like the bang of a drum. Ye resemble, with your noise of books, the wind blowing through a crack. Sure, now, I would be thinking the palm of me hand lied but for the coming true of the nigger man and the blonde lady and—"

"Whist!" says the long man; "would ye be led astray by physiognomy? Me nose will do what it can within bounds. Let us have these glasses filled again, for 'tis good to keep idiosyncrasies well moistened, they being subject to deterioration in a dry moral atmosphere."

So, the man of literature makes good, to my notion, for he pays, cheerful, for everything, the capital of me and Tobin being exhausted by prediction. But Tobin is sore, and drinks quiet, with the red showing in his eye.

By and by we moved out, for 'twas eleven o'clock, and stands a bit upon the sidewalk. And then the man says he must be going home, and invites me and Tobin to walk that way. We arrives on a side street two blocks away where there is a stretch of brick houses with high stoops and iron fences. The man stops at one of them and looks up at the top windows which he finds dark.

"'Tis me humble dwelling," says he, "and I begin to perceive by the signs that me wife has retired to slumber. Therefore I will venture a bit in the way of hospitality. 'Tis me wish that ye enter the basement room, where we dine, and partake of a reasonable refreshment. There will be some fine cold fowl and cheese and a bottle or two of ale. Ye will be welcome to enter and eat, for I am indebted to ye for diversions."

The appetite and conscience of me and Tobin was congenial to the proposition, though 'twas sticking hard in Danny's superstitions to think that a few drinks and a cold lunch should represent the good fortune promised by the palm of his hand.

"Step down the steps," says the man with the crooked nose, "and I will enter by the door above and let ye in. I will ask the new girl we have in the kitchen," says he, "to make ye a pot of coffee to drink before ye go. 'Tis fine coffee Katie Mahorner makes for a green girl just landed three months. Step in," says the man, "and I'll send her down to ye."

The Gift Of The Magi

One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one's cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.

There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.

While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad.

In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name "Mr. James Dillingham Young." The "Dillingham" had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, the letters of "Dillingham" looked blurred, as though they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called "Jim" and greatly hugged by Mrs. James Dillingham Young, already

introduced to you as Della. Which is all very good.

Della finished her cry and attended to her cheeks with the powder rag. She stood by the window and looked out dully at a grey cat walking a grey fence in a grey backyard. Tomorrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn't go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. Something fine and rare and sterling— something just a little bit near to being worthy of the honour of being owned by Jim.

There was a pier-glass between the windows of the room. Perhaps you have seen a pierglass in an $8 flat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art.

Suddenly she whirled from the window and stood before the glass. Her eyes were shining brilliantly, but her face had lost its colour within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length.
Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim's gold watch that had been his father's and his grandfather's. The other was Della's hair. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy.

So now Della's beautiful hair fell about her, rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her. And then she did it up again nervously and quickly. Once she faltered for a minute and stood still while a tear or two splashed on the worn red carpet.

On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she fluttered out the door and down the stairs to the street.

Where she stopped the sign read: "Mme. Sofronie. Hair Goods of All Kinds." One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the "Sofronie."

"Will you buy my hair?" asked Della.

 

"I buy hair," said Madame. "Take yer hat off and let's have a sight at the looks of it."

 

Down rippled the brown cascade. "Twenty dollars," said Madame, lifting the mass with a practised hand.

 

"Give it to me quick," said Della.

 

Oh, and the next two hours tripped by on rosy wings. Forget the hashed metaphor. She was ransacking the stores for Jim's present.

She found it at last. It surely had been made for Jim and no one else. There was no other like it in any of the stores, and she had turned all of them inside out. It was a platinum fob chain simple and chaste in design, properly proclaiming its value by substance alone and not by meretricious ornamentation—as all good things should do. It was even worthy of The Watch. As soon as she saw it she that it must be Jim's. It was like him. Quietness and value—the description applied to both. Twenty-one dollars they took from her for it, and she hurried home with the 87 cents. With that chain on his watch Jim might be properly anxious about the time in any company. Grand as the watch was, he sometimes looked at it on the sly on account of the old leather strap that he used in place of a chain.

When Della reached home her intoxication gave way a little to prudence and reason. She got out her curling irons and lighted the gas and went to work repairing the ravages made by generosity added to love. Which is always a tremendous task, dear friends—a mammoth task.

Within forty minutes her head was covered with tiny, close-lying curls that made her look wonderfully like a truant schoolboy. She looked at her reflection in the mirror long, carefully, and critically.

"If Jim doesn't kill me," she said to herself, "before he takes a second look at me, he'll say I look like a Coney Island chorus girl. But what could I do—oh! what could I do with a dollar and eighty-seven cents?"

At 7 o'clock the coffee was made and the frying-pan was on the back of the stove hot and ready to cook the chops.

Jim was never late. Della doubled the fob chain in her hand and sat on the corner of the table near the door that he always entered. Then she heard his step on the stair away down on the first flight, and she turned white for just a moment. She had a habit for saying little silent prayers about the simplest everyday things, and now she whispered: "Please God, make him think I am still pretty."

The door opened and Jim stepped in and closed it. He looked thin and very serious. Poor fellow, he was only twenty-two—and to be burdened with a family! He needed a new overcoat and he was without gloves.

Jim stopped inside the door, as immovable as a setter at the scent of quail. His eyes were fixed upon Della, and there was an expression in them that she could not read, and it terrified her. It was not anger, nor surprise, nor disapproval, nor horror, nor any of the sentiments that she had been prepared for. He simply stared at her fixedly with that peculiar expression on his face.

Della wriggled off the table and went for him.

"Jim, darling," she cried, "don't look at me that way. I had my hair cut off and sold because I couldn't have lived through Christmas without giving you a present. It'll grow out again—you won't mind, will you? I just had to do it. My hair grows awfully fast. Say 'Merry Christmas!' Jim, and let's be happy. You don't know what a nice—what a beautiful, nice gift I've got for you."

"You've cut off your hair?" asked Jim, laboriously, as if he had not arrived at that patent fact yet even after the hardest mental labor.

 

"Cut it off and sold it," said Della. "Don't you like me just as well, anyhow? I'm me without my hair, ain't I?"

 

Jim looked about the room curiously.

 

"You say your hair is gone?" he said, with an air almost of idiocy.

"You needn't look for it," said Della. "It's sold, I tell you—sold and gone, too. It's Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered," she went on with sudden serious sweetness, "but nobody could ever count my love for you. Shall I put the chops on, Jim?"

Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year—what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts, but that was not among them. This dark assertion will be illuminated later on.

Jim drew a package from his overcoat pocket and threw it upon the table.

"Don't make any mistake, Dell," he said, "about me. I don't think there's anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you'll unwrap that package you may see why you had me going a while at first."

White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat.

For there lay The Combs—the set of combs, side and back, that Della had worshipped long in a Broadway window. Beautiful combs, pure tortoise shell, with jewelled rims— just the shade to wear in the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone.

But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: "My hair grows so fast, Jim!"

 

And them Della leaped up like a little singed cat and cried, "Oh, oh!"

Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit.

"Isn't it a dandy, Jim? I hunted all over town to find it. You'll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it."

Instead of obeying, Jim tumbled down on the couch and put his hands under the back of his head and smiled.
"Dell," said he, "let's put our Christmas presents away and keep 'em a while. They're too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on."

The magi, as you know, were wise men—wonderfully wise men—who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.

A Cosmopolite In A Café

At midnight the café was crowded. By some chance the little table at which I sat had escaped the eye of incomers, and two vacant chairs at it extended their arms with venal hospitality to the influx of patrons.

And then a cosmopolite sat in one of them, and I was glad, for I held a theory that since Adam no true citizen of the world has existed. We hear of them, and we see foreign labels on much luggage, but we find travellers instead of cosmopolites.

I invoke your consideration of the scene—the marble-topped tables, the range of leatherupholstered wall seats, the gay company, the ladies dressed in demi-state toilets, speaking in an exquisite visible chorus of taste, economy, opulence or art; the sedulous and largess-loving garçons, the music wisely catering to all with its raids upon the composers; the mélange of talk and laughter—and, if you will, the Würzburger in the tall glass cones that bend to your lips as a ripe cherry sways on its branch to the beak of a robber jay. I was told by a sculptor from Mauch Chunk that the scene was truly Parisian.

My cosmopolite was named E. Rushmore Coglan, and he will be heard from next summer at Coney Island. He is to establish a new "attraction" there, he informed me, offering kingly diversion. And then his conversation rang along parallels of latitude and longitude. He took the great, round world in his hand, so to speak, familiarly, contemptuously, and it seemed no larger than the seed of a Maraschino cherry in a table d'hôte grape fruit. He spoke disrespectfully of the equator, he skipped from continent to continent, he derided the zones, he mopped up the high seas with his napkin. With a wave of his hand he would speak of a certain bazaar in Hyderabad. Whiff! He would have you on skis in Lapland. Zip! Now you rode the breakers with the Kanakas at Kealaikahiki. Presto! He dragged you through an Arkansas post-oak swamp, let you dry for a moment on the alkali plains of his Idaho ranch, then whirled you into the society of Viennese archdukes. Anon he would be telling you of a cold he acquired in a Chicago lake breeze and how old Escamila cured it in Buenos Ayres with a hot infusion of the chuchula weed. You would have addressed a letter to "E. Rushmore Coglan, Esq., the Earth, Solar System, the Universe," and have mailed it, feeling confident that it would be delivered to him.

I was sure that I had found at last the one true cosmopolite since Adam, and I listened to his worldwide discourse fearful lest I should discover in it the local note of the mere globe-trotter. But his opinions never fluttered or drooped; he was as impartial to cities, countries and continents as the winds or gravitation.

And as E. Rushmore Coglan prattled of this little planet I thought with glee of a great almost-cosmopolite who wrote for the whole world and dedicated himself to Bombay. In a poem he has to say that there is pride and rivalry between the cities of the earth, and that "the men that breed from them, they traffic up and down, but cling to their cities' hem as a child to the mother's gown." And whenever they walk "by roaring streets unknown" they remember their native city "most faithful, foolish, fond; making her mere-breathed name their bond upon their bond." And my glee was roused because I had caught Mr. Kipling napping. Here I had found a man not made from dust; one who had no narrow boasts of birthplace or country, one who, if he bragged at all, would brag of his whole round globe against the Martians and the inhabitants of the Moon.

Expression on these subjects was precipitated from E. Rushmore Coglan by the third corner to our table. While Coglan was describing to me the topography along the Siberian Railway the orchestra glided into a medley. The concluding air was "Dixie," and as the exhilarating notes tumbled forth they were almost overpowered by a great clapping of hands from almost every table.

It is worth a paragraph to say that this remarkable scene can be witnessed every evening in numerous cafés in the City of New York. Tons of brew have been consumed over theories to account for it. Some have conjectured hastily that all Southerners in town hie themselves to cafés at nightfall. This applause of the "rebel" air in a Northern city does puzzle a little; but it is not insolvable. The war with Spain, many years' generous mint and watermelon crops, a few long-shot winners at the New Orleans race-track, and the brilliant banquets given by the Indiana and Kansas citizens who compose the North Carolina Society have made the South rather a "fad" in Manhattan. Your manicure will lisp softly that your left forefinger reminds her so much of a gentleman's in Richmond, Va. Oh, certainly; but many a lady has to work now—the war, you know.

When "Dixie" was being played a dark-haired young man sprang up from somewhere with a Mosby guerrilla yell and waved frantically his soft-brimmed hat. Then he strayed through the smoke, dropped into the vacant chair at our table and pulled out cigarettes.

The evening was at the period when reserve is thawed. One of us mentioned three Würzburgers to the waiter; the dark-haired young man acknowledged his inclusion in the order by a smile and a nod. I hastened to ask him a question because I wanted to try out a theory I had.

"Would you mind telling me," I began, "whether you are from—"

 

The fist of E. Rushmore Coglan banged the table and I was jarred into silence.

"Excuse me," said he, "but that's a question I never like to hear asked. What does it matter where a man is from? Is it fair to judge a man by his post-office address? Why, I've seen Kentuckians who hated whiskey, Virginians who weren't descended from Pocahontas, Indianians who hadn't written a novel, Mexicans who didn't wear velvet trousers with silver dollars sewed along the seams, funny Englishmen, spendthrift Yankees, cold-blooded Southerners, narrow-minded Westerners, and New Yorkers who were too busy to stop for an hour on the street to watch a one-armed grocer's clerk do up cranberries in paper bags. Let a man be a man and don't handicap him with the label of any section."
"Pardon me," I said, "but my curiosity was not altogether an idle one. I know the South, and when the band plays 'Dixie' I like to observe. I have formed the belief that the man who applauds that air with special violence and ostensible sectional loyalty is invariably a native of either Secaucus, N.J., or the district between Murray Hill Lyceum and the Harlem River, this city. I was about to put my opinion to the test by inquiring of this gentleman when you interrupted with your own—larger theory, I must confess."

And now the dark-haired young man spoke to me, and it became evident that his mind also moved along its own set of grooves.

 

"I should like to be a periwinkle," said he, mysteriously, "on the top of a valley, and sing tooralloo-ralloo."

 

This was clearly too obscure, so I turned again to Coglan.

"I've been around the world twelve times," said he. "I know an Esquimau in Upernavik who sends to Cincinnati for his neckties, and I saw a goat-herder in Uruguay who won a prize in a Battle Creek breakfast food puzzle competition. I pay rent on a room in Cairo, Egypt, and another in Yokohama all the year around. I've got slippers waiting for me in a tea-house in Shanghai, and I don't have to tell 'em how to cook my eggs in Rio de Janeiro or Seattle. It's a mighty little old world. What's the use of bragging about being from the North, or the South, or the old manor house in the dale, or Euclid avenue, Cleveland, or Pike's Peak, or Fairfax County, Va., or Hooligan's Flats or any place? It'll be a better world when we quit being fools about some mildewed town or ten acres of swampland just because we happened to be born there."

"You seem to be a genuine cosmopolite," I said admiringly. "But it also seems that you would decry patriotism."

"A relic of the stone age," declared Coglan, warmly. "We are all brothers—Chinamen, Englishmen, Zulus, Patagonians and the people in the bend of the Kaw River. Some day all this petty pride in one's city or State or section or country will be wiped out, and we'll all be citizens of the world, as we ought to be."

"But while you are wandering in foreign lands," I persisted, "do not your thoughts revert to some spot—some dear and—"

"Nary a spot," interrupted E. R. Coglan, flippantly. "The terrestrial, globular, planetary hunk of matter, slightly flattened at the poles, and known as the Earth, is my abode. I've met a good many object-bound citizens of this country abroad. I've seen men from Chicago sit in a gondola in Venice on a moonlight night and brag about their drainage canal. I've seen a Southerner on being introduced to the King of England hand that monarch, without batting his eyes, the information that his grand-aunt on his mother's side was related by marriage to the Perkinses, of Charleston. I knew a New Yorker who was kidnapped for ransom by some Afghanistan bandits. His people sent over the money and he came back to Kabul with the agent. 'Afghanistan?' the natives said to him through an interpreter. 'Well, not so slow, do you think?' 'Oh, I don't know,' says he, and he begins to tell them about a cab driver at Sixth avenue and Broadway. Those ideas don't suit me. I'm not tied down to anything that isn't 8,000 miles in diameter. Just put me down as E. Rushmore Coglan, citizen of the terrestrial sphere."

My cosmopolite made a large adieu and left me, for he thought he saw some one through the chatter and smoke whom he knew. So I was left with the would-be periwinkle, who was reduced to Würzburger without further ability to voice his aspirations to perch, melodious, upon the summit of a valley.

I sat reflecting upon my evident cosmopolite and wondering how the poet had managed to miss him. He was my discovery and I believed in him. How was it? "The men that breed from them they traffic up and down, but cling to their cities' hem as a child to the mother's gown."

Not so E. Rushmore Coglan. With the whole world for his—

My meditations were interrupted by a tremendous noise and conflict in another part of the café. I saw above the heads of the seated patrons E. Rushmore Coglan and a stranger to me engaged in terrific battle. They fought between the tables like Titans, and glasses crashed, and men caught their hats up and were knocked down, and a brunette screamed, and a blonde began to sing "Teasing."

My cosmopolite was sustaining the pride and reputation of the Earth when the waiters closed in on both combatants with their famous flying wedge formation and bore them outside, still resisting.

I called McCarthy, one of the French garçons, and asked him the cause of the conflict.

"The man with the red tie" (that was my cosmopolite), said he, "got hot on account of things said about the bum sidewalks and water supply of the place he come from by the other guy."

"Why," said I, bewildered, "that man is a citizen of the world—a cosmopolite. He—"

 

"Originally from Mattawamkeag, Maine, he said," continued McCarthy, "and he wouldn't stand for no knockin' the place."

Between Rounds

The May moon shone bright upon the private boarding-house of Mrs. Murphy. By reference to the almanac a large amount of territory will be discovered upon which its rays also fell. Spring was in its heydey, with hay fever soon to follow. The parks were green with new leaves and buyers for the Western and Southern trade. Flowers and summer-resort agents were blowing; the air and answers to Lawson were growing milder; hand-organs, fountains and pinochle were playing everywhere.

The windows of Mrs. Murphy's boarding-house were open. A group of boarders were seated on the high stoop upon round, flat mats like German pancakes.

 

In one of the second-floor front windows Mrs. McCaskey awaited her husband. Supper was cooling on the table. Its heat went into Mrs. McCaskey.

At nine Mr. McCaskey came. He carried his coat on his arm and his pipe in his teeth; and he apologised for disturbing the boarders on the steps as he selected spots of stone between them on which to set his size 9, width Ds.

As he opened the door of his room he received a surprise. Instead of the usual stove-lid or potato-masher for him to dodge, came only words.

 

Mr. McCaskey reckoned that the benign May moon had softened the breast of his spouse.

"I heard ye," came the oral substitutes for kitchenware. "Ye can apollygise to riff-raff of the streets for settin' yer unhandy feet on the tails of their frocks, but ye'd walk on the neck of yer wife the length of a clothes-line without so much as a 'Kiss me fut,' and I'm sure it's that long from rubberin' out the windy for ye and the victuals cold such as there's money to buy after drinkin' up yer wages at Gallegher's every Saturday evenin', and the gas man here twice to-day for his."

"Woman!" said Mr. McCaskey, dashing his coat and hat upon a chair, "the noise of ye is an insult to me appetite. When ye run down politeness ye take the mortar from between the bricks of the foundations of society. 'Tis no more than exercisin' the acrimony of a gentleman when ye ask the dissent of ladies blockin' the way for steppin' between them. Will ye bring the pig's face of ye out of the windy and see to the food?"

Mrs. McCaskey arose heavily and went to the stove. There was something in her manner that warned Mr. McCaskey. When the corners of her mouth went down suddenly like a barometer it usually foretold a fall of crockery and tinware.

"Pig's face, is it?" said Mrs. McCaskey, and hurled a stewpan full of bacon and turnips at her lord.
Mr. McCaskey was no novice at repartee. He knew what should follow the entrée. On the table was a roast sirloin of pork, garnished with shamrocks. He retorted with this, and drew the appropriate return of a bread pudding in an earthen dish. A hunk of Swiss cheese accurately thrown by her husband struck Mrs. McCaskey below one eye. When she replied with a well-aimed coffee-pot full of a hot, black, semi-fragrant liquid the battle, according to courses, should have ended.

But Mr. McCaskey was no 50-cent table d'hôter. Let cheap Bohemians consider coffee the end, if they would. Let them make that faux pas. He was foxier still. Finger-bowls were not beyond the compass of his experience. They were not to be had in the Pension Murphy; but their equivalent was at hand. Triumphantly he sent the granite-ware wash basin at the head of his matrimonial adversary. Mrs. McCaskey dodged in time. She reached for a flatiron, with which, as a sort of cordial, she hoped to bring the gastronomical duel to a close. But a loud, wailing scream downstairs caused both her and Mr. McCaskey to pause in a sort of involuntary armistice.

On the sidewalk at the corner of the house Policeman Cleary was standing with one ear upturned, listening to the crash of household utensils.

"'Tis Jawn McCaskey and his missis at it again," meditated the policeman. "I wonder shall I go up and stop the row. I will not. Married folks they are; and few pleasures they have. 'Twill not last long. Sure, they'll have to borrow more dishes to keep it up with."

And just then came the loud scream below-stairs, betokening fear or dire extremity. "'Tis probably the cat," said Policeman Cleary, and walked hastily in the other direction.

The boarders on the steps were fluttered. Mr. Toomey, an insurance solicitor by birth and an investigator by profession, went inside to analyse the scream. He returned with the news that Mrs. Murphy's little boy, Mike, was lost. Following the messenger, out bounced Mrs. Murphy—two hundred pounds in tears and hysterics, clutching the air and howling to the sky for the loss of thirty pounds of freckles and mischief. Bathos, truly; but Mr. Toomey sat down at the side of Miss Purdy, millinery, and their hands came together in sympathy. The two old maids, Misses Walsh, who complained every day about the noise in the halls, inquired immediately if anybody had looked behind the clock.

Major Grigg, who sat by his fat wife on the top step, arose and buttoned his coat. "The little one lost?" he exclaimed. "I will scour the city." His wife never allowed him out after dark. But now she said: "Go, Ludovic!" in a baritone voice. "Whoever can look upon that mother's grief without springing to her relief has a heart of stone." "Give me some thirty or—sixty cents, my love," said the Major. "Lost children sometimes stray far. I may need carfares."

Old man Denny, hall room, fourth floor back, who sat on the lowest step, trying to read a paper by the street lamp, turned over a page to follow up the article about the carpenters' strike. Mrs. Murphy shrieked to the moon: "Oh, ar-r-Mike, f'r Gawd's sake, where is me little bit av a boy?"

"When'd ye see him last?" asked old man Denny, with one eye on the report of the Building Trades League.

"Oh," wailed Mrs. Murphy, "'twas yisterday, or maybe four hours ago! I dunno. But it's lost he is, me little boy Mike. He was playin' on the sidewalk only this mornin'—or was it Wednesday? I'm that busy with work, 'tis hard to keep up with dates. But I've looked the house over from top to cellar, and it's gone he is. Oh, for the love av Hiven—"

Silent, grim, colossal, the big city has ever stood against its revilers. They call it hard as iron; they say that no pulse of pity beats in its bosom; they compare its streets with lonely forests and deserts of lava. But beneath the hard crust of the lobster is found a delectable and luscious food. Perhaps a different simile would have been wiser. Still, nobody should take offence. We would call no one a lobster without good and sufficient claws.

No calamity so touches the common heart of humanity as does the straying of a little child. Their feet are so uncertain and feeble; the ways are so steep and strange.

Major Griggs hurried down to the corner, and up the avenue into Billy's place. "Gimme a rye-high," he said to the servitor. "Haven't seen a bow-legged, dirty-faced little devil of a six-year-old lost kid around here anywhere, have you?"

Mr. Toomey retained Miss Purdy's hand on the steps. "Think of that dear little babe," said Miss Purdy, "lost from his mother's side—perhaps already fallen beneath the iron hoofs of galloping steeds—oh, isn't it dreadful?"

"Ain't that right?" agreed Mr. Toomey, squeezing her hand. "Say I start out and help look for um!"

 

"Perhaps," said Miss Purdy, "you should. But, oh, Mr. Toomey, you are so dashing—so reckless—suppose in your enthusiasm some accident should befall you, then what—"

 

Old man Denny read on about the arbitration agreement, with one finger on the lines.

In the second floor front Mr. and Mrs. McCaskey came to the window to recover their second wind. Mr. McCaskey was scooping turnips out of his vest with a crooked forefinger, and his lady was wiping an eye that the salt of the roast pork had not benefited. They heard the outcry below, and thrust their heads out of the window.

"'Tis little Mike is lost," said Mrs. McCaskey, in a hushed voice, "the beautiful, little, trouble-making angel of a gossoon!"
"The bit of a boy mislaid?" said Mr. McCaskey, leaning out of the window. "Why, now, that's bad enough, entirely. The childer, they be different. If 'twas a woman I'd be willin', for they leave peace behind 'em when they go."

Disregarding the thrust, Mrs. McCaskey caught her husband's arm.

"Jawn," she said, sentimentally, "Missis Murphy's little bye is lost. 'Tis a great city for losing little boys. Six years old he was. Jawn, 'tis the same age our little bye would have been if we had had one six years ago."

"We never did," said Mr. McCaskey, lingering with the fact.

 

"But if we had, Jawn, think what sorrow would be in our hearts this night, with our little Phelan run away and stolen in the city nowheres at all."

 

"Ye talk foolishness," said Mr. McCaskey. "'Tis Pat he would be named, after me old father in Cantrim."

"Ye lie!" said Mrs. McCaskey, without anger. "Me brother was worth tin dozen bogtrotting McCaskeys. After him would the bye be named." She leaned over the windowsill and looked down at the hurrying and bustle below.

"Jawn," said Mrs. McCaskey, softly, "I'm sorry I was hasty wid ye."

 

"'Twas hasty puddin', as ye say," said her husband, "and hurry-up turnips and get-amove-on-ye coffee. 'Twas what ye could call a quick lunch, all right, and tell no lie."

 

Mrs. McCaskey slipped her arm inside her husband's and took his rough hand in hers.

 

"Listen at the cryin' of poor Mrs. Murphy," she said. "'Tis an awful thing for a bit of a bye to be lost in this great big city. If 'twas our little Phelan, Jawn, I'd be breakin' me heart."

 

Awkwardly Mr. McCaskey withdrew his hand. But he laid it around the nearing shoulder of his wife.

"'Tis foolishness, of course," said he, roughly, "but I'd be cut up some meself if our little Pat was kidnapped or anything. But there never was any childer for us. Sometimes I've been ugly and hard with ye, Judy. Forget it."

They leaned together, and looked down at the heart-drama being acted below.

Long they sat thus. People surged along the sidewalk, crowding, questioning, filling the air with rumours, and inconsequent surmises. Mrs. Murphy ploughed back and forth in their midst, like a soft mountain down which plunged an audible cataract of tears. Couriers came and went.
Loud voices and a renewed uproar were raised in front of the boarding-house.

"What's up now, Judy?" asked Mr. McCaskey.

 

"'Tis Missis Murphy's voice," said Mrs. McCaskey, harking. "She says she's after finding little Mike asleep behind the roll of old linoleum under the bed in her room."

 

Mr. McCaskey laughed loudly.

"That's yer Phelan," he shouted, sardonically. "Divil a bit would a Pat have done that trick. If the bye we never had is strayed and stole, by the powers, call him Phelan, and see him hide out under the bed like a mangy pup."

Mrs. McCaskey arose heavily, and went toward the dish closet, with the corners of her mouth drawn down.

Policeman Cleary came back around the corner as the crowd dispersed. Surprised, he upturned an ear toward the McCaskey apartment, where the crash of irons and chinaware and the ring of hurled kitchen utensils seemed as loud as before. Policeman Cleary took out his timepiece.

"By the deported snakes!" he exclaimed, "Jawn McCaskey and his lady have been fightin' for an hour and a quarter by the watch. The missis could give him forty pounds weight. Strength to his arm."

Policeman Cleary strolled back around the corner.

 

Old man Denny folded his paper and hurried up the steps just as Mrs. Murphy was about to lock the door for the night.

The Skylight Room

First Mrs. Parker would show you the double parlours. You would not dare to interrupt her description of their advantages and of the merits of the gentleman who had occupied them for eight years. Then you would manage to stammer forth the confession that you were neither a doctor nor a dentist. Mrs. Parker's manner of receiving the admission was such that you could never afterward entertain the same feeling toward your parents, who had neglected to train you up in one of the professions that fitted Mrs. Parker's parlours.

Next you ascended one flight of stairs and looked at the second-floor-back at $8. Convinced by her second-floor manner that it was worth the $12 that Mr. Toosenberry always paid for it until he left to take charge of his brother's orange plantation in Florida near Palm Beach, where Mrs. McIntyre always spent the winters that had the double front room with private bath, you managed to babble that you wanted something still cheaper.

If you survived Mrs. Parker's scorn, you were taken to look at Mr. Skidder's large hall room on the third floor. Mr. Skidder's room was not vacant. He wrote plays and smoked cigarettes in it all day long. But every room-hunter was made to visit his room to admire the lambrequins. After each visit, Mr. Skidder, from the fright caused by possible eviction, would pay something on his rent.

Then—oh, then—if you still stood on one foot, with your hot hand clutching the three moist dollars in your pocket, and hoarsely proclaimed your hideous and culpable poverty, nevermore would Mrs. Parker be cicerone of yours. She would honk loudly the word "Clara," she would show you her back, and march downstairs. Then Clara, the coloured maid, would escort you up the carpeted ladder that served for the fourth flight, and show you the Skylight Room. It occupied 7×8 feet of floor space at the middle of the hall. On each side of it was a dark lumber closet or storeroom.

In it was an iron cot, a washstand and a chair. A shelf was the dresser. Its four bare walls seemed to close in upon you like the sides of a coffin. Your hand crept to your throat, you gasped, you looked up as from a well—and breathed once more. Through the glass of the little skylight you saw a square of blue infinity.

"Two dollars, suh," Clara would say in her half-contemptuous, half-Tuskegeenial tones.

One day Miss Leeson came hunting for a room. She carried a typewriter made to be lugged around by a much larger lady. She was a very little girl, with eyes and hair that had kept on growing after she had stopped and that always looked as if they were saying: "Goodness me! Why didn't you keep up with us?"

Mrs. Parker showed her the double parlours. "In this closet," she said, "one could keep a skeleton or anaesthetic or coal—"

"But I am neither a doctor nor a dentist," said Miss Leeson, with a shiver. Mrs. Parker gave her the incredulous, pitying, sneering, icy stare that she kept for those who failed to qualify as doctors or dentists, and led the way to the second floor back.

"Eight dollars?" said Miss Leeson. "Dear me! I'm not Hetty if I do look green. I'm just a poor little working girl. Show me something higher and lower."

 

Mr. Skidder jumped and strewed the floor with cigarette stubs at the rap on his door.

 

"Excuse me, Mr. Skidder," said Mrs. Parker, with her demon's smile at his pale looks. "I didn't know you were in. I asked the lady to have a look at your lambrequins."

 

"They're too lovely for anything," said Miss Leeson, smiling in exactly the way the angels do.

After they had gone Mr. Skidder got very busy erasing the tall, black-haired heroine from his latest (unproduced) play and inserting a small, roguish one with heavy, bright hair and vivacious features.

"Anna Held'll jump at it," said Mr. Skidder to himself, putting his feet up against the lambrequins and disappearing in a cloud of smoke like an aerial cuttlefish.

Presently the tocsin call of "Clara!" sounded to the world the state of Miss Leeson's purse. A dark goblin seized her, mounted a Stygian stairway, thrust her into a vault with a glimmer of light in its top and muttered the menacing and cabalistic words "Two dollars!"

"I'll take it!" sighed Miss Leeson, sinking down upon the squeaky iron bed.

Every day Miss Leeson went out to work. At night she brought home papers with handwriting on them and made copies with her typewriter. Sometimes she had no work at night, and then she would sit on the steps of the high stoop with the other roomers. Miss Leeson was not intended for a sky-light room when the plans were drawn for her creation. She was gay-hearted and full of tender, whimsical fancies. Once she let Mr. Skidder read to her three acts of his great (unpublished) comedy, "It's No Kid; or, The Heir of the Subway."

There was rejoicing among the gentlemen roomers whenever Miss Leeson had time to sit on the steps for an hour or two. But Miss Longnecker, the tall blonde who taught in a public school and said, "Well, really!" to everything you said, sat on the top step and sniffed. And Miss Dorn, who shot at the moving ducks at Coney every Sunday and worked in a department store, sat on the bottom step and sniffed. Miss Leeson sat on the middle step and the men would quickly group around her.

Especially Mr. Skidder, who had cast her in his mind for the star part in a private, romantic (unspoken) drama in real life. And especially Mr. Hoover, who was forty-five, fat, flush and foolish. And especially very young Mr. Evans, who set up a hollow cough to induce her to ask him to leave off cigarettes. The men voted her "the funniest and jolliest ever," but the sniffs on the top step and the lower step were implacable.

* * * * * * *

I pray you let the drama halt while Chorus stalks to the footlights and drops an epicedian tear upon the fatness of Mr. Hoover. Tune the pipes to the tragedy of tallow, the bane of bulk, the calamity of corpulence. Tried out, Falstaff might have rendered more romance to the ton than would have Romeo's rickety ribs to the ounce. A lover may sigh, but he must not puff. To the train of Momus are the fat men remanded. In vain beats the faithfullest heart above a 52-inch belt. Avaunt, Hoover! Hoover, forty-five, flush and foolish, might carry off Helen herself; Hoover, forty-five, flush, foolish and fat is meat for perdition. There was never a chance for you, Hoover.

As Mrs. Parker's roomers sat thus one summer's evening, Miss Leeson looked up into the firmament and cried with her little gay laugh:

 

"Why, there's Billy Jackson! I can see him from down here, too."

 

All looked up—some at the windows of skyscrapers, some casting about for an airship, Jackson-guided.

"It's that star," explained Miss Leeson, pointing with a tiny finger. "Not the big one that twinkles—the steady blue one near it. I can see it every night through my skylight. I named it Billy Jackson."

"Well, really!" said Miss Longnecker. "I didn't know you were an astronomer, Miss Leeson."

 

"Oh, yes," said the small star gazer, "I know as much as any of them about the style of sleeves they're going to wear next fall in Mars."

"Well, really!" said Miss Longnecker. "The star you refer to is Gamma, of the constellation Cassiopeia. It is nearly of the second magnitude, and its meridian passage is—"

"Oh," said the very young Mr. Evans, "I think Billy Jackson is a much better name for it."

 

"Same here," said Mr. Hoover, loudly breathing defiance to Miss Longnecker. "I think Miss Leeson has just as much right to name stars as any of those old astrologers had."

 

"Well, really!" said Miss Longnecker.

"I wonder whether it's a shooting star," remarked Miss Dorn. "I hit nine ducks and a rabbit out of ten in the gallery at Coney Sunday."
"He doesn't show up very well from down here," said Miss Leeson. "You ought to see him from my room. You know you can see stars even in the daytime from the bottom of a well. At night my room is like the shaft of a coal mine, and it makes Billy Jackson look like the big diamond pin that Night fastens her kimono with."

There came a time after that when Miss Leeson brought no formidable papers home to copy. And when she went out in the morning, instead of working, she went from office to office and let her heart melt away in the drip of cold refusals transmitted through insolent office boys. This went on.

There came an evening when she wearily climbed Mrs. Parker's stoop at the hour when she always returned from her dinner at the restaurant. But she had had no dinner.

As she stepped into the hall Mr. Hoover met her and seized his chance. He asked her to marry him, and his fatness hovered above her like an avalanche. She dodged, and caught the balustrade. He tried for her hand, and she raised it and smote him weakly in the face. Step by step she went up, dragging herself by the railing. She passed Mr. Skidder's door as he was red-inking a stage direction for Myrtle Delorme (Miss Leeson) in his (unaccepted) comedy, to "pirouette across stage from L to the side of the Count." Up the carpeted ladder she crawled at last and opened the door of the skylight room.

She was too weak to light the lamp or to undress. She fell upon the iron cot, her fragile body scarcely hollowing the worn springs. And in that Erebus of the skylight room, she slowly raised her heavy eyelids, and smiled.

For Billy Jackson was shining down on her, calm and bright and constant through the skylight. There was no world about her. She was sunk in a pit of blackness, with but that small square of pallid light framing the star that she had so whimsically and oh, so ineffectually named. Miss Longnecker must be right; it was Gamma, of the constellation Cassiopeia, and not Billy Jackson. And yet she could not let it be Gamma.

As she lay on her back she tried twice to raise her arm. The third time she got two thin fingers to her lips and blew a kiss out of the black pit to Billy Jackson. Her arm fell back limply.

"Good-bye, Billy," she murmured faintly. "You're millions of miles away and you won't even twinkle once. But you kept where I could see you most of the time up there when there wasn't anything else but darkness to look at, didn't you? . . . Millions of miles . . . Good-bye, Billy Jackson."

Clara, the coloured maid, found the door locked at 10 the next day, and they forced it open. Vinegar, and the slapping of wrists and burnt feathers proving of no avail, some one ran to 'phone for an ambulance.
In due time it backed up to the door with much gong-clanging, and the capable young medico, in his white linen coat, ready, active, confident, with his smooth face half debonair, half grim, danced up the steps.

"Ambulance call to 49," he said briefly. "What's the trouble?"

"Oh, yes, doctor," sniffed Mrs. Parker, as though her trouble that there should be trouble in the house was the greater. "I can't think what can be the matter with her. Nothing we could do would bring her to. It's a young woman, a Miss Elsie—yes, a Miss Elsie Leeson. Never before in my house—"

"What room?" cried the doctor in a terrible voice, to which Mrs. Parker was a stranger.

 

"The skylight room. It—"

 

Evidently the ambulance doctor was familiar with the location of skylight rooms. He was gone up the stairs, four at a time. Mrs. Parker followed slowly, as her dignity demanded.

On the first landing she met him coming back bearing the astronomer in his arms. He stopped and let loose the practised scalpel of his tongue, not loudly. Gradually Mrs. Parker crumpled as a stiff garment that slips down from a nail. Ever afterward there remained crumples in her mind and body. Sometimes her curious roomers would ask her what the doctor said to her.

"Let that be," she would answer. "If I can get forgiveness for having heard it I will be satisfied."

The ambulance physician strode with his burden through the pack of hounds that follow the curiosity chase, and even they fell back along the sidewalk abashed, for his face was that of one who bears his own dead.

They noticed that he did not lay down upon the bed prepared for it in the ambulance the form that he carried, and all that he said was: "Drive like h––––l, Wilson," to the driver.

 

That is all. Is it a story? In the next morning's paper I saw a little news item, and the last sentence of it may help you (as it helped me) to weld the incidents together.

It recounted the reception into Bellevue Hospital of a young woman who had been removed from No. 49 East –––– street, suffering from debility induced by starvation. It concluded with these words:

"Dr. William Jackson, the ambulance physician who attended the case, says the patient will recover."

A Service Of Love

When one loves one's Art no service seems too hard.

That is our premise. This story shall draw a conclusion from it, and show at the same time that the premise is incorrect. That will be a new thing in logic, and a feat in storytelling somewhat older than the great wall of China.

Joe Larrabee came out of the post-oak flats of the Middle West pulsing with a genius for pictorial art. At six he drew a picture of the town pump with a prominent citizen passing it hastily. This effort was framed and hung in the drug store window by the side of the ear of corn with an uneven number of rows. At twenty he left for New York with a flowing necktie and a capital tied up somewhat closer.

Delia Caruthers did things in six octaves so promisingly in a pine-tree village in the South that her relatives chipped in enough in her chip hat for her to go "North" and "finish." They could not see her f—, but that is our story.

Joe and Delia met in an atelier where a number of art and music students had gathered to discuss chiaroscuro, Wagner, music, Rembrandt's works, pictures, Waldteufel, wall paper, Chopin and Oolong.

Joe and Delia became enamoured one of the other, or each of the other, as you please, and in a short time were married—for (see above), when one loves one's Art no service seems too hard.

Mr. and Mrs. Larrabee began housekeeping in a flat. It was a lonesome flat—something like the A sharp way down at the left-hand end of the keyboard. And they were happy; for they had their Art, and they had each other. And my advice to the rich young man would be—sell all thou hast, and give it to the poor—janitor for the privilege of living in a flat with your Art and your Delia.

Flat-dwellers shall indorse my dictum that theirs is the only true happiness. If a home is happy it cannot fit too close—let the dresser collapse and become a billiard table; let the mantel turn to a rowing machine, the escritoire to a spare bedchamber, the washstand to an upright piano; let the four walls come together, if they will, so you and your Delia are between. But if home be the other kind, let it be wide and long—enter you at the Golden Gate, hang your hat on Hatteras, your cape on Cape Horn and go out by the Labrador.

Joe was painting in the class of the great Magister—you know his fame. His fees are high; his lessons are light—his high-lights have brought him renown. Delia was studying under Rosenstock—you know his repute as a disturber of the piano keys.

They were mighty happy as long as their money lasted. So is every—but I will not be cynical. Their aims were very clear and defined. Joe was to become capable very soon of turning out pictures that old gentlemen with thin side-whiskers and thick pocketbooks would sandbag one another in his studio for the privilege of buying. Delia was to become familiar and then contemptuous with Music, so that when she saw the orchestra seats and boxes unsold she could have sore throat and lobster in a private dining-room and refuse to go on the stage.

But the best, in my opinion, was the home life in the little flat—the ardent, voluble chats after the day's study; the cozy dinners and fresh, light breakfasts; the interchange of ambitions—ambitions interwoven each with the other's or else inconsiderable—the mutual help and inspiration; and—overlook my artlessness—stuffed olives and cheese sandwiches at 11 p.m.

But after a while Art flagged. It sometimes does, even if some switchman doesn't flag it. Everything going out and nothing coming in, as the vulgarians say. Money was lacking to pay Mr. Magister and Herr Rosenstock their prices. When one loves one's Art no service seems too hard. So, Delia said she must give music lessons to keep the chafing dish bubbling.

For two or three days she went out canvassing for pupils. One evening she came home elated.

"Joe, dear," she said, gleefully, "I've a pupil. And, oh, the loveliest people! General— General A. B. Pinkney's daughter—on Seventy-first street. Such a splendid house, Joe— you ought to see the front door! Byzantine I think you would call it. And inside! Oh, Joe, I never saw anything like it before.

"My pupil is his daughter Clementina. I dearly love her already. She's a delicate thing— dresses always in white; and the sweetest, simplest manners! Only eighteen years old. I'm to give three lessons a week; and, just think, Joe! $5 a lesson. I don't mind it a bit; for when I get two or three more pupils I can resume my lessons with Herr Rosenstock. Now, smooth out that wrinkle between your brows, dear, and let's have a nice supper."

"That's all right for you, Dele," said Joe, attacking a can of peas with a carving knife and a hatchet, "but how about me? Do you think I'm going to let you hustle for wages while I philander in the regions of high art? Not by the bones of Benvenuto Cellini! I guess I can sell papers or lay cobblestones, and bring in a dollar or two."

Delia came and hung about his neck.

"Joe, dear, you are silly. You must keep on at your studies. It is not as if I had quit my music and gone to work at something else. While I teach I learn. I am always with my music. And we can live as happily as millionaires on $15 a week. You mustn't think of leaving Mr. Magister."

"All right," said Joe, reaching for the blue scalloped vegetable dish. "But I hate for you to be giving lessons. It isn't Art. But you're a trump and a dear to do it."

 

"When one loves one's Art no service seems too hard," said Delia.

"Magister praised the sky in that sketch I made in the park," said Joe. "And Tinkle gave me permission to hang two of them in his window. I may sell one if the right kind of a moneyed idiot sees them."

"I'm sure you will," said Delia, sweetly. "And now let's be thankful for Gen. Pinkney and this veal roast."

During all of the next week the Larrabees had an early breakfast. Joe was enthusiastic about some morning-effect sketches he was doing in Central Park, and Delia packed him off breakfasted, coddled, praised and kissed at 7 o'clock. Art is an engaging mistress. It was most times 7 o'clock when he returned in the evening.

At the end of the week Delia, sweetly proud but languid, triumphantly tossed three fivedollar bills on the 8×10 (inches) centre table of the 8×10 (feet) flat parlour.

"Sometimes," she said, a little wearily, "Clementina tries me. I'm afraid she doesn't practise enough, and I have to tell her the same things so often. And then she always dresses entirely in white, and that does get monotonous. But Gen. Pinkney is the dearest old man! I wish you could know him, Joe. He comes in sometimes when I am with Clementina at the piano—he is a widower, you know—and stands there pulling his white goatee. 'And how are the semiquavers and the demisemiquavers progressing?' he always asks.

"I wish you could see the wainscoting in that drawing-room, Joe! And those Astrakhan rug portières. And Clementina has such a funny little cough. I hope she is stronger than she looks. Oh, I really am getting attached to her, she is so gentle and high bred. Gen. Pinkney's brother was once Minister to Bolivia."

And then Joe, with the air of a Monte Cristo, drew forth a ten, a five, a two and a one— all legal tender notes—and laid them beside Delia's earnings.

 

"Sold that watercolour of the obelisk to a man from Peoria," he announced overwhelmingly.

 

"Don't joke with me," said Delia, "not from Peoria!"

"All the way. I wish you could see him, Dele. Fat man with a woollen muffler and a quill toothpick. He saw the sketch in Tinkle's window and thought it was a windmill at first. He was game, though, and bought it anyhow. He ordered another—an oil sketch of the Lackawanna freight depot—to take back with him. Music lessons! Oh, I guess Art is still in it."

"I'm so glad you've kept on," said Delia, heartily. "You're bound to win, dear. Thirtythree dollars! We never had so much to spend before. We'll have oysters to-night." "And filet mignon with champignons," said Joe. "Where is the olive fork?"

 

On the next Saturday evening Joe reached home first. He spread his $18 on the parlour table and washed what seemed to be a great deal of dark paint from his hands.

 

Half an hour later Delia arrived, her right hand tied up in a shapeless bundle of wraps and bandages.

 

"How is this?" asked Joe after the usual greetings. Delia laughed, but not very joyously.

"Clementina," she explained, "insisted upon a Welsh rabbit after her lesson. She is such a queer girl. Welsh rabbits at 5 in the afternoon. The General was there. You should have seen him run for the chafing dish, Joe, just as if there wasn't a servant in the house. I know Clementina isn't in good health; she is so nervous. In serving the rabbit she spilled a great lot of it, boiling hot, over my hand and wrist. It hurt awfully, Joe. And the dear girl was so sorry! But Gen. Pinkney!—Joe, that old man nearly went distracted. He rushed downstairs and sent somebody—they said the furnace man or somebody in the basement—out to a drug store for some oil and things to bind it up with. It doesn't hurt so much now."

"What's this?" asked Joe, taking the hand tenderly and pulling at some white strands beneath the bandages.

 

"It's something soft," said Delia, "that had oil on it. Oh, Joe, did you sell another sketch?" She had seen the money on the table.

"Did I?" said Joe; "just ask the man from Peoria. He got his depot to-day, and he isn't sure but he thinks he wants another parkscape and a view on the Hudson. What time this afternoon did you burn your hand, Dele?"

"Five o'clock, I think," said Dele, plaintively. "The iron—I mean the rabbit came off the fire about that time. You ought to have seen Gen. Pinkney, Joe, when—"

 

"Sit down here a moment, Dele," said Joe. He drew her to the couch, sat beside her and put his arm across her shoulders.

 

"What have you been doing for the last two weeks, Dele?" he asked.

She braved it for a moment or two with an eye full of love and stubbornness, and murmured a phrase or two vaguely of Gen. Pinkney; but at length down went her head and out came the truth and tears.

"I couldn't get any pupils," she confessed. "And I couldn't bear to have you give up your lessons; and I got a place ironing shirts in that big Twenty-fourth street laundry. And I think I did very well to make up both General Pinkney and Clementina, don't you, Joe? And when a girl in the laundry set down a hot iron on my hand this afternoon I was all the way home making up that story about the Welsh rabbit. You're not angry, are you, Joe? And if I hadn't got the work you mightn't have sold your sketches to that man from Peoria."

"He wasn't from Peoria," said Joe, slowly.

 

"Well, it doesn't matter where he was from. How clever you are, Joe—and—kiss me, Joe—and what made you ever suspect that I wasn't giving music lessons to Clementina?"

"I didn't," said Joe, "until to-night. And I wouldn't have then, only I sent up this cotton waste and oil from the engine-room this afternoon for a girl upstairs who had her hand burned with a smoothing-iron. I've been firing the engine in that laundry for the last two weeks."

"And then you didn't—"

 

"My purchaser from Peoria," said Joe, "and Gen. Pinkney are both creations of the same art—but you wouldn't call it either painting or music."

 

And then they both laughed, and Joe began:

 

"When one loves one's Art no service seems—" But Delia stopped him with her hand on his lips. "No," she said—"just 'When one loves.'"

The Coming-Out Of Maggie

Every Saturday night the Clover Leaf Social Club gave a hop in the hall of the Give and Take Athletic Association on the East Side. In order to attend one of these dances you must be a member of the Give and Take—or, if you belong to the division that starts off with the right foot in waltzing, you must work in Rhinegold's paper-box factory. Still, any Clover Leaf was privileged to escort or be escorted by an outsider to a single dance. But mostly each Give and Take brought the paper-box girl that he affected; and few strangers could boast of having shaken a foot at the regular hops.

Maggie Toole, on account of her dull eyes, broad mouth and left-handed style of footwork in the two-step, went to the dances with Anna McCarty and her "fellow." Anna and Maggie worked side by side in the factory, and were the greatest chums ever. So Anna always made Jimmy Burns take her by Maggie's house every Saturday night so that her friend could go to the dance with them.

The Give and Take Athletic Association lived up to its name. The hall of the association in Orchard street was fitted out with muscle-making inventions. With the fibres thus builded up the members were wont to engage the police and rival social and athletic organisations in joyous combat. Between these more serious occupations the Saturday night hop with the paper-box factory girls came as a refining influence and as an efficient screen. For sometimes the tip went 'round, and if you were among the elect that tiptoed up the dark back stairway you might see as neat and satisfying a little welter-weight affair to a finish as ever happened inside the ropes.

On Saturdays Rhinegold's paper-box factory closed at 3 P. M. On one such afternoon Anna and Maggie walked homeward together. At Maggie's door Anna said, as usual: "Be ready at seven, sharp, Mag; and Jimmy and me'll come by for you."

But what was this? Instead of the customary humble and grateful thanks from the nonescorted one there was to be perceived a high-poised head, a prideful dimpling at the corners of a broad mouth, and almost a sparkle in a dull brown eye.

"Thanks, Anna," said Maggie; "but you and Jimmy needn't bother to-night. I've a gentleman friend that's coming 'round to escort me to the hop."

The comely Anna pounced upon her friend, shook her, chided and beseeched her. Maggie Toole catch a fellow! Plain, dear, loyal, unattractive Maggie, so sweet as a chum, so unsought for a two-step or a moonlit bench in the little park. How was it? When did it happen? Who was it?

"You'll see to-night," said Maggie, flushed with the wine of the first grapes she had gathered in Cupid's vineyard. "He's swell all right. He's two inches taller than Jimmy, and an up-to-date dresser. I'll introduce him, Anna, just as soon as we get to the hall." Anna and Jimmy were among the first Clover Leafs to arrive that evening. Anna's eyes were brightly fixed upon the door of the hall to catch the first glimpse of her friend's "catch."

At 8:30 Miss Toole swept into the hall with her escort. Quickly her triumphant eye discovered her chum under the wing of her faithful Jimmy.

 

"Oh, gee!" cried Anna, "Mag ain't made a hit—oh, no! Swell fellow? well, I guess! Style? Look at 'um."

"Go as far as you like," said Jimmy, with sandpaper in his voice. "Cop him out if you want him. These new guys always win out with the push. Don't mind me. He don't squeeze all the limes, I guess. Huh!"

"Shut up, Jimmy. You know what I mean. I'm glad for Mag. First fellow she ever had. Oh, here they come."

Across the floor Maggie sailed like a coquettish yacht convoyed by a stately cruiser. And truly, her companion justified the encomiums of the faithful chum. He stood two inches taller than the average Give and Take athlete; his dark hair curled; his eyes and his teeth flashed whenever he bestowed his frequent smiles. The young men of the Clover Leaf Club pinned not their faith to the graces of person as much as they did to its prowess, its achievements in hand-to-hand conflicts, and its preservation from the legal duress that constantly menaced it. The member of the association who would bind a paper-box maiden to his conquering chariot scorned to employ Beau Brummel airs. They were not considered honourable methods of warfare. The swelling biceps, the coat straining at its buttons over the chest, the air of conscious conviction of the supereminence of the male in the cosmogony of creation, even a calm display of bow legs as subduing and enchanting agents in the gentle tourneys of Cupid—these were the approved arms and ammunition of the Clover Leaf gallants. They viewed, then, genuflexions and alluring poses of this visitor with their chins at a new angle.

"A friend of mine, Mr. Terry O'Sullivan," was Maggie's formula of introduction. She led him around the room, presenting him to each new-arriving Clover Leaf. Almost was she pretty now, with the unique luminosity in her eyes that comes to a girl with her first suitor and a kitten with its first mouse.

"Maggie Toole's got a fellow at last," was the word that went round among the paper-box girls. "Pipe Mag's floor-walker"—thus the Give and Takes expressed their indifferent contempt.

Usually at the weekly hops Maggie kept a spot on the wall warm with her back. She felt and showed so much gratitude whenever a self-sacrificing partner invited her to dance that his pleasure was cheapened and diminished. She had even grown used to noticing Anna joggle the reluctant Jimmy with her elbow as a signal for him to invite her chum to walk over his feet through a two-step.
But to-night the pumpkin had turned to a coach and six. Terry O'Sullivan was a victorious Prince Charming, and Maggie Toole winged her first butterfly flight. And though our tropes of fairyland be mixed with those of entomology they shall not spill one drop of ambrosia from the rose-crowned melody of Maggie's one perfect night.

The girls besieged her for introductions to her "fellow." The Clover Leaf young men, after two years of blindness, suddenly perceived charms in Miss Toole. They flexed their compelling muscles before her and bespoke her for the dance.

Thus she scored; but to Terry O'Sullivan the honours of the evening fell thick and fast. He shook his curls; he smiled and went easily through the seven motions for acquiring grace in your own room before an open window ten minutes each day. He danced like a faun; he introduced manner and style and atmosphere; his words came trippingly upon his tongue, and—he waltzed twice in succession with the paper-box girl that Dempsey Donovan brought.

Dempsey was the leader of the association. He wore a dress suit, and could chin the bar twice with one hand. He was one of "Big Mike" O'Sullivan's lieutenants, and was never troubled by trouble. No cop dared to arrest him. Whenever be broke a pushcart man's head or shot a member of the Heinrick B. Sweeney Outing and Literary Association in the kneecap, an officer would drop around and say:

"The Cap'n 'd like to see ye a few minutes round to the office whin ye have time, Dempsey, me boy."

But there would be sundry gentlemen there with large gold fob chains and black cigars; and somebody would tell a funny story, and then Dempsey would go back and work half an hour with the six-pound dumbbells. So, doing a tight-rope act on a wire stretched across Niagara was a safe terpsichorean performance compared with waltzing twice with Dempsey Donovan's paper-box girl. At 10 o'clock the jolly round face of "Big Mike" O'Sullivan shone at the door for five minutes upon the scene. He always looked in for five minutes, smiled at the girls and handed out real perfectos to the delighted boys.

Dempsey Donovan was at his elbow instantly, talking rapidly. "Big Mike" looked carefully at the dancers, smiled, shook his head and departed.

The music stopped. The dancers scattered to the chairs along the walls. Terry O'Sullivan, with his entrancing bow, relinquished a pretty girl in blue to her partner and started back to find Maggie. Dempsey intercepted him in the middle of the floor.

Some fine instinct that Rome must have bequeathed to us caused nearly every one to turn and look at them—there was a subtle feeling that two gladiators had met in the arena. Two or three Give and Takes with tight coat sleeves drew nearer.
"One moment, Mr. O'Sullivan," said Dempsey. "I hope you're enjoying yourself. Where did you say you live?"

The two gladiators were well matched. Dempsey had, perhaps, ten pounds of weight to give away. The O'Sullivan had breadth with quickness. Dempsey had a glacial eye, a dominating slit of a mouth, an indestructible jaw, a complexion like a belle's and the coolness of a champion. The visitor showed more fire in his contempt and less control over his conspicuous sneer. They were enemies by the law written when the rocks were molten. They were each too splendid, too mighty, too incomparable to divide preeminence. One only must survive.

"I live on Grand," said O'Sullivan, insolently; "and no trouble to find me at home. Where do you live?"

 

Dempsey ignored the question.

 

"You say your name's O'Sullivan," he went on. "Well, 'Big Mike' says he never saw you before."

 

"Lots of things he never saw," said the favourite of the hop.

"As a rule," went on Dempsey, huskily sweet, "O'Sullivans in this district know one another. You escorted one of our lady members here, and we want a chance to make good. If you've got a family tree let's see a few historical O'Sullivan buds come out on it. Or do you want us to dig it out of you by the roots?"

"Suppose you mind your own business," suggested O'Sullivan, blandly.

 

Dempsey's eye brightened. He held up an inspired forefinger as though a brilliant idea had struck him.

 

"I've got it now," he said cordially. "It was just a little mistake. You ain't no O'Sullivan. You are a ring-tailed monkey. Excuse us for not recognising you at first."

 

O'Sullivan's eye flashed. He made a quick movement, but Andy Geoghan was ready and caught his arm.

Dempsey nodded at Andy and William McMahan, the secretary of the club, and walked rapidly toward a door at the rear of the hall. Two other members of the Give and Take Association swiftly joined the little group. Terry O'Sullivan was now in the hands of the Board of Rules and Social Referees. They spoke to him briefly and softly, and conducted him out through the same door at the rear.

This movement on the part of the Clover Leaf members requires a word of elucidation. Back of the association hall was a smaller room rented by the club. In this room personal difficulties that arose on the ballroom floor were settled, man to man, with the weapons of nature, under the supervision of the board. No lady could say that she had witnessed a fight at a Clover Leaf hop in several years. Its gentlemen members guaranteed that.

So easily and smoothly had Dempsey and the board done their preliminary work that many in the hall had not noticed the checking of the fascinating O'Sullivan's social triumph. Among these was Maggie. She looked about for her escort.

"Smoke up!" said Rose Cassidy. "Wasn't you on? Demps Donovan picked a scrap with your Lizzie-boy, and they've waltzed out to the slaughter room with him. How's my hair look done up this way, Mag?"

Maggie laid a hand on the bosom of her cheesecloth waist.

 

"Gone to fight with Dempsey!" she said, breathlessly. "They've got to be stopped. Dempsey Donovan can't fight him. Why, he'll—he'll kill him!"

 

"Ah, what do you care?" said Rosa. "Don't some of 'em fight every hop?"

But Maggie was off, darting her zig-zag way through the maze of dancers. She burst through the rear door into the dark hall and then threw her solid shoulder against the door of the room of single combat. It gave way, and in the instant that she entered her eye caught the scene—the Board standing about with open watches; Dempsey Donovan in his shirt sleeves dancing, light-footed, with the wary grace of the modern pugilist, within easy reach of his adversary; Terry O'Sullivan standing with arms folded and a murderous look in his dark eyes. And without slacking the speed of her entrance she leaped forward with a scream—leaped in time to catch and hang upon the arm of O'Sullivan that was suddenly uplifted, and to whisk from it the long, bright stiletto that he had drawn from his bosom.

The knife fell and rang upon the floor. Cold steel drawn in the rooms of the Give and Take Association! Such a thing had never happened before. Every one stood motionless for a minute. Andy Geoghan kicked the stiletto with the toe of his shoe curiously, like an antiquarian who has come upon some ancient weapon unknown to his learning.

And then O'Sullivan hissed something unintelligible between his teeth. Dempsey and the board exchanged looks. And then Dempsey looked at O'Sullivan without anger, as one looks at a stray dog, and nodded his head in the direction of the door.

"The back stairs, Giuseppi," he said, briefly. "Somebody'll pitch your hat down after you."

 

Maggie walked up to Dempsey Donovan. There was a brilliant spot of red in her cheeks, down which slow tears were running. But she looked him bravely in the eye.

"I knew it, Dempsey," she said, as her eyes grew dull even in their tears. "I knew he was a Guinea. His name's Tony Spinelli. I hurried in when they told me you and him was scrappin'. Them Guineas always carries knives. But you don't understand, Dempsey. I never had a fellow in my life. I got tired of comin' with Anna and Jimmy every night, so I fixed it with him to call himself O'Sullivan, and brought him along. I knew there'd be nothin' doin' for him if he came as a Dago. I guess I'll resign from the club now."

Dempsey turned to Andy Geoghan.

 

"Chuck that cheese slicer out of the window," he said, "and tell 'em inside that Mr. O'Sullivan has had a telephone message to go down to Tammany Hall."

 

And then he turned back to Maggie.

 

"Say, Mag," he said, "I'll see you home. And how about next Saturday night? Will you come to the hop with me if I call around for you?"

 

It was remarkable how quickly Maggie's eyes could change from dull to a shining brown. "With you, Dempsey?" she stammered. "Say—will a duck swim?"

Man About Town

There were two or three things that I wanted to know. I do not care about a mystery. So I began to inquire.

It took me two weeks to find out what women carry in dress suit cases. And then I began to ask why a mattress is made in two pieces. This serious query was at first received with suspicion because it sounded like a conundrum. I was at last assured that its double form of construction was designed to make lighter the burden of woman, who makes up beds. I was so foolish as to persist, begging to know why, then, they were not made in two equal pieces; whereupon I was shunned.

The third draught that I craved from the fount of knowledge was enlightenment concerning the character known as A Man About Town. He was more vague in my mind than a type should be. We must have a concrete idea of anything, even if it be an imaginary idea, before we can comprehend it. Now, I have a mental picture of John Doe that is as clear as a steel engraving. His eyes are weak blue; he wears a brown vest and a shiny black serge coat. He stands always in the sunshine chewing something; and he keeps half-shutting his pocket knife and opening it again with his thumb. And, if the Man Higher Up is ever found, take my assurance for it, he will be a large, pale man with blue wristlets showing under his cuffs, and he will be sitting to have his shoes polished within sound of a bowling alley, and there will be somewhere about him turquoises.

But the canvas of my imagination, when it came to limning the Man About Town, was blank. I fancied that he bad a detachable sneer (like the smile of the Cheshire cat) and attached cuffs; and that was all. Whereupon I asked a newspaper reporter about him.

"Why," said he, "a 'Man About Town' something between a 'rounder' and a 'clubman.' He isn't exactly—well, he fits in between Mrs. Fish's receptions and private boxing bouts. He doesn't—well, he doesn't belong either to the Lotos Club or to the Jerry McGeogheghan Galvanised Iron Workers' Apprentices' Left Hook Chowder Association. I don't exactly know how to describe him to you. You'll see him everywhere there's anything doing. Yes, I suppose he's a type. Dress clothes every evening; knows the ropes; calls every policeman and waiter in town by their first names. No; he never travels with the hydrogen derivatives. You generally see him alone or with another man."

My friend the reporter left me, and I wandered further afield. By this time the 3126 electric lights on the Rialto were alight. People passed, but they held me not. Paphian eyes rayed upon me, and left me unscathed. Diners, heimgangers, shop-girls, confidence men, panhandlers, actors, highwaymen, millionaires and outlanders hurried, skipped, strolled, sneaked, swaggered and scurried by me; but I took no note of them. I knew them all; I had read their hearts; they had served. I wanted my Man About Town. He was a type, and to drop him would be an error—a typograph—but no! let us continue. Let us continue with a moral digression. To see a family reading the Sunday paper gratifies. The sections have been separated. Papa is earnestly scanning the page that pictures the young lady exercising before an open window, and bending—but there, there! Mamma is interested in trying to guess the missing letters in the word N_w Yo_k. The oldest girls are eagerly perusing the financial reports, for a certain young man remarked last Sunday night that he had taken a flyer in Q., X. & Z. Willie, the eighteenyear-old son, who attends the New York public school, is absorbed in the weekly article describing how to make over an old skirt, for he hopes to take a prize in sewing on graduation day.

Grandma is holding to the comic supplement with a two-hours' grip; and little Tottie, the baby, is rocking along the best she can with the real estate transfers. This view is intended to be reassuring, for it is desirable that a few lines of this story be skipped. For it introduces strong drink.

I went into a café to—and while it was being mixed I asked the man who grabs up your hot Scotch spoon as soon as you lay it down what he understood by the term, epithet, description, designation, characterisation or appellation, viz.: a "Man About Town."

"Why," said he, carefully, "it means a fly guy that's wise to the all-night push—see? It's a hot sport that you can't bump to the rail anywhere between the Flatirons—see? I guess that's about what it means."

I thanked him and departed.

 

On the sidewalk a Salvation lassie shook her contribution receptacle gently against my waistcoat pocket.

 

"Would you mind telling me," I asked her, "if you ever meet with the character commonly denominated as 'A Man About Town' during your daily wanderings?"

"I think I know whom you mean," she answered, with a gentle smile. "We see them in the same places night after night. They are the devil's body guard, and if the soldiers of any army are as faithful as they are, their commanders are well served. We go among them, diverting a few pennies from their wickedness to the Lord's service."

She shook the box again and I dropped a dime into it.

In front of a glittering hotel a friend of mine, a critic, was climbing from a cab. He seemed at leisure; and I put my question to him. He answered me conscientiously, as I was sure he would.

"There is a type of 'Man About Town' in New York," he answered. "The term is quite familiar to me, but I don't think I was ever called upon to define the character before. It would be difficult to point you out an exact specimen. I would say, offhand, that it is a man who had a hopeless case of the peculiar New York disease of wanting to see and know. At 6 o'clock each day life begins with him. He follows rigidly the conventions of dress and manners; but in the business of poking his nose into places where he does not belong he could give pointers to a civet cat or a jackdaw. He is the man who has chased Bohemia about the town from rathskeller to roof garden and from Hester street to Harlem until you can't find a place in the city where they don't cut their spaghetti with a knife. Your 'Man About Town' has done that. He is always on the scent of something new. He is curiosity, impudence and omnipresence. Hansoms were made for him, and gold-banded cigars; and the curse of music at dinner. There are not so many of him; but his minority report is adopted everywhere.

"I'm glad you brought up the subject; I've felt the influence of this nocturnal blight upon our city, but I never thought to analyse it before. I can see now that your 'Man About Town' should have been classified long ago. In his wake spring up wine agents and cloak models; and the orchestra plays 'Let's All Go Up to Maud's' for him, by request, instead of Händel. He makes his rounds every evening; while you and I see the elephant once a week. When the cigar store is raided, he winks at the officer, familiar with his ground, and walks away immune, while you and I search among the Presidents for names, and among the stars for addresses to give the desk sergeant."

My friend, the critic, paused to acquire breath for fresh eloquence. I seized my advantage.

"You have classified him," I cried with joy. "You have painted his portrait in the gallery of city types. But I must meet one face to face. I must study the Man About Town at first hand. Where shall I find him? How shall I know him?"

Without seeming to hear me, the critic went on. And his cab-driver was waiting for his fare, too.

"He is the sublimated essence of Butt-in; the refined, intrinsic extract of Rubber; the concentrated, purified, irrefutable, unavoidable spirit of Curiosity and Inquisitiveness. A new sensation is the breath in his nostrils; when his experience is exhausted he explores new fields with the indefatigability of a—"

"Excuse me," I interrupted, "but can you produce one of this type? It is a new thing to me. I must study it. I will search the town over until I find one. Its habitat must be here on Broadway."

"I am about to dine here," said my friend. "Come inside, and if there is a Man About Town present I will point him out to you. I know most of the regular patrons here."

"I am not dining yet," I said to him. "You will excuse me. I am going to find my Man About Town this night if I have to rake New York from the Battery to Little Coney Island."
I left the hotel and walked down Broadway. The pursuit of my type gave a pleasant savour of life and interest to the air I breathed. I was glad to be in a city so great, so complex and diversified. Leisurely and with something of an air I strolled along with my heart expanding at the thought that I was a citizen of great Gotham, a sharer in its magnificence and pleasures, a partaker in its glory and prestige.

I turned to cross the street. I heard something buzz like a bee, and then I took a long, pleasant ride with Santos-Dumont.

 

When I opened my eyes I remembered a smell of gasoline, and I said aloud: "Hasn't it passed yet?"

 

A hospital nurse laid a hand that was not particularly soft upon my brow that was not at all fevered. A young doctor came along, grinned, and handed me a morning newspaper.

 

"Want to see how it happened?" he asked cheerily. I read the article. Its headlines began where I heard the buzzing leave off the night before. It closed with these lines:

 

"—Bellevue Hospital, where it was said that his injuries were not serious. He appeared to be a typical Man About Town."

The Cop And The Anthem

On his bench in Madison Square Soapy moved uneasily. When wild geese honk high of nights, and when women without sealskin coats grow kind to their husbands, and when Soapy moves uneasily on his bench in the park, you may know that winter is near at hand.

A dead leaf fell in Soapy's lap. That was Jack Frost's card. Jack is kind to the regular denizens of Madison Square, and gives fair warning of his annual call. At the corners of four streets he hands his pasteboard to the North Wind, footman of the mansion of All Outdoors, so that the inhabitants thereof may make ready.

Soapy's mind became cognisant of the fact that the time had come for him to resolve himself into a singular Committee of Ways and Means to provide against the coming rigour. And therefore he moved uneasily on his bench.

The hibernatorial ambitions of Soapy were not of the highest. In them there were no considerations of Mediterranean cruises, of soporific Southern skies drifting in the Vesuvian Bay. Three months on the Island was what his soul craved. Three months of assured board and bed and congenial company, safe from Boreas and bluecoats, seemed to Soapy the essence of things desirable.

For years the hospitable Blackwell's had been his winter quarters. Just as his more fortunate fellow New Yorkers had bought their tickets to Palm Beach and the Riviera each winter, so Soapy had made his humble arrangements for his annual hegira to the Island. And now the time was come. On the previous night three Sabbath newspapers, distributed beneath his coat, about his ankles and over his lap, had failed to repulse the cold as he slept on his bench near the spurting fountain in the ancient square. So the Island loomed big and timely in Soapy's mind. He scorned the provisions made in the name of charity for the city's dependents. In Soapy's opinion the Law was more benign than Philanthropy. There was an endless round of institutions, municipal and eleemosynary, on which he might set out and receive lodging and food accordant with the simple life. But to one of Soapy's proud spirit the gifts of charity are encumbered. If not in coin you must pay in humiliation of spirit for every benefit received at the hands of philanthropy. As Caesar had his Brutus, every bed of charity must have its toll of a bath, every loaf of bread its compensation of a private and personal inquisition. Wherefore it is better to be a guest of the law, which though conducted by rules, does not meddle unduly with a gentleman's private affairs.

Soapy, having decided to go to the Island, at once set about accomplishing his desire. There were many easy ways of doing this. The pleasantest was to dine luxuriously at some expensive restaurant; and then, after declaring insolvency, be handed over quietly and without uproar to a policeman. An accommodating magistrate would do the rest. Soapy left his bench and strolled out of the square and across the level sea of asphalt, where Broadway and Fifth Avenue flow together. Up Broadway he turned, and halted at a glittering café, where are gathered together nightly the choicest products of the grape, the silkworm and the protoplasm.

Soapy had confidence in himself from the lowest button of his vest upward. He was shaven, and his coat was decent and his neat black, ready-tied four-in-hand had been presented to him by a lady missionary on Thanksgiving Day. If he could reach a table in the restaurant unsuspected success would be his. The portion of him that would show above the table would raise no doubt in the waiter's mind. A roasted mallard duck, thought Soapy, would be about the thing—with a bottle of Chablis, and then Camembert, a demi-tasse and a cigar. One dollar for the cigar would be enough. The total would not be so high as to call forth any supreme manifestation of revenge from the café management; and yet the meat would leave him filled and happy for the journey to his winter refuge.

But as Soapy set foot inside the restaurant door the head waiter's eye fell upon his frayed trousers and decadent shoes. Strong and ready hands turned him about and conveyed him in silence and haste to the sidewalk and averted the ignoble fate of the menaced mallard.

Soapy turned off Broadway. It seemed that his route to the coveted island was not to be an epicurean one. Some other way of entering limbo must be thought of.

At a corner of Sixth Avenue electric lights and cunningly displayed wares behind plateglass made a shop window conspicuous. Soapy took a cobblestone and dashed it through the glass. People came running around the corner, a policeman in the lead. Soapy stood still, with his hands in his pockets, and smiled at the sight of brass buttons.

"Where's the man that done that?" inquired the officer excitedly.

 

"Don't you figure out that I might have had something to do with it?" said Soapy, not without sarcasm, but friendly, as one greets good fortune.

The policeman's mind refused to accept Soapy even as a clue. Men who smash windows do not remain to parley with the law's minions. They take to their heels. The policeman saw a man half way down the block running to catch a car. With drawn club he joined in the pursuit. Soapy, with disgust in his heart, loafed along, twice unsuccessful.

On the opposite side of the street was a restaurant of no great pretensions. It catered to large appetites and modest purses. Its crockery and atmosphere were thick; its soup and napery thin. Into this place Soapy took his accusive shoes and telltale trousers without challenge. At a table he sat and consumed beefsteak, flapjacks, doughnuts and pie. And then to the waiter be betrayed the fact that the minutest coin and himself were strangers.

"Now, get busy and call a cop," said Soapy. "And don't keep a gentleman waiting." "No cop for youse," said the waiter, with a voice like butter cakes and an eye like the cherry in a Manhattan cocktail. "Hey, Con!"

Neatly upon his left ear on the callous pavement two waiters pitched Soapy. He arose, joint by joint, as a carpenter's rule opens, and beat the dust from his clothes. Arrest seemed but a rosy dream. The Island seemed very far away. A policeman who stood before a drug store two doors away laughed and walked down the street.

Five blocks Soapy travelled before his courage permitted him to woo capture again. This time the opportunity presented what he fatuously termed to himself a "cinch." A young woman of a modest and pleasing guise was standing before a show window gazing with sprightly interest at its display of shaving mugs and inkstands, and two yards from the window a large policeman of severe demeanour leaned against a water plug.

It was Soapy's design to assume the role of the despicable and execrated "masher." The refined and elegant appearance of his victim and the contiguity of the conscientious cop encouraged him to believe that he would soon feel the pleasant official clutch upon his arm that would insure his winter quarters on the right little, tight little isle.

Soapy straightened the lady missionary's ready-made tie, dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young woman. He made eyes at her, was taken with sudden coughs and "hems," smiled, smirked and went brazenly through the impudent and contemptible litany of the "masher." With half an eye Soapy saw that the policeman was watching him fixedly. The young woman moved away a few steps, and again bestowed her absorbed attention upon the shaving mugs. Soapy followed, boldly stepping to her side, raised his hat and said:

"Ah there, Bedelia! Don't you want to come and play in my yard?"

The policeman was still looking. The persecuted young woman had but to beckon a finger and Soapy would be practically en route for his insular haven. Already he imagined he could feel the cozy warmth of the station-house. The young woman faced him and, stretching out a hand, caught Soapy's coat sleeve.

"Sure, Mike," she said joyfully, "if you'll blow me to a pail of suds. I'd have spoke to you sooner, but the cop was watching."

 

With the young woman playing the clinging ivy to his oak Soapy walked past the policeman overcome with gloom. He seemed doomed to liberty.

At the next corner he shook off his companion and ran. He halted in the district where by night are found the lightest streets, hearts, vows and librettos. Women in furs and men in greatcoats moved gaily in the wintry air. A sudden fear seized Soapy that some dreadful enchantment had rendered him immune to arrest. The thought brought a little of panic upon it, and when he came upon another policeman lounging grandly in front of a transplendent theatre he caught at the immediate straw of "disorderly conduct."

On the sidewalk Soapy began to yell drunken gibberish at the top of his harsh voice. He danced, howled, raved and otherwise disturbed the welkin.

 

The policeman twirled his club, turned his back to Soapy and remarked to a citizen.

 

"'Tis one of them Yale lads celebratin' the goose egg they give to the Hartford College. Noisy; but no harm. We've instructions to lave them be."

Disconsolate, Soapy ceased his unavailing racket. Would never a policeman lay hands on him? In his fancy the Island seemed an unattainable Arcadia. He buttoned his thin coat against the chilling wind.

In a cigar store he saw a well-dressed man lighting a cigar at a swinging light. His silk umbrella he had set by the door on entering. Soapy stepped inside, secured the umbrella and sauntered off with it slowly. The man at the cigar light followed hastily.

"My umbrella," he said, sternly.

"Oh, is it?" sneered Soapy, adding insult to petit larceny. "Well, why don't you call a policeman? I took it. Your umbrella! Why don't you call a cop? There stands one on the corner."

The umbrella owner slowed his steps. Soapy did likewise, with a presentiment that luck would again run against him. The policeman looked at the two curiously.

"Of course," said the umbrella man—"that is—well, you know how these mistakes occur—I—if it's your umbrella I hope you'll excuse me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hope you'll—"

"Of course it's mine," said Soapy, viciously.

 

The ex-umbrella man retreated. The policeman hurried to assist a tall blonde in an opera cloak across the street in front of a street car that was approaching two blocks away.

Soapy walked eastward through a street damaged by improvements. He hurled the umbrella wrathfully into an excavation. He muttered against the men who wear helmets and carry clubs. Because he wanted to fall into their clutches, they seemed to regard him as a king who could do no wrong.

At length Soapy reached one of the avenues to the east where the glitter and turmoil was but faint. He set his face down this toward Madison Square, for the homing instinct survives even when the home is a park bench.
But on an unusually quiet corner Soapy came to a standstill. Here was an old church, quaint and rambling and gabled. Through one violet-stained window a soft light glowed, where, no doubt, the organist loitered over the keys, making sure of his mastery of the coming Sabbath anthem. For there drifted out to Soapy's ears sweet music that caught and held him transfixed against the convolutions of the iron fence.

The moon was above, lustrous and serene; vehicles and pedestrians were few; sparrows twittered sleepily in the eaves—for a little while the scene might have been a country churchyard. And the anthem that the organist played cemented Soapy to the iron fence, for he had known it well in the days when his life contained such things as mothers and roses and ambitions and friends and immaculate thoughts and collars.

The conjunction of Soapy's receptive state of mind and the influences about the old church wrought a sudden and wonderful change in his soul. He viewed with swift horror the pit into which he had tumbled, the degraded days, unworthy desires, dead hopes, wrecked faculties and base motives that made up his existence.

And also in a moment his heart responded thrillingly to this novel mood. An instantaneous and strong impulse moved him to battle with his desperate fate. He would pull himself out of the mire; he would make a man of himself again; he would conquer the evil that had taken possession of him. There was time; he was comparatively young yet; he would resurrect his old eager ambitions and pursue them without faltering. Those solemn but sweet organ notes had set up a revolution in him. To-morrow he would go into the roaring downtown district and find work. A fur importer had once offered him a place as driver. He would find him to-morrow and ask for the position. He would be somebody in the world. He would—

Soapy felt a hand laid on his arm. He looked quickly around into the broad face of a policeman.

 

"What are you doin' here?" asked the officer.

 

"Nothin'," said Soapy.

 

"Then come along," said the policeman. "Three months on the Island," said the Magistrate in the Police Court the next morning.

An Adjustment Of Nature

In an art exhibition the other day I saw a painting that had been sold for $5,000. The painter was a young scrub out of the West named Kraft, who had a favourite food and a pet theory. His pabulum was an unquenchable belief in the Unerring Artistic Adjustment of Nature. His theory was fixed around corned-beef hash with poached egg. There was a story behind the picture, so I went home and let it drip out of a fountain-pen. The idea of Kraft—but that is not the beginning of the story.

Three years ago Kraft, Bill Judkins (a poet), and I took our meals at Cypher's, on Eighth Avenue. I say "took." When we had money, Cypher got it "off of" us, as he expressed it. We had no credit; we went in, called for food and ate it. We paid or we did not pay. We had confidence in Cypher's sullenness end smouldering ferocity. Deep down in his sunless soul he was either a prince, a fool or an artist. He sat at a worm-eaten desk, covered with files of waiters' checks so old that I was sure the bottomest one was for clams that Hendrik Hudson had eaten and paid for. Cypher had the power, in common with Napoleon III. and the goggle-eyed perch, of throwing a film over his eyes, rendering opaque the windows of his soul. Once when we left him unpaid, with egregious excuses, I looked back and saw him shaking with inaudible laughter behind his film. Now and then we paid up back scores.

But the chief thing at Cypher's was Milly. Milly was a waitress. She was a grand example of Kraft's theory of the artistic adjustment of nature. She belonged, largely, to waiting, as Minerva did to the art of scrapping, or Venus to the science of serious flirtation. Pedestalled and in bronze she might have stood with the noblest of her heroic sisters as "Liver-and-Bacon Enlivening the World." She belonged to Cypher's. You expected to see her colossal figure loom through that reeking blue cloud of smoke from frying fat just as you expect the Palisades to appear through a drifting Hudson River fog. There amid the steam of vegetables and the vapours of acres of "ham and," the crash of crockery, the clatter of steel, the screaming of "short orders," the cries of the hungering and all the horrid tumult of feeding man, surrounded by swarms of the buzzing winged beasts bequeathed us by Pharaoh, Milly steered her magnificent way like some great liner cleaving among the canoes of howling savages.

Our Goddess of Grub was built on lines so majestic that they could be followed only with awe. Her sleeves were always rolled above her elbows. She could have taken us three musketeers in her two hands and dropped us out of the window. She had seen fewer years than any of us, but she was of such superb Evehood and simplicity that she mothered us from the beginning. Cypher's store of eatables she poured out upon us with royal indifference to price and quantity, as from a cornucopia that knew no exhaustion. Her voice rang like a great silver bell; her smile was many-toothed and frequent; she seemed like a yellow sunrise on mountain tops. I never saw her but I thought of the Yosemite. And yet, somehow, I could never think of her as existing outside of Cypher's. There nature had placed her, and she had taken root and grown mightily. She seemed happy, and took her few poor dollars on Saturday nights with the flushed pleasure of a child that receives an unexpected donation.

It was Kraft who first voiced the fear that each of us must have held latently. It came up apropos, of course, of certain questions of art at which we were hammering. One of us compared the harmony existing between a Haydn symphony and pistache ice cream to the exquisite congruity between Milly and Cypher's.

"There is a certain fate hanging over Milly," said Kraft, "and if it overtakes her she is lost to Cypher's and to us."

 

"She will grow fat?" asked Judkins, fearsomely.

 

"She will go to night school and become refined?" I ventured anxiously.

"It is this," said Kraft, punctuating in a puddle of spilled coffee with a stiff forefinger. "Caesar had his Brutus—the cotton has its bollworm, the chorus girl has her Pittsburger, the summer boarder has his poison ivy, the hero has his Carnegie medal, art has its Morgan, the rose has its—"

"Speak," I interrupted, much perturbed. "You do not think that Milly will begin to lace?"

 

"One day," concluded Kraft, solemnly, "there will come to Cypher's for a plate of beans a millionaire lumberman from Wisconsin, and he will marry Milly."

 

"Never!" exclaimed Judkins and I, in horror.

 

"A lumberman," repeated Kraft, hoarsely.

 

"And a millionaire lumberman!" I sighed, despairingly.

 

"From Wisconsin!" groaned Judkins.

We agreed that the awful fate seemed to menace her. Few things were less improbable. Milly, like some vast virgin stretch of pine woods, was made to catch the lumberman's eye. And well we knew the habits of the Badgers, once fortune smiled upon them. Straight to New York they hie, and lay their goods at the feet of the girl who serves them beans in a beanery. Why, the alphabet itself connives. The Sunday newspaper's headliner's work is cut for him.

"Winsome Waitress Wins Wealthy Wisconsin Woodsman."

 

For a while we felt that Milly was on the verge of being lost to us.

It was our love of the Unerring Artistic Adjustment of Nature that inspired us. We could not give her over to a lumberman, doubly accursed by wealth and provincialism. We shuddered to think of Milly, with her voice modulated and her elbows covered, pouring tea in the marble teepee of a tree murderer. No! In Cypher's she belonged—in the bacon smoke, the cabbage perfume, the grand, Wagnerian chorus of hurled ironstone china and rattling casters.

Our fears must have been prophetic, for on that same evening the wildwood discharged upon us Milly's preordained confiscator—our fee to adjustment and order. But Alaska and not Wisconsin bore the burden of the visitation.

We were at our supper of beef stew and dried apples when he trotted in as if on the heels of a dog team, and made one of the mess at our table. With the freedom of the camps he assaulted our ears and claimed the fellowship of men lost in the wilds of a hash house. We embraced him as a specimen, and in three minutes we had all but died for one another as friends.

He was rugged and bearded and wind-dried. He had just come off the "trail," he said, at one of the North River ferries. I fancied I could see the snow dust of Chilcoot yet powdering his shoulders. And then he strewed the table with the nuggets, stuffed ptarmigans, bead work and seal pelts of the returned Klondiker, and began to prate to us of his millions.

"Bank drafts for two millions," was his summing up, "and a thousand a day piling up from my claims. And now I want some beef stew and canned peaches. I never got off the train since I mushed out of Seattle, and I'm hungry. The stuff the niggers feed you on Pullmans don't count. You gentlemen order what you want."

And then Milly loomed up with a thousand dishes on her bare arm—loomed up big and white and pink and awful as Mount Saint Elias—with a smile like day breaking in a gulch. And the Klondiker threw down his pelts and nuggets as dross, and let his jaw fall half-way, and stared at her. You could almost see the diamond tiaras on Milly's brow and the hand-embroidered silk Paris gowns that he meant to buy for her.

At last the bollworm had attacked the cotton—the poison ivy was reaching out its tendrils to entwine the summer boarder—the millionaire lumberman, thinly disguised as the Alaskan miner, was about to engulf our Milly and upset Nature's adjustment.

Kraft was the first to act. He leaped up and pounded the Klondiker's back. "Come out and drink," he shouted. "Drink first and eat afterward." Judkins seized one arm and I the other. Gaily, roaringly, irresistibly, in jolly-good-fellow style, we dragged him from the restaurant to a café, stuffing his pockets with his embalmed birds and indigestible nuggets.

There he rumbled a roughly good-humoured protest. "That's the girl for my money," he declared. "She can eat out of my skillet the rest of her life. Why, I never see such a fine girl. I'm going back there and ask her to marry me. I guess she won't want to sling hash any more when she sees the pile of dust I've got."
"You'll take another whiskey and milk now," Kraft persuaded, with Satan's smile. "I thought you up-country fellows were better sports."

Kraft spent his puny store of coin at the bar and then gave Judkins and me such an appealing look that we went down to the last dime we had in toasting our guest.

Then, when our ammunition was gone and the Klondiker, still somewhat sober, began to babble again of Milly, Kraft whispered into his ear such a polite, barbed insult relating to people who were miserly with their funds, that the miner crashed down handful after handful of silver and notes, calling for all the fluids in the world to drown the imputation.

Thus the work was accomplished. With his own guns we drove him from the field. And then we had him carted to a distant small hotel and put to bed with his nuggets and baby seal-skins stuffed around him.

"He will never find Cypher's again," said Kraft. "He will propose to the first white apron he sees in a dairy restaurant to-morrow. And Milly—I mean the Natural Adjustment—is saved!"

And back to Cypher's went we three, and, finding customers scarce, we joined hands and did an Indian dance with Milly in the centre.

This, I say, happened three years ago. And about that time a little luck descended upon us three, and we were enabled to buy costlier and less wholesome food than Cypher's. Our paths separated, and I saw Kraft no more and Judkins seldom.

But, as I said, I saw a painting the other day that was sold for $5,000. The title was "Boadicea," and the figure seemed to fill all out-of-doors. But of all the picture's admirers who stood before it, I believe I was the only one who longed for Boadicea to stalk from her frame, bringing me corned-beef hash with poached egg.

I hurried away to see Kraft. His satanic eyes were the same, his hair was worse tangled, but his clothes had been made by a tailor.

 

"I didn't know," I said to him.

 

"We've bought a cottage in the Bronx with the money," said he. "Any evening at 7."

 

"Then," said I, "when you led us against the lumberman—the—Klondiker—it wasn't altogether on account of the Unerring Artistic Adjustment of Nature?"

 

"Well, not altogether," said Kraft, with a grin.

Memoirs Of A Yellow Dog

I don't suppose it will knock any of you people off your perch to read a contribution from an animal. Mr. Kipling and a good many others have demonstrated the fact that animals can express themselves in remunerative English, and no magazine goes to press nowadays without an animal story in it, except the old-style monthlies that are still running pictures of Bryan and the Mont Pélee horror.

But you needn't look for any stuck-up literature in my piece, such as Bearoo, the bear, and Snakoo, the snake, and Tammanoo, the tiger, talk in the jungle books. A yellow dog that's spent most of his life in a cheap New York flat, sleeping in a corner on an old sateen underskirt (the one she spilled port wine on at the Lady Longshoremen's banquet), mustn't be expected to perform any tricks with the art of speech.

I was born a yellow pup; date, locality, pedigree and weight unknown. The first thing I can recollect, an old woman had me in a basket at Broadway and Twenty-third trying to sell me to a fat lady. Old Mother Hubbard was boosting me to beat the band as a genuine Pomeranian-Hambletonian-Red-Irish-Cochin-China-Stoke-Pogis fox terrier. The fat lady chased a V around among the samples of gros grain flannelette in her shopping bag till she cornered it, and gave up. From that moment I was a pet—a mamma's own wootsey squidlums. Say, gentle reader, did you ever have a 200-pound woman breathing a flavour of Camembert cheese and Peau d'Espagne pick you up and wallop her nose all over you, remarking all the time in an Emma Eames tone of voice: "Oh, oo's um oodlum, doodlum, woodlum, toodlum, bitsy-witsy skoodlums?"

From a pedigreed yellow pup I grew up to be an anonymous yellow cur looking like a cross between an Angora cat and a box of lemons. But my mistress never tumbled. She thought that the two primeval pups that Noah chased into the ark were but a collateral branch of my ancestors. It took two policemen to keep her from entering me at the Madison Square Garden for the Siberian bloodhound prize.

I'll tell you about that flat. The house was the ordinary thing in New York, paved with Parian marble in the entrance hall and cobblestones above the first floor. Our fiat was three—well, not flights—climbs up. My mistress rented it unfurnished, and put in the regular things—1903 antique unholstered parlour set, oil chromo of geishas in a Harlem tea house, rubber plant and husband.

By Sirius! there was a biped I felt sorry for. He was a little man with sandy hair and whiskers a good deal like mine. Henpecked?—well, toucans and flamingoes and pelicans all had their bills in him. He wiped the dishes and listened to my mistress tell about the cheap, ragged things the lady with the squirrel-skin coat on the second floor hung out on her line to dry. And every evening while she was getting supper she made him take me out on the end of a string for a walk.
If men knew how women pass the time when they are alone they'd never marry. Laura Lean Jibbey, peanut brittle, a little almond cream on the neck muscles, dishes unwashed, half an hour's talk with the iceman, reading a package of old letters, a couple of pickles and two bottles of malt extract, one hour peeking through a hole in the window shade into the flat across the air-shaft—that's about all there is to it. Twenty minutes before time for him to come home from work she straightens up the house, fixes her rat so it won't show, and gets out a lot of sewing for a ten-minute bluff.

I led a dog's life in that flat. 'Most all day I lay there in my corner watching that fat woman kill time. I slept sometimes and had pipe dreams about being out chasing cats into basements and growling at old ladies with black mittens, as a dog was intended to do. Then she would pounce upon me with a lot of that drivelling poodle palaver and kiss me on the nose—but what could I do? A dog can't chew cloves.

I began to feel sorry for Hubby, dog my cats if I didn't. We looked so much alike that people noticed it when we went out; so we shook the streets that Morgan's cab drives down, and took to climbing the piles of last December's snow on the streets where cheap people live.

One evening when we were thus promenading, and I was trying to look like a prize St. Bernard, and the old man was trying to look like he wouldn't have murdered the first organ-grinder he heard play Mendelssohn's wedding-march, I looked up at him and said, in my way:

"What are you looking so sour about, you oakum trimmed lobster? She don't kiss you. You don't have to sit on her lap and listen to talk that would make the book of a musical comedy sound like the maxims of Epictetus. You ought to be thankful you're not a dog. Brace up, Benedick, and bid the blues begone."

The matrimonial mishap looked down at me with almost canine intelligence in his face.

 

"Why, doggie," says he, "good doggie. You almost look like you could speak. What is it, doggie—Cats?"

 

Cats! Could speak!

But, of course, he couldn't understand. Humans were denied the speech of animals. The only common ground of communication upon which dogs and men can get together is in fiction.

In the flat across the hall from us lived a lady with a black-and-tan terrier. Her husband strung it and took it out every evening, but he always came home cheerful and whistling. One day I touched noses with the black-and-tan in the hall, and I struck him for an elucidation.
"See, here, Wiggle-and-Skip," I says, "you know that it ain't the nature of a real man to play dry nurse to a dog in public. I never saw one leashed to a bow-wow yet that didn't look like he'd like to lick every other man that looked at him. But your boss comes in every day as perky and set up as an amateur prestidigitator doing the egg trick. How does he do it? Don't tell me he likes it."

"Him?" says the black-and-tan. "Why, he uses Nature's Own Remedy. He gets spifflicated. At first when we go out he's as shy as the man on the steamer who would rather play pedro when they make 'em all jackpots. By the time we've been in eight saloons he don't care whether the thing on the end of his line is a dog or a catfish. I've lost two inches of my tail trying to sidestep those swinging doors."

The pointer I got from that terrier—vaudeville please copy—set me to thinking.

One evening about 6 o'clock my mistress ordered him to get busy and do the ozone act for Lovey. I have concealed it until now, but that is what she called me. The black-andtan was called "Tweetness." I consider that I have the bulge on him as far as you could chase a rabbit. Still "Lovey" is something of a nomenclatural tin can on the tail of one's self respect.

At a quiet place on a safe street I tightened the line of my custodian in front of an attractive, refined saloon. I made a dead-ahead scramble for the doors, whining like a dog in the press despatches that lets the family know that little Alice is bogged while gathering lilies in the brook.

"Why, darn my eyes," says the old man, with a grin; "darn my eyes if the saffroncoloured son of a seltzer lemonade ain't asking me in to take a drink. Lemme see—how long's it been since I saved shoe leather by keeping one foot on the foot-rest? I believe I'll—"

I knew I had him. Hot Scotches he took, sitting at a table. For an hour he kept the Campbells coming. I sat by his side rapping for the waiter with my tail, and eating free lunch such as mamma in her flat never equalled with her homemade truck bought at a delicatessen store eight minutes before papa comes home.

When the products of Scotland were all exhausted except the rye bread the old man unwound me from the table leg and played me outside like a fisherman plays a salmon. Out there he took off my collar and threw it into the street.

"Poor doggie," says he; "good doggie. She shan't kiss you any more. 'S a darned shame. Good doggie, go away and get run over by a street car and be happy."

 

I refused to leave. I leaped and frisked around the old man's legs happy as a pug on a rug.

"You old flea-headed woodchuck-chaser," I said to him—"you moon-baying, rabbitpointing, egg-stealing old beagle, can't you see that I don't want to leave you? Can't you see that we're both Pups in the Wood and the missis is the cruel uncle after you with the dish towel and me with the flea liniment and a pink bow to tie on my tail. Why not cut that all out and be pards forever more?"

Maybe you'll say he didn't understand—maybe he didn't. But he kind of got a grip on the Hot Scotches, and stood still for a minute, thinking.

"Doggie," says he, finally, "we don't live more than a dozen lives on this earth, and very few of us live to be more than 300. If I ever see that flat any more I'm a flat, and if you do you're flatter; and that's no flattery. I'm offering 60 to 1 that Westward Ho wins out by the length of a dachshund."

There was no string, but I frolicked along with my master to the Twenty-third street ferry. And the cats on the route saw reason to give thanks that prehensile claws had been given them.

On the Jersey side my master said to a stranger who stood eating a currant bun:

 

"Me and my doggie, we are bound for the Rocky Mountains."

But what pleased me most was when my old man pulled both of my ears until I howled, and said: "You common, monkey-headed, rat-tailed, sulphur-coloured son of a door mat, do you know what I'm going to call you?"

I thought of "Lovey," and I whined dolefully.

 

"I'm going to call you 'Pete,'" says my master; and if I'd had five tails I couldn't have done enough wagging to do justice to the occasion.

The Love-Philtre Of Ikey Schoenstein

The Blue Light Drug Store is downtown, between the Bowery and First Avenue, where the distance between the two streets is the shortest. The Blue Light does not consider that pharmacy is a thing of bric-a-brac, scent and ice-cream soda. If you ask it for pain-killer it will not give you a bonbon.

The Blue Light scorns the labour-saving arts of modern pharmacy. It macerates its opium and percolates its own laudanum and paregoric. To this day pills are made behind its tall prescription desk—pills rolled out on its own pill-tile, divided with a spatula, rolled with the finger and thumb, dusted with calcined magnesia and delivered in little round pasteboard pill-boxes. The store is on a corner about which coveys of ragged-plumed, hilarious children play and become candidates for the cough drops and soothing syrups that wait for them inside.

Ikey Schoenstein was the night clerk of the Blue Light and the friend of his customers. Thus it is on the East Side, where the heart of pharmacy is not glacé. There, as it should be, the druggist is a counsellor, a confessor, an adviser, an able and willing missionary and mentor whose learning is respected, whose occult wisdom is venerated and whose medicine is often poured, untasted, into the gutter. Therefore Ikey's corniform, bespectacled nose and narrow, knowledge-bowed figure was well known in the vicinity of the Blue Light, and his advice and notice were much desired.

Ikey roomed and breakfasted at Mrs. Riddle's two squares away. Mrs. Riddle had a daughter named Rosy. The circumlocution has been in vain—you must have guessed it— Ikey adored Rosy. She tinctured all his thoughts; she was the compound extract of all that was chemically pure and officinal—the dispensatory contained nothing equal to her. But Ikey was timid, and his hopes remained insoluble in the menstruum of his backwardness and fears. Behind his counter he was a superior being, calmly conscious of special knowledge and worth; outside he was a weak-kneed, purblind, motorman-cursed rambler, with ill-fitting clothes stained with chemicals and smelling of socotrine aloes and valerianate of ammonia.

The fly in Ikey's ointment (thrice welcome, pat trope!) was Chunk McGowan.

Mr. McGowan was also striving to catch the bright smiles tossed about by Rosy. But he was no outfielder as Ikey was; he picked them off the bat. At the same time he was Ikey's friend and customer, and often dropped in at the Blue Light Drug Store to have a bruise painted with iodine or get a cut rubber-plastered after a pleasant evening spent along the Bowery.

One afternoon McGowan drifted in in his silent, easy way, and sat, comely, smoothfaced, hard, indomitable, good-natured, upon a stool.
"Ikey," said he, when his friend had fetched his mortar and sat opposite, grinding gum benzoin to a powder, "get busy with your ear. It's drugs for me if you've got the line I need."

Ikey scanned the countenance of Mr. McGowan for the usual evidences of conflict, but found none.

 

"Take your coat off," he ordered. "I guess already that you have been stuck in the ribs with a knife. I have many times told you those Dagoes would do you up."

Mr. McGowan smiled. "Not them," he said. "Not any Dagoes. But you've located the diagnosis all right enough—it's under my coat, near the ribs. Say! Ikey—Rosy and me are goin' to run away and get married to-night."

Ikey's left forefinger was doubled over the edge of the mortar, holding it steady. He gave it a wild rap with the pestle, but felt it not. Meanwhile Mr. McGowan's smile faded to a look of perplexed gloom.

"That is," he continued, "if she keeps in the notion until the time comes. We've been layin' pipes for the getaway for two weeks. One day she says she will; the same evenin' she says nixy. We've agreed on to-night, and Rosy's stuck to the affirmative this time for two whole days. But it's five hours yet till the time, and I'm afraid she'll stand me up when it comes to the scratch."

"You said you wanted drugs," remarked Ikey.

Mr. McGowan looked ill at ease and harassed—a condition opposed to his usual line of demeanour. He made a patent-medicine almanac into a roll and fitted it with unprofitable carefulness about his finger.

"I wouldn't have this double handicap make a false start to-night for a million," he said. "I've got a little flat up in Harlem all ready, with chrysanthemums on the table and a kettle ready to boil. And I've engaged a pulpit pounder to be ready at his house for us at 9.30. It's got to come off. And if Rosy don't change her mind again!"—Mr. McGowan ceased, a prey to his doubts.

"I don't see then yet," said Ikey, shortly, "what makes it that you talk of drugs, or what I can be doing about it."

"Old man Riddle don't like me a little bit," went on the uneasy suitor, bent upon marshalling his arguments. "For a week he hasn't let Rosy step outside the door with me. If it wasn't for losin' a boarder they'd have bounced me long ago. I'm makin' $20 a week and she'll never regret flyin' the coop with Chunk McGowan."
"You will excuse me, Chunk," said Ikey. "I must make a prescription that is to be called for soon."

"Say," said McGowan, looking up suddenly, "say, Ikey, ain't there a drug of some kind— some kind of powders that'll make a girl like you better if you give 'em to her?"

 

Ikey's lip beneath his nose curled with the scorn of superior enlightenment; but before he could answer, McGowan continued:

"Tim Lacy told me he got some once from a croaker uptown and fed 'em to his girl in soda water. From the very first dose he was ace-high and everybody else looked like thirty cents to her. They was married in less than two weeks."

Strong and simple was Chunk McGowan. A better reader of men than Ikey was could have seen that his tough frame was strung upon fine wires. Like a good general who was about to invade the enemy's territory he was seeking to guard every point against possible failure.

"I thought," went on Chunk hopefully, "that if I had one of them powders to give Rosy when I see her at supper to-night it might brace her up and keep her from reneging on the proposition to skip. I guess she don't need a mule team to drag her away, but women are better at coaching than they are at running bases. If the stuff'll work just for a couple of hours it'll do the trick."

"When is this foolishness of running away to be happening?" asked Ikey.

"Nine o'clock," said Mr. McGowan. "Supper's at seven. At eight Rosy goes to bed with a headache. At nine old Parvenzano lets me through to his back yard, where there's a board off Riddle's fence, next door. I go under her window and help her down the fire-escape. We've got to make it early on the preacher's account. It's all dead easy if Rosy don't balk when the flag drops. Can you fix me one of them powders, Ikey?"

Ikey Schoenstein rubbed his nose slowly.

"Chunk," said he, "it is of drugs of that nature that pharmaceutists must have much carefulness. To you alone of my acquaintance would I intrust a powder like that. But for you I shall make it, and you shall see how it makes Rosy to think of you."

Ikey went behind the prescription desk. There he crushed to a powder two soluble tablets, each containing a quarter of a grain of morphia. To them he added a little sugar of milk to increase the bulk, and folded the mixture neatly in a white paper. Taken by an adult this powder would insure several hours of heavy slumber without danger to the sleeper. This he handed to Chunk McGowan, telling him to administer it in a liquid if possible, and received the hearty thanks of the backyard Lochinvar.
The subtlety of Ikey's action becomes apparent upon recital of his subsequent move. He sent a messenger for Mr. Riddle and disclosed the plans of Mr. McGowan for eloping with Rosy. Mr. Riddle was a stout man, brick-dusty of complexion and sudden in action.

"Much obliged," he said, briefly, to Ikey. "The lazy Irish loafer! My own room's just above Rosy's. I'll just go up there myself after supper and load the shot-gun and wait. If he comes in my back yard he'll go away in a ambulance instead of a bridal chaise."

With Rosy held in the clutches of Morpheus for a many-hours deep slumber, and the bloodthirsty parent waiting, armed and forewarned, Ikey felt that his rival was close, indeed, upon discomfiture.

All night in the Blue Light Drug Store he waited at his duties for chance news of the tragedy, but none came.

At eight o'clock in the morning the day clerk arrived and Ikey started hurriedly for Mrs. Riddle's to learn the outcome. And, lo! as he stepped out of the store who but Chunk McGowan sprang from a passing street car and grasped his hand—Chunk McGowan with a victor's smile and flushed with joy.

"Pulled it off," said Chunk with Elysium in his grin. "Rosy hit the fire-escape on time to a second, and we was under the wire at the Reverend's at 9.3O ¼. She's up at the flat—she cooked eggs this mornin' in a blue kimono—Lord! how lucky I am! You must pace up some day, Ikey, and feed with us. I've got a job down near the bridge, and that's where I'm heading for now."

"The—the—powder?" stammered Ikey.

"Oh, that stuff you gave me!" said Chunk, broadening his grin; "well, it was this way. I sat down at the supper table last night at Riddle's, and I looked at Rosy, and I says to myself, 'Chunk, if you get the girl get her on the square—don't try any hocus-pocus with a thoroughbred like her.' And I keeps the paper you give me in my pocket. And then my lamps fall on another party present, who, I says to myself, is failin' in a proper affection toward his comin' son-in-law, so I watches my chance and dumps that powder in old man Riddle's coffee—see?"