The Brothers Karamazov by Fyodor Dostoevsky - HTML preview

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Book V: Pro and Contra

1. The Engagement

MADAME HOHLAKOV was again the first to meet Alyosha. She was flustered; something important had happened. Katerina Ivanovna's hysterics had ended in a fainting fit, and then "a terrible, awful weakness had followed, she lay with her eyes turned up and was delirious. Now she was in a fever. They had sent for Herzenstube; they had sent for the aunts. The aunts were already here, but Herzenstube had not yet come. They were all sitting in her room, waiting. She was unconscious now, and what if it turned to brain fever!"

Madame Hohlakov looked gravely alarmed. "This is serious, serious," she added at every word, as though nothing that had happened to her before had been serious. Alyosha listened with distress, and was beginning to describe his adventures, but she interrupted him at the first words. She had not time to listen. She begged him to sit with Lise and wait for her there.

"Lise," she whispered almost in his ear, "Lise has greatly surprised me just now, dear Alexey Fyodorovitch. She touched me, too, and so my heart forgives her everything. Only fancy, as soon as you had gone, she began to be truly remorseful for having laughed at you to-day and yesterday, though she was not laughing at you, but only joking. But she was seriously sorry for it, almost ready to cry, so that I was quite surprised. She has never been really sorry for laughing at me, but has only made a joke of it. And you know she is laughing at me every minute. But this time she was in earnest She thinks a great deal of your opinion, Alexey Fyodorovitch, and don't take offence or be wounded by her if you can help it. I am never hard upon her, for she's such a clever little thing. Would you believe it? She said just now that you were a friend of her childhood, 'the greatest friend of her childhood' -- just think of that -- 'greatest friend' -- and what about me? She has very strong feelings and memories, and, what's more, she uses these phrases, most unexpected words, which come out all of a sudden when you least expect them. She spoke lately about a pine-tree, for instance: there used to be a pine-tree standing in our garden in her early childhood. Very likely it's standing there still; so there's no need to speak in the past tense. Pine-trees are not like people, Alexey Fyodorovitch, they don't change quickly. 'Mamma,' she said, 'I remember this pine tree as in a dream,' only she said something so original about it that I can't repeat it. Besides, I've forgotten it. Well, good-bye! I am so worried I feel I shall go out of my mind. Ah! Alexey Fyodorovitch, I've been out of my mind twice in my life. Go to Lise, cheer her up, as you always can so charmingly. Lise," she cried, going to her door, "here I've brought you Alexey Fyodorovitch, whom you insulted so. He is not at all angry, I assure you; on the contrary, he is surprised that you could suppose so."

"Merci, maman. Come in, Alexey Fyodorovitch."

Alyosha went in. Lise looked rather embarrassed, and at once flushed crimson. She was evidently ashamed of something, and, as people always do in such cases, she began immediately talking of other things, as though they were of absorbing interest to her at the moment.

"Mamma has just told me all about the two hundred roubles, Alexey Fyodorovitch, and your taking them to that poor officer... and she told me all the awful story of how he had been insulted... and you know, although mamma muddles things... she always rushes from one thing to another... I cried when I heard. Well, did you give him the money and how is that poor man getting on?"

"The fact is I didn't give it to him, and it's a long story," answered Alyosha, as though he, too, could think of nothing but his regret at having failed, yet Lise saw perfectly well that he, too, looked away, and that he, too, was trying to talk of other things.

Alyosha sat down to the table and began to tell his story, but at the first words he lost his embarrassment and gained the whole of Lise's attention as well. He spoke with deep feeling, under the influence of the strong impression he had just received, and he succeeded in telling his story well and circumstantially. In old days in Moscow he had been fond of coming to Lise and describing to her what had just happened to him, what he had read, or what he remembered of his childhood. Sometimes they had made day-dreams and woven whole romances together -- generally cheerful and amusing ones. Now they both felt suddenly transported to the old days in Moscow, two years before. Lise was extremely touched by his story. Alyosha described Ilusha with warm feeling. When he finished describing how the luckless man trampled on the money, Lise could not help clasping her hands and crying out:

"So you didn't give him the money! So you let him run away! Oh, dear, you ought to have run after him!"

 

"No, Lise; it's better I didn't run after him," said Alyosha, getting up from his chair and walking thoughtfully across the room.

 

"How so? How is it better? Now they are without food and their case is hopeless."

"Not hopeless, for the two hundred roubles will still come to them. He'll take the money to-morrow. To-morrow he will be sure to take it," said Alyosha, pacing up and down, pondering. "You see, Lise," he went on, stopping suddenly before her, "I made one blunder, but that, even that, is all for the best."

"What blunder, and why is it for the best?"

"I'll tell you. He is a man of weak and timorous character; he has suffered so much and is very good-natured. I keep wondering why he took offence so suddenly, for I assure you, up to the last minute, he did not know that he was going to trample on the notes. And I think now that there was a great deal to offend him... and it could not have been otherwise in his position.... To begin with, he was sore at having been so glad of the money in my presence and not having concealed it from me. If he had been pleased, but not so much; if he had not shown it; if he had begun affecting scruples and difficulties, as other people do when they take money, he might still endure -- to take it. But he was too genuinely delighted, and that was mortifying. Ah, Lise, he is a good and truthful man -- that's the worst of the whole business. All the while he talked, his voice was so weak, so broken, he talked so fast, so fast, he kept laughing such a laugh, or perhaps he was crying -- yes, I am sure he was crying, he was so delighted -- and he talked about his daughters -- and about the situation he could get in another town.... And when he had poured out his heart, he felt ashamed at having shown me his inmost soul like that. So he began to hate me at once. He is one of those awfully sensitive poor people. What had made him feel most ashamed was that he had given in too soon and accepted me as a friend, you see. At first he almost flew at me and tried to intimidate me, but as soon as he saw the money he had begun embracing me; he kept touching me with his hands. This must have been how he came to feel it all so humiliating, and then I made that blunder, a very important one. I suddenly said to him that if he had not money enough to move to another town, we would give it to him, and, indeed, I myself would give him as much as he wanted out of my own money. That struck him all at once. Why, he thought, did I put myself forward to help him? You know, Lise, it's awfully hard for a man who has been injured, when other people look at him as though they were his benefactors.... I've heard that; Father Zossima told me so. I don't know how to put it, but I have often seen it myself. And I feel like that myself, too. And the worst of it was that though he did not know, to the very last minute, that he would trample on the notes, he had a kind of presentiment of it, I am sure of that. That's just what made him so ecstatic, that he had that presentiment.... And though it's so dreadful, it's all for the best. In fact, I believe nothing better could have happened."

"Why, why could nothing better have happened?" cried Lise, looking with great surprise at Alyosha.

"Because if he had taken the money, in an hour after getting home, he would be crying with mortification, that's just what would have happened. And most likely he would have come to me early to-morrow, and perhaps have flung the notes at me and trampled upon them as he did just now. But now he has gone home awfully proud and triumphant, though he knows he has 'ruined himself.' So now nothing could be easier than to make him accept the two hundred roubles by tomorrow, for he has already vindicated his honour, tossed away the money, and trampled it under foot.... He couldn't know when he did it that I should bring it to him again to-morrow, and yet he is in terrible need of that money. Though he is proud of himself now, yet even to-day he'll be thinking what a help he has lost. He will think of it more than ever at night, will dream of it, and by to-morrow morning he may be ready to run to me to ask forgiveness. It's just then that I'll appear. 'Here, you are a proud man,' I shall say: 'you have shown it; but now take the money and forgive us!' And then he will take it!

Alyosha was carried away with joy as he uttered his last words, "And then he will take it!" Lise clapped her hands.

"Ah, that's true! I understand that perfectly now. Ah, Alyosha, how do you know all this? So young and yet he knows what's in the heart.... I should never have worked it out."

"The great thing now is to persuade him that he is on an equal footing with us, in spite of his taking money from us," Alyosha went on in his excitement, "and not only on an equal, but even on a higher footing."

"'On a higher footing' is charming, Alexey Fyodorovitch; but go on, go on!"

 

"You mean there isn't such an expression as 'on a higher footing'; but that doesn't matter because -- "

"Oh, no, of course it doesn't matter. Forgive me, Alyosha, dear.... You know, I scarcely respected you till now -- that is I respected you but on an equal footing; but now I shall begin to respect you on a higher footing. Don't be angry, dear, at my joking," she put in at once, with strong feeling. "I am absurd and small, but you, you! Listen, Alexey Fyodorovitch. Isn't there in all our analysis -- I mean your analysis... no, better call it ours- aren't we showing contempt for him, for that poor man -- in analysing his soul like this, as it were, from above, eh? In deciding so certainly that he will take the money?"

"No, Lise, it's not contempt," Alyosha answered, as though he had prepared himself for the question. "I was thinking of that on the way here. How can it be contempt when we are all like him, when we are all just the same as he is? For you know we are just the same, no better. If we are better, we should have been just the same in his place.... I don't know about you, Lise, but I consider that I have a sordid soul in many ways, and his soul is not sordid; on the contrary, full of fine feeling.... No, Lise, I have no contempt for him. Do you know, Lise, my elder told me once to care for most people exactly as one would for children, and for some of them as one would for the sick in hospitals."
"Ah, Alexey Fyodorovitch. dear, let us care for people as we would for the sick!"

"Let us, Lise; I am ready. Though I am not altogether ready in myself. I am sometimes very impatient and at other times I don't see things. It's different with you."

"Ah, I don't believe it! Alexey Fyodorovitch, how happy I am!"

 

"I am so glad you say so, Lise."

"Alexey Fyodorovitch, you are wonderfully good, but you are sometimes sort of formal.... And yet you are not a bit formal really. Go to the door, open it gently, and see whether mamma is listening," said Lise, in a nervous, hurried whisper.

Alyosha went, opened the door, and reported that no one was listening.

"Come here, Alexey Fyodorovitch," Lise went on, flushing redder and redder. "Give me your hand -- that's right. I have to make a great confession. I didn't write to you yesterday in joke, but in earnest," and she hid her eyes with her hand. It was evident that she was greatly ashamed of the confession.

Suddenly she snatched his hand and impulsively kissed it three times.

 

"Ah, Lise, what a good thing!" cried Alyosha joyfully. "You know, I was perfectly sure you were in earnest."

"Sure? Upon my word! She put aside his hand, but did not leave go of it, blushing hotly, and laughing a little happy laugh. "I kiss his hand and he says, 'What a good thing!'"

But her reproach was undeserved. Alyosha, too, was greatly overcome.

 

"I should like to please you always, Lise, but don't know how to do it." he muttered, blushing too.

"Alyosha, dear, you are cold and rude. Do you see? He has chosen me as his wife and is quite settled about it. He is sure I was in earnest. What a thing to say! Why, that's impertinence -- that's what it is."

"Why, was it wrong of me to feel sure?" Alyosha asked, laughing suddenly.

 

"Ah, Alyosha, on the contrary, it was delightfully right," cried Lise, looking tenderly and happily at him.

 

Alyosha stood still, holding her hand in his. Suddenly he stooped down and kissed her on her lips.

 

"Oh, what are you doing?" cried Lise. Alyosha was terribly abashed.

 

"Oh, forgive me if I shouldn't.... Perhaps I'm awfully stupid.... You said I was cold, so I kissed you.... But I see it was stupid."

Lise laughed, and hid her face in her hands. "And in that dress!" she ejaculated in the midst of her mirth. But she suddenly ceased laughing and became serious, almost stern.

"Alyosha, we must put off kissing. We are not ready for that yet, and we shall have a long time to wait," she ended suddenly. "Tell me rather why you who are so clever, so intellectual, so observant, choose a little idiot, an invalid like me? Ah, Alyosha, I am awfully happy, for I don't deserve you a bit."

"You do, Lise. I shall be leaving the monastery altogether in a few days. If I go into the world, I must marry. I know that. He told me to marry, too. Whom could I marry better than you -- and who would have me except you? I have been thinking it over. In the first place, you've known me from a child and you've a great many qualities I haven't. You are more light-hearted than I am; above all, you are more innocent than I am. I have been brought into contact with many, many things already.... Ah, you don't know, but I, too, am a Karamazov. What does it matter if you do laugh and make jokes, and at me, too? Go on laughing. I am so glad you do. You laugh like a little child, but you think like a martyr."

"Like a martyr? How?"

"Yes, Lise, your question just now: whether we weren't showing contempt for that poor man by dissecting his soul -- that was the question of a sufferer.... You see, I don't know how to express it, but anyone who thinks of such questions is capable of suffering. Sitting in your invalid chair you must have thought over many things already."

"Alyosha, give me your hand. Why are you taking it away?" murmured Lise in a failing voice, weak with happiness. "Listen, Alyosha. What will you wear when you come out of the monastery? What sort of suit? Don't laugh, don't be angry, it's very, very important to me."

"I haven't thought about the suit, Lise; But I'll wear whatever you like."

"I should like you to have a dark blue velvet coat, a white pique waistcoat, and a soft grey felt hat.... Tell me, did you believe that I didn't care for you when I said I didn't mean what I wrote?"

"No, I didn't believe it."

"Oh, you insupportable person, you are incorrigible." "You see, I knew that you seemed to care for me, but I pretended to believe that you didn't care for me to make it easier for you."

"That makes it worse! Worse and better than all! Alyosha, I am awfully fond of you. Just before you came this morning, I tried my fortune. I decided I would ask you for my letter, and if you brought it out calmly and gave it to me (as might have been expected from you) it would mean that you did not love me at all, that you felt nothing, and were simply a stupid boy, good for nothing, and that I am ruined. But you left the letter at home and that cheered me. You left it behind on purpose, so as not to give it back, because you knew I would ask for it? That was it, wasn't it?"

"Ah, Lise, it was not so a bit. The letter is with me now, and it was this morning, in this pocket. Here it is."

 

Alyosha pulled the letter out laughing, and showed it her at a distance.

 

"But I am not going to give it to you. Look at it from here."

 

"Why, then you told a lie? You, a monk, told a lie!"

"I told a lie if you like," Alyosha laughed, too. "I told a lie so as not to give you back the letter. It's very precious to me," he added suddenly, with strong feeling, and again he flushed. "It always will be, and I won't give it up to anyone!"

Lise looked at him joyfully. "Alyosha," she murmured again, "look at the door. Isn't mamma listening?"

 

"Very well, Lise, I'll look; but wouldn't it be better not to look? Why suspect your mother of such meanness?"

"What meanness? As for her spying on her daughter, it's her right, it's not meanness!" cried Lise, firing up. "You may be sure, Alexey Fyodorovitch, that when I am a mother, if I have a daughter like myself I shall certainly spy on her!"

"Really, Lise? That's not right."

"Oh, my goodness! What has meanness to do with it? If she were listening to some ordinary worldly conversation, it would be meanness, but when her own daughter is shut up with a young man... Listen, Alyosha, do you know I shall spy upon you as soon as we are married, and let me tell you I shall open all your letters and read them, so you may as well be prepared."

"Yes, of course, if so -- " muttered Alyosha, "only it's not right." "Ah, how contemptuous! Alyosha, dear, we won't quarrel the very first day. I'd better tell you the whole truth. Of course, it's very wrong to spy on people, and, of course, I am not right and you are, only I shall spy on you all the same."

"Do, then; you won't find out anything," laughed Alyosha.

 

"And Alyosha, will you give in to me? We must decide that too."

 

"I shall be delighted to, Lise, and certain to, only not in the most important things. Even if you don't agree with me, I shall do my duty in the most important things."

"That's right; but let me tell you I am ready to give in to you not only in the most important matters, but in everything. And I am ready to vow to do so now -- in everything, and for all my life!" cried Lise fervently, "and I'll do it gladly, gladly! What's more, I'll swear never to spy on you, never once, never to read one of your letters. For you are right and I am not. And though I shall be awfully tempted to spy, I know that I won't do it since you consider it dishonourable. You are my conscience now.... Listen, Alexey Fyodorovitch, why have you been so sad lately
-- both yesterday and to-day? I know you have a lot of anxiety and trouble, but I see you have some special grief besides, some secret one, perhaps?"

"Yes, Lise, I have a secret one, too," answered Alyosha mournfully. "I see you love me, since you guessed that."

 

"What grief? What about? Can you tell me?" asked Lise with timid entreaty.

 

"I'll tell you later, Lise -- afterwards," said Alyosha, confused. "Now you wouldn't understand it perhaps -- and perhaps I couldn't explain it."

 

"I know your brothers and your father are worrying you, too."

 

"Yes, my brothers too," murmured Alyosha, pondering.

 

"I don't like your brother Ivan, Alyosha," said Lise suddenly.

 

He noticed this remark with some surprise, but did not answer it.

"My brothers are destroying themselves," he went on, "my father, too. And they are destroying others with them. It's 'the primitive force of the Karamazovs,' as father Paissy said the other day, a crude, unbridled, earthly force. Does the spirit of God move above that force? Even that I don't know. I only know that I, too, am a Karamazov.... Me a monk, a monk! Am I a monk, Lise? You said just now that I was."

"Yes, I did." "And perhaps I don't even believe in God."

"You don't believe? What is the matter?" said Lise quietly and gently. But Alyosha did not answer. There was something too mysterious, too subjective in these last words of his, perhaps obscure to himself, but yet torturing him.

"And now on the top of it all, my friend, the best man in the world is going, is leaving the earth! If you knew, Lise, how bound up in soul I am with him! And then I shall be left alone.... I shall come to you, Lise.... For the future we will be together."

"Yes, together, together! Henceforward we shall be always together, all our lives! Listen, kiss me, I allow you."

 

Alyosha kissed her.

"Come, now go. Christ be with you!" and she made the sign of the cross over him. "Make haste back to him while he is alive. I see I've kept you cruelly. I'll pray to-day for him and you. Alyosha, we shall be happy! Shall we be happy, shall we?"

"I believe we shall, Lise."

Alyosha thought it better not to go in to Madame Hohlakov and was going out of the house without saying good-bye to her. But no sooner had he opened the door than he found Madame Hohlakov standing before him. From the first word Alyosha guessed that she had been waiting on purpose to meet him.

"Alexey Fyodorovitch, this is awful. This is all childish nonsense and ridiculous. I trust you won't dream -- It's foolishness, nothing but foolishness!" she said, attacking him at once.

"Only don't tell her that," said Alyosha, "or she will be upset, and that's bad for her now."

"Sensible advice from a sensible young man. Am I to understand that you only agreed with her from compassion for her invalid state, because you didn't want to irritate her by contradiction?"

"Oh no, not at all. I was quite serious in what I said," Alyosha declared stoutly.

"To be serious about it is impossible, unthinkable, and in the first place I shall never be at home to you again, and I shall take her away, you may be sure of that."
"But why?" asked Alyosha. "It's all so far off. We may have to wait another year and a half."

"Ah, Alexey Fyodorovitch, that's true, of course, and you'll have time to quarrel and separate a thousand times in a year and a half. But I am so unhappy! Though it's such nonsense, it's a great blow to me. I feel like Famusov in the last scene of Sorrow from Wit. You are Tchatsky and she is Sofya, and, only fancy, I've run down to meet you on the stairs, and in the play the fatal scene takes place on the staircase. I heard it all; I almost dropped. So this is the explanation of her dreadful night and her hysterics of late! It means love to the daughter but death to the mother. I might as well be in my grave at once. And a more serious matter still, what is this letter she has written? Show it me at once, at once!"

"No, there's no need. Tell me, how is Katerina Ivanovna now? I must know."

"She still lies in delirium; she has not regained consciousness. Her aunts are here; but they do nothing but sigh and give themselves airs. Herzenstube came, and he was so alarmed that I didn't know what to do for him. I nearly sent for a doctor to look after him. He was driven home in my carriage. And on the top of it all, you and this letter! It's true nothing can happen for a year and a half. In the name of all that's holy, in the name of your dying elder, show me that letter, Alexey Fyodorovitch. I'm her mother. Hold it in your hand, if you like, and I will read it so."

"No, I won't show it to you. Even if she sanctioned it, I wouldn't. I am coming tomorrow, and if you like, we can talk over many things, but now good-bye!" And Alyosha ran downstairs and into the street.

2. Smerdyakov with a Guitar

HE had no time to lose indeed. Even while he was saying good-bye to Lise, the thought had struck him that he must attempt some stratagem to find his brother Dmitri, who was evidently keeping out of his way. It was getting late, nearly three o'clock. Alyosha's whole soul turned to the monastery, to his dying saint, but the necessity of seeing Dmitri outweighed everything. The conviction that a great inevitable catastrophe was about to happen grew stronger in Alyosha's mind with every hour. What that catastrophe was, and what he would say at that moment to his brother, he could perhaps not have said definitely. "Even if my benefactor must die without me, anyway I won't have to reproach myself all my life with the thought that I might have saved something and did not, but passed by and hastened home. If I do as I intend, I shall be following his great precept."

His plan was to catch his brother Dmitri unawares, to climb over the fence, as he had the day before, get into the garden and sit in the summer-house. If Dmitri were not there, thought Alyosha, he would not announce himself to Foma or the women of the house, but would remain hidden in the summer-house, even if he had to wait there till evening. If, as before, Dmitri were lying in wait for Grushenka to come, he would be very likely to come to the summer-house. Alyosha did not, however, give much thought to the details of his plan, but resolved to act upon it, even if it meant not getting back to the monastery that day.

Everything happened without hindrance, he climbed over the hurdle almost in the same spot as the day before, and stole into the summer-house unseen. He did not want to be noticed. The woman of the house and Foma too, if he were here, might be loyal to his brother and obey his instructions, and so refuse to let Alyosha come into the garden, or might warn Dmitri that he was being sought and inquired for.

There was no one in the summer-house. Alyosha sat down and began to wait. He looked round the summer-house, which somehow struck him as a great deal more ancient than before. Though the day was just as fine as yesterday, it seemed a wretched little place this time. There was a circle on the table, left no doubt from the glass of brandy having been spilt the day before. Foolish and irrelevant ideas strayed about his mind, as they always do in a time of tedious waiting. He wondered, for instance, why he had sat down precisely in the same place as before, why not in the other seat. At last he felt very depressed -- depressed by suspense and uncertainty. But he had not sat there more than a quarter of an hour, when he suddenly heard the thrum of a guitar somewhere quite close. People were sitting, or had only just sat down, somewhere in the bushes not more than twenty paces away. Alyosha suddenly recollected that on coming out of the summer-house the day before, he had caught a glimpse of an old green low garden-seat among the bushes on the left, by the fence. The people must be sitting on it now. Who were they?

A man's voice suddenly began singing in a sugary falsetto, accompanying himself on the guitar:

With invincible force I am bound to my dear. O Lord, have mercy On her and on me! On her and on me! On her and on me!

The voice ceased. It was a lackey's tenor and a lackey's song. Another voice, a woman's, suddenly asked insinuatingly and bashfully, though with mincing affectation:

"Why haven't you been to see us for so long, Pavel Fyodorovitch? Why do you always look down upon us?"

"Not at all answered a man's voice politely, but with emphatic dignity. It was clear that the man had the best of the position, and that the woman was making advances. "I believe the man must be Smerdyakov," thought Alyosha, "from his voice. And the lady must be the daughter of the house here, who has come from Moscow, the one who wears the dress with a tail and goes to Marfa for soup."

"I am awfully fond of verses of all kinds, if they rhyme," the woman's voice continued. "Why don't you go on?"

 

The man sang again:

What do I care for royal wealth If but my dear one be in health? Lord have mercy
On her and on me!
On her and on me!
On her and on me!

"It was even better last time," observed the woman's voice. "You sang 'If my darling be in health'; it sounded more tender. I suppose you've forgotten to-day."

 

"Poetry is rubbish!" said Smerdyakov curtly.

"Oh, no! I am very fond of poetry." "So far as it's poetry, it's essential rubbish. Consider yourself, who ever talks in rhyme? And if we were all to talk in rhyme, even though it were decreed by government, we shouldn't say much, should we? Poetry is no good, Marya Kondratyevna."

"How clever you are! How is it you've gone so deep into everything?" The woman's voice was more and more insinuating.

"I could have done better than that. I could have known more than that, if it had not been for my destiny from my childhood up. I would have shot a man in a duel if he called me names because I am descended from a filthy beggar and have no father. And they used to throw it in my teeth in Moscow. It had reached them from here, thanks to Grigory Vassilyevitch. Grigory Vassilyevitch blames me for rebelling against my birth, but I would have sanctioned their killing me before I was born that I might not have come into the world at all. They used to say in the market, and your mamma too, with great lack of delicacy, set off telling me that her hair was like a mat on her head, and that she was short of five foot by a wee bit. Why talk of a wee bit while she might have said 'a little bit,' like everyone else? She wanted to make it touching, a regular peasant's feeling. Can a Russian peasant be said to feel, in comparison with an educated man? He can't be said to have feeling at all, in his ignorance. From my childhood up when I hear 'a wee bit,' I am ready to burst with rage. I hate all Russia, Marya Kondratyevna."

"If you'd been a cadet in the army, or a young hussar, you wouldn't have talked like that, but would have drawn your sabre to defend all Russia."

 

"I don't want to be a hussar, Marya Kondratyevna, and, what's more, I should like to abolish all soldiers."

 

"And when an enemy comes, who is going to defend us?"

"There's no need of defence. In 1812 there was a great invasion of Russia by Napoleon, first Emperor of the French, father of the present one, and it would have been a good thing if they had conquered us. A clever nation would have conquered a very stupid one and annexed it. We should have had quite different institutions."

"Are they so much better in their own country than we are? I wouldn't change a dandy I know of for three young englishmen," observed Marya Kondratyevna tenderly, doubtless accompanying her words with a most languishing glance.

"That's as one prefers."

"But you are just like a foreigner -- just like a most gentlemanly foreigner. I tell you that, though it makes me bashful."
"If you care to know, the folks there and ours here are just alike in their vice. They are swindlers, only there the scoundrel wears polished boots and here he grovels in filth and sees no harm in it. The Russian people want thrashing, as Fyodor Pavlovitch said very truly yesterday, though he is mad, and all his children."

"You said yourself you had such a respect for Ivan Fyodorovitch."

"But he said I was a stinking lackey. He thinks that I might be unruly. He is mistaken there. If I had a certain sum in my pocket, I would have left here long ago. Dmitri Fyodorovitch is lower than any lackey in his behaviour, in his mind, and in his poverty. He doesn't know how to do anything, and yet he is respected by everyone. I may be only a soup-maker, but with luck I could open a cafe restaurant in Petrovka, in Moscow, for my cookery is something special, and there's no one in Moscow, except the foreigners, whose cookery is anything special. Dmitri Fyodorovitch is a beggar, but if he were to challenge the son of the first count in the country, he'd fight him. Though in what way is he better than I am? For he is ever so much stupider than I am. Look at the money he has wasted without any need!"

"It must be lovely, a duel," Marya Kondratyevna observed suddenly.

 

"How so?"

"It must be so dreadful and so brave, especially when young officers with pistols in their hands pop at one another for the sake of some lady. A perfect picture! Ah, if only girls were allowed to look on, I'd give anything to see one!"

"It's all very well when you are firing at someone, but when he is firing straight in your mug, you must feel pretty silly. You'd be glad to run away, Marya Kondratyevna."

"You don't mean you would run away?" But Smerdyakov did not deign to reply. After a moment's silence the guitar tinkled again, and he sang again in the same falsetto:

Whatever you may say, I shall go far away.
Life will be bright and gay In the city far away.
I shall not grieve,
I shall not grieve at all,
I don't intend to grieve at all.

Then something unexpected happened. Alyosha suddenly sneezed. They were silent. Alyosha got up and walked towards them. He found Smerdyakov dressed up and wearing polished boots, his hair pomaded, and perhaps curled. The guitar lay on the garden-seat. His companion was the daughter of the house, wearing a light-blue dress with a train two yards long. She was young and would not have been bad-looking, but that her face was so round and terribly freckled.

"Will my brother Dmitri soon be back? asked Alyosha with as much composure as he could.

 

Smerdyakov got up slowly; Marya Kondratyevna rose too.

 

"How am I to know about Dmitri Fyodorovitch? It's not as if I were his keeper," answered Smerdyakov quietly, distinctly, and superciliously.

 

"But I simply asked whether you do know?" Alyosha explained.

 

"I know nothing of his whereabouts and don't want to."

 

"But my brother told me that you let him know all that goes on in the house, and promised to let him know when Agrafena Alexandrovna comes."

 

Smerdyakov turned a deliberate, unmoved glance upon him.

 

"And how did you get in this time, since the gate was bolted an hour ago?" he asked, looking at Alyosha.

"I came in from the back-alley, over the fence, and went straight to the summerhouse. I hope you'll forgive me, he added addressing Marya Kondratyevna. "I was in a hurry to find my brother."

"Ach, as though we could take it amiss in you!" drawled Marya Kondratyevna, flattered by Alyosha's apology. "For Dmitri Fyodorovitch often goes to the summer-house in that way. We don't know he is here and he is sitting in the summer-house."

"I am very anxious to find him, or to learn from you where he is now. Believe me, it's on business of great importance to him."

 

"He never tells us," lisped Marya Kondratyevna.

"Though I used to come here as a friend," Smerdyakov began again, "Dmitri Fyodorovitch has pestered me in a merciless way even here by his incessant questions about the master. 'What news?' he'll ask. 'What's going on in there now? Who's coming and going?' and can't I tell him something more. Twice already he's threatened me with death

"With death?" Alyosha exclaimed in surprise. "Do you suppose he'd think much of that, with his temper, which you had a chance of observing yourself yesterday? He says if I let Agrafena Alexandrovna in and she passes the night there, I'll be the first to suffer for it. I am terribly afraid of him, and if I were not even more afraid of doing so, I ought to let the police know. God only knows what he might not do!"

"His honour said to him the other day, 'I'll pound you in a mortar!'" added Marya Kondratyevna.

 

"Oh, if it's pounding in a mortar, it may be only talk," observed Alyosha. "If I could meet him, I might speak to him about that too."

"Well, the only thing I can tell you is this," said Smerdyakov, as though thinking better of it; "I am here as an old friend and neighbour, and it would be odd if I didn't come. On the other hand, Ivan Fyodorovitch sent me first thing this morning to your brother's lodging in Lake Street, without a letter, but with a message to Dmitri Fyodorovitch to go to dine with him at the restaurant here, in the marketplace. I went, but didn't find Dmitri Fyodorovitch at home, though it was eight o'clock. 'He's been here, but he is quite gone,' those were the very words of his landlady. It's as though there was an understanding between them. Perhaps at this moment he is in the restaurant with Ivan Fyodorovitch, for Ivan Fyodorovitch has not been home to dinner and Fyodor Pavlovitch dined alone an hour ago, and is gone to lie down. But I beg you most particularly not to speak of me and of what I have told you, for he'd kill me for nothing at all."

"Brother Ivan invited Dmitri to the restaurant to-day?" repeated Alyosha quickly.

 

"That's so."

 

"The Metropolis tavern in the marketplace?"

 

"The very same."

 

"That's quite likely," cried Alyosha, much excited. "Thank you, Smerdyakov; that's important. I'll go there at once."

 

"Don't betray me," Smerdyakov called after him.

 

"Oh, no, I'll go to the tavern as though by chance. Don't be anxious."

 

"But wait a minute, I'll open the gate to you," cried Marya Kondratyevna.

 

"No; it's a short cut, I'll get over the fence again."

What he had heard threw Alyosha into great agitation. He ran to the tavern. It was impossible for him to go into the tavern in his monastic dress, but he could inquire at the entrance for his brothers and call them down. But just as he reached the tavern, a window was flung open, and his brother Ivan called down to him from it.

"Alyosha, can't you come up here to me? I shall be awfully grateful."

 

"To be sure I can, only I don't quite know whether in this dress -- "

 

"But I am in a room apart. Come up the steps; I'll run down to meet you." A minute later Alyosha was sitting beside his brother. Ivan was alone dining.

3. The Brothers Make Friends

IVAN was not, however, in a separate room, but only in a place shut off by a screen, so that it was unseen by other people in the room. It was the first room from the entrance with a buffet along the wall. Waiters were continually darting to and fro in it. The only customer in the room was an old retired military man drinking tea in a corner. But there was the usual bustle going on in the other rooms of the tavern; there were shouts for the waiters, the sound of popping corks, the click of billiard balls, the drone of the organ. Alyosha knew that Ivan did not usually visit this tavern and disliked taverns in general. So he must have come here, he reflected, simply to meet Dmitri by arrangement. Yet Dmitri was not there.

"Shall I order you fish, soup, or anything. You don't live on tea alone, I suppose," cried Ivan, apparently delighted at having got hold of Alyosha. He had finished dinner and was drinking tea.

"Let me have soup, and tea afterwards, I am hungry," said Alyosha gaily.

 

"And cherry jam? They have it here. You remember how you used to love cherry jam when you were little?"

 

"You remember that? Let me have jam too, I like it still."

 

Ivan rang for the waiter and ordered soup, jam, and tea.

"I remember everything, Alyosha, I remember you till you were eleven, I was nearly fifteen. There's such a difference between fifteen and eleven that brothers are never companions at those ages. I don't know whether I was fond of you even. When I went away to Moscow for the first few years I never thought of you at all. Then, when you came to Moscow yourself, we only met once somewhere, I believe. And now I've been here more than three months, and so far we have scarcely said a word to each other. To-morrow I am going away, and I was just thinking as I sat here how I could see you to say good-bye and just then you passed."

"Were you very anxious to see me, then?"

"Very. I want to get to know you once for all, and I want you to know me. And then to say good-bye. I believe it's always best to get to know people just before leaving them. I've noticed how you've been looking at me these three months. There has been a continual look of expectation in your eyes, and I can't endure that. That's how it is I've kept away from you. But in the end I have learned to respect you. The little man stands firm, I thought. Though I am laughing, I am serious. You do stand firm, don't you? I like people who are firm like that whatever it is they stand by, even if they are such little fellows as you. Your expectant eyes ceased to annoy me, I grew fond of them in the end, those expectant eyes. You seem to love me for some reason, Alyosha?"

"I do love you, Ivan. Dmitri says of you -- Ivan is a tomb! I say of you, Ivan is a riddle. You are a riddle to me even now. But I understand something in you, and I did not understand it till this morning."

"What's that?" laughed Ivan.

 

"You won't be angry?" Alyosha laughed too.

 

"Well?"

"That you are just as young as other young men of three and twenty, that you are just a young and fresh and nice boy, green in fact! Now, have I insulted you dreadfully?"

"On the contrary, I am struck by a coincidence," cried Ivan, warmly and goodhumouredly. "Would you believe it that ever since that scene with her, I have thought of nothing else but my youthful greenness, and just as though you guessed that, you begin about it. Do you know I've been sitting here thinking to myself: that if I didn't believe in life, if I lost faith in the woman I love, lost faith in the order of things, were convinced, in fact, that everything is a disorderly, damnable, and perhaps devil-ridden chaos, if I were struck by every horror of man's disillusionment -- still I should want to live and, having once tasted of the cup, I would not turn away from it till I had drained it! At thirty, though, I shall be sure to leave the cup, even if I've not emptied it, and turn away -- where I don't know. But till I am thirty, I know that my youth will triumph over everything -- every disillusionment, every disgust with life. I've asked myself many times whether there is in the world any despair that would overcome this frantic and perhaps unseemly thirst for life in me, and I've come to the conclusion that there isn't, that is till I am thirty, and then I shall lose it of myself, I fancy. Some drivelling consumptive moralists -- and poets especially -- often call that thirst for life base. It's a feature of the Karamazovs, it's true, that thirst for life regardless of everything; you have it no doubt too, but why is it base? The centripetal force on our planet is still fearfully strong, Alyosha. I have a longing for life, and I go on living in spite of logic. Though I may not believe in the order of the universe, yet I love the sticky little leaves as they open in spring. I love the blue sky, I love some people, whom one loves you know sometimes without knowing why. I love some great deeds done by men, though I've long ceased perhaps to have faith in them, yet from old habit one's heart prizes them. Here they have brought the soup for you, eat it, it will do you good. It's first-rate soup, they know how to make it here. I want to travel in Europe, Alyosha, I shall set off from here. And yet I know that I am only going to a graveyard, but it's a most precious graveyard, that's what it is! Precious are the dead that lie there, every stone over them speaks of such burning life in the past, of such passionate faith in their work, their truth, their struggle and their science, that I know I shall fall on the ground and kiss those stones and weep over them; though I'm convinced in my heart that it's long been nothing but a graveyard. And I shall not weep from despair, but simply because I shall be happy in my tears, I shall steep my soul in emotion. I love the sticky leaves in spring, the blue sky -- that's all it is. It's not a matter of intellect or logic, it's loving with one's inside, with one's stomach. One loves the first strength of one's youth. Do you understand anything of my tirade, Alyosha?" Ivan laughed suddenly.

"I understand too well, Ivan. One longs to love with one's inside, with one's stomach. You said that so well and I am awfully glad that you have such a longing for life," cried Alyosha. "I think everyone should love life above everything in the world."

"Love life more than the meaning of it?"

"Certainly, love it, regardless of logic as you say, it must be regardless of logic, and it's only then one will understand the meaning of it. I have thought so a long time. Half your work is done, Ivan, you love life, now you've only to try to do the second half and you are saved."

"You are trying to save me, but perhaps I am not lost! And what does your second half mean?"

 

"Why, one has to raise up your dead, who perhaps have not died after all. Come, let me have tea. I am so glad of our talk, Ivan."

"I see you are feeling inspired. I am awfully fond of such professions de foi from such -- novices. You are a steadfast person, Alexey. Is it true that you mean to leave the monastery?"

"Yes, my elder sends me out into the world."

"We shall see each other then in the world. We shall meet before I am thirty, when I shall begin to turn aside from the cup. Father doesn't want to turn aside from his cup till he is seventy, he dreams of hanging on to eighty in fact, so he says. He means it only too seriously, though he is a buffoon. He stands on a firm rock, too, he stands on his sensuality though after we are thirty, indeed, there may be nothing else to stand on.... But to hang on to seventy is nasty, better only to thirty; one might retain 'a shadow of nobility' by deceiving oneself. Have you seen Dmitri to-day?"

"No, but I saw Smerdyakov," and Alyosha rapidly, though minutely, described his meeting with Smerdyakov. Ivan began listening anxiously and questioned him. "But he begged me not to tell Dmitri that he had told me about him," added Alyosha. Ivan frowned and pondered.

"Are you frowning on Smerdyakov's account?" asked Alyosha.

 

"Yes, on his account. Damn him, I certainly did want to see Dmitri, but now there's no need," said Ivan reluctantly.

 

"But are you really going so soon, brother?"

 

"What of Dmitri and father? how will it end?" asked Alyosha anxiously.

"You are always harping upon it! What have I to do with it? Am I my brother Dmitri's keeper?" Ivan snapped irritably, but then he suddenly smiled bitterly. "Cain's answer about his murdered brother, wasn't it? Perhaps that's what you're thinking at this moment? Well damn it all, I can't stay here to be their keeper, can I? I've finished what I had to do, and I am going. Do you imagine I am jealous of Dmitri, that I've been trying to steal his beautiful Katerina Ivanovna for the last three months? Nonsense, I had business of my own. I finished it. I am going. I finished it just now, you were witness."

"At Katerina Ivanovna's?"

"Yes, and I've released myself once for all. And after all, what have I to do with Dmitri? Dmitri doesn't come in. I had my own business to settle with Katerina Ivanovna. You know, on the contrary, that Dmitri behaved as though there was an understanding between us. I didn't ask to do it, but he solemnly handed her over to me and gave us his blessing. It's all too funny. Ah, Alyosha, if you only knew how light my heart is now! Would you believe it, I sat here eating my dinner and was nearly ordering champagne to celebrate my first hour of freedom. Tfoo! It's been going on nearly six months, and all at once I've thrown it off. I could never have guessed even yesterday, how easy it would be to put an end to it if I wanted."

"You are speaking of your love, Ivan?"

"Of my love, if you like. I fell in love with the young lady, I worried myself over her and she worried me. I sat watching over her... and all at once it's collapsed! I spoke this morning with inspiration, but I went away and roared with laughter. Would you believe it? Yes, it's the literal truth."

"You seem very merry about it now," observed Alyosha, looking into his face, which had suddenly grown brighter.

"But how could I tell that I didn't care for her a bit! Ha ha! It appears after all I didn't. And yet how she attracted me! How attractive she was just now when I made my speech! And do you know she attracts me awfully even now, yet how easy it is to leave her. Do you think I am boasting?"

"No, only perhaps it wasn't love."

"Alyosha," laughed Ivan, "don't make reflections about love, it's unseemly for you. How you rushed into the discussion this morning! I've forgotten to kiss you for it.... But how she tormented me! It certainly was sitting by a 'laceration.' Ah, she knew how I loved her! She loved me and not Dmitri," Ivan insisted gaily. "Her feeling for Dmitri was simply a self-laceration. All I told her just now was perfectly true, but the worst of it is, it may take her fifteen or twenty years to find out that she doesn't care for Dmitri, and loves me whom she torments, and perhaps she may never find it out at all, in spite of her lesson to-day. Well, it's better so; I can simply go away for good. By the way, how is she now? What happened after I departed?"

Alyosha told him she had been hysterical, and that she was now, he heard, unconscious and delirious.

 

"Isn't Madame Hohlakov laying it on?"

 

"I think not."

"I must find out. Nobody dies of hysterics, though. They don't matter. God gave woman hysterics as a relief. I won't go to her at all. Why push myself forward again?"

"But you told her that she had never cared for you."

 

"I did that on purpose. Alyosha, shall I call for some champagne? Let us drink to my freedom. Ah, if only you knew how glad I am!"

 

"No, brother, we had better not drink," said Alyosha suddenly. "Besides I feel somehow depressed."

 

"Yes, you've been depressed a long time, I've noticed it."

 

"Have you settled to go to-morrow morning, then?"

"Morning? I didn't say I should go in the morning.... But perhaps it may be the morning. Would you believe it, I dined here to-day only to avoid dining with the old man, I loathe him so. I should have left long ago, so far as he is concerned. But why are you so worried about my going away? We've plenty of time before I go, an eternity!"

"If you are going away to-morrow, what do you mean by an eternity?" "But what does it matter to us?" laughed Ivan. "We've time enough for our talk, for what brought us here. Why do you look so surprised? Answer: why have we met here? To talk of my love for Katerina Ivanovna, of the old man and Dmitri? of foreign travel? of the fatal position of Russia? of the Emperor Napoleon? Is that it?"

"No."

"Then you know what for. It's different for other people; but we in our green youth have to settle the eternal questions first of all. That's what we care about. Young Russia is talking about nothing but the eternal questions now. just when the old folks are all taken up with practical questions. Why have you been looking at me in expectation for the last three months? To ask me, 'What do you believe, or don't you believe at all?' That's what your eyes have been meaning for these three months, haven't they?"

"Perhaps so," smiled Alyosha. "You are not laughing at me, now, Ivan?

"Me laughing! I don't want to wound my little brother who has been watching me with such expectation for three months. Alyosha, look straight at me! Of course, I am just such a little boy as you are, only not a novice. And what have Russian boys been doing up till now, some of them, I mean? In this stinking tavern, for instance, here, they meet and sit down in a corner. They've never met in their lives before and, when they go out of the tavern, they won't meet again for forty years. And what do they talk about in that momentary halt in the tavern? Of the eternal questions, of the existence of God and immortality. And those who do not believe in God talk of socialism or anarchism, of the transformation of all humanity on a new pattern, so that it all comes to the same, they're the same questions turned inside out. And masses, masses of the most original Russian boys do nothing but talk of the eternal questions! Isn't it so?"

"Yes, for real Russians the questions of God's existence and of immortality, or, as you say, the same questions turned inside out, come first and foremost, of course, and so they should," said Alyosha, still watching his brother with the same gentle and inquiring smile.

"Well, Alyosha, it's sometimes very unwise to be a Russian at all, but anything stupider than the way Russian boys spend their time one can hardly imagine. But there's one Russian boy called Alyosha I am awfully fond of."

"How nicely you put that in!" Alyosha laughed suddenly.

 

"Well, tell me where to begin, give your orders. The existence of God, eh?"

 

"Begin where you like. You declared yesterday at father's that there was no

God." Alyosha looked searchingly at his brother.
"I said that yesterday at dinner on purpose to tease you and I saw your eyes glow. But now I've no objection to discussing with you, and I say so very seriously. I want to be friends with you, Alyosha, for I have no friends and want to try it. Well, only fancy, perhaps I too accept God," laughed Ivan; "that's a surprise for you, isn't it?"

"Yes of course, if you are not joking now."

"Joking? I was told at the elder's yesterday that I was joking. You know, dear boy, there was an old sinner in the eighteenth century who declared that, if there were no God, he would have to be invented. S'il n'existait pas Dieu, il faudrait l'inventer. And man has actually invented God. And what's strange, what would be marvellous, is not that God should really exist; the marvel is that such an idea, the idea of the necessity of God, could enter the head of such a savage, vicious beast as man. So holy it is, so touching, so wise and so great a credit it does to man. As for me, I've long resolved not to think whether man created God or God man. And I won't go through all the axioms laid down by Russian boys on that subject, all derived from European hypotheses; for what's a hypothesis there is an axiom with the Russian boy, and not only with the boys but with their teachers too, for our Russian professors are often just the same boys themselves. And so I omit all the hypotheses. For what are we aiming at now? I am trying to explain as quickly as possible my essential nature, that is what manner of man I am, what I believe in, and for what I hope, that's it, isn't it? And therefore I tell you that I accept God simply. But you must note this: if God exists and if He really did create the world, then, as we all know, He created it according to the geometry of Euclid and the human mind with the conception of only three dimensions in space. Yet there have been and still are geometricians and philosophers, and even some of the most distinguished, who doubt whether the whole universe, or to speak more widely, the whole of being, was only created in Euclid's geometry; they even dare to dream that two parallel lines, which according to Euclid can never meet on earth, may meet somewhere in infinity. I have come to the conclusion that, since I can't understand even that, I can't expect to understand about God. I acknowledge humbly that I have no faculty for settling such questions, I have a Euclidian earthly mind, and how could I solve problems that are not of this world? And I advise you never to think about it either, my dear Alyosha, especially about God, whether He exists or not. All such questions are utterly inappropriate for a mind created with an idea of only three dimensions. And so I accept God and am glad to, and what's more, I accept His wisdom, His purpose which are utterly beyond our ken; I believe in the underlying order and the meaning of life; I believe in the eternal harmony in which they say we shall one day be blended. I believe in the Word to Which the universe is striving, and Which Itself was 'with God,' and Which Itself is God and so on, and so on, to infinity. There are all sorts of phrases for it. I seem to be on the right path, don't I'? Yet would you believe it, in the final result I don't accept this world of God's, and, although I know it exists, I don't accept it at all. It's not that I don't accept God, you must understand, it's the world created by Him I don't and cannot accept. Let me make it plain. I believe like a child that suffering will be healed and made up for, that all the humiliating absurdity of human contradictions will vanish like a pitiful mirage, like the despicable fabrication of the impotent and infinitely small Euclidian mind of man, that in the world's finale, at the moment of eternal harmony, something so precious will come to pass that it will suffice for all hearts, for the comforting of all resentments, for the atonement of all the crimes of humanity, of all the blood they've shed; that it will make it not only possible to forgive but to justify all that has happened with men -- but thought all that may come to pass, I don't accept it. I won't accept it. Even if parallel lines do meet and I see it myself, I shall see it and say that they've met, but still I won't accept it. That's what's at the root of me, Alyosha; that's my creed. I am in earnest in what I say. I began our talk as stupidly as I could on purpose, but I've led up to my confession, for that's all you want. You didn't want to hear about God, but only to know what the brother you love lives by. And so I've told you."

Ivan concluded his long tirade with marked and unexpected feeling.

 

"And why did you begin 'as stupidly as you could'?" asked Alyosha, looking dreamily at him.

"To begin with, for the sake of being Russian. Russian conversations on such subjects are always carried on inconceivably stupidly. And secondly, the stupider one is, the closer one is to reality. The stupider one is, the clearer one is. Stupidity is brief and artless, while intelligence wriggles and hides itself. Intelligence is a knave, but stupidity is honest and straight forward. I've led the conversation to my despair, and the more stupidly I have presented it, the better for me."

"You will explain why you don't accept the world?" said Alyosha.

"To be sure I will, it's not a secret, that's what I've been leading up to. Dear little brother, I don't want to corrupt you or to turn you from your stronghold, perhaps I want to be healed by you." Ivan smiled suddenly quite like a little gentle child. Alyosha had never seen such a smile on his face before.

4. Rebellion

"I MUST make one confession" Ivan began. "I could never understand how one can love one's neighbours. It's just one's neighbours, to my mind, that one can't love, though one might love those at a distance. I once read somewhere of John the Merciful, a saint, that when a hungry, frozen beggar came to him, he took him into his bed, held him in his arms, and began breathing into his mouth, which was putrid and loathsome from some awful disease. I am convinced that he did that from 'self-laceration,' from the self-laceration of falsity, for the sake of the charity imposed by duty, as a penance laid on him. For anyone to love a man, he must be hidden, for as soon as he shows his face, love is gone."

"Father Zossima has talked of that more than once," observed Alyosha; "he, too, said that the face of a man often hinders many people not practised in love, from loving him. But yet there's a great deal of love in mankind, and almost Christ-like love. I know that myself, Ivan."

"Well, I know nothing of it so far, and can't understand it, and the innumerable mass of mankind are with me there. The question is, whether that's due to men's bad qualities or whether it's inherent in their nature. To my thinking, Christ-like love for men is a miracle impossible on earth. He was God. But we are not gods. Suppose I, for instance, suffer intensely. Another can never know how much I suffer, because he is another and not I. And what's more, a man is rarely ready to admit another's suffering (as though it were a distinction). Why won't he admit it, do you think? Because I smell unpleasant, because I have a stupid face, because I once trod on his foot. Besides, there is suffering and suffering; degrading, humiliating suffering such as humbles me -- hunger, for instance -- my benefactor will perhaps allow me; but when you come to higher suffering -- for an idea, for instance -- he will very rarely admit that, perhaps because my face strikes him as not at all what he fancies a man should have who suffers for an idea. And so he deprives me instantly of his favour, and not at all from badness of heart. Beggars, especially genteel beggars, ought never to show themselves, but to ask for charity through the newspapers. One can love one's neighbours in the abstract, or even at a distance, but at close quarters it's almost impossible. If it were as on the stage, in the ballet, where if beggars come in, they wear silken rags and tattered lace and beg for alms dancing gracefully, then one might like looking at them. But even then we should not love them. But enough of that. I simply wanted to show you my point of view. I meant to speak of the suffering of mankind generally, but we had better confine ourselves to the sufferings of the children. That reduces the scope of my argument to a tenth of what it would be. Still we'd better keep to the children, though it does weaken my case. But, in the first place, children can be loved even at close quarters, even when they are dirty, even when they are ugly (I fancy, though, children never are ugly). The second reason why I won't speak of grown-up people is that, besides being disgusting and unworthy of love, they have a compensation -- they've eaten the apple and know good and evil, and they have become 'like gods.' They go on eating it still. But the children haven't eaten anything, and are so far innocent. Are you fond of children, Alyosha? I know you are, and you will understand why I prefer to speak of them. If they, too, suffer horribly on earth, they must suffer for their fathers' sins, they must be punished for their fathers, who have eaten the apple; but that reasoning is of the other world and is incomprehensible for the heart of man here on earth. The innocent must not suffer for another's sins, and especially such innocents! You may be surprised at me, Alyosha, but I am awfully fond of children, too. And observe, cruel people, the violent, the rapacious, the Karamazovs are sometimes very fond of children. Children while they are quite little -- up to seven, for instance -- are so remote from grown-up people they are different creatures, as it were, of a different species. I knew a criminal in prison who had, in the course of his career as a burglar, murdered whole families, including several children. But when he was in prison, he had a strange affection for them. He spent all his time at his window, watching the children playing in the prison yard. He trained one little boy to come up to his window and made great friends with him.... You don't know why I am telling you all this, Alyosha? My head aches and I am sad."

"You speak with a strange air," observed Alyosha uneasily, "as though you were not quite yourself."

"By the way, a Bulgarian I met lately in Moscow," Ivan went on, seeming not to hear his brother's words, "told me about the crimes committed by Turks and Circassians in all parts of Bulgaria through fear of a general rising of the Slavs. They burn villages, murder, outrage women and children, they nail their prisoners by the ears to the fences, leave them so till morning, and in the morning they hang them -- all sorts of things you can't imagine. People talk sometimes of bestial cruelty, but that's a great injustice and insult to the beasts; a beast can never be so cruel as a man, so artistically cruel. The tiger only tears and gnaws, that's all he can do. He would never think of nailing people by the ears, even if he were able to do it. These Turks took a pleasure in torturing children, -too; cutting the unborn child from the mothers womb, and tossing babies up in the air and catching them on the points of their bayonets before their mothers' eyes. Doing it before the mothers' eyes was what gave zest to the amusement. Here is another scene that I thought very interesting. Imagine a trembling mother with her baby in her arms, a circle of invading Turks around her. They've planned a diversion: they pet the baby, laugh to make it laugh. They succeed, the baby laughs. At that moment a Turk points a pistol four inches from the baby's face. The baby laughs with glee, holds out its little hands to the pistol, and he pulls the trigger in the baby's face and blows out its brains. Artistic, wasn't it? By the way, Turks are particularly fond of sweet things, they say."

"Brother, what are you driving at?" asked Alyosha. "I think if the devil doesn't exist, but man has created him, he has created him in his own image and likeness."

"Just as he did God, then?" observed Alyosha.

"'It's wonderful how you can turn words,' as Polonius says in Hamlet," laughed Ivan. "You turn my words against me. Well, I am glad. Yours must be a fine God, if man created Him in his image and likeness. You asked just now what I was driving at. You see, I am fond of collecting certain facts, and, would you believe, I even copy anecdotes of a certain sort from newspapers and books, and I've already got a fine collection. The Turks, of course, have gone into it, but they are foreigners. I have specimens from home that are even better than the Turks. You know we prefer beating -- rods and scourges -- that's our national institution. Nailing ears is unthinkable for us, for we are, after all, Europeans. But the rod and the scourge we have always with us and they cannot be taken from us. Abroad now they scarcely do any beating. Manners are more humane, or laws have been passed, so that they don't dare to flog men now. But they make up for it in another way just as national as ours. And so national that it would be practically impossible among us, though I believe we are being inoculated with it, since the religious movement began in our aristocracy. I have a charming pamphlet, translated from the French, describing how, quite recently, five years ago, a murderer, Richard, was executed -- a young man, I believe, of three and twenty, who repented and was converted to the Christian faith at the very scaffold. This Richard was an illegitimate child who was given as a child of six by his parents to some shepherds on the Swiss mountains. They brought him up to work for them. He grew up like a little wild beast among them. The shepherds taught him nothing, and scarcely fed or clothed him, but sent him out at seven to herd the flock in cold and wet, and no one hesitated or scrupled to treat him so. Quite the contrary, they thought they had every right, for Richard had been given to them as a chattel, and they did not even see the necessity of feeding him. Richard himself describes how in those years, like the Prodigal Son in the Gospel, he longed to eat of the mash given to the pigs, which were fattened for sale. But they wouldn't even give that, and beat him when he stole from the pigs. And that was how he spent all his childhood and his youth, till he grew up and was strong enough to go away and be a thief. The savage began to earn his living as a day labourer in Geneva. He drank what he earned, he lived like a brute, and finished by killing and robbing an old man. He was caught, tried, and condemned to death. They are not sentimentalists there. And in prison he was immediately surrounded by pastors, members of Christian brotherhoods, philanthropic ladies, and the like. They taught him to read and write in prison, and expounded the Gospel to him. They exhorted him, worked upon him, drummed at him incessantly, till at last he solemnly confessed his crime. He was converted. He wrote to the court himself that he was a monster, but that in the end God had vouchsafed him light and shown grace. All Geneva was in excitement about him
- all philanthropic and religious Geneva. All the aristocratic and well-bred society of the town rushed to the prison, kissed Richard and embraced him; 'You are our brother, you have found grace.' And Richard does nothing but weep with emotion, 'Yes, I've found grace! All my youth and childhood I was glad of pigs' food, but now even I have found grace. I am dying in the Lord.' 'Yes, Richard, die in the Lord; you have shed blood and must die. Though it's not your fault that you knew not the Lord, when you coveted the pigs' food and were beaten for stealing it (which was very wrong of you, for stealing is forbidden); but you've shed blood and you must die.'And on the last day, Richard, perfectly limp, did nothing but cry and repeat every minute: 'This is my happiest day. I am going to the Lord.' 'Yes,' cry the pastors and the judges and philanthropic ladies. 'This is the happiest day of your life, for you are going to the Lord!' They all walk or drive to the scaffold in procession behind the prison van. At the scaffold they call to Richard: 'Die, brother, die in the Lord, for even thou hast found grace!' And so, covered with his brothers' kisses, Richard is dragged on to the scaffold, and led to the guillotine. And they chopped off his head in brotherly fashion, because he had found grace. Yes, that's characteristic. That pamphlet is translated into Russian by some Russian philanthropists of aristocratic rank and evangelical aspirations, and has been distributed gratis for the enlightenment of the people. The case of Richard is interesting because it's national. Though to us it's absurd to cut off a man's head, because he has become our brother and has found grace, yet we have our own specialty, which is all but worse. Our historical pastime is the direct satisfaction of inflicting pain. There are lines in Nekrassov describing how a peasant lashes a horse on the eyes, 'on its meek eyes,' everyone must have seen it. It's peculiarly Russian. He describes how a feeble little nag has foundered under too heavy a load and cannot move. The peasant beats it, beats it savagely, beats it at last not knowing what he is doing in the intoxication of cruelty, thrashes it mercilessly over and over again. 'However weak you are, you must pull, if you die for it.' The nag strains, and then he begins lashing the poor defenceless creature on its weeping, on its 'meek eyes.' The frantic beast tugs and draws the load, trembling all over, gasping for breath, moving sideways, with a sort of unnatural spasmodic action -- it's awful in Nekrassov. But that only a horse, and God has horses to be beaten. So the Tatars have taught us, and they left us the knout as a remembrance of it. But men, too, can be beaten. A welleducated, cultured gentleman and his wife beat their own child with a birch-rod, a girl of seven. I have an exact account of it. The papa was glad that the birch was covered with twigs. 'It stings more,' said he, and so be began stinging his daughter. I know for a fact there are people who at every blow are worked up to sensuality, to literal sensuality, which increases progressively at every blow they inflict. They beat for a minute, for five minutes, for ten minutes, more often and more savagely. The child screams. At last the child cannot scream, it gasps, 'Daddy daddy!' By some diabolical unseemly chance the case was brought into court. A counsel is engaged. The Russian people have long called a barrister 'a conscience for hire.' The counsel protests in his client's defence. 'It's such a simple thing,' he says, 'an everyday domestic event. A father corrects his child. To our shame be it said, it is brought into court.' The jury, convinced by him, give a favourable verdict. The public roars with delight that the torturer is acquitted. Ah, pity I wasn't there! I would have proposed to raise a subscription in his honour! Charming pictures.

"But I've still better things about children. I've collected a great, great deal about Russian children, Alyosha. There was a little girl of five who was hated by her father and mother, 'most worthy and respectable people, of good education and breeding.' You see, I must repeat again, it is a peculiar characteristic of many people, this love of torturing children, and children only. To all other types of humanity these torturers behave mildly and benevolently, like cultivated and humane Europeans; but they are very fond of tormenting children, even fond of children themselves in that sense. it's just their defencelessness that tempts the tormentor, just the angelic confidence of the child who has no refuge and no appeal, that sets his vile blood on fire. In every man, of course, a demon lies hidden -- the demon of rage, the demon of lustful heat at the screams of the tortured victim, the demon of lawlessness let off the chain, the demon of diseases that follow on vice, gout, kidney disease, and so on.

"This poor child of five was subjected to every possible torture by those cultivated parents. They beat her, thrashed her, kicked her for no reason till her body was one bruise. Then, they went to greater refinements of cruelty -- shut her up all night in the cold and frost in a privy, and because she didn't ask to be taken up at night (as though a child of five sleeping its angelic, sound sleep could be trained to wake and ask), they smeared her face and filled her mouth with excrement, and it was her mother, her mother did this. And that mother could sleep, hearing the poor child's groans! Can you understand why a little creature, who can't even understand what's done to her, should beat her little aching heart with her tiny fist in the dark and the cold, and weep her meek unresentful tears to dear, kind God to protect her? Do you understand that, friend and brother, you pious and humble novice? Do you understand why this infamy must be and is permitted? Without it, I am told, man could not have existed on earth, for he could not have known good and evil. Why should he know that diabolical good and evil when it costs so much? Why, the whole world of knowledge is not worth that child's prayer to dear, kind God'! I say nothing of the sufferings of grown-up people, they have eaten the apple, damn them, and the devil take them all! But these little ones! I am making you suffer, Alyosha, you are not yourself. I'll leave off if you like."

"Nevermind. I want to suffer too," muttered Alyosha.

"One picture, only one more, because it's so curious, so characteristic, and I have only just read it in some collection of Russian antiquities. I've forgotten the name. I must look it up. It was in the darkest days of serfdom at the beginning of the century, and long live the Liberator of the People! There was in those days a general of aristocratic connections, the owner of great estates, one of those men
-- somewhat exceptional, I believe, even then -- who, retiring from the service into a life of leisure, are convinced that they've earned absolute power over the lives of their subjects. There were such men then. So our general, settled on his property of two thousand souls, lives in pomp, and domineers over his poor neighbours as though they were dependents and buffoons. He has kennels of hundreds of hounds and nearly a hundred dog-boys -- all mounted, and in uniform. One day a serf-boy, a little child of eight, threw a stone in play and hurt the paw of the general's favourite hound. 'Why is my favourite dog lame?' He is told that the boy threw a stone that hurt the dog's paw. 'So you did it.' The general looked the child up and down. 'Take him.' He was taken -- taken from his mother and kept shut up all night. Early that morning the general comes out on horseback, with the hounds, his dependents, dog-boys, and huntsmen, all mounted around him in full hunting parade. The servants are summoned for their edification, and in front of them all stands the mother of the child. The child is brought from the lock-up. It's a gloomy, cold, foggy, autumn day, a capital day for hunting. The general orders the child to be undressed; the child is stripped naked. He shivers, numb with terror, not daring to cry.... 'Make him run,' commands the general. 'Run! run!' shout the dog-boys. The boy runs.... 'At him!' yells the general, and he sets the whole pack of hounds on the child. The hounds catch him, and tear him to pieces before his mother's eyes!... I believe the general was afterwards declared incapable of administering his estates. Well -- what did he deserve? To be shot? To be shot for the satisfaction of our moral feelings? Speak, Alyosha!

"To be shot," murmured Alyosha, lifting his eyes to Ivan with a pale, twisted smile.

 

"Bravo!" cried Ivan delighted. "If even you say so... You're a pretty monk! So there is a little devil sitting in your heart, Alyosha Karamazov!"

 

"What I said was absurd, but-"

"That's just the point, that 'but'!" cried Ivan. "Let me tell you, novice, that the absurd is only too necessary on earth. The world stands on absurdities, and perhaps nothing would have come to pass in it without them. We know what we know!"

"What do you know?"

"I understand nothing," Ivan went on, as though in delirium. "I don't want to understand anything now. I want to stick to the fact. I made up my mind long ago not to understand. If I try to understand anything, I shall be false to the fact, and I have determined to stick to the fact."

"Why are you trying me?" Alyosha cried, with sudden distress. "Will you say what you mean at last?"

 

"Of course, I will; that's what I've been leading up to. You are dear to me, I don't want to let you go, and I won't give you up to your Zossima."

 

Ivan for a minute was silent, his face became all at once very sad.

"Listen! I took the case of children only to make my case clearer. Of the other tears of humanity with which the earth is soaked from its crust to its centre, I will say nothing. I have narrowed my subject on purpose. I am a bug, and I recognise in all humility that I cannot understand why the world is arranged as it is. Men are themselves to blame, I suppose; they were given paradise, they wanted freedom, and stole fire from heaven, though they knew they would become unhappy, so there is no need to pity them. With my pitiful, earthly, Euclidian understanding, all I know is that there is suffering and that there are none guilty; that cause follows effect, simply and directly; that everything flows and finds its level -- but that's only Euclidian nonsense, I know that, and I can't consent to live by it! What comfort is it to me that there are none guilty and that cause follows effect simply and directly, and that I know it? -- I must have justice, or I will destroy myself. And not justice in some remote infinite time and space, but here on earth, and that I could see myself. I have believed in it. I want to see it, and if I am dead by then, let me rise again, for if it all happens without me, it will be too unfair. Surely I haven't suffered simply that I, my crimes and my sufferings, may manure the soil of the future harmony for somebody else. I want to see with my own eyes the hind lie down with the lion and the victim rise up and embrace his murderer. I want to be there when everyone suddenly understands what it has all been for. All the religions of the world are built on this longing, and I am a believer. But then there are the children, and what am I to do about them? That's a question I can't answer. For the hundredth time I repeat, there are numbers of questions, but I've only taken the children, because in their case what I mean is so unanswerably clear. Listen! If all must suffer to pay for the eternal harmony, what have children to do with it, tell me, please? It's beyond all comprehension why they should suffer, and why they should pay for the harmony. Why should they, too, furnish material to enrich the soil for the harmony of the future? I understand solidarity in sin among men. I understand solidarity in retribution, too; but there can be no such solidarity with children. And if it is really true that they must share responsibility for all their fathers' crimes, such a truth is not of this world and is beyond my comprehension. Some jester will say, perhaps, that the child would have grown up and have sinned, but you see he didn't grow up, he was torn to pieces by the dogs, at eight years old. Oh, Alyosha, I am not blaspheming! I understand, of course, what an upheaval of the universe it will be when everything in heaven and earth blends in one hymn of praise and everything that lives and has lived cries aloud: 'Thou art just, O Lord, for Thy ways are revealed.' When the mother embraces the fiend who threw her child to the dogs, and all three cry aloud with tears, 'Thou art just, O Lord!' then, of course, the crown of knowledge will be reached and all will be made clear. But what pulls me up here is that I can't accept that harmony. And while I am on earth, I make haste to take my own measures. You see, Alyosha, perhaps it really may happen that if I live to that moment, or rise again to see it, I, too, perhaps, may cry aloud with the rest, looking at the mother embracing the child's torturer, 'Thou art just, O Lord!' but I don't want to cry aloud then. While there is still time, I hasten to protect myself, and so I renounce the higher harmony altogether. It's not worth the tears of that one tortured child who beat itself on the breast with its little fist and prayed in its stinking outhouse, with its unexpiated tears to 'dear, kind God'! It's not worth it, because those tears are unatoned for. They must be atoned for, or there can be no harmony. But how? How are you going to atone for them? Is it possible? By their being avenged? But what do I care for avenging them? What do I care for a hell for oppressors? What good can hell do, since those children have already been tortured? And what becomes of harmony, if there is hell? I want to forgive. I want to embrace. I don't want more suffering. And if the sufferings of children go to swell the sum of sufferings which was necessary to pay for truth, then I protest that the truth is not worth such a price. I don't want the mother to embrace the oppressor who threw her son to the dogs! She dare not forgive him! Let her forgive him for herself, if she will, let her forgive the torturer for the immeasurable suffering of her mother's heart. But the sufferings of her tortured child she has no right to forgive; she dare not forgive the torturer, even if the child were to forgive him! And if that is so, if they dare not forgive, what becomes of harmony? Is there in the whole world a being who would have the right to forgive and could forgive? I don't want harmony. From love for humanity I don't want it. I would rather be left with the unavenged suffering. I would rather remain with my unavenged suffering and unsatisfied indignation, even if I were wrong. Besides, too high a price is asked for harmony; it's beyond our means to pay so much to enter on it. And so I hasten to give back my entrance ticket, and if I am an honest man I am bound to give it back as soon as possible. And that I am doing. It's not God that I don't accept, Alyosha, only I most respectfully return him the ticket."

That's rebellion," murmured Alyosha, looking down.

"Rebellion? I am sorry you call it that," said Ivan earnestly. "One can hardly live in rebellion, and I want to live. Tell me yourself, I challenge your answer. Imagine that you are creating a fabric of human destiny with the object of making men happy in the end, giving them peace and rest at last, but that it was essential and inevitable to torture to death only one tiny creature -- that baby beating its breast with its fist, for instance -- and to found that edifice on its unavenged tears, would you consent to be the architect on those conditions? Tell me, and tell the truth."

"No, I wouldn't consent," said Alyosha softly.

"And can you admit the idea that men for whom you are building it would agree to accept their happiness on the foundation of the unexpiated blood of a little victim? And accepting it would remain happy for ever?"

"No, I can't admit it. Brother," said Alyosha suddenly, with flashing eyes, "you said just now, is there a being in the whole world who would have the right to forgive and could forgive? But there is a Being and He can forgive everything, all and for all, because He gave His innocent blood for all and everything. You have forgotten Him, and on Him is built the edifice, and it is to Him they cry aloud, 'Thou art just, O Lord, for Thy ways are revealed!'

"Ah! the One without sin and His blood! No, I have not forgotten Him; on the contrary I've been wondering all the time how it was you did not bring Him in before, for usually all arguments on your side put Him in the foreground. Do you know, Alyosha -- don't laugh I made a poem about a year ago. If you can waste another ten minutes on me, I'll tell it to you."

"You wrote a poem?"

"Oh, no, I didn't write it," laughed Ivan, and I've never written two lines of poetry in my life. But I made up this poem in prose and I remembered it. I was carried away when I made it up. You will be my first reader -- that is listener. Why should an author forego even one listener?" smiled Ivan. "Shall I tell it to you?"

"I am all attention." said Alyosha.

 

"My poem is called The Grand Inquisitor; it's a ridiculous thing, but I want to tell it to you.

5. The Grand Inquisitor

"EVEN this must have a preface -- that is, a literary preface," laughed Ivan, "and I am a poor hand at making one. You see, my action takes place in the sixteenth century, and at that time, as you probably learnt at school, it was customary in poetry to bring down heavenly powers on earth. Not to speak of Dante, in France, clerks, as well as the monks in the monasteries, used to give regular performances in which the Madonna, the saints, the angels, Christ, and God Himself were brought on the stage. In those days it was done in all simplicity. In Victor Hugo's Notre Dame de Paris an edifying and gratuitous spectacle was provided for the people in the Hotel de Ville of Paris in the reign of Louis XI in honour of the birth of the dauphin. It was called Le bon jugement de la tres sainte et gracieuse Vierge Marie, and she appears herself on the stage and pronounces her bon jugement. Similar plays, chiefly from the Old Testament, were occasionally performed in Moscow too, up to the times of Peter the Great. But besides plays there were all sorts of legends and ballads scattered about the world, in which the saints and angels and all the powers of Heaven took part when required. In our monasteries the monks busied themselves in translating, copying, and even composing such poems -- and even under the Tatars. There is, for instance, one such poem (of course, from the Greek), The Wanderings of Our Lady through Hell, with descriptions as bold as Dante's. Our Lady visits hell, and the Archangel Michael leads her through the torments. She sees the sinners and their punishment. There she sees among others one noteworthy set of sinners in a burning lake; some of them sink to the bottom of the lake so that they can't swim out, and 'these God forgets' -- an expression of extraordinary depth and force. And so Our Lady, shocked and weeping, falls before the throne of God and begs for mercy for all in hell -- for all she has seen there, indiscriminately. Her conversation with God is immensely interesting. She beseeches Him, she will not desist, and when God points to the hands and feet of her Son, nailed to the Cross, and asks, 'How can I forgive His tormentors?' she bids all the saints, all the martyrs, all the angels and archangels to fall down with her and pray for mercy on all without distinction. It ends by her winning from God a respite of suffering every year from Good Friday till Trinity Day, and the sinners at once raise a cry of thankfulness from hell, chanting, 'Thou art just, O Lord, in this judgment.' Well, my poem would have been of that kind if it had appeared at that time. He comes on the scene in my poem, but He says nothing, only appears and passes on. Fifteen centuries have passed since He promised to come in His glory, fifteen centuries since His prophet wrote, 'Behold, I come quickly'; 'Of that day and that hour knoweth no man, neither the Son, but the Father,' as He Himself predicted on earth. But humanity awaits him with the same faith and with the same love. Oh, with greater faith, for it is fifteen centuries since man has ceased to see signs from heaven.
No signs from heaven come to-day To add to what the heart doth say.

There was nothing left but faith in what the heart doth say. It is true there were many miracles in those days. There were saints who performed miraculous cures; some holy people, according to their biographies, were visited by the Queen of Heaven herself. But the devil did not slumber, and doubts were already arising among men of the truth of these miracles. And just then there appeared in the north of Germany a terrible new heresy. 'A huge star like to a torch' (that is, to a church) 'fell on the sources of the waters and they became bitter.' These heretics began blasphemously denying miracles. But those who remained faithful were all the more ardent in their faith. The tears of humanity rose up to Him as before, awaited His coming, loved Him, hoped for Him, yearned to suffer and die for Him as before. And so many ages mankind had prayed with faith and fervour, 'O Lord our God, hasten Thy coming'; so many ages called upon Him, that in His infinite mercy He deigned to come down to His servants. Before that day He had come down, He had visited some holy men, martyrs, and hermits, as is written in their lives. Among us, Tyutchev, with absolute faith in the truth of his words, bore witness that

Bearing the Cross, in slavish dress, Weary and worn, the Heavenly King Our mother, Russia, came to bless, And through our land went wandering.

And that certainly was so, I assure you.

"And behold, He deigned to appear for a moment to the people, to the tortured, suffering people, sunk in iniquity, but loving Him like children. My story is laid in Spain, in Seville, in the most terrible time of the Inquisition, when fires were lighted every day to the glory of God, and 'in the splendid auto da fe the wicked heretics were burnt.' Oh, of course, this was not the coming in which He will appear, according to His promise, at the end of time in all His heavenly glory, and which will be sudden 'as lightning flashing from east to west.' No, He visited His children only for a moment, and there where the flames were crackling round the heretics. In His infinite mercy He came once more among men in that human shape in which He walked among men for thirty-three years fifteen centuries ago. He came down to the 'hot pavements' of the southern town in which on the day before almost a hundred heretics had, ad majorem gloriam Dei, been burnt by the cardinal, the Grand Inquisitor, in a magnificent auto da fe, in the presence of the king, the court, the knights, the cardinals, the most charming ladies of the court, and the whole population of Seville.

"He came softly, unobserved, and yet, strange to say, everyone recognised Him. That might be one of the best passages in the poem. I mean, why they recognised Him. The people are irresistibly drawn to Him, they surround Him, they flock about Him, follow Him. He moves silently in their midst with a gentle smile of infinite compassion. The sun of love burns in His heart, and power shine from His eyes, and their radiance, shed on the people, stirs their hearts with responsive love. He holds out His hands to them, blesses them, and a healing virtue comes from contact with Him, even with His garments. An old man in the crowd, blind from childhood, cries out, 'O Lord, heal me and I shall see Thee!' and, as it were, scales fall from his eyes and the blind man sees Him. The crowd weeps and kisses the earth under His feet. Children throw flowers before Him, sing, and cry hosannah. 'It is He -- it is He!' repeat. 'It must be He, it can be no one but Him!' He stops at the steps of the Seville cathedral at the moment when the weeping mourners are bringing in a little open white coffin. In it lies a child of seven, the only daughter of a prominent citizen. The dead child lies hidden in flowers. 'He will raise your child,' the crowd shouts to the weeping mother. The priest, coming to meet the coffin, looks perplexed, and frowns, but the mother of the dead child throws herself at His feet with a wail. 'If it is Thou, raise my child!' she cries, holding out her hands to Him. The procession halts, the coffin is laid on the steps at His feet. He looks with compassion, and His lips once more softly pronounce, 'Maiden, arise!' and the maiden arises. The little girl sits up in the coffin and looks round, smiling with wide-open wondering eyes, holding a bunch of white roses they had put in her hand.

"There are cries, sobs, confusion among the people, and at that moment the cardinal himself, the Grand Inquisitor, passes by the cathedral. He is an old man, almost ninety, tall and erect, with a withered face and sunken eyes, in which there is still a gleam of light. He is not dressed in his gorgeous cardinal's robes, as he was the day before, when he was burning the enemies of the Roman Church- at this moment he is wearing his coarse, old, monk's cassock. At a distance behind him come his gloomy assistants and slaves and the 'holy guard.' He stops at the sight of the crowd and watches it from a distance. He sees everything; he sees them set the coffin down at His feet, sees the child rise up, and his face darkens. He knits his thick grey brows and his eyes gleam with a sinister fire. He holds out his finger and bids the guards take Him. And such is his power, so completely are the people cowed into submission and trembling obedience to him, that the crowd immediately makes way for the guards, and in the midst of deathlike silence they lay hands on Him and lead him away. The crowd instantly bows down to the earth, like one man, before the old Inquisitor. He blesses the people in silence and passes on' The guards lead their prisoner to the close, gloomy vaulted prison -- in the ancient palace of the Holy, inquisition and shut him in it. The day passes and is followed by the dark, burning, 'breathless' night of Seville. The air is 'fragrant with laurel and lemon.' In the pitch darkness the iron door of the prison is suddenly opened and the Grand Inquisitor himself comes in with a light in his hand. He is alone; the door is closed at once behind him. He stands in the doorway and for a minute or two gazes into His face. At last he goes up slowly, sets the light on the table and speaks. "'Is it Thou? Thou?' but receiving no answer, he adds at once. 'Don't answer, be silent. What canst Thou say, indeed? I know too well what Thou wouldst say. And Thou hast no right to add anything to what Thou hadst said of old. Why, then, art Thou come to hinder us? For Thou hast come to hinder us, and Thou knowest that. But dost thou know what will be to-morrow? I know not who Thou art and care not to know whether it is Thou or only a semblance of Him, but tomorrow I shall condemn Thee and burn Thee at the stake as the worst of heretics. And the very people who have to-day kissed Thy feet, to-morrow at the faintest sign from me will rush to heap up the embers of Thy fire. Knowest Thou that? Yes, maybe Thou knowest it,' he added with thoughtful penetration, never for a moment taking his eyes off the Prisoner."

"I don't quite understand, Ivan. What does it mean?" Alyosha, who had been listening in silence, said with a smile. "Is it simply a wild fantasy, or a mistake on the part of the old man -- some impossible quid pro quo?"

"Take it as the last," said Ivan, laughing, "if you are so corrupted by modern realism and can't stand anything fantastic. If you like it to be a case of mistaken identity, let it be so. It is true," he went on, laughing, "the old man was ninety, and he might well be crazy over his set idea. He might have been struck by the appearance of the Prisoner. It might, in fact, be simply his ravings, the delusion of an old man of ninety, over-excited by the auto da fe of a hundred heretics the day before. But does it matter to us after all whether it was a mistake of identity or a wild fantasy? All that matters is that the old man should speak out, that he should speak openly of what he has thought in silence for ninety years."

"And the Prisoner too is silent? Does He look at him and not say a word?"

"That's inevitable in any case," Ivan laughed again. "The old man has told Him He hasn't the right to add anything to what He has said of old. One may say it is the most fundamental feature of Roman Catholicism, in my opinion at least. 'All has been given by Thee to the Pope,' they say, 'and all, therefore, is still in the Pope's hands, and there is no need for Thee to come now at all. Thou must not meddle for the time, at least.' That's how they speak and write too- the Jesuits, at any rate. I have read it myself in the works of their theologians. 'Hast Thou the right to reveal to us one of the mysteries of that world from which Thou hast come?' my old man asks Him, and answers the question for Him. 'No, Thou hast not; that Thou mayest not add to what has been said of old, and mayest not take from men the freedom which Thou didst exalt when Thou wast on earth. Whatsoever Thou revealest anew will encroach on men's freedom of faith; for it will be manifest as a miracle, and the freedom of their faith was dearer to Thee than anything in those days fifteen hundred years ago. Didst Thou not often say then, "I will make you free"? But now Thou hast seen these "free" men,' the old man adds suddenly, with a pensive smile. 'Yes, we've paid dearly for it,' he goes on, looking sternly at Him, 'but at last we have completed that work in Thy name. For fifteen centuries we have been wrestling with Thy freedom, but now it is ended and over for good. Dost Thou not believe that it's over for good? Thou lookest meekly at me and deignest not even to be wroth with me. But let me tell Thee that now, to-day, people are more persuaded than ever that they have perfect freedom, yet they have brought their freedom to us and laid it humbly at our feet. But that has been our doing. Was this what Thou didst? Was this Thy freedom?'"

"I don't understand again." Alyosha broke in. "Is he ironical, is he jesting?"

"Not a bit of it! He claims it as a merit for himself and his Church that at last they have vanquished freedom and have done so to make men happy. 'For now' (he is speaking of the Inquisition, of course) 'for the first time it has become possible to think of the happiness of men. Man was created a rebel; and how can rebels be happy? Thou wast warned,' he says to Him. 'Thou hast had no lack of admonitions and warnings, but Thou didst not listen to those warnings; Thou didst reject the only way by which men might be made happy. But, fortunately, departing Thou didst hand on the work to us. Thou hast promised, Thou hast established by Thy word, Thou hast given to us the right to bind and to unbind, and now, of course, Thou canst not think of taking it away. Why, then, hast Thou come to hinder us?'"

"And what's the meaning of 'no lack of admonitions and warnings'?" asked Alyosha.

 

"Why, that's the chief part of what the old man must say.

" 'The wise and dread spirit, the spirit of self-destruction and non-existence,' the old man goes on, great spirit talked with Thee in the wilderness, and we are told in the books that he "tempted" Thee. Is that so? And could anything truer be said than what he revealed to Thee in three questions and what Thou didst reject, and what in the books is called "the temptation"? And yet if there has ever been on earth a real stupendous miracle, it took place on that day, on the day of the three temptations. The statement of those three questions was itself the miracle. If it were possible to imagine simply for the sake of argument that those three questions of the dread spirit had perished utterly from the books, and that we had to restore them and to invent them anew, and to do so had gathered together all the wise men of the earth -- rulers, chief priests, learned men, philosophers, poets -- and had set them the task to invent three questions, such as would not only fit the occasion, but express in three words, three human phrases, the whole future history of the world and of humanity -- dost Thou believe that all the wisdom of the earth united could have invented anything in depth and force equal to the three questions which were actually put to Thee then by the wise and mighty spirit in the wilderness? From those questions alone, from the miracle of their statement, we can see that we have here to do not with the fleeting human intelligence, but with the absolute and eternal. For in those three questions the whole subsequent history of mankind is, as it were, brought together into one whole, and foretold, and in them are united all the unsolved historical contradictions of human nature. At the time it could not be so clear, since the future was unknown; but now that fifteen hundred years have passed, we see that everything in those three questions was so justly divined and foretold, and has been so truly fulfilled, that nothing can be added to them or taken from them.

"Judge Thyself who was right -- Thou or he who questioned Thee then? Remember the first question; its meaning, in other words, was this: "Thou wouldst go into the world, and art going with empty hands, with some promise of freedom which men in their simplicity and their natural unruliness cannot even understand, which they fear and dread -- for nothing has ever been more insupportable for a man and a human society than freedom. But seest Thou these stones in this parched and barren wilderness? Turn them into bread, and mankind will run after Thee like a flock of sheep, grateful and obedient, though for ever trembling, lest Thou withdraw Thy hand and deny them Thy bread." But Thou wouldst not deprive man of freedom and didst reject the offer, thinking, what is that freedom worth if obedience is bought with bread? Thou didst reply that man lives not by bread alone. But dost Thou know that for the sake of that earthly bread the spirit of the earth will rise up against Thee and will strive with Thee and overcome Thee, and all will follow him, crying, "Who can compare with this beast? He has given us fire from heaven!" Dost Thou know that the ages will pass, and humanity will proclaim by the lips of their sages that there is no crime, and therefore no sin; there is only hunger? "Feed men, and then ask of them virtue!" that's what they'll write on the banner, which they will raise against Thee, and with which they will destroy Thy temple. Where Thy temple stood will rise a new building; the terrible tower of Babel will be built again, and though, like the one of old, it will not be finished, yet Thou mightest have prevented that new tower and have cut short the sufferings of men for a thousand years; for they will come back to us after a thousand years of agony with their tower. They will seek us again, hidden underground in the catacombs, for we shall be again persecuted and tortured. They will find us and cry to us, "Feed us, for those who have promised us fire from heaven haven't given it!" And then we shall finish building their tower, for he finishes the building who feeds them. And we alone shall feed them in Thy name, declaring falsely that it is in Thy name. Oh, never, never can they feed themselves without us! No science will give them bread so long as they remain free. In the end they will lay their freedom at our feet, and say to us, "Make us your slaves, but feed us." They will understand themselves, at last, that freedom and bread enough for all are inconceivable together, for never, never will they be able to share between them! They will be convinced, too, that they can never be free, for they are weak, vicious, worthless, and rebellious. Thou didst promise them the bread of Heaven, but, I repeat again, can it compare with earthly bread in the eyes of the weak, ever sinful and ignoble race of man? And if for the sake of the bread of Heaven thousands shall follow Thee, what is to become of the millions and tens of thousands of millions of creatures who will not have the strength to forego the earthly bread for the sake of the heavenly? Or dost Thou care only for the tens of thousands of the great and strong, while the millions, numerous as the sands of the sea, who are weak but love Thee, must exist only for the sake of the great and strong? No, we care for the weak too. They are sinful and rebellious, but in the end they too will become obedient. They will marvel at us and look on us as gods, because we are ready to endure the freedom which they have found so dreadful and to rule over them- so awful it will seem to them to be free. But we shall tell them that we are Thy servants and rule them in Thy name. We shall deceive them again, for we will not let Thee come to us again. That deception will be our suffering, for we shall be forced to lie.

" 'This is the significance of the first question in the wilderness, and this is what Thou hast rejected for the sake of that freedom which Thou hast exalted above everything. Yet in this question lies hid the great secret of this world. Choosing "bread," Thou wouldst have satisfied the universal and everlasting craving of humanity -- to find someone to worship. So long as man remains free he strives for nothing so incessantly and so painfully as to find someone to worship. But man seeks to worship what is established beyond dispute, so that all men would agree at once to worship it. For these pitiful creatures are concerned not only to find what one or the other can worship, but to find community of worship is the chief misery of every man individually and of all humanity from the beginning of time. For the sake of common worship they've slain each other with the sword. They have set up gods and challenged one another, "Put away your gods and come and worship ours, or we will kill you and your gods!" And so it will be to the end of the world, even when gods disappear from the earth; they will fall down before idols just the same. Thou didst know, Thou couldst not but have known, this fundamental secret of human nature, but Thou didst reject the one infallible banner which was offered Thee to make all men bow down to Thee alone -- the banner of earthly bread; and Thou hast rejected it for the sake of freedom and the bread of Heaven. Behold what Thou didst further. And all again in the name of freedom! I tell Thee that man is tormented by no greater anxiety than to find someone quickly to whom he can hand over that gift of freedom with which the illfated creature is born. But only one who can appease their conscience can take over their freedom. In bread there was offered Thee an invincible banner; give bread, and man will worship thee, for nothing is more certain than bread. But if someone else gains possession of his conscience -- Oh! then he will cast away Thy bread and follow after him who has ensnared his conscience. In that Thou wast right. For the secret of man's being is not only to live but to have something to live for. Without a stable conception of the object of life, man would not consent to go on living, and would rather destroy himself than remain on earth, though he had bread in abundance. That is true. But what happened? Instead of taking men's freedom from them, Thou didst make it greater than ever! Didst Thou forget that man prefers peace, and even death, to freedom of choice in the knowledge of good and evil? Nothing is more seductive for man than his freedom of conscience, but nothing is a greater cause of suffering. And behold, instead of giving a firm foundation for setting the conscience of man at rest for ever, Thou didst choose all that is exceptional, vague and enigmatic; Thou didst choose what was utterly beyond the strength of men, acting as though Thou didst not love them at all- Thou who didst come to give Thy life for them! Instead of taking possession of men's freedom, Thou didst increase it, and burdened the spiritual kingdom of mankind with its sufferings for ever. Thou didst desire man's free love, that he should follow Thee freely, enticed and taken captive by Thee. In place of the rigid ancient law, man must hereafter with free heart decide for himself what is good and what is evil, having only Thy image before him as his guide. But didst Thou not know that he would at last reject even Thy image and Thy truth, if he is weighed down with the fearful burden of free choice? They will cry aloud at last that the truth is not in Thee, for they could not have been left in greater confusion and suffering than Thou hast caused, laying upon them so many cares and unanswerable problems.

" 'So that, in truth, Thou didst Thyself lay the foundation for the destruction of Thy kingdom, and no one is more to blame for it. Yet what was offered Thee? There are three powers, three powers alone, able to conquer and to hold captive for ever the conscience of these impotent rebels for their happiness those forces are miracle, mystery and authority. Thou hast rejected all three and hast set the example for doing so. When the wise and dread spirit set Thee on the pinnacle of the temple and said to Thee, "If Thou wouldst know whether Thou art the Son of God then cast Thyself down, for it is written: the angels shall hold him up lest he fall and bruise himself, and Thou shalt know then whether Thou art the Son of God and shalt prove then how great is Thy faith in Thy Father." But Thou didst refuse and wouldst not cast Thyself down. Oh, of course, Thou didst proudly and well, like God; but the weak, unruly race of men, are they gods? Oh, Thou didst know then that in taking one step, in making one movement to cast Thyself down, Thou wouldst be tempting God and have lost all Thy faith in Him, and wouldst have been dashed to pieces against that earth which Thou didst come to save. And the wise spirit that tempted Thee would have rejoiced. But I ask again, are there many like Thee? And couldst Thou believe for one moment that men, too, could face such a temptation? Is the nature of men such, that they can reject miracle, and at the great moments of their life, the moments of their deepest, most agonising spiritual difficulties, cling only to the free verdict of the heart? Oh, Thou didst know that Thy deed would be recorded in books, would be handed down to remote times and the utmost ends of the earth, and Thou didst hope that man, following Thee, would cling to God and not ask for a miracle. But Thou didst not know that when man rejects miracle he rejects God too; for man seeks not so much God as the miraculous. And as man cannot bear to be without the miraculous, he will create new miracles of his own for himself, and will worship deeds of sorcery and witchcraft, though he might be a hundred times over a rebel, heretic and infidel. Thou didst not come down from the Cross when they shouted to Thee, mocking and reviling Thee, "Come down from the cross and we will believe that Thou art He." Thou didst not come down, for again Thou wouldst not enslave man by a miracle, and didst crave faith given freely, not based on miracle. Thou didst crave for free love and not the base raptures of the slave before the might that has overawed him for ever. But Thou didst think too highly of men therein, for they are slaves, of course, though rebellious by nature. Look round and judge; fifteen centuries have passed, look upon them. Whom hast Thou raised up to Thyself? I swear, man is weaker and baser by nature than Thou hast believed him! Can he, can he do what Thou didst? By showing him so much respect, Thou didst, as it were, cease to feel for him, for Thou didst ask far too much from him -- Thou who hast loved him more than Thyself! Respecting him less, Thou wouldst have asked less of him. That would have been more like love, for his burden would have been lighter. He is weak and vile. What though he is everywhere now rebelling against our power, and proud of his rebellion? It is the pride of a child and a schoolboy. They are little children rioting and barring out the teacher at school. But their childish delight will end; it will cost them dear. Mankind as a whole has always striven to organise a universal state. There have been many great nations with great histories, but the more highly they were developed the more unhappy they were, for they felt more acutely than other people the craving for world-wide union. The great conquerors, Timours and Ghenghis-Khans, whirled like hurricanes over the face of the earth striving to subdue its people, and they too were but the unconscious expression of the same craving for universal unity. Hadst Thou taken the world and Caesar's purple, Thou wouldst have founded the universal state and have given universal peace. For who can rule men if not he who holds their conscience and their bread in his hands? We have taken the sword of Caesar, and in taking it, of course, have rejected Thee and followed him. Oh, ages are yet to come of the confusion of free thought, of their science and cannibalism. For having begun to build their tower of Babel without us, they will end, of course, with cannibalism. But then the beast will crawl to us and lick our feet and spatter them with tears of blood. And we shall sit upon the beast and raise the cup, and on it will be written, "Mystery." But then, and only then, the reign of peace and happiness will come for men. Thou art proud of Thine elect, but Thou hast only the elect, while we give rest to all. And besides, how many of those elect, those mighty ones who could become elect, have grown weary waiting for Thee, and have transferred and will transfer the powers of their spirit and the warmth of their heart to the other camp, and end by raising their free banner against Thee. Thou didst Thyself lift up that banner. But with us all will be happy and will no more rebel nor destroy one another as under Thy freedom. Oh, we shall persuade them that they will only become free when they renounce their freedom to us and submit to us. And shall we be right or shall we be lying? They will be convinced that we are right, for they will remember the horrors of slavery and confusion to which Thy freedom brought them. Freedom, free thought, and science will lead them into such straits and will bring them face to face with such marvels and insoluble mysteries, that some of them, the fierce and rebellious, will destroy themselves, others, rebellious but weak, will destroy one another, while the rest, weak and unhappy, will crawl fawning to our feet and whine to us: "Yes, you were right, you alone possess His mystery, and we come back to you, save us from ourselves!"

" 'Receiving bread from us, they will see clearly that we take the bread made by their hands from them, to give it to them, without any miracle. They will see that we do not change the stones to bread, but in truth they will be more thankful for taking it from our hands than for the bread itself! For they will remember only too well that in old days, without our help, even the bread they made turned to stones in their hands, while since they have come back to us, the very stones have turned to bread in their hands. Too, too well will they know the value of complete submission! And until men know that, they will be unhappy. Who is most to blame for their not knowing it?-speak! Who scattered the flock and sent it astray on unknown paths? But the flock will come together again and will submit once more, and then it will be once for all. Then we shall give them the quiet humble happiness of weak creatures such as they are by nature. Oh, we shall persuade them at last not to be proud, for Thou didst lift them up and thereby taught them to be proud. We shall show them that they are weak, that they are only pitiful children, but that childlike happiness is the sweetest of all. They will become timid and will look to us and huddle close to us in fear, as chicks to the hen. They will marvel at us and will be awe-stricken before us, and will be proud at our being so powerful and clever that we have been able to subdue such a turbulent flock of thousands of millions. They will tremble impotently before our wrath, their minds will grow fearful, they will be quick to shed tears like women and children, but they will be just as ready at a sign from us to pass to laughter and rejoicing, to happy mirth and childish song. Yes, we shall set them to work, but in their leisure hours we shall make their life like a child's game, with children's songs and innocent dance. Oh, we shall allow them even sin, they are weak and helpless, and they will love us like children because we allow them to sin. We shall tell them that every sin will be expiated, if it is done with our permission, that we allow them to sin because we love them, and the punishment for these sins we take upon ourselves. And we shall take it upon ourselves, and they will adore us as their saviours who have taken on themselves their sins before God. And they will have no secrets from us. We shall allow or forbid them to live with their wives and mistresses, to have or not to have children according to whether they have been obedient or disobedient -- and they will submit to us gladly and cheerfully. The most painful secrets of their conscience, all, all they will bring to us, and we shall have an answer for all. And they will be glad to believe our answer, for it will save them from the great anxiety and terrible agony they endure at present in making a free decision for themselves. And all will be happy, all the millions of creatures except the hundred thousand who rule over them. For only we, we who guard the mystery, shall be unhappy. There will be thousands of millions of happy babes, and a hundred thousand sufferers who have taken upon themselves the curse of the knowledge of good and evil. Peacefully they will die, peacefully they will expire in Thy name, and beyond the grave they will find nothing but death. But we shall keep the secret, and for their happiness we shall allure them with the reward of heaven and eternity. Though if there were anything in the other world, it certainly would not be for such as they. It is prophesied that Thou wilt come again in victory, Thou wilt come with Thy chosen, the proud and strong, but we will say that they have only saved themselves, but we have saved all. We are told that the harlot who sits upon the beast, and holds in her hands the mystery, shall be put to shame, that the weak will rise up again, and will rend her royal purple and will strip naked her loathsome body. But then I will stand up and point out to Thee the thousand millions of happy children who have known no sin. And we who have taken their sins upon us for their happiness will stand up before Thee and say: "Judge us if Thou canst and darest." Know that I fear Thee not. Know that I too have been in the wilderness, I too have lived on roots and locusts, I too prized the freedom with which Thou hast blessed men, and I too was striving to stand among Thy elect, among the strong and powerful, thirsting "to make up the number." But I awakened and would not serve madness. I turned back and joined the ranks of those who have corrected Thy work. I left the proud and went back to the humble, for the happiness of the humble. What I say to Thee will come to pass, and our dominion will be built up. I repeat, to-morrow Thou shalt see that obedient flock who at a sign from me will hasten to heap up the hot cinders about the pile on which I shall burn Thee for coming to hinder us. For if anyone has ever deserved our fires, it is Thou. Tomorrow I shall burn Thee. Dixi.' "

Ivan stopped. He was carried away as he talked, and spoke with excitement; when he had finished, he suddenly smiled.

Alyosha had listened in silence; towards the end he was greatly moved and seemed several times on the point of interrupting, but restrained himself. Now his words came with a rush.

"But... that's absurd!" he cried, flushing. "Your poem is in praise of Jesus, not in blame of Him -- as you meant it to be. And who will believe you about freedom? Is that the way to understand it? That's not the idea of it in the Orthodox Church.... That's Rome, and not even the whole of Rome, it's false-those are the worst of the Catholics the Inquisitors, the Jesuits!... And there could not be such a fantastic creature as your Inquisitor. What are these sins of mankind they take on themselves? Who are these keepers of the mystery who have taken some curse upon themselves for the happiness of mankind? When have they been seen? We know the Jesuits, they are spoken ill of, but surely they are not what you describe? They are not that at all, not at all.... They are simply the Romish army for the earthly sovereignty of the world in the future, with the Pontiff of Rome for Emperor... that's their ideal, but there's no sort of mystery or lofty melancholy about it.... It's simple lust of power, of filthy earthly gain, of domination-something like a universal serfdom with them as masters-that's all they stand for. They don't even believe in God perhaps. Your suffering Inquisitor is a mere fantasy."

"Stay, stay," laughed Ivan. "how hot you are! A fantasy you say, let it be so! Of course it's a fantasy. But allow me to say: do you really think that the Roman Catholic movement of the last centuries is actually nothing but the lust of power, of filthy earthly gain? Is that Father Paissy's teaching?"
"No, no, on the contrary, Father Paissy did once say something rather the same as you... but of course it's not the same, not a bit the same," Alyosha hastily corrected himself.

"A precious admission, in spite of your 'not a bit the same.' I ask you why your Jesuits and Inquisitors have united simply for vile material gain? Why can there not be among them one martyr oppressed by great sorrow and loving humanity? You see, only suppose that there was one such man among all those who desire nothing but filthy material gain-if there's only one like my old Inquisitor, who had himself eaten roots in the desert and made frenzied efforts to subdue his flesh to make himself free and perfect. But yet all his life he loved humanity, and suddenly his eyes were opened, and he saw that it is no great moral blessedness to attain perfection and freedom, if at the same time one gains the conviction that millions of God's creatures have been created as a mockery, that they will never be capable of using their freedom, that these poor rebels can never turn into giants to complete the tower, that it was not for such geese that the great idealist dreamt his dream of harmony. Seeing all that he turned back and joined -- the clever people. Surely that could have happened?"

"Joined whom, what clever people?" cried Alyosha, completely carried away. "They have no such great cleverness and no mysteries and secrets.... Perhaps nothing but Atheism, that's all their secret. Your Inquisitor does not believe in God, that's his secret!"

"What if it is so! At last you have guessed it. It's perfectly true, it's true that that's the whole secret, but isn't that suffering, at least for a man like that, who has wasted his whole life in the desert and yet could not shake off his incurable love of humanity? In his old age he reached the clear conviction that nothing but the advice of the great dread spirit could build up any tolerable sort of life for the feeble, unruly, 'incomplete, empirical creatures created in jest.' And so, convinced of this, he sees that he must follow the counsel of the wise spirit, the dread spirit of death and destruction, and therefore accept lying and deception, and lead men consciously to death and destruction, and yet deceive them all the way so that they may not notice where they are being led, that the poor blind creatures may at least on the way think themselves happy. And note, the deception is in the name of Him in Whose ideal the old man had so fervently believed all his life long. Is not that tragic? And if only one such stood at the head of the whole army 'filled with the lust of power only for the sake of filthy gain' -- would not one such be enough to make a tragedy? More than that, one such standing at the head is enough to create the actual leading idea of the Roman Church with all its armies and Jesuits, its highest idea. I tell you frankly that I firmly believe that there has always been such a man among those who stood at the head of the movement. Who knows, there may have been some such even among the Roman Popes. Who knows, perhaps the spirit of that accursed old man who loves mankind so obstinately in his own way, is to be found even now in a whole multitude of such old men, existing not by chance but by agreement, as a secret league formed long ago for the guarding of the mystery, to guard it from the weak and the unhappy, so as to make them happy. No doubt it is so, and so it must be indeed. I fancy that even among the Masons there's something of the same mystery at the bottom, and that that's why the Catholics so detest the Masons as their rivals breaking up the unity of the idea, while it is so essential that there should be one flock and one shepherd.... But from the way I defend my idea I might be an author impatient of your criticism. Enough of it."

"You are perhaps a Mason yourself!" broke suddenly from Alyosha. "You don't believe in God," he added, speaking this time very sorrowfully. He fancied besides that his brother was looking at him ironically. "How does your poem end?" he asked, suddenly looking down. "Or was it the end?"

"I meant to end it like this. When the Inquisitor ceased speaking he waited some time for his Prisoner to answer him. His silence weighed down upon him. He saw that the Prisoner had listened intently all the time, looking gently in his face and evidently not wishing to reply. The old man longed for him to say something, however bitter and terrible. But He suddenly approached the old man in silence and softly kissed him on his bloodless aged lips. That was all his answer. The old man shuddered. His lips moved. He went to the door, opened it, and said to Him: 'Go, and come no more... come not at all, never, never!' And he let Him out into the dark alleys of the town. The Prisoner went away."

"And the old man?"

 

"The kiss glows in his heart, but the old man adheres to his idea."

 

"And you with him, you too?" cried Alyosha, mournfully.

 

Ivan laughed.

"Why, it's all nonsense, Alyosha. It's only a senseless poem of a senseless student, who could never write two lines of verse. Why do you take it so seriously? Surely you don't suppose I am going straight off to the Jesuits, to join the men who are correcting His work? Good Lord, it's no business of mine. I told you, all I want is to live on to thirty, and then... dash the cup to the ground!"

"But the little sticky leaves, and the precious tombs, and the blue sky, and the woman you love! How will you live, how will you love them?" Alyosha cried sorrowfully. "With such a hell in your heart and your head, how can you? No, that's just what you are going away for, to join them... if not, you will kill yourself, you can't endure it!"

"There is a strength to endure everything," Ivan said with a cold smile.

 

"The strength of the Karamazovs -- the strength of the Karamazov baseness." "To sink into debauchery, to stifle your soul with corruption, yes?"

 

"Possibly even that... only perhaps till I am thirty I shall escape it, and then-"

 

"How will you escape it? By what will you escape it? That's impossible with your ideas."

 

"In the Karamazov way, again."

 

"'Everything is lawful,' you mean? Everything is lawful, is that it?"

 

Ivan scowled, and all at once turned strangely pale.

"Ah, you've caught up yesterday's phrase, which so offended Muisov -- and which Dmitri pounced upon so naively and paraphrased!" he smiled queerly. "Yes, if you like, 'everything is lawful' since the word has been said, I won't deny it. And Mitya's version isn't bad."

Alyosha looked at him in silence.

"I thought that going away from here I have you at least," Ivan said suddenly, with unexpected feeling; "but now I see that there is no place for me even in your heart, my dear hermit. The formula, 'all is lawful,' I won't renounce -- will you renounce me for that, yes?"

Alyosha got up, went to him and softly kissed him on the lips.

 

"That's plagiarism," cried Ivan, highly delighted. "You stole that from my poem. Thank you though. Get up, Alyosha, it's time we were going, both of us."

 

They went out, but stopped when they reached the entrance of the restaurant.

"Listen, Alyosha," Ivan began in a resolute voice, "if I am really able to care for the sticky little leaves I shall only love them, remembering you. It's enough for me that you are somewhere here, and I shan't lose my desire for life yet. Is that enough for you? Take it as a declaration of love if you like. And now you go to the right and I to the left. And it's enough, do you hear, enough. I mean even if I don't go away to-morrow (I think I certainly shall go) and we meet again, don't say a word more on these subjects. I beg that particularly. And about Dmitri too, I ask you specially, never speak to me again," he added, with sudden irritation; "it's all exhausted, it has all been said over and over again, hasn't it? And I'll make you one promise in return for it. When at thirty, I want to 'dash the cup to the ground,' wherever I may be I'll come to have one more talk with you, even though it were from America, you may be sure of that. I'll come on purpose. It will be very interesting to have a look at you, to see what you'll be by that time. It's rather a solemn promise, you see. And we really may be parting for seven years or ten. Come, go now to your Pater Seraphicus, he is dying. If he dies without you, you will be angry with me for having kept you. Good-bye, kiss me once more; that's right, now go."

Ivan turned suddenly and went his way without looking back. It was just as Dmitri had left Alyosha the day before, though the parting had been very different. The strange resemblance flashed like an arrow through Alyosha's mind in the distress and dejection of that moment. He waited a little, looking after his brother. He suddenly noticed that Ivan swayed as he walked and that his right shoulder looked lower than his left. He had never noticed it before. But all at once he turned too, and almost ran to the monastery. It was nearly dark, and he felt almost frightened; something new was growing up in him for which he could not account. The wind had risen again as on the previous evening, and the ancient pines murmured gloomily about him when he entered the hermitage copse. He almost ran. "Pater Seraphicus- he got that name from somewhere -- where from?" Alyosha wondered. "Ivan, poor Ivan, and when shall I see you again?... Here is the hermitage. Yes, yes, that he is, Pater Seraphicus, he will save me -- from him and for ever!"

Several times afterwards he wondered how he could, on leaving Ivan, so completely forget his brother Dmitri, though he had that morning, only a few hours before, so firmly resolved to find him and not to give up doing so, even should he be unable to return to the monastery that night.

6. For Awhile a Very Obscure One

AND Ivan, on parting from Alyosha, went home to Fyodor Pavlovitch's house. But, strange to say, he was overcome by insufferable depression, which grew greater at every step he took towards the house. There was nothing strange in his being depressed; what was strange was that Ivan could not have said what was the cause of it. He had often been depressed before, and there was nothing surprising at his feeling so at such a moment, when he had broken off with everything had brought him here, and was preparing that day to make a new start and enter upon a new, unknown future. He would again be as solitary as ever, and though he had great hopes, and great -- too great -- expectations from life, he could not have given any definite account of his hopes, his expectations, or even his desires.

Yet at that moment, though the apprehension of the new and unknown certainly found place in his heart, what was worrying him was something quite different. "Is it loathing for my father's house?" he wondered. "Quite likely; I am so sick of it; and though it's the last time I shall cross its hateful threshold, still I loathe it.... No, it's not that either. Is it the parting with Alyosha and the conversation I had with him? For so many years I've been silent with the whole world and not deigned to speak, and all of a sudden I reel off a rigmarole like that." certainly might have been the youthful vexation of youthful inexperience and vanity -- vexation at having failed to express himself, especially with such a being as Alyosha, on whom his heart had certainly been reckoning. No doubt that came in, that vexation, it must have done indeed; but yet that was not it, that was not it either. "I feel sick with depression and yet I can't tell what I want. Better not think, perhaps."

Ivan tried "not to think," but that, too, was no use. What made his depression so vexatious and irritating was that it had a kind of casual, external character -- he felt that. Some person or thing seemed to be standing out somewhere, just as something will sometimes obtrude itself upon the eye, and though one may be so busy with work or conversation that for a long time one does not notice it, yet it irritates and almost torments one till at last one realises, and removes the offending object, often quite a trifling and ridiculous one -- some article left about in the wrong place, a handkerchief on the floor, a book not replaced on the shelf, and so on.

At last, feeling very cross and ill-humoured, Ivan arrived home, and suddenly, about fifteen paces from the garden gate, he guessed what was fretting and worrying him.

On a bench in the gateway the valet Smerdyakov was sitting enjoying the coolness of the evening, and at the first glance at him Ivan knew that the valet Smerdyakov was on his mind, and that it was this man that his soul loathed. It all dawned upon him suddenly and became clear. just before, when Alyosha had been telling him of his meeting with Smerdyakov, he had felt a sudden twinge of gloom and loathing, which had immediately stirred responsive anger in his heart. Afterwards, as he talked, Smerdyakov had been forgotten for the time; but still he had been in his mind, and as soon as Ivan parted with Alyosha and was walking home, the forgotten sensation began to obtrude itself again. "Is it possible that a miserable, contemptible creature like that can worry me so much?" he wondered, with insufferable irritation.

It was true that Ivan had come of late to feel an intense dislike for the man, especially during the last few days. He had even begun to notice in himself a growing feeling that was almost of hatred for the creature. Perhaps this hatred was accentuated by the fact that when Ivan first came to the neighbourhood he had felt quite differently. Then he had taken a marked interest in Smerdyakov, and had even thought him very original. He had encouraged him to talk to him, although he had always wondered at a certain incoherence, or rather restlessness, in his mind, and could not understand what it was that so continually and insistently worked upon the brain of "the contemplative." They discussed philosophical questions and even how there could have been light on the first day when the sun, moon, and stars were only created on the fourth day, and how that was to be understood. But Ivan soon saw that, though the sun, moon, and stars might be an interesting subject, yet that it was quite secondary to Smerdyakov, and that he was looking for something altogether different. In one way and another, he began to betray a boundless vanity, and a wounded vanity, too, and that Ivan disliked. It had first given rise to his aversion. Later on, there had been trouble in the house. Grushenka had come on the scene, and there had been the scandals with his brother Dmitri -- they discussed that, too. But though Smerdyakov always talked of that with great excitement, it was impossible to discover what he desired to come of it. There was, in fact, something surprising in the illogicality and incoherence of some of his desires, accidentally betrayed and always vaguely expressed. Smerdyakov was always inquiring, putting certain indirect but obviously premeditated questions, but what his object was he did not explain, and usually at the most important moment he would break off and relapse into silence or pass to another subject. But what finally irritated Ivan most and confirmed his dislike for him was the peculiar, revolting familiarity which Smerdyakov began to show more and more markedly. Not that he forgot himself and was rude; on the contrary, he always spoke very respectfully, yet he had obviously begun to consider -- goodness knows why! -- that there was some sort of understanding between him and Ivan Fyodorovitch. He always spoke in a tone that suggested that those two had some kind of compact, some secret between them, that had at some time been expressed on both sides, only known to them and beyond the comprehension of those around them. But for a long while Ivan did not recognise the real cause of his growing dislike and he had only lately realised what was at the root of it.
With a feeling of disgust and irritation he tried to pass in at the gate without speaking or looking at Smerdyakov. But Smerdyakov rose from the bench, and from that action alone, Ivan knew instantly that he wanted particularly to talk to him. Ivan looked at him and stopped, and the fact that he did stop, instead of passing by, as he meant to the minute before, drove him to fury. With anger and repulsion he looked at Smerdyakov's emasculate, sickly face, with the little curls combed forward on his forehead. His left eye winked and he grinned as if to say, "Where are you going? You won't pass by; you see that we two clever people have something to say to each other."

Ivan shook. "Get away, miserable idiot. What have I to do with you?" was on the tip of his tongue, but to his profound astonishment he heard himself say, "Is my father still asleep, or has he waked?"

He asked the question softly and meekly, to his own surprise, and at once, again to his own surprise, sat down on the bench. For an instant he felt almost frightened; he remembered it afterwards. Smerdyakov stood facing him, his hands behind his back, looking at him with assurance and almost severity.

"His honour is still asleep," he articulated deliberately ("You were the first to speak, not I," he seemed to say). "I am surprised at you, sir," he added, after a pause, dropping his eyes affectedly, setting his right foot forward, and playing with the tip of his polished boot.

"Why are you surprised at me?" Ivan asked abruptly and sullenly, doing his utmost to restrain himself, and suddenly realising, with disgust, that he was feeling intense curiosity and would not, on any account, have gone away without satisfying it.

"Why don't you go to Tchermashnya, sir?" Smerdyakov suddenly raised his eyes and smiled familiarly. "Why I smile you must understand of yourself, if you are a clever man," his screwed-up left eye seemed to say.

"Why should I go to Tchermashnya?" Ivan asked in surprise.

 

Smerdyakov was silent again.

"Fyodor Pavlovitch himself has so begged you to," he said at last, slowly and apparently attaching no significance to his answer. "I put you off with a secondary reason," he seemed to suggest, "simply to say something."

"Damn you! Speak out what you want!" Ivan cried angrily at last, passing from meekness to violence.

 

Smerdyakov drew his right foot up to his left, pulled himself up, but still looked at him with the same serenity and the same little smile.

 

"Substantially nothing -- but just by way of conversation."

Another silence followed. They did not speak for nearly a minute. Ivan knew that he ought to get up and show anger, and Smerdyakov stood before him and seemed to be waiting as though to see whether he would be angry or not. So at least it seemed to Ivan. At last he moved to get up. Smerdyakov seemed to seize the moment.

"I'm in an awful position, Ivan Fyodorovitch. I don't know how to help myself," he said resolutely and distinctly, and at his last word he sighed. Ivan Fyodorovitch sat down again.

"They are both utterly crazy, they are no better than little children," Smerdyakov went on. "I am speaking of your parent and your brother Dmitri Fyodorovitch. Here Fyodor Pavlovitch will get up directly and begin worrying me every minute, 'Has she come? Why hasn't she come?' and so on up till midnight and even after midnight. And if Agrafena Alexandrovna doesn't come (for very likely she does not mean to come at all) then he will be at me again to-morrow morning, 'Why hasn't she come? When will she come?' -- as though I were to blame for it. On the other side it's no better. As soon as it gets dark, or even before, your brother will appear with his gun in his hands: 'Look out, you rogue, you soup-maker. If you miss her and don't let me know she's been -- I'll kill you before anyone.' When the night's over, in the morning, he, too, like Fyodor Pavlovitch, begins worrying me to death. 'Why hasn't she come? Will she come soon?' And he, too, thinks me to blame because his lady hasn't come. And every day and every hour they get angrier and angrier, so that I sometimes think I shall kill myself in a fright. I can't depend them, sir."

"And why have you meddled? Why did you begin to spy for Dmitri Fyodorovitch?" said Ivan irritably.

"How could I help meddling? Though, indeed, I haven't meddled at all, if you want to know the truth of the matter. I kept quiet from the very beginning, not daring to answer; but he pitched on me to be his servant. He has had only one thing to say since: 'I'll kill you, you scoundrel, if you miss her.' I feel certain, sir, that I shall have a long fit to-morrow."

"What do you mean by 'a long fit'?"

"A long fit, lasting a long time -- several hours, or perhaps a day or two. Once it went on for three days. I fell from the garret that time. The struggling ceased and then began again, and for three days I couldn't come back to my senses. Fyodor Pavlovitch sent for Herzenstube, the doctor here, and he put ice on my head and tried another remedy, too.... I might have died."
"But they say one can't tell with epilepsy when a fit is coming. What makes you say you will have one to-morrow?" Ivan inquired, with a peculiar, irritable curiosity.

"That's just so. You can't tell beforehand."

 

"Besides, you fell from the garret then."

"I climb up to the garret every day. I might fall from the garret again to-morrow. And, if not, I might fall down the cellar steps. I have to go into the cellar every day, too."

Ivan took a long look at him.

"You are talking nonsense, I see, and I don't quite understand you," he said softly, but with a sort of menace. "Do you mean to pretend to be ill to-morrow for three days, eh?"

Smerdyakov, who was looking at the ground again, and playing with the toe of his right foot, set the foot down, moved the left one forward, and, grinning, articulated:

"If I were able to play such a trick, that is, pretend to have a fit -- and it would not be difficult for a man accustomed to them -- I should have a perfect right to use such a means to save myself from death. For even if Agrafena Alexandrovna comes to see his father while I am ill, his honour can't blame a sick man for not telling him. He'd be ashamed to."

"Hang it all!" Ivan cried, his face working with anger, "Why are you always in such a funk for your life? All my brother Dmitri's threats are only hasty words and mean nothing. He won't kill you; it's not you he'll kill!"

"He'd kill me first of all, like a fly. But even more than that, I am afraid I shall be taken for an accomplice of his when he does something crazy to his father."

 

"Why should you be taken for an accomplice?"

 

"They'll think I am an accomplice, because I let him know the signals as a great secret."

 

"What signals? Whom did you tell? Confound you, speak more plainly."

"I'm bound to admit the fact," Smerdyakov drawled with pedantic composure, "that I have a secret with Fyodor Pavlovitch in this business. As you know yourself (if only you do know it) he has for several days past locked himself in as soon as night or even evening comes on. Of late you've been going upstairs to your room early every evening, and yesterday you did not come down at all, and so perhaps you don't know how carefully he has begun to lock himself in at night, and even if Grigory Vassilyevitch comes to the door he won't open to him till he hears his voice. But Grigory Vassilyevitch does not come, because I wait upon him alone in his room now. That's the arrangement he made himself ever since this to-do with Agrafena Alexandrovna began. But at night, by his orders, I go away to the lodge so that I don't get to sleep till midnight, but am on the watch, getting up and walking about the yard, waiting for Agrafena Alexandrovna to come. For the last few days he's been perfectly frantic expecting her. What he argues is, she is afraid of him, Dmitri Fyodorovitch (Mitya, as he calls him), 'and so,' says he, 'she'll come the back-way, late at night, to me. You look out for her,' says he, 'till midnight and later; and if she does come, you run up and knock at my door or at the window from the garden. Knock at first twice, rather gently, and then three times more quickly, then,' says he, 'I shall understand at once that she has come, and will open the door to you quietly.' Another signal he gave me in case anything unexpected happens. At first, two knocks, and then, after an interval, another much louder. Then he will understand that something has happened suddenly and that I must see him, and he will open to me so that I can go and speak to him. That's all in case Agrafena Alexandrovna can't come herself, but sends a message. Besides, Dmitri Fyodorovitch might come, too, so I must let him know he is near. His honour is awfully afraid of Dmitri Fyodorovitch, so that even if Agrafena Alexandrovna had come and were locked in with him, and Dmitri Fyodorovitch were to turn up anywhere near at the time, I should be bound to let him know at once, knocking three times. So that the first signal of five knocks means Agrafena Alexandrovna has come, while the second signal of three knocks means 'something important to tell you.' His honour has shown me them several times and explained them. And as in the whole universe no one knows of these signals but myself and his honour, so he'd open the door without the slightest hesitation and without calling out (he is awfully afraid of calling out aloud). Well, those signals are known to Dmitri Fyodorovitch too, now."

"How are they known? Did you tell him? How dared you tell him?"

"It was through fright I did it. How could I dare to keep it back from him? Dmitri Fyodorovitch kept persisting every day, 'You are deceiving me, you are hiding something from me! I'll break both your legs for you.' So I told him those secret signals that he might see my slavish devotion, and might be satisfied that I was not deceiving him, but was telling him all I could."

"If you think that he'll make use of those signals and try to get in, don't let him in."

 

"But if I should be laid up with a fit, how can I prevent him coming in then, even if I dared prevent him, knowing how desperate he is?"

"Hang it! How can you be so sure you are going to have a fit, confound you? Are you laughing at me?"
"How could I dare laugh at you? I am in no laughing humour with this fear on me. I feel I am going to have a fit. I have a presentiment. Fright alone will bring it on."

"Confound it! If you are laid up, Grigory will be on the watch. Let Grigory know beforehand; he will be sure not to let him in."

"I should never dare to tell Grigory Vassilyevitch about the signals without orders from my master. And as for Grigory Vassilyevitch hearing him and not admitting him, he has been ill ever since yesterday, and Marfa Ignatyevna intends to give him medicine to-morrow. They've just arranged it. It's a very strange remedy of hers. Marfa Ignatyevna knows of a preparation and always keeps it. It's a strong thing made from some herb. She has the secret of it, and she always gives it to Grigory Vassilyevitch three times a year when his lumbago's so bad he is almost paralysed by it. Then she takes a towel, wets it with the stuff, and rubs his whole back for half an hour till it's quite red and swollen, and what's left in the bottle she gives him to drink with a special prayer; but not quite all, for on such occasions she leaves some for herself, and drinks it herself. And as they never take strong drink, I assure you they both drop asleep at once and sleep sound a very long time. And when Grigory Vassilyevitch wakes up he is perfectly well after it, but Marfa Ignatyevna always has a headache from it. So, if Marfa Ignatyevna carries out her intention to-morrow, they won't hear anything and hinder Dmitri Fyodorovitch. They'll be asleep."

"What a rigmarole! And it all seems to happen at once, as though it were planned. You'll have a fit and they'll both be unconscious," cried Ivan. "But aren't you trying to arrange it so?" broke from him suddenly, and he frowned threateningly.

"How could I?... And why should I, when it all depends on Dmitri Fyodorovitch and his plans?... If he means to do anything, he'll do it; but if not, I shan't be thrusting him upon his father."

"And why should he go to father, especially on the sly, if, as you say yourself, Agrafena Alexandrovna won't come at all?" Ivan went on, turning white with anger. "You say that yourself, and all the while I've been here, I've felt sure it was all the old man's fancy, and the creature won't come to him. Why should Dmitri break in on him if she doesn't come? Speak, I want to know what you are thinking!"

"You know yourself why he'll come. What's the use of what I think? His honour will come simply because he is in a rage or suspicious on account of my illness perhaps, and he'll dash in, as he did yesterday through impatience to search the rooms, to see whether she hasn't escaped him on the sly. He is perfectly well aware, too, that Fyodor Pavlovitch has a big envelope with three thousand roubles in it, tied up with ribbon and sealed with three seals. On it is written in his own hand 'To my angel Grushenka, if she will come,' to which he added three days later, 'for my little chicken.' There's no knowing what that might do."

"Nonsense!" cried Ivan, almost beside himself. "Dmitri won't come to steal money and kill my father to do it. He might have killed him yesterday on account of Grushenka, like the frantic, savage fool he is, but he won't steal."

"He is in very great need of money now -- the greatest need, Ivan Fyodorovitch. You don't know in what need he is," Smerdyakov explained, with perfect composure and remarkable distinctness. "He looks on that three thousand as his own, too. He said so to me himself. 'My father still owes me just three thousand,' he said. And besides that, consider, Ivan Fyodorovitch, there is something else perfectly true. It's as good as certain, so to say, that Agrafena Alexandrovna will force him, if only she cares to, to marry her -- the master himself, I mean, Fyodor Pavlovitch -- if only she cares to, and of course she may care to. All I've said is that she won't come, but maybe she's looking for more than that -- I mean to be mistress here. I know myself that Samsonov, her merchant, was laughing with her about it, telling her quite openly that it would not be at all a stupid thing to do. And she's got plenty of sense. She wouldn't marry a beggar like Dmitri Fyodorovitch. So, taking that into consideration, Ivan Fyodorovitch, reflect that then neither Dmitri Fyodorovitch nor yourself and your brother, Alexey Fyodorovitch, would have anything after the master's death, not a rouble, for Agrafena Alexandrovna would marry him simply to get hold of the whole, all the money there is. But if your father were to die now, there'd be some forty thousand for sure, even for Dmitri Fyodorovitch whom he hates so, for he's made no will.... Dmitri Fyodorovitch knows all that very well."

A sort of shudder passed over Ivan's face. He suddenly flushed.

"Then why on earth," he suddenly interrupted Smerdyakov, "do you advise me to go to Tchermashnya? What did you mean by that? If I go away, you see what will happen here." Ivan drew his breath with difficulty.

"Precisely so," said Smerdyakov, softly and reasonably, watching Ivan intently, however.

 

"What do you mean by 'precisely so'?" Ivan questioned him, with a menacing light in his eyes, restraining himself with difficulty.

"I spoke because I felt sorry for you. If I were in your place I should simply throw it all up... rather than stay on in such a position," answered Smerdyakov, with the most candid air looking at Ivan's flashing eyes. They were both silent.

"You seem to be a perfect idiot, and what's more... an awful scoundrel, too." Ivan rose suddenly from the bench. He was about to pass straight through the gate, but he stopped short and turned to Smerdyakov. Something strange followed. Ivan, in a sudden paroxysm, bit his lip, clenched his fists, and, in another minute, would have flung himself on Smerdyakov. The latter, anyway, noticed it at the same moment, started, and shrank back. But the moment passed without mischief to Smerdyakov, and Ivan turned in silence, as it seemed in perplexity, to the gate.

"I am going away to Moscow to-morrow, if you care to know -- early to-morrow morning. That's all!" he suddenly said aloud angrily, and wondered himself afterwards what need there was to say this then to Smerdyakov.

"That's the best thing you can do," he responded, as though he had expected to hear it; "except that you can always be telegraphed for from Moscow, if anything should happen here."

Ivan stopped again, and again turned quickly to Smerdyakov. But a change had passed over him, too. All his familiarity and carelessnes had completely disappeared. His face expressed attention and expectation, intent but timid and cringing.

"Haven't you something more to say -- something to add?" could be read in the intent gaze he fixed on Ivan.

 

"And couldn't I be sent for from Tchermashnya, too -- in case anything happened?" Ivan shouted suddenly, for some unknown reason raising his voice.

 

"From Tchermashnya, too... you could be sent for," Smerdyakov muttered, almost in a whisper, looking disconcerted, but gazing intently into Ivan's eyes.

"Only Moscow is farther and Tchermashnya is nearer. Is it to save my spending money on the fare, or to save my going so far out of my way, that you insist on Tchermashnya?"

"Precisely so..." muttered Smerdyakov, with a breaking voice. He looked at Ivan with a revolting smile, and again made ready to draw back. But to his astonishment Ivan broke into a laugh, and went through the gate still laughing. Anyone who had seen his face at that moment would have known that he was not laughing from lightness of heart, and he could not have explained himself what he was feeling at that instant. He moved and walked as though in a nervous frenzy.

7. "It's Always Worth While Speaking to a Clever Man"

AND in the same nervous frenzy, too, he spoke. Meeting Fyodor Pavlovitch in the drawing-room directly he went in, he shouted to him, waving his hands, "I am going upstairs to my room, not in to you. Good-bye!" and passed by, trying not even to look at his father. Very possibly the old man was too hateful to him at that moment; but such an unceremonious display of hostility was a surprise even to Fyodor Pavlovitch. And the old man evidently wanted to tell him something at once and had come to meet him in the drawing-room on purpose. Receiving this amiable greeting, he stood still in silence and with an ironical air watched his son going upstairs, till he passed out of sight.

"What's the matter with him?" he promptly asked Smerdyakov, who had followed Ivan.

 

"Angry about something. Who can tell?" the valet muttered evasively.

 

"Confound him! Let him be angry then. Bring in the samovar, and get along with you. Look sharp! No news?"

Then followed a series of questions such as Smerdyakov had just complained of to Ivan, all relating to his expected visitor, and these questions we will omit. Half an hour later the house was locked, and the crazy old man was wandering along through the rooms in excited expectation of hearing every minute the five knocks agreed upon. Now and then he peered out into the darkness, seeing nothing.

It was very late, but Ivan was still awake and reflecting. He sat up late that night, till two o'clock. But we will not give an account of his thoughts, and this is not the place to look into that soul -- its turn will come. And even if one tried, it would be very hard to give an account of them, for there were no thoughts in his brain, but something very vague, and, above all, intense excitement. He felt himself that he had lost his bearings. He was fretted, too, by all sorts of strange and almost surprising desires; for instance, after midnight he suddenly had an intense irresistible inclination to go down, open the door, go to the lodge and beat Smerdyakov. But if he had been asked why, he could not have given any exact reason, except perhaps that he loathed the valet as one who had insulted him more gravely than anyone in the world. On the other hand, he was more than once that night overcome by a sort of inexplicable humiliating terror, which he felt positively paralysed his physical powers. His head ached and he was giddy. A feeling of hatred was rankling in his heart, as though he meant to avenge himself on someone. He even hated Alyosha, recalling the conversation he had just had with him. At moments he hated himself intensely. Of Katerina Ivanovna he almost forgot to think, and wondered greatly at this afterwards, especially as he remembered perfectly that when he had protested so valiantly to Katerina Ivanovna that he would go away next day to Moscow, something had whispered in his heart, "That's nonsense, you are not going, and it won't be so easy to tear yourself away as you are boasting now."

Remembering that night long afterwards, Ivan recalled with peculiar repulsion how he had suddenly got up from the sofa and had stealthily, as though he were afraid of being watched, opened the door, gone out on the staircase and listened to Fyodor Pavlovitch stirring down below, had listened a long while -- some five minutes- with a sort of strange curiosity, holding his breath while his heart throbbed. And why he had done all this, why he was listening, he could not have said. That "action" all his life afterwards he called "infamous," and at the bottom of his heart, he thought of it as the basest action of his life. For Fyodor Pavlovitch himself he felt no hatred at that moment, but was simply intensely curious to know how he was walking down there below and what he must be doing now. He wondered and imagined how he must be peeping out of the dark windows and stopping in the middle of the room, listening, listening -- for someone to knock. Ivan went out on the stairs twice to listen like this.

About two o'clock when everything was quiet, and even Fyodor Pavlovitch had gone to bed, Ivan had got into bed, firmly resolved to fall asleep at once, as he felt fearfully exhausted. And he did fall asleep at once, and slept soundly without dreams, but waked early, at seven o'clock, when it was broad daylight. Opening his eyes, he was surprised to feel himself extraordinarily vigorous. He jumped up at once and dressed quickly; then dragged out his trunk and began packing immediately. His linen had come back from the laundress the previous morning. Ivan positively smiled at the thought that everything was helping his sudden departure. And his departure certainly was sudden. Though Ivan had said the day before (to Katerina Ivanovna, Alyosha, and Smerdyakov) that he was leaving next day, yet he remembered that he had no thought of departure when he went to bed, or, at least, had not dreamed that his first act in the morning would be to pack his trunk. At last his trunk and bag were ready. It was about nine o'clock when Marfa Ignatyevna came in with her usual inquiry, "Where will your honour take your tea, in your own room or downstairs?" He looked almost cheerful, but there was about him, about his words and gestures, something hurried and scattered. Greeting his father affably, and even inquiring specially after his health, though he did not wait to hear his answer to the end, he announced that he was starting off in an hour to return to Moscow for good, and begged him to send for the horses. His father heard this announcement with no sign of surprise, and forgot in an unmannerly way to show regret at losing him. Instead of doing so, he flew into a great flutter at the recollection of some important business of his own.

"What a fellow you are! Not to tell me yesterday! Never mind; we'll manage it all the same. Do me a great service, my dear boy. Go to Tchermashnya on the way. It's only to turn to the left from the station at Volovya, only another twelve versts and you come to Tchermashnya."
"I'm sorry, I can't. It's eighty versts to the railway and the train starts for Moscow at seven o'clock to-night. I can only just catch it."

"You'll catch it to-morrow or the day after, but to-day turn off to Tchermashnya. It won't put you out much to humour your father! If I hadn't had something to keep me here, I would have run over myself long ago, for I've some business there in a hurry. But here I... it's not the time for me to go now.... You see, I've two pieces of copse land there. The Maslovs, an old merchant and his son, will give eight thousand for the timber. But last year I just missed a purchaser who would have given twelve. There's no getting anyone about here to buy it. The Maslovs have it all their own way. One has to take what they'll give, for no one here dare bid against them. The priest at Ilyinskoe wrote to me last Thursday that a merchant called Gorstkin, a man I know, had turned up. What makes him valuable is that he is not from these parts, so he is not afraid of the Maslovs. He says he will give me eleven thousand for the copse. Do you hear? But he'll only be here, the priest writes, for a week altogether, so you must go at once and make a bargain with him."

"Well, you write to the priest; he'll make the bargain."

"He can't do it. He has no eye for business. He is a perfect treasure, I'd give him twenty thousand to take care of for me without a receipt; but he has no eye for business, he is a perfect child, a crow could deceive him. And yet he is a learned man, would you believe it? This Gorstkin looks like a peasant, he wears a blue kaftan, but he is a regular rogue. That's the common complaint. He is a liar. Sometimes he tells such lies that you wonder why he is doing it. He told me the year before last that his wife was dead and that he had married another, and would you believe it, there was not a word of truth in it? His wife has never died at all, she is alive to this day and gives him a beating twice a week. So what you have to find out is whether he is lying or speaking the truth when he says he wants to buy it and would give eleven thousand."

"I shall be no use in such a business. I have no eye either."

"Stay, wait a bit! You will be of use, for I will tell you the signs by which you can judge about Gorstkin. I've done business with him a long time. You see, you must watch his beard; he has a nasty, thin, red beard. If his beard shakes when he talks and he gets cross, it's all right, he is saying what he means, he wants to do business. But if he strokes his beard with his left hand and grins -- he is trying to cheat you. Don't watch his eyes, you won't find out anything from his eyes, he is a deep one, a rogue but watch his beard! I'll give you a note and you show it to him. He's called Gorstkin, though his real name is Lyagavy;* but don't call him so, he will be offended. If you come to an understanding with him, and see it's all right, write here at once. You need only write: 'He's not lying.' Stand out for eleven thousand; one thousand you can knock off, but not more. just think! there's a difference between eight thousand and eleven thousand. It's as good as picking up three thousand; it's not so easy to find a purchaser, and I'm in desperate need of money. Only let me know it's serious, and I'll run over and fix it up. I'll snatch the time somehow. But what's the good of my galloping over, if it's all a notion of the priest's? Come, will you go?"

* i.e. setter dog.

 

"Oh, I can't spare the time. You must excuse me."

"Come, you might oblige your father. I shan't forget it. You've no heart, any of you that's what it is! What's a day or two to you? Where are you going now -- to Venice? Your Venice will keep another two days. I would have sent Alyosha, but what use is Alyosha in a thing like that? I send you just because you are a clever fellow. Do you suppose I don't see that? You know nothing about timber, but you've got an eye. All that is wanted is to see whether the man is in earnest. I tell you, watch his beard -- if his beard shakes you know he is in earnest."

"You force me to go to that damned Tchermashnya yourself, then?" cried Ivan, with a malignant smile.

 

Fyodor Pavlovitch did not catch, or would not catch, the malignancy, but he caught the smile.

 

"Then you'll go, you'll go? I'll scribble the note for you at once."

 

"I don't know whether I shall go. I don't know. I'll decide on the way."

"Nonsense! Decide at once. My dear fellow, decide! If you settle the matter, write me a line; give it to the priest and he'll send it on to me at once. And I won't delay you more than that. You can go to Venice. The priest will give you horses back to Volovya station."

The old man was quite delighted. He wrote the note, and sent for the horses. A light lunch was brought in, with brandy. When Fyodor Pavlovitch was pleased, he usually became expansive, but to-day he seemed to restrain himself. Of Dmitri, for instance, he did not say a word. He was quite unmoved by the parting, and seemed, in fact, at a loss for something to say. Ivan noticed this particularly. "He must be bored with me," he thought. Only when accompanying his son out on to the steps, the old man began to fuss about. He would have kissed him, but Ivan made haste to hold out his hand, obviously avoiding the kiss. His father saw it at once, and instantly pulled himself up.

"Well, good luck to you, good luck to you!" he repeated from the steps. "You'll come again some time or other? Mind you do come. I shall always be glad to see you. Well, Christ be with you!"
Ivan got into the carriage.

"Good-bye, Ivan! Don't be too hard on me!" the father called for the last time.

The whole household came out to take leave -- Smerdyakov, Marfa and Grigory. Ivan gave them ten roubles each. When he had seated himself in the carriage, Smerdyakov jumped up to arrange the rug.

"You see... I am going to Tchermashnya," broke suddenly from Ivan. Again, as the day before, the words seemed to drop of themselves, and he laughed, too, a peculiar, nervous laugh. He remembered it long after.

"It's a true saying then, that 'it's always worth while speaking to a clever man,'" answered Smerdyakov firmly, looking significantly at Ivan.

The carriage rolled away. Nothing was clear in Ivan's soul, but he looked eagerly around him at the fields, at the hills, at the trees, at a flock of geese flying high overhead in the bright sky. And all of a sudden he felt very happy. He tried to talk to the driver, and he felt intensely interested in an answer the peasant made him; but a minute later he realised that he was not catching anything, and that he had not really even taken in the peasant's answer. He was silent, and it was pleasant even so. The air was pure and cool, sky bright. The images of Alyosha and Katerina Ivanovna floated into his mind. But he softly smiled, blew softly on the friendly phantoms, and they flew away. "There's plenty of time for them," he thought. They reached the station quickly, changed horses, and galloped to Volovya "Why is it worth while speaking to a clever man? What did he mean by that?" The thought seemed suddenly to clutch at his breathing. "And why did I tell him I was going to Tchermashnya?" They reached Volovya station. Ivan got out of the carriage, and the drivers stood round him bargaining over the journey of twelve versts to Tchermashnya. He told them to harness the horses. He went into the station house, looked round, glanced at the overseer's wife, and suddenly went back to the entrance.

"I won't go to Tchermashnya. Am I too late to reach the railway by seven, brothers?"

 

"We shall just do it. Shall we get the carriage out?"

 

"At once. Will any one of you be going to the town to-morrow?"

 

"To be sure. Mitri here will."

 

"Can you do me a service, Mitri? Go to my father's, to Fyodor Pavlovitch Karamazov, and tell him I haven't gone to Tchermashnya. Can you?"

"Of course I can. I've known Fyodor Pavlovitch a long time." "And here's something for you, for I dare say he won't give you anything," said Ivan, laughing gaily.

"You may depend on it he won't." Mitri laughed too. "Thank you, sir. I'll be sure to do it."

At seven o'clock Ivan got into the train and set off to Moscow. "Away with the past. I've done with the old world for ever, and may I have no news, no echo, from it. To a new life, new places, and no looking back!" But instead of delight his soul was filled with such gloom, and his heart ached with such anguish, as he had never known in his life before. He was thinking all the night. The train flew on, and only at daybreak, when he was approaching Moscow, he suddenly roused himself from his meditation.

"I am a scoundrel," he whispered to himself.

Fyodor Pavlovitch remained well satisfied at having seen his son off. For two hours afterwards he felt almost happy, and sat drinking brandy. But suddenly something happened which was very annoying and unpleasant for everyone in the house, and completely upset Fyodor Pavlovitch's equanimity at once. Smerdyakov went to the cellar for something and fell down from the top of the steps. Fortunately, Marfa Ignatyevna was in the yard and heard him in time. She did not see the fall, but heard his scream -- the strange, peculiar scream, long familiar to her -- the scream of the epileptic falling in a fit. They could not tell whether the fit had come on him at the moment he was decending the steps, so that he must have fallen unconscious, or whether it was the fall and the shock that had caused the fit in Smerdyakov, who was known to be liable to them. They found him at the bottom of the cellar steps, writhing in convulsions and foaming at the mouth. It was thought at first that he must have broken something- an arm or a leg -- and hurt himself, but "God had preserved him," as Marfa Ignatyevna expressed it -- nothing of the kind had happened. But it was difficult to get him out of the cellar. They asked the neighbours to help and managed it somehow. Fyodor Pavlovitch himself was present at the whole ceremony. He helped, evidently alarmed and upset. The sick man did not regain consciousness; the convulsions ceased for a time, but then began again, and everyone concluded that the same thing would happen, as had happened a year before, when he accidently fell from the garret. They remembered that ice been put on his head then. There was still ice in the cellar, and Marfa Ignatyevna had some brought up. In the evening, Fyodor Pavlovitch sent for Doctor Herzenstube, who arrived at once. He was a most estimable old man, and the most careful and conscientious doctor in the province. After careful examination, he concluded that the fit was a very violent one and might have serious consequences; that meanwhile he, Herzenstube, did not fully understand it, but that by to-morrow morning, if the present remedies were unavailing, he would venture to try something else. The invalid was taken to the lodge, to a room next to Grigory's and Marfa Ignatyevna's.
Then Fyodor Pavlovitch had one misfortune after another to put up with that day. Marfa Ignatyevna cooked the dinner, and the soup, compared with Smerdyakov's, was "no better than dish-water," and the fowl was so dried up that it was impossible to masticate it. To her master's bitter, though deserved, reproaches, Marfa Ignatyevna replied that the fowl was a very old one to begin with, and that she had never been trained as a cook. In the evening there was another trouble in store for Fyodor Pavlovitch; he was informed that Grigory, who had not been well for the last three days, was completely laid up by his lumbago. Fyodor Pavlovitch finished his tea as early as possible and locked himself up alone in the house. He was in terrible excitement and suspense. That evening he reckoned on Grushenka's coming almost as a certainty. He had received from Smerdyakov that morning an assurance "that she had promised to come without fail." The incorrigible old man's heart throbbed with excitement; he paced up and down his empty rooms listening. He had to be on the alert. Dmitri might be on the watch for her somewhere, and when she knocked on the window (Smerdyakov had informed him two days before that he had told her where and how to knock) the door must be opened at once. She must not be a second in the passage, for fear which God forbid! -- that she should be frightened and run away. Fyodor Pavlovitch had much to think of, but never had his heart been steeped in such voluptuous hopes. This time he could say almost certainly that she would come!