This looks not like a nuptial. ---- MUCH ADO ABOUT NOTHING.
The chapel in the castle of Ellieslaw, destined to be the scene of this ill-omened union, was a building of much older date than the castle itself, though that claimed considerable antiquity. Before the wars between England and Scotland had become so common and of such long duration, that the buildings along both sides of the Border were chiefly dedicated to warlike purposes, there had been a small settlement of monks at Ellieslaw, a dependency, it is believed by antiquaries, on the rich Abbey of Jedburgh. Their possessions had long passed away under the changes introduced by war and mutual ravage. A feudal castle had arisen on the ruin of their cells, and their chapel was included in its precincts. The edifice, in its round arches and massive pillars, the simplicity of which referred their date to what has been called the Saxon architecture, presented at all times a dark and sombre appearance, and had been frequently used as the cemetery of the family of the feudal lords, as well as formerly of the monastic brethren. But it looked doubly gloomy by the effect of the few and smoky torches which were used to enlighten it on the present occasion, and which, spreading a glare of yellow light in their immediate vicinity, were surrounded beyond by a red and purple halo reflected from their own smoke, and beyond that again by a zone of darkness which magnified the extent of the chapel, while it rendered it impossible for the eye to ascertain its limits. Some injudicious ornaments, adopted in haste for the occasion, rather added to the dreariness of the scene. Old fragments of tapestry, torn from the walls of other apartments, had been hastily and partially disposed around those of the chapel, and mingled inconsistently with scutcheons and funeral emblems of the dead, which they elsewhere exhibited. On each side of the stone altar was a monument, the appearance of which formed an equally strange contrast. On the one was the figure, in stone, of some grim hermit, or monk, who had died in the odour of sanctity; he was represented as recumbent, in his cowl and scapulaire, with his face turned upward as in the act of devotion, and his hands folded, from which his string of beads was dependent. On the other side was a tomb, in the Italian taste, composed of the most beautiful statuary marble, and accounted a model of modern art. It was erected to the memory of Isabella's mother, the late Mrs. Vere of Ellieslaw, who was represented as in a dying posture, while a weeping cherub, with eyes averted, seemed in the act of extinguishing a dying lamp as emblematic of her speedy dissolution. It was, indeed, a masterpiece of art, but misplaced in the rude vault to which it had been consigned. Many were surprised, and even scandalized, that Ellieslaw, not remarkable for attention to his lady while alive, should erect after her death such a costly mausoleum in affected sorrow; others cleared him from the imputation of hypocrisy, and averred that the monument had been constructed under the direction and at the sole expense of Mr. Ratcliffe.
Before these monuments the wedding guests were assembled. They were few in number; for many had left the castle to prepare for the ensuing politicalexplosion, and Ellieslaw was, in the circumstances of the case, far from being desirous to extend invitations farther than to those near relations whose presence the custom of the country rendered indispensable. Next to the altar stood Sir Frederick Langley, dark, moody, and thoughtful, even beyond his wont, and near him, Mareschal, who was to play the part of bridesman, as it was called. The thoughtless humour of this young gentleman, on which he never deigned to place the least restraint, added to the cloud which overhung the brow of the bridegroom "The bride is not yet come out of her chamber," he whispered to Sir Frederick; "I trust that we must not have recourse to the violent expedients of the Romans which I read of at College. It would be hard upon my pretty cousin to be run away with twice in two days, though I know none better worth such a violent compliment."
Sir Frederick attempted to turn a deaf ear to this discourse, humming a tune, and looking another may, but Mareschal proceeded in the same wild manner.
"This delay is hard upon Dr. Hobbler, who was disturbed to accelerate preparations for this joyful event when he had successfully extracted the cork of his third bottle. I hope you will keep him free of the censure of his superiors, for I take it this is beyond canonical hours.--But here come Ellieslaw and my pretty cousin--prettier than ever, I think, were it not she seems so faint and so deadly pale--Hark ye, Sir Knight, if she says not YES with right good-will, it shall be no wedding, for all that has come and gone yet."
"No wedding, sir?" returned Sir Frederick, in a loud whisper, the tone of which indicated that his angry feelings were suppressed with difficulty.
"No--no marriage," replied Mareschal, "there's my hand and glove on't."
Sir