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The Last Galley Impressions and Tales

Preface
I have written "Impressions and Tales" upon the title-page of this volume, because I have
included within the same cover two styles of work which present an essential difference.
The second half of the collection consists of eight stories, which explain themselves.
The first half is made up of a series of pictures of the past which maybe regarded as trial
flights towards a larger ideal which I have long had in my mind. It has seemed to me that
there is a region between actual story and actual history which has never been adequately
exploited. I could imagine, for example, a work dealing with some great historical epoch,
and finding its interest not in the happenings to particular individuals, their adventures
and their loves, but in the fascination of the actual facts of history themselves. These facts
might be coloured with the glamour which the writer of fiction can give, and fictitious
characters and conversations might illustrate them; but none the less the actual drama of
history and not the drama of invention should claim the attention of the reader. I have
been tempted sometimes to try the effect upon a larger scale; but meanwhile these short
sketches, portraying various crises in the story of the human race, are to be judged as
experiments in that direction.
ARTHUR CONAN DOYLE.
WINDLESHAM,
CROWBOROUGH,
April, 1911.
 
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