Chapter 5
"Her wit
Values itself so highly, that to her
All matter else seems weak."
--Much Ado About Nothing.
Gwendolen's reception in the neighborhood fulfilled her uncle's expectations. From Brackenshaw Castle to the Firs at Winchester, where Mr. Quallon the banker kept a generous house, she was welcomed with manifest admiration, and even those ladies who did not quite like her, felt a comfort in having a new, striking girl to invite; for hostesses who entertain much must make up their parties as ministers make up their cabinets, on grounds other than personal liking. Then, in order to have Gwendolen as a guest, it was not necessary to ask any one who was disagreeable, for Mrs. Davilow always made a quiet, picturesque figure as a chaperon, and Mr. Gascoigne was everywhere in request for his own sake.
Among the houses where Gwendolen was not quite liked, and yet invited, was Quetcham Hall. One of her first invitations was to a large dinner-party there, which made a sort of general introduction for her to the society of the neighborhood; for in a select party of thirty and of well-composed proportions as to age, few visitable families could be entirely left out. No youthful figure there was comparable to Gwendolen's as she passed through the long suite of rooms adorned with light and flowers, and, visible at first as a slim figure floating along in white drapery, approached through one wide doorway after another into fuller illumination and definiteness. She had never had that sort of promenade before, and she felt exultingly that it befitted her: any one looking at her for the first time might have supposed that long galleries and lackeys had always been a matter of course in her life; while her cousin Anna, who was really more familiar with these things, felt almost as much embarrassed as a rabbit suddenly deposited in that well-lit-space.
"Who is that with Gascoigne?" said the archdeacon, neglecting a discussion of military manoeuvres on which, as a clergyman, he was naturally appealed to. And his son, on the other side of the room--a hopeful young scholar, who had already suggested some "not less elegant than ingenious," emendations of Greek texts--said nearly at the same time, "By George! who is that girl with the awfully well-set head and jolly figure?"
But to a mind of general benevolence, wishing everybody to look well, it was rather exasperating to see how Gwendolen eclipsed others: how even the handsome Miss Lawe, explained to be the daughter of Lady Lawe, looked suddenly broad, heavy and inanimate; and how Miss Arrowpoint, unfortunately also dressed in white, immediately resembled a carte-de- visite in which one would fancy the skirt alone to have been charged for. Since Miss Arrowpoint was generally liked for the amiable unpretending way in which she wore her fortunes, and made a softening screen for the oddities of her mother, there seemed to be some unfitness in Gwendolen's looking so much more like a person of social importance.
"She is not really so handsome if you come to examine her features," said Mrs. Arrowpoint, later in the evening, confidentially to Mrs. Vulcany. "It is a certain style she has, which produces a great effect at first, but afterward she is less agreeable."
In fact, Gwendolen, not intending it, but intending the contrary, had offended her hostess, who, though not a splenetic or vindictive woman, had her susceptibilities. Several conditions had met in the Lady of Quetcham which to the reasoners in that neighborhood seemed to have an essential connection with each other. It was occasionally recalled that she had been the heiress of a fortune gained by some moist or dry business in the city, in order fully to account for her having a squat figure, a harsh parrot- like voice, and a sytematically high head-dress; and since these points made her externally rather ridiculous, it appeared to many only natural that she should have what are called literary tendencies. A little comparison would have shown that all these points are to be found apart; daughters of aldermen being often well-grown and well-featured, pretty women having sometimes harsh or husky voices, and the production of feeble literature being found compatible with the most diverse forms of physique, masculine as well as feminine.
Gwendolen, who had a keen sense of absurdity in others, but was kindly disposed toward any one who could make life agreeable to her, meant to win Mrs. Arrowpoint by giving her an interest and attention beyond what others were probably inclined to show. But self-confidence is apt to address itself to an imaginary dullness in others; as people who are well off speak in a cajoling tone to the poor, and those who are in the prime of life raise their voice and talk artificially to seniors, hastily conceiving them to be deaf and rather imbecile. Gwendolen, with all her cleverness and purpose to be agreeable, could not escape that form of stupidity: it followed in her mind, unreflectingly, that because Mrs. Arrowpoint was ridiculous she was also likely to be wanting in penetration, and she went through her little scenes without suspicion that the various shades of her behavior were all noted.
"You are fond of books as well as of music, riding, and archery, I hear," Mrs. Arrowpoint said, going to her for a tete-à-tete in the drawing-room after dinner. "Catherine will be very glad to have so sympathetic a neighbor." This little speech might have seemed the most graceful politeness, spoken in a low, melodious tone; but with a twang, fatally loud, it gave Gwendolen a sense of exercising patronage when she answered, gracefully:
"It is I who am fortunate. Miss Arrowpoint will teach me what good music is. I shall be entirely a learner. I hear that she is a thorough musician."
"Catherine has certainly had every advantage. We have a first-rate musician in the house now--Herr Klesmer; perhaps you know all his compositions. You must allow me to introduce him to you. You sing, I believe. Catherine plays three instruments, but she does not sing. I hope you you will let us hear you. I understand you are an accomplished singer."
"Oh, no!--'die Kraft ist schwach, allein die Lust ist gross,' as Mephistopheles says."
"Ah, you are a student of Goethe. Young ladies are so advanced now. I suppose you have read everything."
"No, really. I shall be so glad if you will tell me what to read. I have been looking into all the books in the library at Offendene, but there is nothing readable. The leaves all stick together and smell musty. I wish I could write books to amuse myself, as you can! How delightful it must be to write books after one's own taste instead of reading other people's! Home-made books must be so nice."
For an instant Mrs. Arrowpoint's glance was a little sharper, but the perilous resemblance to satire in the last sentence took the hue of girlish simplicity when Gwendolen added--
"I would give anything to write a book!"
"And why should you not?" said Mrs. Arrowpoint, encouragingly. "You have but to begin as I did. Pen, ink, and paper are at everybody's command. But I will send you all I have written with pleasure."
"Thanks. I shall be so glad to read your writings. Being acquainted with authors must give a peculiar understanding of their books: one would be able to tell then which parts were funny and which serious. I am sure I often laugh in the wrong place." Here Gwendolen herself became aware of danger, and added quickly, "In Shakespeare, you know, and other great writers that we can never see. But I always want to know more than there is in the books."
"If you are interested in any of my subjects I can lend you many extra sheets in manuscript," said Mrs. Arrowpoint--while Gwendolen felt herself painfully in the position of the young lady who professed to like potted sprats.
"These are things I dare say I shall publish eventually: several friends have urged me to do so, and one doesn't like to be obstinate. My Tasso, for example--I could have made it twice the size."
"I dote on Tasso," said Gwendolen.
"Well, you shall have all my papers, if you like. So many, you know, have written about Tasso; but they are all wrong. As to the particular nature of his madness, and his feelings for Leonora, and the real cause of his imprisonment, and the character of Leonora, who, in my opinion, was a cold-hearted woman, else she would have married him in spite of her brother--they are all wrong. I differ from everybody."
"How very interesting!" said Gwendolen. "I like to differ from everybody. I think it is so stupid to agree. That is the worst of writing your opinions; and make people agree with you." This speech renewed a slight suspicion in Mrs. Arrowpoint, and again her glance became for a moment examining. But Gwendolen looked very innocent, and continued with a docile air:
"I know nothing of Tasso except the Gerusalemme Liberata, which we read and learned by heart at school."
"Ah, his life is more interesting than his poetry, I have constructed the early part of his life as a sort of romance. When one thinks of his father Bernardo, and so on, there is much that must be true."
"Imagination is often truer than fact," said Gwendolen, decisively, though she could no more have explained these glib words than if they had been Coptic or Etruscan. "I shall be so glad to learn all about Tasso--and his madness especially. I suppose poets are always a little mad."
"To be sure--'the poet's eye in a fine frenzy rolling'; and somebody says of Marlowe--
'For that fine madness still he did maintain, Which always should possess the poet's brain.'"
"But it was not always found out, was it?" said Gwendolen innocently. "I suppose some of them rolled their eyes in private. Mad people are often very cunning."
Again a shade flitted over Mrs. Arrowpoint's face; but the entrance of the gentlemen prevented any immediate mischief between her and this too quick young lady, who had over-acted her naïveté.
"Ah, here comes Herr Klesmer," said Mrs. Arrowpoint, rising; and presently bringing him to Gwendolen, she left them to a dialogue which was agreeable on both sides, Herr Klesmer being a felicitous combination of the German, the Sclave and the Semite, with grand features, brown hair floating in artistic fashion, and brown eyes in spectacles. His English had little foreignness except its fluency; and his alarming