Narragansett Pier After Midnight by Edward Drobinski - HTML preview

Lights Across the Water

Sometime in the near very foreseeable future Wilhelm Whitel and his wife, Lisa Fontaine Whitel will be on their June vacation.

This time it will be in Reykjavik, Iceland; they being increasingly interested in getting a glimpse of the last of the good places and days, and adamant that this “democratic”

totalitarian darkie phenomenon not be a cause for severe depression upon their return to the invaded United States; where the quality of life had been allowed to decline over the decades to virtual non-existence. Though the filth was getting closer by the day, Narragansett Pier, their home, was one of the few remaining bastions of distinction and safety.

They had waited for the warm weather season, though despite Iceland’s “popular” reputation, the weather is very tolerable there. They did this safe approach because they knew that they were living in the age of post-truth, where all information is suspect, and half the web is filled with post from bots programmed to espouse their programmer’s perceived cause. Truth be told by an unbiased hominid visitor; if one can endure the winters in the US Pacific Northwest and Atlantic Northeast, they can easily stand Icelandic winters. Smart Danish Icelanders chose the name to keep outsiders away, perhaps encouraging them to go to misnomered Greenland, where the cold is actually biting

Narragansett Pier After Midnight Page 2

and often deadly. Score one for those prescient, pre-net, as well as post-net Danes who successfully sought to discourage the invasion of a different species. A one year residency requirement for the receipt of welfare benefits did not hurt their cause of freedom.

Their teenage sons, A/K/A the Whitel brothers, Karl and Ernst were in the process of establishing their recently and/or sporadically acquired midnight conversation repertoire. Their large Narragansett Pier house on the water usually afforded the kids their own rooms, but with their parents gone, for

“protection,” they linked up in the same room, Karl’s; Ernst taking the embroidered 1787, camel backed, Chinese Chippendale couch with the chinoiserie legs; the legs called that due to an early American disinterest in the lagging specificities of foreign “cultures,” though perhaps indicative of some subliminal acceptance of desert horses. “It’s either British based or not worth mentioning, more or less.”

“Look, the lights are on again.”

“Who cares, Karl. Go to sleep.”

“Sleep! How can I sleep? Something’s going on over there.”

“Wooooooo. Is it the spooks again? Luke the spook himself? Or has Cthulhu come back?”

Narragansett Pier After Midnight Page 3

Truth be told, neither brother was anywhere near relaxed enough to be anywhere near sleep on the second floor of their mid nineteenth century Tudor revival. Though it was past midnight, the absence of their protective parents fostered a vague, not easily defined dis-ease, a discomfort, a decline in protection level, which was not entirely overcome by the presence of the other, and something neither would admit to even themselves.

Junior Karl responded with sarcasm which matched sophomore Ernst, saying; “The Kraken has been released.”

“Isn’t that ‘have’?”

“Not sure, but anyway I see that you’re paying attention.”

“As little as possible.”

“You know, you try to sound so smart, and it’s just to cover for the fact that you haven’t got the nerve to go over there.”

“Right, and the chains I put on you are preventing you from going.”

Ernst pulled his blankets over his head and like a recalcitrant turtle refused to come out.

Undiscouraged Karl kept on. “It could be squatters. No one has been living there since Alistair Fuhray was found dead. You know

Narragansett Pier After Midnight Page 4

this stupid government in Rhode Island gives squatters ‘rights’

and they can gain possession and even title to abandoned properties through adverse possession.”

That effectively ended the late night conversation, though two sets of eyes remained open and staring through the window at the lights on the adjoining pier; that is until the weights upon their eyelids pulled them closed at the first sign of morning.

The following day they received an e-mail.

To: Karl and Ernst

From: Mom and Dad

Subject: Our Amazing Adventure in Reykjavik!

Dear Karl and Ernst;

We hope this e-mail finds you well and not too buried under homework. Haha. Do the public schools still prescribe homework?

I suppose that now that would be considered some sort of

“legally” banned, racially prejudiced assignation since the

“disadvantaged” have been disproportionately under exposed to this modern phenomenon.

Narragansett Pier After Midnight Page 5

At any rate, screw all of that; as we chiefly wanted to share with you the incredible time we’re having here in Reykjavik, Iceland’s capital!

First, the flight here was smooth, and the views from the plane were breathtaking. As we descended, we saw the rugged coastline and the vast, open landscapes that seemed to stretch on forever.

It was like something out of a movie.

Our first day was spent exploring the city. Reykjavik is charming, with colorful houses and a beautiful harbor. It’s immaculately clean and the only people you see on the streets are the polite descendants of the Danes. We visited the Hallgrimskirkja church, which is as hard to pronounce as it is impressive to look at. The view from the top is spectacular. We could see the entire city and the ocean beyond.

We also took a dip in the Blue Lagoon. It’s as blue as the pictures show, and the warm water was a welcome respite from the lukewarm air. Think Washington. Failing that, think Oregon. We even tried the silica mud masks, and we have to say, our skin has never felt smoother!

One of the highlights so far was our trip to see the Northern Lights. We drove out into the countryside, away from all the city lights, and waited. It wasn’t long before the sky started

Narragansett Pier After Midnight Page 6

dancing with greens and purples. It was a magical experience, and we wished you both could have been there with us.

The food here is something else. We’ve tried everything from fermented shark, which is an acquired taste, to say the least, to the most delicious lamb stew. We’ve been sending you guys pictures, so check your phones!

We miss you both terribly, but we’re also having the time of our lives. We can’t wait to show you all the souvenirs we’ve picked up for you. Oh, and we’ve been keeping a list of all the places we think you’d love to visit when you’re older, if we all don’t move here first.

Take care of each other, and don’t give Grandma and Grandpa too hard of a time. We’ll be home before you know it, with stories and photos to share.

All our love,

Mom and Dad

P.S. Make sure to feed Mr. Whiskers, and no parties while we’re gone! 😉

By that evening Mr. Whiskers was well fed, and Karl’s perception of strange events continued.

Narragansett Pier After Midnight Page 7

Karl said; "Did you hear that noise? Sounded like a ghost."

Ernst, still trying to sound more secure and brave than he was after having moved into Karl’s room, replied; "A ghost? Please.

It was probably just the wind."

"The wind that whispers 'Boo'? I didn't know we had a haunted breeze."

"Very funny. It was obviously the old pipes. This house is ancient."

"Ancient like a mummy's curse or ancient like your playlist?"

"Hey, classic rock is timeless. And speaking of time, weren't you the one who freaked out over Alice Cooper being on

‘Hollywood Squares?’ That comedy wasn’t exactly a sign of the end of civilization."

"Strategic retreat. I was gathering my strength to fight the phantom."

"Gathering strength or gathering stuffed animals for protection?"

"They're action figures, and they're collectibles. Besides, you were the one chanting spells from that fake wizard book."

Narragansett Pier After Midnight Page 8

"It's not fake. It's a limited edition. And those were precautionary incantations."

"Precautionary? You mean like the garlic you hung on your door for vampires?"

"Vampires are a legitimate threat. You can never be too careful."

"Right. And I suppose next you'll be wearing a tinfoil hat to ward off aliens?"

"Don't be ridiculous. Aliens don't care about tinfoil. Besides, they're allergic to pop music."

"Allergic to pop music? So, your singing in the shower is actually a defense mechanism?"

"Exactly. My high notes are like an alien repellent."

"Well, keep it up. The world needs your 'talent'. Now, let's go investigate that 'wind'."

"Lead the way, oh fearless ghost hunter."

“The hell with the ghosts. There are those damn lights again.”

“They probably have them set up to go on every midnight, to make bums think that someone is living there.”

Narragansett Pier After Midnight Page 9

“No, it’s not technologically precise. Sometimes they come on at 12:00. Sometimes they come on at 12:05. And look at the computer; tonight they came on at 12:08.”

“That can be programmed.”

“But most people are too lazy to go through the trouble of having multiple programs.”

“Okay, tell you what. If this happens again tomorrow night, I’ll go check it out with you. In the meantime, I’m tired.

Goodnight.”

Karl wasn’t sleepy and searched the computer for information about squatting, and came up with the following.

The Governor of Texas, Greg Abbott, doesn’t mess around. This week, Abbott issued a grave warning via social media to any squatters thinking of unlawfully taking up residence in the Lone Star State: you’ll be shot.

According to Abbott, anyone occupying a home without the owner’s permission is guilty of criminal trespass and criminal mischief under Texas law. Even more ominously, Abbott noted that the Texas Castle Doctrine allows homeowners to use deadly force to defend their property. Bang, bang, bang. Problem over at no taxpayer expense.

Narragansett Pier After Midnight Page 10

As opposed to the taking of the defecatorial and/or thinking position, the majority of squatting discussed herein is residential in nature. According to a 2003 estimate by the United Nations Human Settlements Program, “UN-Habitat,” there were about one billion people in squatter settlements and slums.

According to an academic, Kesia Reeve; "squatting is largely absent from policy and academic debate and is rarely conceptualized, as a problem, as a symptom, or as a social or housing movement."

In many of the world's poorer countries, there are extensive slums or shanty towns, typically built on the edges of major cities and consisting almost entirely of self-constructed housing built without the landowner's permission. Such settlements also exist in industrialized countries, such as for example Cañada Real on the outskirts of Madrid.

Squatting can be related to political movements, such as anarchist, autonomist, or socialist. It can be a means to conserve buildings or a protest action. Squats can be used by local communities as free shops, cafés, venues, pirate radio stations or as multi-purpose autonomous social centers. Dutch sociologist Hans Pruijt separates types of squatters into five distinct categories:

Narragansett Pier After Midnight Page 11

Deprivation based – homeless people squatting for housing need An alternative housing strategy – people unprepared to wait on municipal lists to be housed take direct action Entrepreneurial – people breaking into buildings to service the need of a community for cheap bars, clubs etc.

Conservational – preserving monuments because the authorities have let them decay

Political – activists squatting buildings as protests or to make social centers

Adverse possession, sometimes described as squatter's rights, is a method of acquiring title to property through possession for a statutory period under certain conditions. Countries where this principle exists include England and the United States, based on common law.

UK police official Sue Williams, for example, has stated that

"Squatting is linked to anti-social behavior and can cause a great deal of nuisance and distress to local residents. In many cases there may also be criminal activities involved." The public attitude toward squatting varies, depending on legal aspects, socioeconomic conditions, and the type of housing occupied by squatters. In particular, while squatting of

Narragansett Pier After Midnight Page 12

municipal buildings may be treated leniently, squatting of private property can often lead to strongly negative reactions on the part of the general public and the authorities.

If we send every Norwegian to Nigeria and every Nigerian to Norway, in five years Norway will become part of the third world and Nigeria will become a civilized nation.

There is no magic soil. People make countries. Countries are a reflection of those who inhabit them.

The following evening, right at midnight, the lights in the old abandoned Furay residence came on again.

Karl said; “Precise enough for ‘ya?”

Ernst put up his hands indicating no argument, and said; “Come on. We’ll take the boat over. Maybe the spooks won’t be able to see or hear us coming.”

The Atlantic Ocean shouted ancient secrets and the fog clung to the earth like a shroud. Karl and Ernst Whitesel, despite verbal pyrotechnics, were as close as two souls could be, bound by blood and a shared curiosity for the unknown. They were out rowing in the midnight water with their family classic, ten foot dinghy, on their way to the Furay residence.

Narragansett Pier After Midnight Page 13

On that crisp summer evening, the brothers had embarked on a journey that would forever alter the tapestry of their lives.

They set sail from their home, each fully expecting to find nothing nefarious, in a small wooden boat that had been in their family for generations.

The destination was the Furay residence, as they called it, a grand house perched precariously on a jutting pier overlooking the ocean. It was a place of legend, where seemingly concocted tales of ghostly apparitions and unexplained phenomena drew the brothers like moths to a flame.

As they navigated the ocean waves, the water lapping gently against the hull, Karl and Ernst shared stories they had heard about the manor. Some said it was haunted by the original owner, a reclusive alchemist who vanished under mysterious circumstances. Others whispered of a hidden treasure, guarded by spirits that roamed the halls at night.

The journey was long, as much of it went against the tide, and the night grew darker, the only light provided by the stars and the soft glow of the lantern hanging from the boat’s bow. The ocean seemed to carry them through time itself, the modern world fading away until it felt like they were sailing through the pages of history.

Narragansett Pier After Midnight Page 14

Ernst’s mind wandered back to his first remembered adventure, when he and Karl got on the fringes of the lost map of El Dorado. In the small village of Narragansett Pier, which is nestled at the edge of the Enchanted Forest, there lived the two pre-pubescent brothers named Karl and Ernst. They were inseparable, their bond forged by shared dreams of adventure and the thrill of the unknown, encouraged by their father, a seasoned explorer, of abundant tales, one of which concerned searching for the legendary Map of El Dorado, said to lead to a hidden treasure beyond imagination.

One stormy night when pops was ostensibly off somewhere in pursuit of something ma could have well lived without, sufficient lightning danced across the sky to have given life to a slew of Frankenstein’s monsters, had they been hooked up to the juice provided. An ancient man even older than their father, who claimed to have been named Gideon stumbled into the Whitel grounds. His clothes were tattered, and his face evinced that baked on accumulation of dirt endemic to those who had been outside too long. But, his eyes still held a lively wild glint.

He claimed to have seen the elusive map and knew its location deep within the heart of the Enchanted Forest. The brothers listened with wide eyed wonder, their hearts pounding in anticipation.

Narragansett Pier After Midnight Page 15

Gideon’s tale was both enchanting and terrifying. The map was no ordinary parchment; it was said to be woven from the threads of fate itself. Whoever possessed it could unlock the secrets of El Dorado; a land of mythical creatures, ancient ruins, and untold riches. But, as with everything, there was a catch. The forest was treacherous, filled with riddles, traps, and darkie guardians who tested the courage of those who dared to enter.

Karl and Ernst exchanged a determined glance. They vowed to find the map, no matter the cost. Armed with their father’s old compass, a rusty sword, and a sense of purpose, they set off into the heart of the Enchanted Forest.

Their journey was fraught with danger. They encountered Willow Nymphs who sang haunting melodies, luring travelers off the path, but since neither of the young brothers had yet reached puberty, they had an immunity of sorts. But, they narrowly escaped the clutches of a giant spider, metaphorically similar to the one in Fritz Lang’s restored ”The Spiders,” that spun webs as thick as steel cables. And then there were the whispering trees, whose leaves whispered secrets of forgotten and lost civilizations.

As they ventured deeper, the forest seemed to come alive.

Strange lights flashed by the darkies in fascination danced

Narragansett Pier After Midnight Page 16

among the branches, and the air hummed with magic. Karl and Ernst’s bond grew stronger, as they relied on each other’s wit and courage. They solved riddles etched on ancient stones, deciphered cryptic symbols, and faced their deepest fears.

One moonlit night, they stumbled upon a crumbling temple. Its entrance guarded by a stone sphinx, its eyes gleaming with ancient knowledge. The sphinx challenged them; “To find El Dorado, answer me this: What is the one thing you seek above all else?”

Karl hesitated, then spoke, “Adventure.”

Ernst nodded, “Knowledge.”

The Sphinx’s stony expression softened, and mumbled what sounded like; “You may proceed.”

Inside the temple, they found the map; a shimmering tapestry hanging from a golden rod. Its threads depicted mountains, rivers, and a city of ivory spires. But there was a twist; the map rearranged itself, revealing new paths with every step they took.

Their last trial awaited at the Bridge of Shadows, a narrow span over a chasm. Karl stepped onto the loosely hung, rope bridge, and it vanished beneath his feet. He started to plummet into the

Narragansett Pier After Midnight Page 17

darkness below, but Ernst caught his hand just in time.

Together, they swung like pendulums, reaching the other side.

And there it was, the entrance to El Dorado; obviously either that or the entrance to a theme park. They rejected the latter thought as there was no one guarding the gate demanding an exorbitant entrance fee, and there were also no scammers offering bogus, but more or less workable tickets at a discount.

Voila! A portal shimmering with starlight opened to them. Karl and Ernst stepped through, leaving behind the Enchanted Forest and their old lives.

In El Dorado, they discovered wonders beyond their fertile young imaginations; crystal caves, sky whales, and timeless gardens.

But the greatest treasure was not gold or jewels. It was the bond between brothers, tested and strengthened by their perilous adventure.

They never found the jewel construct, but they knew it had been here once. Perhaps it had become part of the magic that infused El Dorado. As they explored, they whispered the name “John Wayne” to the wind, hoping he would hear. When that produced nothing discernable within the absurd constraints of the present, they tried “Robert Mitchum,” but got more or less the same results, sans the cowboy hat.

Narragansett Pier After Midnight Page 18

And so, Karl and Ernst became legends themselves; in their own minds at any rate; the Brothers of El Dorado, protectors of its secrets. They vowed to keep the map hidden, for some treasures were meant to remain undiscovered.

Finally, the Furay residence loomed before them, its silhouette a jagged edge against the night sky. The brothers docked their boat in the dugout canal which partially ran through the structure’s center. There were no other boats docked there, so whoever was there must have come by land or air. Karl and Ernst ascended the winding path to the house. The air was thick with anticipation and the faint, musty scent of decay. The entrance was hidden behind a veil of thick ivy, with the only path leading to it being a narrow, winding trail obscured by the overhanging branches of ancient trees.

Narragansett Pier After Midnight Page 19

The Insider’s View

They pushed open the heavy front door, its hinges groaning like a low IQ libtard in protest of nature’s inevitable movement, and stepped into the grand foyer. The house was a labyrinth of shadowy corridors and grand rooms filled mostly with ornate early Victorian furniture, when the machines first went crazy reproducing decorative features at low cost, which previously were only available at greater expense, done by a skilled hand.

As they explored, the brothers felt the weight of unseen eyes upon them, and the air was heavy with the echo of whispers from the past.

As they stepped further and further inside, the air grew noticeably cooler, and the scent of damp earth and aged stone filled their senses. The lair seemed as if it had been carved into the heart of a massive, granite mountain, its walls rough and jagged, clawed out by the hands of something treacherous.

Dimly lit by flickering torches mounted in ornate sconces, the shadows danced eerily along the corridors, creating an atmosphere of foreboding, akin to what a White feels when having to solitarily enter a darkie area.

Near their entryway to the manor, they found the alchemist’s study, a room out of time, with shelves lined with ancient tomes

Narragansett Pier After Midnight Page 20

and strange artifacts like a knockoff of Excalibur. It was in the adjoining parlor, amidst the remains of dark, rococo, ornate Victorian furnishings, that they encountered the vampire and his woman.

This main chamber was vast, with a high, vaulted ceiling from which hung crystal chandeliers, their candles long since replaced by a more permanent, “magical.” duplicative luminescence. The floor was covered in a tapestry of luxurious rugs, woven from the finest silks, their dark hues mirroring the somber aesthetic of the lair. At the center, a grand coffin made of polished ebony wood, inlaid with silver and precious stones, served as the vampire’s throne and resting place.

Along the walls, bookshelves reached up to the darkness above, filled with ancient works bound in leather and strange materials, their contents likely a collection of forbidden knowledge and arcane secrets. Between the shelves, statues of gargoyles and mythical beasts stood guard, their expressions twisted into snarls that seem almost alive in the dim light.

Further into the lair, had one gone, one would find a collection of chambers, each tailored to the vampire’s individual tastes.

Some were adorned with art and treasures accumulated over

Narragansett Pier After Midnight Page 21

centuries, while others served as sanctuaries for their undead companions; bats and other creatures of the night.

The air was heavy with a sense of timelessness, a place untouched by the passage of days, where the vampire can retreat from the world, indulge in their ancient rituals, and plan his next foray into the world of the living. It is a place of power and solitude, a sanctuary for the undead, and a fortress against the intrusion of the mortal realm.

This lair, hidden from the eyes of humankind, is a realm where the vampire reigns supreme, a master of the night, and a silent observer of the eons that pass beyond the mountain’s stone embrace.

Neither the seated vampire or his woman seemed particularly malevolent in any describable manner, but rather they seemed trapped in a loop of his final moments, forever searching for the key to immortality.

But the brothers’ first encounter with the character produced personal fear and foreboding, hinting at the ominous nature of the Count. The Count is pale and gaunt, with sharp teeth and a commanding, though silent presence. This immediately established the vampire as a figure of power and otherworldliness. His pale complexion and gaunt appearance suggest a lifeform that was not

Narragansett Pier After Midnight Page 22

entirely human and yet not entirely inhuman, while his sharp teeth are a clear indicator of his vampiric nature.

The setting of their meeting further amplified the Count’s mysterious aura. The manor was isolated on its pier, surrounded by the howling of waves, which served as a chilling soundtrack to Karl and Ernst’s growing unease. The environment served to reflect the Count’s alienation from the living world and his connection to the darker aspects of nature, an exploration of

Narragansett Pier After Midnight Page 23

the themes of the unknown and the clash between modernity and ancient superstitions. The vampire embodied the fears of the Victorian era, a period of great scientific and technological advancement, yet still deeply rooted in traditional beliefs and the fear of the unknown.

Off in a corner, the brothers spied the Weird Sisters; three female vampires who seemed to produce both the Victorian male’s dream and nightmare. They defied the era’s ideal of women being non-sexual beings, thus their allure was both a promise of sexual fulfillment and a curse.

The vampire remained seated when he first engaged the teenagers, saying; “I don’t believe we’ve been properly introduced. I am Count Amdis, and this is Thana,” nodding toward his nearby favorite girl.

Narragansett Pier After Midnight Page 24

The brothers were petrified silent by their fears. The pale, sharp toothed one stood from his chair with bugged eyes and screeched; “I am speaking to you rude intruders. You have not been invited here to my home and yet your manners are abysmal.”

The boys still had no response.

In the dimly lit room, the erratic flutter of wings suddenly cast unsettling shadows against the walls. The air was thick with the musty scent of disuse, and the only light came from the high window, which shone near the ceiling, casting a silver glow over the impending chaos below.

The two teenagers, hearts pounding in their chests, stood frozen in terror. The bats, creatures of the night with their leathery

Narragansett Pier After Midnight Page 25

wings and beady eyes, swooped down in a menacing ballet. Each pass felt like a whisper of doom, their movements silent but for the occasional brush of wing against air.

The room had become a stage for a macabre dance. The bats, emboldened by the fear they sensed, dived closer and closer, their wings almost grazing the teens’ hair. The teens, paralyzed by fear, could only watch as the bats turned the room into their domain, a place where light dared not linger and where every shadow held a threat.

It was a scene straight out of a nightmare, where the line between the real and the imagined blurred, and the only certainty was the pounding of their own hearts, echoing the bats’ silent, ominous ballet.

As the tension in the room reached its peak, the teenagers’

survival instincts kicked in. With a surge of adrenaline, they sprang into action, ducking and weaving through the labyrinth of bats. They moved with a newfound agility, driven by the primal urge to escape the winged assailants, not unlike the minority of Whites still able to willfully depart the threatening darkie lair, now supported by the devil’s power that be.

In a daring attempt, Karl grabbed a broom, swinging it through the air to create a path, unlike the inactivity of White,

Narragansett Pier After Midnight Page 26

politically correct, garishly hued libtards, who invariably cringe in inaction when confronted with the need for self-preservation, if that might result in them being termed racist, ignorant of the fact that that very term is what maintains their group’s existence. The bats, startled by the sudden defiance, scattered in disarray, their formation broken.

Seizing the moment, Ernst spotted an open window; their ticket to freedom.

With hearts racing and lungs burning, they bolted for the window, the cool night air a stark contrast to the stifling atmosphere of the room. They clambered out, tumbling onto the grass outside, and didn’t stop running until they were back at their family boat.

Panting and disheveled, they looked back at the ominous structure, its windows now calm. The bats had retreated into the darkness from whence they came, leaving behind a haunting silence. The teens exchanged a look of relief mixed with disbelief. They had survived the terror of the night, a tale they would recount for years to come.

After their harrowing escape, the teenagers are overwhelmed with a mix of emotions. Relief washed over them as they realized that they were out of immediate danger, their breaths slowing down as

Narragansett Pier After Midnight Page 27

the adrenaline began to fade. There was a sense of triumph, too, at having outsmarted the bats and survived the ordeal.

Yet, there was also an undercurrent of unease that lingered. The memory of the bats’ ominous presence and the fear they felt was still fresh, leaving them with a jittery feeling that might take some time to fully dissipate. They’re likely to be more cautious and aware of their surroundings, the experience having left an indelible mark on their psyche.

As they catch their breath under the safety of the starry sky, they may have even shared a nervous laugh or two, the kind that comes after a close call, like an unnecessary curiosity visit to London’s packed streets only to find that they are now entirely indistinguishable from the sights and smells of Somali mixed with those of Yemen. The “White Replacement Fact” indisputable when one considers that the White population of London was 98

per cent in 1961, while it is now 39 per cent and further declining. It’s a shared experience that will bond them, a story that they’ll tell with wide eyes and animated gestures, perhaps not today, but someday when the fear has turned into an adventure to reminisce.

With the impending dawn came a new day, and Karl and Ernst returned home, forever changed by their nocturnal adventure.

Narragansett Pier After Midnight Page 28

They had faced the unknown, forecast the indoctrination of a lost soul, and learned that some mysteries were better left unsolved.

As they sailed back in the light of the rising sun, the brothers knew that the tale of their journey to the Fuhray house would be one for the ignored moment, a story passed down through silence, much unlike the boat that had carried them there.

Fuhray Manor has a fascinating history woven into the fabric of web based fantasy literature. It’s depicted as a retirement home for ancient creatures of myth and legend, such as fairies, centaurs, mermaids, and androsphinxes. These beings, each with their own stories and grievances, reside within the manor’s walls, which are steeped in mystery and magic.

Narragansett Pier After Midnight Page 29