The Best Mystery and Detective Stories by Julian Hawthorne - HTML preview

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The Invisible Eye

About this time (said Christian), poor as a church mouse, I took refuge in the roof of an old house in Minnesänger Street, Nuremberg, and made my nest in the corner of the garret.

I was compelled to work over my straw bed to reach the window, but this window was in the gable end, and the view from it was magnificent, both town and country being spread out before me.

I could see the cats walking gravely in the gutters; the storks, their beaks filled with frogs, carrying nourishment to their ravenous brood; the pigeons, springing from their cotes, their tails spread like fans, hovering over the streets.

In the evening, when the bells called the world to the Angelus, with my elbows upon the edge of the roof, I listened to their melancholy chimes; I watched the windows as, one by one, they were lighted up; the good burghers smoking their pipes on the sidewalks; the young girls in their red skirts, with their pitchers under their arms, laughing and chatting around the fountain "Saint Sebalt." Insensibly all this faded away, the bats commenced their rapid course, and I retired to my mattress in sweet peace and tranquillity.

The old curiosity seller, Toubac, knew the way to my little lodging as well as I did, and was not afraid to climb the ladder. Every week his ugly head, adorned with a reddish cap, raised the trapdoor, his fingers grasped the ledge, and he cried out in a nasal tone:

"Well, well, Master Christian, have you anything?"

To which I replied:

"Come in. Why in the devil don't you come in? I am just finishing a little landscape, and you must tell me what you think of it."

Then his great back, seeming to elongate, grew up, even to the roof, and the good man laughed silently.

I must do justice to Toubac: he never haggled with me about prices; he bought all my paintings at fifteen florins, one with the other, and sold them again for forty each. "This was an honest Jew!"

I began to grow fond of this mode of existence, and to find new charms in it day by day. Just at this time the city of Nuremberg was agitated by a strange and mysterious event. Not far from my dormer window, a little to the left, stood the Inn Boeuf-Gras, an old auberge much patronized throughout the country. Three or four wagons, filled with sacks or casks, were always drawn up before the door, where the rustic drivers were in the habit of stopping, on their way to the market, to take their morning draught of wine.

The gable end of the inn was distinguished by its peculiar form. It was very narrow, pointed,  and,  on  two  sides,  cut-in  teeth,  like  a  saw.  The  carvings  were  strangely grotesque, interwoven and ornamenting the cornices and surrounding the windows; but the  most  remarkable  fact  was  that  the  house  opposite  reproduced  exactly  the  same sculptures, the same ornaments; even the signboard, with its post and spiral of iron, was exactly copied.

One might have thought that these two ancient houses reflected each other. Behind the inn, however, was a grand old oak, whose somber leaves darkened the stones of the roof, while  the  other  house  stood  out  in  bold  relief  against  the  sky.  To  complete  the description, this old building was as silent and dreary as the Inn Boeuf-Gras was noisy and animated.

On one side, a crowd of merry drinkers were continually entering in and going out, singing, tripping, cracking their whips; on the other, profound silence reigned.

Perhaps, once or twice during the day, the heavy door seemed to open of itself, to allow a little old woman to go out, with her back almost in a semicircle, her dress fitting tight about her hips, an enormous basket on her arm, and her hand contracted against her breast.

It seemed to me that I saw at a glance, as I looked upon her, a whole existence of good works and pious meditations.

The physiognomy of this old woman had struck me more than once: her little green eyes, long, thin nose, the immense bouquets of flowers on her shawl, which must have been at least a hundred years old, the withered smile which puckered her cheeks into a cockade, the lace of her bonnet falling down to her eyebrows—all this was fantastic, and interested me much. Why did this old woman live in this great deserted house? I wished to explore the mystery.

One day as I paused in the street and followed her with my eyes, she turned suddenly and gave me a look, the horrible expression of which I know not how to paint; made three or four hideous grimaces, and then, letting her palsied head fall upon her breast, drew her great shawl closely around her, and advanced slowly to the heavy door, behind which I saw her disappear.

"She's an old fool!" I said to myself, in a sort of stupor. My faith, it was the height of folly in me to be interested in her!

However, I would like to see her grimace again; old Toubac would willingly give me fifteen florins if I could paint it for him.

I must confess that these pleasantries of mine did not entirely reassure me.

The hideous glance which the old shrew had given me pursued me everywhere. More than once, while climbing the almost perpendicular ladder to my loft, feeling my clothing caught on some point, I trembled from head to foot, imagining that the old wretch was hanging to the tails of my coat in order to destroy me.

Toubac, to whom I related this adventure, was far from laughing at it; indeed, he assumed a grave and solemn air.

"Master Christian," said he, "if the old woman wants you, take care! Her teeth are small, pointed, and of marvelous whiteness, and that is not