Fiction eBooks
Martin Chuzzlewit
Fiction, by Charles DickensChronicles Martin Chuzzlewit's experiences as a student of architecture and a pioneer in the American West.
Martin Eden
Fiction, by Jack LondonSet in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame.
Martin Guerre
Fiction, by Alexander Dumas, PereA man capitalizes on his remarkable resemblance to another man to steal the other's life and identity.
Massacre at Paris
Drama, by Christopher MarloweFirst performed in 1593, this Play by English dramatist, Christopher Marlowe, revolves around the Saint Bartholomew's Day Massacre that occurred in Paris in 1572. Download it today!
Massacres of the South
Fiction, by Alexandre Dumas, PereTwo decades have passed since the famous swordsmen triumphed over Cardinal Richelieu and Milady in The Three Musketeers. Time has weakened their resolve, and dispersed their loyalties. But treasons and stratagems still cry out for justice.
Master Humphrey's Clock
Fiction, by Charles DickensIn the portion of Master Humphrey's Clock which succeeds The Old Curiosity Shop, Master Humphrey reveals to his friends that he is in fact the character referred to as the 'single gentleman' in that story.
Matthew and the Derelict
Fiction, by Joseph J. WoodMatthew and the Derelict, by Joseph J. Wood, is a journey through the often harsh and sometimes bizarre dark corners of city life. With a vagabond anarchist as a guide, our narrator follows his lead to disrupt society by day and indulge in it by night. That is until he finds himself at the helm of something much more pressing than petty terrorism and indulgent hedonism...
McTeague
Fiction, by Frank NorrisMcTeague was one of the founding works of unflinching realism and naturalism in American writing.
Merton of the Movies
Fiction, by Harry Leon WilsonThe book begins: At the very beginning of the tale there comes a moment of puzzled hesitation. One way of approach is set beside another for choice, and a third contrived for better choice. Still the puzzle persists, all because the one precisely right way might seem-shall we say intense, high keyed, clamorous? Yet if one way is the only right way, why pause? Courage! Slightly dazed, though...





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