The Darling and Other Stories
I HAVE seen a great many houses in my time, little and big, new and old, built of stone
and of wood, but of one house I have kept a very vivid memory. It was, properly
speaking, rather a cottage than a house--a tiny cottage of one story, with three windows,
looking extraordinarily like a little old hunchback woman with a cap on. Its white stucco
walls, its tiled roof, and dilapidated chimney, were all drowned in a perfect sea of green.
The cottage was lost to sight among the mulberry-trees, acacias, and poplars planted by
the grandfathers and great-grandfathers of its present occupants. And yet it is a town
house. Its wide courtyard stands in a row with other similar green courtyards, and forms
part of a street. Nothing ever drives down that street, and very few persons are ever seen
walking through it.
The shutters of the little house are always closed; its occupants do not care for sunlight--
the light is no use to them. The windows are never opened, for they are not fond of fresh
air. People who spend their lives in the midst of acacias, mulberries, and nettles have no
passion for nature. It is only to the summer visitor that God has vouchsafed an eye for the
beauties of nature. The rest of mankind remain steeped in profound ignorance of the
existence of such beauties. People never prize what they have always had in abundance.
"What we have, we do not treasure," and what's more we do not even love it.
The little house stands in an earthly paradise of green trees with happy birds nesting in
them. But inside . . . alas . . . ! In summer, it is close and stifling within; in winter, hot as
a Turkish bath, not one breath of air, and the dreariness! . . .
The first time I visited the little house was many years ago on business. I brought a
message from the Colonel who was the owner of the house to his wife and daughter. That
first visit I remember very distinctly. It would be impossible, indeed, to forget it.
Imagine a limp little woman of forty, gazing at you with alarm and astonishment while
you walk from the passage into the parlour. You are a stranger, a visitor, "a young man";
that's enough to reduce her to a state of terror and bewilderment. Though you have no
dagger, axe, or revolver in your hand, and though you smile affably, you are met with
"Whom have I the honour and pleasure of addressing?" the little lady asks in a trembling
I introduced myself and explained why I had come. The alarm and amazement were at
once succeeded by a shrill, joyful "Ach!" and she turned her eyes upwards to the ceiling.
This "Ach!" was caught up like an echo and repeated from the hall to the parlour, from
the parlour to the kitchen, and so on down to the cellar. Soon the whole house was
resounding with "Ach!" in various voices.